Going Up From Here Quotes & Sayings

Phury knelt beside him and stroked his face. "I've only ever had you to live for. If you die I have nothing.
I'm utterly lost. And you are needed here."
Zsadist tried to reach out, but couldn't lift his arms as Phury stood up.
"God, Z, I keep thinking this tragedy of ours is going to be over. But it just keeps going, doesn't it?"
Zsadist blacked out to the sound of his twin's boots heading from the room. — J.R. Ward

Memories had come back to Thomas on several occasions. The Changing, the dreams he'd had since, fleeting glimpses here and there, like quick lightning strikes in his mind. And right now, listening to the white-suited man talk, it felt as if he were standing on a cliff and all the answers were just about to float up from the depths for him to see in their entirety. The urge to grasp those answers was almost too strong to keep at bay.
But he was still wary. He knew he'd been a part of it all, had helped design the Maze, had taken over after the original Creators died and kept the program going with new recruits. "I remember enough to be ashamed of myself," he admitted. "But living through this kind of abuse is a lot different than planning it. It's just not right. — James Dashner

She groaned and tucked her fingers between my side and the mattress. "I don't think I'm ever going to get used to the cold air here."
I chuckled and kissed her forehead. "Just wait 'til it snows."
"Ugh," she moaned.
"I'll turn the heat up," I said and started to move from beneath her. She clutched me closer and made a sound of determination. I laughed. It thrilled the shit out of me that she liked having me so close. "I thought you were cold," I said affectionately.
"But you're warm."
"I'll come right back."
"Kiss me," she demanded. She was definitely a shy person, but the more time we spent together, the less shy she was with me when we were alone. I loved it. It was like getting a glimpse of the person no one else saw. — Cambria Hebert

What's Luke doing here?"
He kept the Harley steady while I got off. He swung his leg over and stood up, removing his helmet and gloves. "I called him from Jason's place. He's going to help us get your stuff moved over."
"Wow." A laugh bubbled on my lips, surprising me after the heartbreak I'd experienced at Wyatt's house. "You don't waste any time."
"Nope." He tipped his head with a cocky grin that launched butterflies in my stomach. "Don't want to wait for you to come to your senses. — Lisa Kessler

My main goal is to stay alive. To keep fooling myself into hanging around. To keep getting up every day. Right now I live without inspiration. I go day to day and do the work because it's all I know. I know that if I keep moving I stand a chance. I must keep myself going until I find a reason to live. I need one so bad. On the other hand maybe I don't. Maybe it's all bullshit. Nothing I knew from my old life can help me here. Most of the things that I believed turned out to be useless. Appendages from someone else's life.
Everything I have I would give to not know what I know. To not feel emptiness as my constant companion. To not look into this room and be reminded why I'm in it. I'm not getting enough air. The room feels so small all of a sudden. It's pathetic to be this lonely and know it. To keep breathing. To be silent and alone. And to know. — Henry Rollins

That boulder did what it was there to do. Boulders fall. That's their nature. It did the only natural thing it could do. It was set up, but it was waiting for you. Without you coming along and pulling it, it would still be stuck where it had been for who knows how long. You did this, Aron. You created it. You chose to come here today; you chose to do this descent into the slot canyon by yourself. You chose not to tell anyone where you were going. You chose to turn away from the women who were there to keep you from getting in this trouble. You created this accident. You wanted it to be like this. You have been heading for this situation for a long time. Look how far you came to find this spot. It's not that you're getting what you deserve - you're getting what you wanted. — Aron Ralston

Here is the vicious circle: if you feel separate from your organic life, you feel driven to survive; survival -going on living- thus becomes a duty and also a drag because you are not fully with it; because it does not quite come up to expectations, you continue to hope that it will, to crave for more time, to feel driven all the more to go on. — Alan W. Watts

She scuttled back from his approach and held up a hand. "No!"
Eversley stilled, his eyes widening at the words. "I beg your pardon?"
He was going to smell her. "Don't come any closer!"
"Why not?"
"It's not appropriate."
"What isn't?"
"You. Being here. So near. While I am abed."
One black brow rose. "I assure you, my lady, I've no intention of debauching you."
She had no doubt of that, considering her current situation, but she couldn't well tell him the truth. "Nevertheless, I must insist on the utmost propriety."
"Who do you think nursemaided you for the last day?"
Bollocks. He was right. He'd been close. He'd had to have noticed her odor. But it didn't mean he had to any longer. She straightened her shoulders, ignoring the twinge in the left. "My reputation, you see."
He blinked. "You were shot on the Great North Road while wearing stolen livery - — Sarah MacLean

Did you know that when the baby starts moving that it's called the quickening?" Hope says.

I snicker. "So she's going to burst out of my stomach with a sword declaring there can be only one?"

"Possibly. Women have died in childbirth, right? The baby is essentially a parasite. It lives off your nutrients, saps your energy." She taps the bottom of a hanger against her lip. "So yeah, I think the Highlander motto could fit."

Carin and I look at her in horror. "Hopeless, you can shut up any time now," Carin orders.

"I was just saying, from a medical standpoint, it's a possible theory. Not here, but maybe in other less developed nations." She reaches over and pats my belly. "Don't worry. You're safe. You should've gotten more maternity clothes," she says, moving on to another topic while I'm still digesting that my baby is a parasite. — Elle Kennedy

Shahara-"
"Zzzt," she said, holding her hand up. "Wasting time here. I won't even hear it. You go. I go. It's my sister's life on the line and I out-shoot and am pretty sure I outfight you, too." "I think we came up pretty even on that score." "But I am the better shot." He gave her a grudging glare. "I concede. However, I think I can take you when I'm sober." She took the bottle out of his hand. "Good. I'm going to throw this out." "Uh!" He reached for it. Shahara danced away from him and had the bottle upside down in the sink before he could catch her. He tried to get it out of her hands, but it was too late. "You are an evil, mean woman."

-Syn & Shahara — Sherrilyn Kenyon

I like the stars. It's the illusion of permanence, I think. I mean, they're always flaring up and caving in and going out. But from here, I can pretend ... I can pretend that things last. I can pretend that lives last longer than moments. Gods come, and gods go. Mortals flicker and flash and fade. Worlds don't last; and stars and galaxies are transient, fleeting things that twinkle like fireflies and vanish into cold and dust. But I can pretend ... — Neil Gaiman

Look," Anil says, after Billy has explained enough of this. "Just cut to the chase."

