Girl Sketch Quotes & Sayings

I bite my lip as I begin reading: She needs some sun! Her eyes are hard to see - they're too dark; her nose is thin; no cheek bones!; I think her lips are uneven; her chin is really square, and my favorite: is that a mole or a zit? Awesome. Twenty pages of these cryptic remarks sure do make a girl feel good about herself. The last page changes my sour mood completely. On it there is a sketch of my face - no, sketch is the wrong word. It's too common a word. This is more than a sketch. This is a portrait of my face. The image of the girl staring back at me is so stunning, that I actually gasp. The handwriting on the bottom of the page, which is small and elegant, holds only two words: You're perfect. — Danielle Bannister

I missed my one true friend, my mother. She and I were close in a way I don't think many other mothers and daughters were. I slept beside her every night of my childhood: so near to her back, I could probably sketch the constellation of moles and freckles on her skin there. When I was a very little girl, every morning I would wake before her and arrange myself so that when she woke, we were eye-to-eye. I miss her, with a never-ending ache that I did not think was possible, that crowds out any other feeling and certainly all reason, and any good sense. — Kaitlyn Greenidge

And thus they form a perfect group; he walks back two or three paces, selects his point of sight, and begins to sketch a hurried outline. He has finished it before they move; he hears their voices, though he cannot hear their words, and wonders what they can be talking of. Presently he walks on, and joins them.
'You have a corpse there, my friends?' he says.
'Yes; a corpse washed ashore an hour ago.'
'Drowned?'
'Yes, drowned; - a young girl, very handsome.'
'Suicides are always handsome,' he says; and then he stands for a little while idly smoking and meditating, looking at the sharp outline of the corpse and the stiff folds of the rough canvas covering.
Life is such a golden holiday to him young, ambitious, clever - that it seems as though sorrow and death could have no part in his destiny. ("The Cold Embrace") — Mary Elizabeth Braddon

Matt asked me to join the Upright Citizens Brigade, a relatively young sketch group. They needed a girl. I had heard of their shows around town, which seemed like a mixture of improvisation and performance art. They had done a show where each member sat on a street corner and had a Thanksgiving dinner. They did a show where they pretended a member was committing suicide. They did a show where they took an audience member for a virtual-reality tour out into the streets of Chicago. Most of their stuff was about getting the audience out of their chairs and out of their comfort zone. The Upright Citizens Brigade name came from a fake big bad corporation that was mentioned in one of their shows. The idea was this group had co-opted the name and was causing chaos on purpose - picture Occupy Wall Street if they renamed themselves "Halliburton Inc." Like I said, Matt had big ideas. He had a big plan for the UCB and I wanted to be part of it. I grabbed his coattails and held on tight. — Amy Poehler

It's the sketch Edward did of me before he went away, the one he said was fine but didn't want to keep. It's as if he's drawn me not once but twice. In the main drawing I have my head turned to the right. It's so detailed, you can see the tautness of my neck muscles and the arch of my clavicle. But underneath or over that there's a second drawing, barely more than a few jagged, suggestive lines, done with a surprising energy and violence: my head turned the other way, my mouth open in a kind of snarl. The two heads pointing in opposite directions give the drawing a disturbing sense of movement.

Which one's the pentimento, and which the finished thing? And why did Edward say there was nothing wrong with it? Did he not want me to see this double image for some reason? — J.P. Delaney