French Literary Quotes & Sayings

Carla Hesse has given us an astonishing new look at women's struggle for independent expression and moral autonomy during the French Revolution and afterward. Denied the political and civil rights of men, literary women plunged into the expanded world of publication, answering the men's philosophical treatises with provocative novels about women's choices and chances. Lively and learned, The Other Enlightenment links women from Madame de Stael to Simone de Beauvoir in an alternate and daring path to the modern. — Natalie Zemon Davis

When I was in college, I was a semiotics major, which is this hopelessly pretentious body of French literary theory. — Ira Glass

That would've been way too hard. We wanted to do neuroscience, not operating system development. So — Ramez Naam

The significant difference between Proust and Faulkner, for Sartre, is that where Proust discovers salvation in time, in the recovery of time past, for Faulkner time is never lost, however much he may want, like a mystic, to forget time. Both writers emphasize the transitoriness of emotion, of the condition of love or misery, or whatever passes because it is transitory in time. "Proust really should have employed a technique like Faulkner's," Sartre legislates, "that was the logical outcome of his metaphysic. Faulkner, however, is a lost man, and because he knows that he is lost he risks pushing his thoughts to its conclusion. Proust is a classicist and a Frenchman; and the French lose themselves with caution and always end by finding themselves. — John McCormick

One aspect of Samantha's personality that drove me nuts was her tendency to reveal herself via literary allusions. She called it a quirk, but it was more of a compulsion. Her mother was Lady Macbeth; her father, Big Daddy. An uncle she liked was Mr. Micawber, a favorite governess, Jane Eyre; a doting professor, Mr. Chips.
This curious habit of hers quickly made the voyage from eccentric to bizarre when she began to invoke the names of literary characters to describe moments in our relationship. When she thought I was treating her rudely, she called me Wolf Larsen; if I was standoffish, I was Mr. Darcy; when I dressed too shabbily, I was Tom Joad.
Once, in bed, she yelled out the name Victor as she approached orgasm. I assumed she was referring to Victor Hugo because she'd been reading 'Les Miserables.'. It didn't really bother me that much though it was a little odd being with a woman who thought she was having sex with a dead French author. — John Blumenthal

as the descendants of the Normans finally amalgamated with the English natives, the Anglo-Saxon language reasserted itself; but in its poverty it had to borrow hundreds of French words (literary, intellectual, and cultural) before it could become the language of literature. — Richard A. LaFleur

Of all the actresses ... to me, only Faye Dunaway has the talent and the class and the courage it takes to make a real star. — Joan Crawford

In the French language, there is a great gulf between prose and poetry; in English, there is hardly any difference. It is a splendid privilege of the great literary languages Greek, Latin, and French that they possess a prose. English has not this privilege. There is no prose in English. — Victor Hugo

'Higher Power' was the result of a personal experience: a friend of mine who went through the process of addiction and recovery. It's a very, very tough thing - very easy to become addicted and very, very hard to become a recovering addict. — Tom Scholz

Revolution was the great nightmare of eighteenth-century British society, and when first the American Revolution of 1776, then the French Revolution of 1789 overturned the accepted order, the United Kingdom exercised all its power so that revolution would not damage its own hardwon security and growing prosperity. Eighteenth-century writing is full of pride in England as the land of liberty (far ahead of France, the great rival, in political maturity), and saw a corresponding growth in national self-confidence accompanying the expansion of empire. — Ronald Carter

In Russia, the person who put Sevastopol on the literary map was Leo Tolstoy, a veteran of the siege. His fictionalized memoir The Sebastopol Sketches made him a national celebrity. Already with the first installment of the work published, Tsar Alexander II saw the propaganda value of the piece and ordered it translated into French for dissemination abroad. That made the young author very happy. Compared with Tolstoy's later novels, The Sebastopol Sketches hasn't aged well, possibly because this is not a heartfelt book. As the twenty-six-year-old Tolstoy's Sevastopol diaries reveal, not heartache but ambition drove him at the time. Making a name as an author was just an alternative to two other grand plans - founding a new religion and creating a mathematical model for winning in cards (his losses during the siege were massive even for a rich person). — Constantine Pleshakov

I got my degree in theatre at a little school in Pennsylvania, Bloomsburg University. It was one of those situations where I went into the major because I loved it, but didn't really expect to see it as a moneymaking situation or career. — Jimmi Simpson

English dialogues are always just what you need and nothing more - like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it. — Bernardo Bertolucci

Just read The Virtue of Minding Your Own Business. Oh my, what currents run deep! Beautifully seen, beautifully told. Praise praise praise ... Pardon my French, but you are one darn major American writer!
Richard Bach, author of Jonathan Livingston Seagull and Illusions, on Sandcastle and Other Stories — Richard Bach

A good teacher will appreciate the good qualities of his students. If one good quality is allowed to emerge, a world of good qualities will emerge from that one. — Maharishi Mahesh Yogi

Nothing could go wrong because nothing had ... I meant "nothing would." No - Then I quit trying to phrase it, realizing that if time travel ever became widespread, English grammar was going to have to add a whole new set of tenses to describe reflexive situations - conjugations that would make the French literary tenses and the Latin historical tenses look simple. — Robert A. Heinlein