"The chase," Billy says. He knocks back the new shot that the bartender has set up for him. He wipes his chin with the back of his hand. "The chase is that at the end of it she said she just wanted me to say one thing. She just wanted me to tell her that everything was going to be okay and that things were going to get easier from here on out."

"Okay, yeah," says Anil. "And you responded by saying - ?"

"I responded by saying that it would be ethically unsound for me to make a claim, for the purposes of comfort, that I couldn't be certain was true under the present circumstances."

Anil opens his mouth and then shuts it again. Finally he offers this: "No offense, man, but you're a fucking idiot."

"I'm aware."

"Fucking," Anil says, ticking it off on his thumb. "Idiot," he concludes, ticking this one off on his pointer finger. — Jeremy Bushnell

The dead man's nephew, excused from this duty, walks far ahead out of earshot. We are free as we go stumbling and sweating along to say exactly what we please, without fear of offending. "Heavy son of a bitch. ... " "All blown up like he is, you'd think he'd float like a balloon." "Let's just hope he don't explode." "He won't. We let the gas out." "What about lunch?" somebody asks; "I'm hungry." "Eat this." "Why'd the bastard have to go so far from the road?" "There's something leaking out that zipper." "Never mind, let's try to get in step here," the sheriff says. "Goddamnit, Floyd, you got big feet." "Are we going in the right direction?" "I wonder if the old fart would walk part way if we let him out of that bag?" "He won't even say thank you for the ride." "Well I hope this learned him a lesson, goddamn him. I guess he'll stay put after this. ... " Thus we meditate upon the stranger's death. — Edward Abbey

The threat has changed from simply worrying about foreigners coming here, to worrying about people in the United States, American citizens - raised here, born here, and who for whatever reason, have decided that they are going to become radicalized and take up arms against the nation in which they were born. — Eric Holder

Being a journalist, being exposed to the world, to social injustice, to intolerance, growing up here, under apartheid, benefitting from that, has all shaped who I am and what my passions are, and of course that's going to come through in my writing. — Lauren Beukes

Growth isn't central at all, because I'm trying to run this company as if it's going to be here a hundred years from now. And if you take where we are today and add 15% growth, like public companies need to have for their stock to stay up in value, I'd be a multi-trillion-dollar company in 40 years. Which is impossible, of course. — Yvon Chouinard

Clubs rattled behind them. Skeet Cooper rubbed the corner of his mouth with his thumb and rose from the bench. "Looks like Kenny's caddy's here."
Dallie lifted an eyebrow as his son stepped up on the tee carrying Kenny's bag.
Ted smiled. "Sorry I'm late. Mom made me eat breakfast. Then she started fussing with my hair, don't ask me why."
Dallie took the driver Skeet handed him. "Funny you didn't mention that you were going to caddy for Kenny today."
"Must have forgot." Ted smiled and shifted the bag. "I told Skeet."
Dallie shot Skeet an annoyed look that didn't bother Skeet one bit. Kenny gestured toward the tee. "Be my guest. I believe in showing respect for the elderly and the infirm. — Susan Elizabeth Phillips

I've got a huge, terrible problem."
Oh no! Not that horrible toenail fungus that takes six months to cure?"
No, no, no. Much worse. This is shocking news. Are you sure I should tell you while you're driving?"
I've got my headset on. Both hands on the wheel. Windows rolled up. Go for it."
Okay, here goes ... Principal Abernethy called me this morning to let me know I'm in the running for valedictorian."
There is silence.
A rather loudish snort.
And guffaws.
Congratulations," she finally says, laughing. "What ever are you going to do?"
Fail ever assignment from today onward."
You won't be able to."
Watch me. — Lisa McMann

Madam Li nods. She reaches over the table for Chinatsu's hand. It would look like a gesture of sympathy for a friend. Chinatsu uncurls her right hand and allows the money to be retrieved. The initial wedge of money that Madam Li takes now is more than she ever takes later on. It almost entirely depletes the stash of money she's been saving for years. The woman's magician-eyes are framed by the steam snaking from their tea. Cat-green, they are striking and marred by yellow jelly spots in the whites.
'You no drink you no eat. What you, pregnant?'
'Would I be here?'
Madam Li screws her chin back into her neck. The chair creaks as she sits back, spine straight. 'Well, if you not going eat drink speaking truth, fuck off.'
Chinatsu's eyebrows flick up. She bursts out laughing. — Sarah Dobbs

The specific use of folks as an exclusionary and inclusionary signal, designed to make the speaker sound like one of the boys or girls, is symptomatic of a debasement of public speech inseparable from a more general erosion of American cultural standards. Casual, colloquial language also conveys an implicit denial of the seriousness of whatever issue is being debated: talking about folks going off to war is the equivalent of describing rape victims as girls (unless the victims are, in fact, little girls and not grown women). Look up any important presidential speech in the history of the United States before 1980, and you will find not one patronizing appeal to folks. Imagine: 'We here highly resolve that these folks shall not have died in vain; and that government of the folks, by the folks, for the folks, shall not perish from the earth. — Susan Jacoby

Bugs like these we've got here, you aren't going to find those unless you slow down and hunt really hard. Live nearby for a while and look. At which point it's too late, if you get a bad result. You're out of luck then." Long silence as he walked south along the beach. Then: "It's too bad. It really is a very pretty world." Later: "What's funny is anyone thinking it would work in the first place. I mean it's obvious any new place is going to be either alive or dead. If it's alive it's going to be poisonous, if it's dead you're going to have to work it up from scratch. I suppose that could work, but it might take about as long as it took Earth. Even if you've got the right bugs, even if you put machines to work, it would take thousands of years. So what's the point? Why do it at all? Why not be content with what you've got? Who were they, that they were so discontent? Who the fuck were they?" This sounded much like Devi, and Freya put her head — Kim Stanley Robinson

This is your captain speaking. Welcome aboard flight ... one, from ... here to there. We'll be cruising at a height of ten feet, going up to twelve and a half feet if we see anything big. And our copilot today is a flask of coffee. — Eddie Izzard

A DIFFERENT KIND OF CHECKLIST If we want our kids to have a shot at making it in the world as eighteen-year-olds, without the umbilical cord of the cell phone being their go-to solution in all manner of things, they're going to need a set of basic life skills. Based upon my observations as dean, and the advice of parents and educators around the country, here are some examples of practical things they'll need to know how to do before they go to college - and here are the crutches that are currently hindering them from standing up on their own two feet: 1. An eighteen-year-old must be able to talk to strangers - faculty, deans, advisers, landlords, store clerks, human resource managers, coworkers, bank tellers, health care providers, bus drivers, mechanics - in the real world. — Julie Lythcott-Haims

