Glanton Quotes & Sayings

It is a marble statue of a man with his children near him, and the man has such desperation on his face and the children at his feet appear to be clinging, begging him, while he gazes out toward the world with a tortured look, his hands pulling at his nouth, but his children look only at him, and when I finally saw this, I said inside myself, Oh.
I read the placard, which let me know that these children are offering themselves as food for their father, he is being starved to death in prison, and these children only want one thing - to have their father's distress disappear. They will allow him - oh, happily, happily - to eat them.
And I thought, So that guy knew. Meaning the sculptor. He knew.
And so did the poet who wrote what the sculpture has shown. He knew too. — Elizabeth Strout

CALIGULA: I'm the only true artist Rome has known - the only one, believe me - to match his inspiration with his deeds.
CHEREA: That's only a matter of having the power.
CALIGULA: Quite true. Other artists create to compensate for their lack of power. I don't need to make a work of art; I live it. — Albert Camus

Figs are delicious with soft cheese and ham,
Toast is quite scrumptious with butter and jam,
Eggs are improved by parsley and salt,
But milkshakes are best with strawberries and malt. — Angelica Banks

You dont get your black ass away from this fire I'll kill you graveyard dead. He looked to where Glanton sat. Glanton watched him. He put the pipe in his mouth and rose and took up the apishamore and folded it over his arm. Is that your final say? Final as the judgement of God. The black looked once more across the flames at Glanton and then he moved away in the dark. The white man uncocked the revolver and placed it on the ground before him. Two of the others came back to the fire and stood uneasily. Jackson sat with his legs crossed. One hand lay in his lap and the other was outstretched on his knee holding a slender black cigarillo. The nearest man to him was Tobin and when the black stepped out of the darkness bearing the bowieknife in both hands like some instrument of ceremony Tobin started to rise. The white man looked up drunkenly and the black stepped forward and with a single stroke swapt off his head. — Cormac McCarthy

My father is the harbinger of death and destruction. My grandmother the Great Destroyer. My mother is the goddess of the hunt. I think I'll be okay. (Kat)
Yeah, you do have the history of absolute terror and cruelty in your veins. (Sin)
Remember that if you ever come between me and my chocolate bar. (Kat) — Sherrilyn Kenyon

Glanton was first to reach the dying man and he knelt with that alien and barbarous head cradled between his thighs like some reeking outland nurse and dared off the savages with his revolver. They circled on the plain and shook their bows and lofted a few arrows at him and then turned and rode on. Blood bubbled from the man's chest and he turned his lost eyes upward, already glazed, the capillaries breaking up. In those dark pools there sat each a small and perfect sun. — Cormac McCarthy

That night Glanton stared long into the embers of the fire. All about him his men were sleeping but much was changed. So many gone, defected or dead. The Delawares all slain. He watched the fire and if he saw portents there it was much the same to him. He would live to look upon the western sea and he was equal to whatever might follow for he was complete at every hour. Whether his history should run concomitant with men and nations, whether it should cease. He'd long forsworn all weighing of consequence and allowing as he did that men's destinies are given yet he usurped to contain within him all that he would ever be in the world and all that the world would be to him and be his charter written in the urstone itself he claimed agency and said so and he'd drive the remorseless sun on to its final endarkenment as if he'd ordered it all ages since, before there were paths anywhere, before there were men or suns to go upon them. Across — Cormac McCarthy

The Apache wrenched his pony's head around and when Glanton spun to look at his men he found them frozen in deadlock with the savages, they and their arms wired into a construction taut and fragile as those puzzles wherein the placement of each piece is predicated upon every other and they in turn so that none can move for bringing down the structure entire. — Cormac McCarthy

The crumpled butcherpaper mountains lay in sharp shadowfold under the long blue dusk and in the middle distance the glazed bed of a dry lake lay shimmering like the mare imbrium and herds of deer were moving north in the last of the twilight, harried over the plain by wolves who were themselves the color of the desert floor. Glanton sat his horse and looked long out upon this scene. Sparse on the mesa the dry weeds lashed in the wind like the earth's long echo of lance and spear in old encounters forever unrecorded. All the sky seemed troubled and night came quickly over the evening land and small gray birds flew crying softly after the fled sun. He chucked up the horse. He passed and so passed all into the problematical destruction of darkness. — Cormac McCarthy

There were in the camp a number of Mexican slaves and these ran forth calling out in spanish and were brained or shot and one of the Delawares emerged from the smoke with a naked infant dangling in each hand and squatted at a ring of midden stones and swung them by the heels each in turn and bashed their heads against the stones so that the brains burst forth through the fontanel in a bloody spew and humans on fire came shrieking forth like berserkers and the riders hacked them down with their enormous knives and a young woman ran up and embraced the bloodied forefeet of Glanton's warhorse. — Cormac McCarthy

I don't need everything to be right." The air crackled with energy, sparks flying between us. "I need you to be real. — Julia Kent

When you vote, you play Russian Roulette with a magazine fed pistol. — Tom Wallace

Anyone's childhood can be an act of disablement if rehearsed and replayed and squinted at in a certain light ... — Carol Shields