Golden Section Quotes & Sayings

The golden section was discovered by the Egyptians, and has been used in art and architecture, most commonly, during the classical ages of Egypt and Greece. — Steven L. Griffing

Central to all these interlinked themes was that curious irrational, phi, the Golden Section. Schwaller de Lubicz believed that if ancient Egypt possessed knowledge of ultimate causes, that knowledge would be written into their temples not in explicit texts but in harmony, proportion, myth and symbol. — John Anthony West

A man dies and goes to heaven. He is being shown around by an angel. Everything is just so sweet and gentle, the total golden tender presence of God everywhere, a pond over there, a beautiful field there, and some hills for people who like to hike, and this expansiveness in every direction of sky and light and physical beauty. And there is this section separated from the rest; it has beautiful high walls. The man who's just come to heaven says, "What's over there?" The angel says, "That's for the fundamentalists. They don't consider it heaven if anyone else got in. — Anne Lamott

Auxochrome - Chromophore. Diego. She who wears the color. He who sees the color. Since the year 1922. Until always and forever. Now in 1944. After all the hours lived through. The vectors continue in their original direction. Nothing stops them. With no more knowledge than live emotion. With no other wish than to go on until they meet. Slowly. With great unease, but with the certainty that all is guided by the "golden section." There is cellular arrangement. There is movement. There is light. All centers are the same. Folly doesn't exist. We are the same as we were and as we will be. Not counting on idiotic destiny. — Frida Kahlo

As I explain at some length in 'The Crystal Sun' this particular angle, which we can call the 'golden angle,' is the precise value of the acute angle of of a right-angled 'golden triangle' that embodies the golden mean proportion ....

The Danish art historian Else Kielland established with conclusive and absolutely overwhelming evidence and analysis that this angle was the basis for all Egyptian art and architecture. She did this in her monumental work 'Geometry in Egyptian Art' .....

The King's Chamber inside the Great Pyramid embodies no fewer than eight occurrences of the golden angle, and the coffer in the chamber embodies yet more. — Robert K. G. Temple

The water beneath the Temple was both actual and metaphorical, existing as springs and streams, as spiritual energy, and as a symbol of the receptive or lunar aspect of nature.

The meaning of that principle is too wide and elusive for it to be given any one name, so in the terminology of ancient science it was given a number, 1,080. Its polar opposite, the positive, solar force in the universe, was also referred to as a number 666.

These two numbers, which have an approximate golden-section relationship of 1:1.62, were at the root of the alchemical formula that expressed the supreme purpose of the Temple. Its polar opposite, the positive, solar force in the universe, was also referred to as a number 666. Not merely was it used to generate energy from fusion of atmospheric and terrestrial currents, but it also served to combine in harmony all the correspondences of those forces on every level of creation. — John Michell

[On a high school visit by Destiny's Child:] Then they appeared, golden Glamazons resplendent in hot pants the size of a dryer sheet and gold stiletto boots. The kids in the front row, clearly on funkiness overload, had the walleyed look of the Today's Catch section of the supermarket. — Jancee Dunn

On a small square, wood is being cut for the city school. Cords of healthy, crisp timber are piled high and melt slowly, one log after another, under the saws and axes of workmen. Ah, timber, trustworthy, honest, true matter of reality, bright and completely decent, the embodiment of the decency and prose of life! However deep you look into its core, you cannot find anything that is not apparent on its evenly smiling surface, shining with that warm, assured glow of its fibrous pulp woven in a likeness of the human body. In each fresh section of a cut log a new face og the human body. In each fresh section of a cut log a new face appears, always smiling and golden. Oh, the strange complexion of timber, warm eithout exaltation, completely sound, fragrant, and pleasant! — Bruno Schulz

When the townsfolk emerged from their homes a couple of hours later to raise their faces to the golden sun rising briefly above the distant mountains, they were greeted not with the usual whisper of falling snow, but with clanks and thumps and what may have been Gallifreyan swearwords drifting from the upper section of the Clock Tower. Distracted — Justin Richards

The conclusion that the Egyptians of the Old Kingdom were acquainted with both the Fibonacci series and the Golden Section, says Stecchini, is so startling in relation to current assumptions about the level of Egyptian mathematics that it could hardly have been accepted on the basis of Herodotus' statement alone, or on the fact that the phi [golden] proportion happens to be incorporated in the Great Pyramid.

But the many measurements made by Professor Jean Philippe Lauer, says Stecchini, definitely prove the occurrence of the Golden Section throughout the architecture of the Old Kingdom.... Schwaller de Lubicz also found graphic evidence that the pharonic Egyptians had worked out a direct relation between pi and phi in that pi = phi^2 x 6/5. — Peter Tompkins

Let us make an arbitrary decision (by a show of hands if necessary) to define the base of every stratigraphical unit in a selected section. This may be called the "Principle of the Golden Spike." Then stratigraphical nomenclature can be forgotten and we can get on with the real work of stratigraphy, which is correlation and interpretation. — D. V. Ager

Petrie found nothing that disproved the pyramidologist's assumption that the Great Pyramid had been built according to a master plan. Indeed, he describes the Pyramid's architecture as being filled with extraordinary mathematical harmonies and concordances: those same strange symmetries that had so haunted the pyramidologist.

Petrie not only noted, for example, that the proportions of the reconstructed pyramid approximated to pi - which others have since elaborated to include those twin delights of Renaissance and pyramidological mathematicians, the Golden Section and the Fibonacci Series ... — John Romer