Alan tried to reassure her the same way he always had.
--I'm the eye in the say, he said. I can see where you started and where you're going and it looks perfectly fine from up here. — Dave Eggers

Channing, come back here."
"No," she tossed off over her shoulder.
"I'm warnin' you, girl, you don't want to make me mad."
"Tough shit, tough guy. Suck it up and walk it off."
People around them stopped and stared, nudged each other and chuckled, giving Colby a wide berth.
"Last chance," he yelled.
Channing flipped him the bird without turning around. In fact, she ran away from him like her boot heels were smoking.
He was going to paddle that sassy little ass but good. — Lorelei James

People entering the bars on First Avenue gave up their bodies. Then only the demons inhabiting us could be seen. Souls who had wronged each other were brought together here. The rapist met his victim, the jilted child discovered its mother. But nothing could be healed, the mirror was a knife dividing everything from itself, tears of false fellowship dripped on the bar. And what are you going to do to me now? With what, exactly, would you expect to frighten me? — Denis Johnson

You are all talking a bit too much, said Armando, who had cautioned them from the beginning to stay out of popular culture and in their own interior worlds.
When you are caught up in the world that you did not design as support for your life and the life of earth and people, it is like being caught in someone else's dream or nightmare. Many people exist in their lives in this way. I say exist because it is not really living. It is akin to being suspended in a dream one is having at night, a dream over which one has no control. You are going here and there, seeing this and that person; you do not know or care about them usually, they are just there, on your interior screen. Humankind will not survive if we continue in this way, most of us living lives in which our own life is not the center. — Alice Walker

You interrogated a man at Hades's compound a year ago. I heard what you did to him. I can't have dead prisoners here; we have to be better than that." "I didn't kill him," I objected, remembering the murderous bastard who'd tried to kill Hades before he'd been caught. Unfortunately we hadn't stopped him from killing his own wife and children. "You took his hands. You know he killed himself in our jail?" "Yeah, well, I'm not going to kill anyone. Just talk. They wanted to kill me back in Southampton, now they want to take me to talk. I'd like to know why. And I heard your prisoner died by getting into a fight with another prisoner." "He walked up to a cave troll and kicked him. The troll tore his head off and threw it fifty feet away. What would you call that?" "Suicide by troll. That's new. — Steve McHugh

I eased back on my elbows, tilting my head back to look up at the sky, which was pinkish, streaked with red. This was the time we knew best, that stretch of day going from dusk to dark. It seemed like we were always waiting for nighttime here. I could feel the trampoline easing up and down, moved by our own breathing, bringing us in small increments up and back from the sky as the colors faded, slowly, and the stars began to show themselves. — Sarah Dessen

This is a part of post-college life that nobody ever warns you about. Your social life is no longer dropped into your lap by virtue of shared classes and extracurricular activities. Relationships, whether with friends, family, or romantic partners - from here on out, they're going to take a lot more work. No more built-in friends at the sorority, or hollering down the stairs when I need my mom. It's certainly not going to be as easy to meet guys now that I'm done with school. It's not like I can just chat up the cute guy in econ class anymore. — Lauren Layne

What are you doing, Sophie?"

"What do you think I'm doing?"

"Do you want to leave? Is that it? You want to run away from everything? You want to hide and pretend like it's not happening? You never let up in that department, do you?"

"You don't understand, Oliver, and I'm not going to explain it to you."

"Yeah, well, go ahead, if this is what you want then leave. Leave me. But know that if you leave and anything happens to you, I will lose myself. You hear me? I will lose myself."

"What about me? I've lost myself already."

"I'll bring you back. This is your home. Whatever it takes, I'm here. Look at me. I'm here. I want to be with you. Don't keep me away. Not now. — Elisa Marie Hopkins

Her father would return from China. He'd come back with all his soldiers. He'd pick her up in his strong arms and say that he'd never meant to leave, that he hadn't meant to sail away and leave her and her mother alone in the canals of the Drowned Cities as the Army of God and the UPF and the Freedom Militia came down like a hammer on every single person who'd ever trafficked with the peacekeepers. A stupid little dream for a stupid little war maggot. Mahlia hated herself for dreaming it. But sometimes she curled in on herself and held the stump of her right hand to her chest and pretended that none of it had happened. That her father was still here, and she still had a hand, and everything was going to get better. — Paolo Bacigalupi

Rolling flat onto his back, Drake shuddered. Then he inhaled deeply. He stared up at the night sky. "We're going to win," he said, his voice calmer, less strained. "This is nothing. Keep going. They can't stop us. Jason, give Rachel the necklace. Tell her ... tell her I'm sorry. Tell her ... I wanted ... to show her ... my little valley. Tell her I tried."
His voice was growing weak. Farfalee smoothed a hand over his brow. "Shhh," she whispered. "Be still, Drake. You can rest now. You did it. Rest. We'll take it from here."
"Failie," he whispered, his hand twitching toward the back of his neck with little jerks. "Where's my seed?" His head tipped sideways. The breath went out of him. — Brandon Mull

Peace is here now. It's just that we don't recognize it. Let's say that 98 percent of people in the world are wanting peace. Now people say, even people from Siberia? Yes. We want world peace. The two percent is really tying to mess it up. It's so sad in a way, because by messing it up what are they going to get? Their children are going to suffer, their grandchildren are going to suffer, and they might even die before something gets good. — Yoko Ono

Regin!" He leapt up from a bunk.
"Well, well, the gang's all here." Nix must've given him Regin's whereabouts. Again.
"I'm going to get you out of here," he said, his green eyes aglow.
She snorted. "Let me know how that works out for you, Job MacBangup." Seeing Brandr here just brought her situation into stark relief. "It's curious though
you don't usually show up until it's time to bury him. — Kresley Cole

The Petriana's tribune dismounted a dozen paces short of the gate and stalked up to the palisade wall with a grim smile, squinting up at Scaurus and his officers and then glancing back at the men building the pyre on the plain below the fortress. He called up to them, shielding his eyes with a raised hand.
'Well now, colleague, I see you've accomplished your orders with the usual efficiency. Perhaps you ought to come down here and join me, though. I've something to tell you that will give you some pause for thought.'
Scaurus climbed down from the wall after instructing Julius to keep the men inside the Dinpaladyr at their tasks.
'You'd better come with me, Centurion Corvus, I suspect I'm going to need someone to take notes of whatever it is my brother tribune has to tell me. I may well be too busy banging my head on the palisade in frustration. — Anthony Riches

Who's the boy who thinks he can mess with my men?" he demanded.