I think we have to stand up against what is unacceptable, and to push the boundaries and reclaim a more humane way of being in the world, so that we can extend our compassionate intelligence and begin to work with a strengthened will and imagination that can take us into the future. — Terry Tempest Williams

What kind of man gives cigarettes to trees — Robin Williams

The traveler from Europe edges into it like a tiny Jonah entering an inconceivably large whale, slipping past the straits of Belle Isle into the Gulf of St. Lawrence, where five Canadian provinces surround him, for the most part invisible. Then he goes up the St. Lawrence and the inhabited country comes into view, mainly a French-speaking country with its own cultural traditions. To enter the United States is a matter of crossing an ocean; to enter Canada is a matter of being silently swallowed by an alien continent. — Northrop Frye

Writers in what we now call the Middle English period (late twelfth century to 1485) did not necessarily always write in English. The language was in a state of flux: attempts were made to assert the French language, to keep down the local language, English, and to make the language of the church (Latin) the language of writing. — Ronald Carter

One small but scientifically sound study from Japan found that jogging thirty minutes just two or three times a week for twelve weeks improved executive function. But it's important to mix in some form of activity that demands coordination beyond putting one foot in front of the other.... Aerobic exercise and complex activity have different beneficial effects on the brain. The good news is they're complementary. — John J. Ratey

German writers in the late 18th century were the first to uphold a prickly, literary nationalism, in reaction to the then dominance and prestige of French literature. — Pankaj Mishra

Beautiful coquettes are quacks of love. — Francois De La Rochefoucauld

(Claude and Marcel LeFever were speaking in French. This simultaneous English translation is being beamed to the reader via literary satellite.) — Tom Robbins

Apparently "London" gave out my address! that's what they're saying ... not just London, though! Brazzaville, too! ... and said that I'm a dirty pornographer ... a letch besides being the most despicable traitor of the century! ... I'd make a urinal blush! that what we need is to cleanse France and the French language of this smut-writing, demoralizing, grammaclast who's sullying our sacred homeland and its literary heritage! — Louis-Ferdinand Celine

James's critical genius comes out most tellingly in his mastery over, his baffling escape from, Ideas; a mastery and an escape which are perhaps the last test of a superior intelligence. He had a mind so fine that no idea could violate it. [ ... ] In England, ideas run wild and pasture on the emotions; instead of thinking with our feelings (a very different thing) we corrupt our feelings with ideas; we produce the public, the political, the emotional idea, evading sensation and thought. [ ... ] James in his novels is like the best French critics in maintaining a point of view, a view-point untouched by the parasite idea. He is the most intelligent man of his generation.
(Little Review, 1918) — T. S. Eliot

I thought you didn't like animals."
"I love animals. Where did you get that idea?" Marmie put her paws on his leg, and he picked her up.
"From my dog?"
"That's a dog? Jeez, I'm sorry. I thought it was an industrial-waste accident." His long, lean fingers slid through the cat's fur.
"Slytherin." She slapped the lid back onto the flour container. What kind of man liked a cat more than he liked an exceptionally fine French poodle?
"What did you call me?"
"It's a literary reference. You wouldn't understand."
"Harry Potter. And I don't appreciate name calling. — Susan Elizabeth Phillips

I grew up in a literary home and majored in French, English, and sociology. They all have served me well over the years. — Gloria Gaither

The 1980s witnessed radical advances in the theorisation of the study of literature in the universities. It had begun in France in the 1960s and it made a large impact on the higher education establishments of Britain and America. New life was breathed into psychoanalytic and Marxist theory, while structuralism gave way to post-structuralism. The stability of the text as a focus of study was challenged by deconstruction, a theory developed by the French philosopher, Jacques Derrida, which represented a complete fracture with the old liberal-formalist mode of reading. Coherence and unity were seen as illusory and readers were liberated to aim at their own meanings. Hardy's texts were at the centre of these theoretical movements, including one that came to prominence in the 1980s, feminism. — Geoffrey Harvey

Dancing is another way to communicate. That's what separates The Pussycat Dolls from other groups. — Nicole Scherzinger

I read a page of Plato's great work. I can no longer understand anything, because behind the words on the page, which have their own heavenly brightness, to be sure, there shines an even brighter, an enormous, dazzling -why- that blots out everything, cancels out, destroys all meaning. All individual intelligence. When one has understood, one stops, satisfied with what one has understood. I do not understand. Understanding is far too little. To have understood is to be fixed, immobilized. It is as though one wanted to stop on one step in the middle of a staircase, or with one foot in the void and the other on the endless stair. But a mere why, a new why can set one off again, can unpetrify what was petrified and everything starts flowing afresh. How can one understand? One cannot. — Eugene Ionesco

As we have seen, French culture and language interacted with native English culture for several generations after the Norman Conquest. A common word such as 'castle' is a French loan word, for example; and the whole romance tradition comes from the French. But this sensibility, culture, and language becomes integrated with native culture.
As well as the beginnings of what came to be called a courtly love tradition, we can find in Early Middle English (around the time that Layamon was writing Brut) the growth of a local tradition of songs and ballads. — Ronald Carter

He had left his boyfriend in Alicante, at his father's house. Alec's sister, Isabelle, was staying there too. — Cassandra Clare