"Nobody," said the boy. "Just the King of Cats."

The words made the gang draw up short; obviously the title meant something to them, though Paris had never heard it before.

"It's a very simple situation," the boy went on. "You can join the Rooks and follow my orders without question. Or you can immediately decide that your territory starts east of here. Screaming as you run is optional."

Paris suspected that it would be a good time for him to scream and run, but the situation had a sort of awful fascination. The boy was definitely, absolutely mad, and they were both going to be pounded to death, and he couldn't look away.

"Or you can fight me over it," said the boy. "Care to wager your gang on a duel?"

The leader hesitated a moment; then he sneered, "So long as you fight fair."

"Nobody gets anything but what he earns from me — Rosamund Hodge

Stroking Jane's soft hair, he murmured, "About ... the things I have here. If you're game, I'm still going to want to play ... if you know what I mean. But from now on, it's just for fun, and only for you and me."
Hell, they'd had a shitload of good, leathered-up, freaky sex in this place, and he was always going
to want that with her. Hopefully, she'd feel the same
"I like what we do here." She smiled. "It turns me on."
Well ... didn't that get his cock pumping. "Me, too. — J.R. Ward

I got a pole and fishing line from under my bed. I came back out of the bedroom and called to Myra, asking her if she could pack me up a lunch because I was going fishing. And I guess you know what she told me. So I left. There weren't many people on the street that late at night, almost nine o'clock, but practically everybody that was up asked me if I was going fishing. I said, why, no, I wasn't, and where did they ever get an idea like that? "Well, how come you're carryin' a fish pole and line, then?" this one fella said. "How come you're doin' that if you ain't goin' fishin'." "Oh, I got that to scratch my butt with," I said. "Just in case I'm up a tree somewheres, an' I can't reach myself from the ground." "But, looky here now - " He hesitated, frowning. "That don't make no sense. — Jim Thompson

If you move here from somewhere else, I often think if I move to Germany, for example, or if I move China and I go worship there I will understand and I'll be willing to give up a lot of my culture because I'm in somebody else's homeland. So I'm going to have to act German or Chinese, whatever that might mean. — Michael Emerson

And you are going to get her far away from here. Keep her hidden." She planted her hands on her hips. "And here we were just keeping her holed up in a tiny little house in a completely random mining sector. Why didn't it ever occur to us to try and keep her hidden?" Kinney's face was unreadable for a long moment before he asked, "You understand sarcasm?" "Of course I understand sarcasm," she spat. "It's not like it's theoretical physics, is it?" The guard's jaw worked for a moment, before he shook his head and turned away. — Marissa Meyer

God is so cruel," she murmured reflectively, as though answering him.
"Yes," he admitted, from the vantage point of going blind. "Though maybe people are kinder if He made them that way."
"You've run with a different crowd. Rich people are nicer to rich people."
"Sure. Yes. That's why I've washed up here. Rich people couldn't have been nicer to me. — Edward Hoagland

Get a room!" Maya called from her side and Callie snorted. Trust Maya to break the moment.

Callie turned on her heel and put her hands on her hips. "Excuse me. I have my own little cubby right here." She used her fingers to make a box around her. "That's a room."

Sloane huffed a laugh. "Maybe get one with walls next time if you're going to heat up the shop with just a hello. — Carrie Ann Ryan

By not foretelling the ending to yourself, as a writer, you're able to open up the canvas and say, "I'm going to go here. I'm going to go there." It's just a little bit more freeing than a stand-alone procedural, where you work backwards from the end. — Veena Sud

I like being this guy who says we're all in this together. I've gone right up to the top and said, "You might be the producer, the guy with all the money, but treat people with respect goddammit, because if you don't, you're going to hear from me. We're all equal here, from the lowliest guy to the filmmaker. We are all trying to bring our A-game here, so don't fuck with people. — Ron Perlman

I could feel the warmth of the dog through my nightgown; I must have gotten hot during the night and thrown off the sheet. I drowsily patted the animal's head and began to stroke his fur, my fingers running idly through the thick hair. He wriggled even closer, sniffed my face, put his arm around me.
His *arm*?
I was off the bed and shrieking in one move.
In my bed, Sam propped himself on his elbows, sunny side up, and looked at me with some amusement.
"Oh, ohmyGod! Sam, how'd you get here? What are you doing? Where's Dean?" I covered my face with my hands and turned back, but I'd certainly seen all there was to see of Sam.
"Woof," said Sam, from a human throat, and the truth stomped over me in combat boots.
I whirled back to face him, so angry I felt like I was going to blow a gasket.
"You watched me undress last night, you ... you ... damn dog! — Charlaine Harris

It's like I get into a roller coaster, and sit there while it goes up and down and upside down and sometimes I get thrown out and I hit my head, but I crawl back in again and the moment I'm back in, it just keeps on going and going again ... all of this, so I can find things out and then I write about the things I find out so you can find them out from me. All the bruises, all the wounds, all the bumps on the head, all the scars, just so I can take that and I can write all these things, and sometimes I say "God, I don't want to be in this roller coaster anymore." But when I think about it, if I'm not right here, then where the hell would I be? On the sidewalk? I wasn't born to stand on the sidewalk, I was born to fly around crazy in the sky! — C. JoyBell C.

If you're going somewhere East from here, generally what you want to do is you want to try to have your bed time earlier and earlier so what we'll do is I'll have someone adjust for a week or two by going to be 15 minutes earlier and getting up 15 minutes earlier every night. So that can be a really simple thing. — Shelby Harris

Everything okay, sweet pea?" Garret asked as he walked over.
"Yep. Just talking to Sean and getting some fresh air."
Garret shoved his hands into his pockets. "You mean you're hiding out here with this pussy who's here for the same reason."
Sean grunted. "Yeah, the exact same reason you've run outside like a damn girl."
Garret grinned. "Too many damned people. Ma eats that shit up, but I swear it makes the rest of us crazy."
"So at what point is she going to figure out we've fled the premises?" Rachel asked. The last thing she wanted was to hurt Marlene's feelings.
"Not to worry. Mom is well used to having to round us up. She usually gives us ten minutes or so to get the crazed look from our eyes, and then she'll come out all sweet-like but with a glint in her eyes you know better than to ignore."
"And at that point, she drags us back inside by our ears," Sean finished. — Maya Banks

Breathing. Only the chore and sadness of breathing and breathing, as things change from tender to dry, new to old, the night-moon that grows thin then swells, the fireless sun that lights up, the soughing of the wind that transports, shatters, gathers, and dives away the clouds, raising and flattening the dust. Only the sorrow of going to sleep and waking up, feeling life without knowing where it comes from, aware that it will flee without knowing why it was given to you, why it is taken from you. Here you are: there is this and this and this. And now, enough. — Merce Rodoreda

I'm going to make a statement that you might not believe; you might even find it offensive. Fortunately, its not just my opinion; I got it from the apostle Paul who picked it up from Jesus - so don't get upset with me! Here it is: You haven't fully preached the Gospel of Christ if you haven't done it with miracles, signs, and wonders. — Todd Bentley

We have negative mental habits that come up over and over again. One of the most significant negative habits we should be aware of is that of constantly allowing our mind to run off into the future. Perhaps we got this from our parents. Carried away by our worries, we're unable to live fully and happily in the present. Deep down, we believe we can't really be happy just yet - that we still have a few more boxes to be checked off before we can really enjoy life. We speculate, dream, strategize, and plan for these "conditions of happiness" we want to have in the future; and we continually chase after that future, even while we sleep. We may have fears about the future because we don't know how it's going to turn out, and these worries and anxieties keep us from enjoying being here now. — Thich Nhat Hanh

They jabbered on about TV programs, dropping words here and there about what to acquire where, what was in fashion, who this or that singer was going out with, someone whose name I had never even heard before. They had subordinated their life to objects; a concrete wall divided them from their neighbors.
They were completely closed up in their own world. — Eva Svankmajerova

But it does take the determination that you're going to put your thoughts upon something that does feel good. And so, here we're going to make a very bold statement: any disease could be healed in a matter of days, any disease, if distraction from it could occur and a different vibration dominate - and the healing time is about how much mix-up there is in all of that. — Esther Hicks

It takes will power and nerve to hold the stick that way, to keep his eyes open and watch the rocky face of the cliff, pine-bearded, rush up at them. O'Shaughnessy's mouth flattens, his face goes white. And then in that final fraction of a moment, he laughs, a little crazily - a laugh of defiance, of mocking farewell, and, somehow, of conquest.
'Here we go, baby!' he shouts, teeth bared. 'Now I'm going to find out what it really feels like to fly into the side of a mountain! ... '
There is only the storm to hear the smash of the plane as it splinters itself against the rock - and the storm drowns the sound out with thunder, just as the lightning turns pale the flame that rises, like a hungry tongue, from the wreckage. ("Jane Browns Body") — Cornell Woolrich

I come from a plane that fell into the mountains. I am Uruguayan. We have been walking for ten days. I have a friend up here who is injured. In the plane there is fourteen injured people. We have to get of here quickly and we don't have any food. We are weak. When are you going to come and fetch us? Please. We can't even walk. Where are we? — Nando Parrado

And then there is the black cat. Who has no other name than the Black Cat and who turned up almost a month ago. We did not realize he was going to be living here at first: he looked too well fed to be a stray, too old and jaunty to have been abandoned. He looked like a small panther, and he moved like a patch of night.

One day, in the summer, he was lurking about our ramshackle porch: eight or nine years old, at a guess, male, greenish-yellow of eye, very friendly, quite unperturbable. I assumed he belonged to a neighboring farmer or household.

I went away for a few weeks, to finish writing a book, and when I came home he was still on our porch, living in an old cat ben one of the children had found for him. He was, however, almost unrecognizable. Patches of fur had gone, and there were deep scratches on his gray skin. The tip of one ear was chewed away. There was a gash beneath one eye, s lice gone from one lip. He looked tired and thin. — Neil Gaiman

Now he was gone.
She said a silent prayer. Sent it up to heaven.
Sam, if you can hear me, I hope you've got nice food where you are. Some vegetables like these. They're meant to be good for you. So eat them all up, like I'm doing. When I die I'll come and see you, and we'll be together again. But for now I'm going to think of you safe and happy and playing knights with a friend.
Love from Ella. Your sister.
P.S. I got a good long turn with Godzilla today after we got here. Godzilla is very happy.
P.P.S. I forgot, you never met Godzilla. He is a puppy and is very cute. He belonged to a boy called Joel who got killed by monkeys. I think the monkeys were sick. Monkeys are usually nice. At least in stories.
P.P.P.S. Maybe you'll meet Joel where you are. Say hello. He is nice.
P.P.P.P.S. Good night, Sam. The others call you Small Sam. To me you're just Sam - my brother.
I miss you. I wish I was with you. — Charlie Higson

What needed to stop was the succession of dates with these relatively impressive, relatively interesting people, when I could tell from the first minute that everyone here was going to end as a runner-up in a long race to nowhere in particular, broken-down, exhausted, no one wearing a medal. — B.J. Novak

Shhh. Just listen. You, of all people. Listen to what Im saying. This ... tonight ... is the most wonderful thing you could have done for me. What you have told me, what you have done in bringing me here ... knowing that, somehow, from that complete arse, I was at the start of this, you managed to salvage something to love is astonishing to me. But ... I need it to end here. No more chair. No more pneumonia. No more burning limbs. No more pain and tiredness and waking up every morning already wishing it was over. When we get back, I am still going to go to Switzerland. And if you do love me, Clark, as you say you do, the thing that would make me happier than anything is if you would come with me. So I'm asking you - if you feel the things you say you feel - then do it. Be with me. Give me the end I'm hoping for. — Jojo Moyes

When you wait all your life for something and then you find it, it's like a miracle. All the parts inside you that've been on hold, they open up and start beating. You were okay before, you were good. You had purpose and direction and everything was just fine. But now it's more. You can't explain what the more is, but you know, if you lose it, you'll never be able to fill those empty spaces in just the same way again. Not ever. That's terrifying. I'm afraid that what's inside me is just a trick. That I'll wake up tomorrow and what's beating in here will have stopped. It'll be quiet again. I won't feel this way. I won't feel the way I've waited all my life to feel.
I can stand you not loving me back. There's always hope that you will. But I don't know if I can stand not loving you. It would be like ... like having something stolen from inside of me. I don't know if I can handle going back to the way I was. — Nora Roberts

Ed frowned. "Well, it's a terrible picture of me! Here, give me that. I'm going to tear it up. There ought to be legal action against publishing a bad picture like that without my permission . . . ."

A wild scuffle ensued as they tried to keep Ed from destroying the article before they could read it. — Sarah Scheele

It's you young folks what's going to make the changes, y'all's the ones. You got to lead and you got to fight and move us all on up a little higher. And I tell you something else, it's the ones from the South that's got to do it, them what knows the fire and ain't forgot how it burns. Up here too many forgits. They finds a place for themselves and forgits the ones on the bottom. Oh, heap of them talks about doing things, but they done really forgot. No, it's you young ones what has to remember and take the lead. — Ralph Ellison

One day, when I came home from work, I accidentally put my car key in the door of my apartment building. I turned it, and the whole building started up. So I drove it around. A policeman stopped me for going too fast. He said, "Where do you live?" I said, "Right here!" Then I drove my building onto the middle of a highway, and I ran outside, and told all of the cars to get the hell out of my driveway. — Steven Wright

She had graduated from the Beaux Arts in Caen. She worked entirely on her body, she explained to me; I looked at her anxiously as she opened her portfolio. I was hoping she wasn't going to show me photos of plastic surgery on her toes or anything like that - I'd had it up to here with things like that. But no, she simply handed me some postcards which she had had made, with the imprint of her pussy dipped in different coloured paints. I chose a turquoise and a mauve; I was a little sorry I hadn't brought photos of my prick to return the favour. — Michel Houellebecq

I began thinking about why am I constructing almost a shadow father or ghost father in my head into Graham Greene in response to the father who created me? What's going on here? I think a part of my sense is it's every boy's story. When we are kids, we imagine that to define ourselves or to find ourselves means charting your own individuality, making your own destiny and actually running away from your parents and your home and what you grew up with. — Pico Iyer

I think our generation has been called to apathy just as our grandparents were called to defeat fascism and the baby boomers were called to get divorced and fuck around for most of their adult lives before bankrupting the entire goddamn country when they retire. But we have the chance to do something really special here. Imagine a world where people didn't care enough to go to war over anything. Where some guy gets up in the morning and says, "I know God wants me to kill the infidels and keep gay people from marrying each other, but I just don't give a shit. I'm going back to bed." It would be paradise on earth. This is our mission. I think we can make it happen, but I really don't care either way. And that's called hope. — Paul Neilan

Here are more lines from The Great Gatsby. I liked to walk up Fifth Avenue and pick out romantic women from the crowd and imagine that in a few minutes I was going to enter into their lives, and no one would ever know or disapprove.

I like to remember when I was one of them, or to pretend that I am one of them still, sensing that restless man at my back and half turning, no, turning all the way, open-armed, saying, Pick me, pick me. — Sigrid Nunez

He's my bodyguard," I said tightly. "You know that. I don't trust you. I should walk away from this, but I'm here, and I'm going to take a look. He stays. Got a problem, take it up with my mom. — Kim Harrison

Here's my favorite bonehead concept from the 1990s in the Pentagon: the theory of anti-access, area-denial asymmetrical strategies. Why do we call it that? Because it's got all those A's lined up I guess. This is gobbledygook for 'If the United States fights somebody, we're going to be huge. They're going to be small.' — Thomas P.M. Barnett

Phelan," Cam said, looking up with an easy smile, "have you come to see the timber yard?"
"Thank you, but I'm here for another reason."
Leo, who was standing near the window, glanced from Christopher's rumpled attire to Beatrix's disheveled condition. "Beatrix, darling, have you taken to going off the estate dressed like that?"
"Only this once," she said apologetically. "I was in a hurry."
"A hurry involving Captain Phelan?" Leo's sharp gaze moved to Christopher. "What do you wish to discuss?"
"It's personal," Christopher said quietly. "And it concerns your sister." He looked from Cam to Leo. Ordinarily there would have been no question concerning which one of them to approach. As lord of the manor, Leo would have been the first choice. However, the Hathaways seemed to have settled on an unconventional sharing of roles.
"Which one of you should I talk to?" Christopher asked.
They pointed to each other and replied at the same time.
"Him. — Lisa Kleypas

What's emerging from the pattern of my own life is the for belief that the crisis is being caused by the inadequacy of existing forms of thought to cope with the situation. It can't be solved by rational means because the rationality itself is the source of the problem. The only ones who're solving it are solving it at a personal level by abandoning 'square' rationality altogether and going by feelings alone. Like John and Sylvia here. And millions of others like them. And that seems like a wrong direction too. So I guess what I'm trying to say is that the solution to the problem isn't that you abandon rationality but that you expand the nature of rationality so that it's capable of coming up with a solution. — Robert M. Pirsig

Nora sobered and turned back to the windows, her breath fogging the glass. "We may as well lay some ground rules if we're going to be stuck here for a few days."
"Okay."
"You can keep the bed, I prefer the sofa. I don't cook. I'm not a maid, so pick up after yourself. You can eat whatever you can find in the kitchen, but I'll warn you, I don't keep much. I prefer my privacy, so you'll have to occupy yourself. Any questions?
"Only one."
She turned to face him.
"What are you hiding from? — Jennifer Lowery

Big words from a guy who's trussed up like a turkey. What are you going to do, wobble over here like an upside- down turtle to snap me in half?"
"The logistics of breaking you are easy. The only question is when. — Susan Ee

Ty removed his fingers from Zane's back as he saw the shiver run through him, and he pressed his lips tightly together, looking up and away in disgust as he resigned himself to what he was about to do. Broaching the subject could possibly cost him his job if Zane went tattling to the higher-ups about sexual harassment or some shit, but Ty was going to do it anyway. "Anything you need to say to me?"
...
The visual of Ty's nude body flashed behind Zane's eyelids, and he spoke before he thought better of it. "Nothing you want to hear," he murmured as he faced the mirror, hoping to diffuse the situation. "Thanks for the help," he added, wanting desperately to get away from this tension.
...
"You sure about that?" Ty asked as his stomach fluttered nervously. His voice finally betrayed the nerves. "Trying to be a real partner to you here, Zane. If you need to tell me something, then here's your chance. — Abigail Roux

He grinned at me, and it was a boyish weary grin aiming for wicked, but too tired and worried to reach it. "I love you. You're mine. I'll kill any bastard who tries to take you from me. So, here's how it's going to go: Ellie comes first, but while we're taking care of her you can be as pig-headed as you want and pretend that we're broken up. I'll even let you. But I'm also going to be here, every day, showing you what you're missing. — Samantha Young

The revolution here is from hierarchical to lateral power. That's the power shift. So increasingly a younger generation that's grown up on the internet and now increasingly distributing renewable energies, they're measuring politics in terms of a struggle between centralized, hierarchical, top-down and closed and proprietary, versus distributed, open, collaborative, transparent. This shift, from hierarchical to lateral power, is going to change the way we live, the way we educate our children, and the way we govern the world. — Jeremy Rifkin

[J]ust from a political perspective, do you think the president of the United States going into re-election wants gas prices to go up higher? ... Look, here's the bottom line with respect to gas prices: I want gas prices lower because they hurt families. — Barack Obama

There are places in the world where real life is still happening, far away from here, in a pre-Hitler Europe, where hundreds of lights are lit every evening, ladies and gentlemen gather to drink coffee with cream in oak-panelled rooms, or sit comfortably in splendid coffee-houses under gilt chandeliers, stroll arm in arm to the opera or the ballet, observe from close-up the lives of great artists, passionate love affairs, broken hearts, the painter's girlfriend falling in love with his best friend the composer, and going out at midnight bareheaded in the rain to stand alone on the ancient bridge whose reflection trembles in the river. * — Amos Oz

At the end of the day, the circumstances of your life
what you look like,where you come from, how much money you have, what you've got going on at home
none of that is an excuse ... where you are right now doesn't have to determine where you'll end up. No ones written your destiny for you, because here in America, you write you own destiny.You make your own future. — Barack Obama

Steven, I look like a raccoon.
You do NOT look like a raccoon.
Actually, he looked like some deranged anteater, but I didn't figure that would be the thing to tell him.
Yes, I do. Oh, no. What if I stay this way forever?
You're not going to stay that way forever, Jeffy. People get black eyes all the time. If they never got better, the streets would be crowded with raccoon people. Soon the raccoon people would find each other and breed.
I was on a roll here.
The preschools would fill up with strange ring-eyed children. Soon the raccoons would be taking over our streets, stealing from our garbage cans, leaving eerie tails of Dinty Moore beef stew cams in their wakes. Gangs of them would haunt the malls, buying up all the black-and-gray-striped sportswear. THE RIVERS WOULD RISE! THE VALLEYS WOULD RUN WITH ...
Steven you're joking, right? — Jordan Sonnenblick

I had grown up in a house with a fence around it, and in this fence was a white smooth wooden gate, two holes bored round and low together so the dog could see through. One night, the moon high, late for me home from the school dance, I remember that I stopped, hand on the gate, and spoke so quietly to myself and to the woman that I would love that not even the dog could have heard.
I don't know where you are, but you're living right now, somewhere on this earth. And one day you and I are going to touch this gate where I'm touching it now. Your hand will touch this very wood, here! Then we'll walk through and we'll be full of a future and of a past and we'll be to each other like no one else has ever been. We can't meet now, I don't know why. But some day our questions will be answers and we'll be caught in something so bright ... and every step I take is one step closer on a bridge we must cross to meet. — Richard Bach

As of this moment there's the police department way, the federal law enforcement way, the military way ... and my way. If you want me to function at my best then you're going to have to accept that I'm going to have to make up some of my own rules. I don't know enough about your playbook and, quite frankly, I don't like the way you operate. If I'm not a cop anymore then I'm something else, something new. Okay, then from here on out I'll decide what that is; and that includes building, shaping, and leading my team. My team, my rules. — Jonathan Maberry

She heard a crash from the galley as soon as she pulled it open. Peering down the hallway, she saw Wolf hunkered over a counter, holding a tin can.
Stepping into the galley's light, Scarlet saw that the can was labeled with a picture of cartoon-red tomatoes. Judging from the enormous dents in its side, Wolf had been trying to open it with a meat tenderizer.
He glanced up at her, and she was glad that she wasn't the only one red faced. "Why would they put food in here if they were going to make it so hard to open?"
She bit her lip against a weak smile, not sure if it was from pity or amusement. "Did you try a can opener? — Marissa Meyer

I'm up for a Shadow hunt." She tries to let us out, but the lock's stuck. "That's weird."
"Is this like an omen?" Daisy asks.
Jazz unzips her boot and takes it off so she can slam it at the lock. "It's not an omen." Slam. "Tonight." Slam. "Is going to be great." Slam. "I've got a feeling." Slam. She puts her book back on and looks at us. "Okay, we'll have to climb out of here."
She stands on the toilet seat and from there to the toilet-roll holder and then heaves herself over the wall.
"Impresive," I say, and then we hear her slam to the ground.
"Less impressive," Daisy says.
"It doesn't mean anything," Jazz calls. "Trust me. I'm a psychic. — Cath Crowley

I woke up an hour before I was supposed to, and started going over the mental checklist: where do I go from here, what do I do? I don't remember eating anything at all, just going through the physical, getting into the suit. We practiced that so much, it was all rote. — Alan Shepard

Here's a stanza from page 68 where the heel of a narrator makes the following observations regarding his "girl-friend" during a post-tryst afterglow:

Several hours later we were lying in her bed, exhausted...
After that one, in the dim lamplight of her bedroom, diffused through the sheets as if through a scrim, I took a good look at her and tried to figure out how she got to me the way she did.

Her face was long enough to qualify as horsy, with a nose to proportion, ever so slightly bulbous & two or three degrees off-true to the left; her teeth were a little too prominent, her lower incisors an ivory jumble, and with her hair up her ears looked like saucers.
There was no denying, though, that she got me going in a way few others ever had.

"Jesus, it's still freezing in here," she said.
— Scott Phillips

Where did the three of them go from here? Blane couldn't say. All he knew was that he loved Kade and Kathleen beyond anyone and anything else - and he'd do whatever he had to in order to see them both happy. If that cost him Kat forever, so be it, but he wasn't going to give up until he heard it from her own mouth that they were over. She loved Kade, but she loved him, too, which meant he still had a chance. — Tiffany Snow

Rufus Maleficarus has sorely disappointed me personally. I thought he was making quite a good recovery from what the previous director had unhelpfully referred to as "a soul-searing, sanity-dissolving, profoundly malevolent appetite for power and revenge." As it happens, I think the finger-painting lessons were going very well, at least up until Rufus used the paint to create a summoning circle, and then rode out of here on the back of an obliging Hound of Tindalos ... — Jonathan L. Howard

Get up, Imogen, and get yourself ready for battle. From now on, the orders around here are going to come from me." "And the first thing you're going to do is free my son from that accursed Malachi Configuration. — Cassandra Clare

How could she have gotten herself here? To this place where she stood by while the man she adored checked out things to share with his wife?
You knew what you were getting into.
But that wasn't really true. One never knew, not entirely, not until in really deep. She screamed and seethed in raw silence. Damien came in then, and spooned her. He hadn't a clue she was an impulse away from getting up, dressing, and leaving.
How shocked he would be, if she did that.
And he'd conclude that she wasn't the well-matched true lover that he thought he had finally, at long last, discovered.
That thought ploughed a spike deeply through her. It gouged her so much that her breath stopped. It hurt her even more than did the wife. And she knew in that moment while he settled into bliss that she wasn't going to leave, that leaving hadn't had the slightest chance. — Aphrodite Phoenix

Eve, we're here. Shall I carry you?" She sat up slowly, her hand going to her forehead. "I can walk." Or she'd crawl, or expire of pride in the filth of the mews before she'd allow him to assist her where others might notice. He handed her out of the carriage, and any fool could see she was none too steady on her feet. "You can ring a peal over my head later, my lady." "Deene, no." Such a weak protest wasn't going to deter him from scooping her up against his chest and proceeding toward the house. "For once in your stubborn life, hush. Your brothers would expect this much of me." The — Grace Burrowes

Jennifer," he said, his voice sharp with dawning alarm, "where are you going?"
A moment later, Aunt Elinor looked down from the gallery above and cheerfully replied, "She is going to have your baby, your grace."
The serfs in the hall turned to exchange smiling glances, and one of them dashed off to spread the news to the scullions in the kitchen.
"Do not," Aunt Elinor warned in direst tones when Royce started up the stairs, "come up here. I am not inexperienced in these matters, and you will only be in the way. And do not worry," she added breezily, noting Royce's draining color. "The fact that Jenny's mother died in childbirth is nothing to be concerned about." Royce's tankard crashed to the stone floor. — Judith McNaught

I don't get scared very often," he said finally. "I was scared the first morning I woke up and you weren't here. I was scared when you left me after Vegas. I was scared when I thought I was going to have to tell my dad that Trent had died in that building. But when I saw you across the flames in the basement ... I was terrified. I made it to the door, was a few feet from the exit, and I couldn't leave.
"What do you mean? Are you crazy?" I said, my head jerking up to look into his eyes.
"I've never been so clear about anything in my life. I turned around, made my way to that room you were in, and there you were. Nothing else mattered. I didn't even know if we would make it out or not, I just wanted to be where you were, whatever that meant. The only thing I'm afraid of is a life without you, Pigeon."
I leaned up, kissing his lips tenderly. When our mouths parted, I smiled. "Then you have nothing to be afraid of. We're forever. — Jamie McGuire

It's just that, right now, I want to hear you promise me that if we do run out of time and I go mad, like Miranda, it ends with me. The curse ends here, because our baby will be safe. You will make that happen. Isn't that so?"
It took him a minute. "Yes," he said finnally. "It's so. Although, if we're just going to talk about the baby, I can think of an easier way to save her."
Oh? What?"
I'd just lock her up from her sixteenth birthday on."
Lucy didn't laugh. "Don't think I haven't thought of that too, love. but here's the thing. That parents try that in all the fairy tales. It never works. — Nancy Werlin

Yes, that resurrection does indeed give us a sure and certain hope. If that's not the case, we are of all people, as Paul says, most to be pitied.3 But when the New Testament strikes the great Easter bell, the main resonances it sets up are not simply about ourselves and about whatever future world God is ultimately going to make, when heaven and earth are joined together and renewed at last from top to bottom. Precisely because the resurrection has happened as an event within our own world, its implications and effects are to be felt within our own world, here and now. This — N. T. Wright

Don't wait for the muse. As I've said, he's a hardheaded guy who's not susceptible to a lot of creative fluttering. This isn't the Ouija board or the spirit-world we're talking about here, but just another job like laying pipe or driving long-haul trucks. Your job is to make sure the muse knows where you're going to be every day from nine 'til noon. or seven 'til three. If he does know, I assure you that sooner or later he'll start showing up. — Stephen King

Can I be honest with you, Mr. Wind-Up Bird? I mean, really, really, really honest? Sometimes I get sooo scared! I'll wake up in the middle of the night all alone, hundreds of miles away from anybody, and it's pitch dark, and I have absolutely no idea what's going to happen to me in the future, and I get so scared I want to scream. Does that happen to you, Mr. Wind-Up Bird? When it happens, I try to remind myself that I am connected to others - other things and other people. I work as hard as I can to list their names in my head. On that list, of course, is you, Mr. Wind-Up Bird. And the alley, and the well, and the persimmon tree, and that kind of thing. And the wigs that I've made here with my own hands. And the little bits and pieces I remember about the boy. All these little things (though you're not just another one of those little things, Mr. Wind-Up Bird, but anyhow ... ) help me to come back "here" little by little. — Haruki Murakami

Dallas kicked the door shut and sank into a chair. "Guess it's not going to come as a surprise that you've got some of the ladies riled up."
No, the women would be circling the wagons, protecting Mia no matter what. "Surprise? Not really."
"Yeah, someone had to sit on Nessa to keep her from coming over here to crawl halfway up your ass." Dallas draped his arms across his chest and studied Ford. "The good news? Lex hasn't tried to stab you yet, so you've got that going for you."
"Maybe she just hasn't gotten around to it." Ford met his boss's gaze squarely. "Or she sent you to do it for her."
"Lex doesn't send a man to do her stabbing for her. — Kit Rocha

I say this because as an older man I am prone to ponder matters in the light of death in a way that you are not. I am like a traveler from Mars who looks down in astonishment at what passes here. And what I see is the same human frailty passed from generation to generation. What I see is again and again the same sad human frailty. We hate one another; we are the victims of irrational fears. And there is nothing in the stream of human history to suggest we are going to change this. But
I digress, confess that. I merely wish to point out that in the face of such a world you have only yourselves to rely on. You have only the decision you must make, each of you, alone. And will you contribute to the indifferent forces that ceaselessly conspire toward injustice? Or will you stand up against this endless tide and in the face of it be truly human? — David Guterson