Four And Tris Quotes & Sayings

Simulation Tobias kisses my neck.
I try to think. I have to face the fear. I have to take control of the situation and find a way to make it less frightening.
I look Simulation Tobias in the eye and say sternly, "I am not going to sleep with you in a hallucination. Okay?"
Then I grab him by his shoulders and turn us around, pushing him against the
bedpost. I feel something other than fear - a prickle in my stomach, a bubble of laughter. I press against him and kiss him, my hands wrapping around his arms. He feels strong. He feels ... good.
And he's gone.
I laugh into my hand until my face gets hot. I must be the only initiate with this fear. — Veronica Roth

You think giving you a hug would give away too much?" he says.
"You know," I say. "I really don't care."
I stand on my tiptoes and press my lips to his.
It is the best moment of my life. — Veronica Roth

I barely remember that I agreed to participate in a genetic test until someone else appears at the door to the dormitory--a boy, or not really a boy, since he looks about as old as I am. He waves to Tris.
"Oh, that's Matthew," she says. "I guess we should get going."
She takes my hand and leads me toward the doorway. Somehow I missed her mentioning that "Matthew" wasn't a crusty old scientist. Or maybe she didn't mention it at all.
Don't be stupid, I think.
Matthew sticks out his hand. "Hi. It's nice to meet you. I'm Matthew."
"Tobias," I say, because "Four" sounds strange here, where people would never identify themselves by how many fears they have. "You too. — Veronica Roth

Can you tell me where to find Tobias'? I ask. When I imagine his face, affection for him bubbles up inside of me and all I want to do is kiss him. 'Four, I mean. He's so handsome, isn't he? I don't really understand why he likes me so much. I'm not very nice, am I?'
-Tris — Veronica Roth

I never used to understand why people bothered to hold hands as they walked, but then he runs one of his fingertips down my palm, and I shiver and understand it completely — Veronica Roth

A chasm reminds us that there is a fine line between bravery and idiocy. — Veronica Roth

Becoming fearless isn't the point. That's impossible. It's learning how to control your fear, and how to be free from it. — Veronica Roth

I push open the door just as Tobias, who is sitting on the floor with one leg stretched out, hurls a butter knife at the opposite wall. It sticks, handle out, from a large hunk of cheese they positioned on top of the dresser. Caleb, standing beside him, stares in disbelief, first at the cheese and then at me.
"Tell me he's some kind of Dauntless prodigy," says Caleb. "Can you do this too?"
"With my right hand, maybe," I say. "But yes, Four is some kind of Dauntless prodigy.
Tobias's eyes catch mine on the word "Four." Caleb doesn't know that Tobias wears his excellence all the time in his own nickname. — Veronica Roth

Why is your heart racing Tris? — Veronica Roth

If we stay together, I'll have to forgive you over and over again, and if you're still in this, you'll have to forgive me over and over again too. So forgiveness isn't the point. What I really should have been trying to figure out is whether we were still good for each other or not — Veronica Roth

I reach out and take his hand. His fingers slide between mine. I can't breathe. — Veronica Roth

We've all started to put down the virtues of the other factions in the process of bolstering our own. I don't want to do that. I want to be brave, and selfless, and smart, and kind, and honest." He clears his throat. "I continually struggle with kindness. — Veronica Roth

It's over, I say, wincing- she punches harder than she realizes. I ignore the pain and run a hand over her hair, because I'm stupid, and inappropriate, and stupid ... — Veronica Roth

Most of the time I can tell when people are lying, and this must be a lie, because Tris is still alive, her eyes bright and her cheeks flushed and her small body full of power and strenght, standing in a shaft of light in the atrium.
Tris is still alive, she wouldn't leave me here alone, she wouldn't go to the Weapons Lab instead of Caleb. — Veronica Roth

I feel the urge, familiar now, to wrench myself from my body and speak directly into her mind. It is the same urge, I realize, that makes me want to kiss her every time I see her, because even a sliver of distance between us is infuriating. Our fingers, loosely woven a moment ago, now clutch together, her palm tacky with moisture, mine rough in places where I have grabbed too many handles on too many moving trains. Now she looks pale and small, but her eyes make me think of wide-open skies that I have never actually seen, only dreamed of. — Veronica Roth

Tris and I will be gone in two days," says Tobias. "I hope your faction doesn't change their decision to make this compound a safe house."
"Our decisions are not easily unmade. What about Peter?"
"You'll have to deal with him separately," he says. "Because he won't be coming with us."
Tobias takes my hand, and his skin feels nice against mine, though it's not smooth or soft. I smile apologetically at Johanna, and her expression remains unchanged.
"Four," she says. "If you and your friends would like to remain ... untouched by our serum, you may want to avoid the bread."
Tobias says thank you over his shoulder as we make our way down the hallway together, me skipping every other step. — Veronica Roth

Tris," a low voice says behind me. I don't know why it doesn't startle me. Maybe because I am becoming Dauntless, and mental readiness is something I'm supposed to develop. Maybe because his voice is low and smooth and almost soothing. Whatever the reason over my shoulder. Four stands behind me with his gun slung across his back, just like mine. "Yes?" I say. "I came to find out what you think you're doing." "I'm seeking higher ground," I say. "I don't think I'm doing anything." I see his smile in the dark. "All right. I'm coming." I pause a second. He doesn't look at me the way Will, Christina, and Al sometimes do- like I am too small and too weak to be any use, and they pity me for it. But if he insists on coming with me, it is probably because he doubts me. — Veronica Roth

We are not people who touch each other carelessly; every point of contact between us feels important, a rush of energy and relief. — Veronica Roth

You're not very nice," I say, grinning.
"You're one to talk."
"Hey, I could be nice if I tried."
"Hmm." He taps his chin. "Say something nice, then."
"You're very good-looking."
He smiles, his teeth a flash in this dark. "I like this 'nice' thing. — Veronica Roth

I touch her cheek to slow the kiss down, holding her mouth on mine so I can feel every place where our lips touch and every place where they pull away. I savor the air we share in the second afterwards and the slip of her nose across mine. I think of something to say, but it is too intimate, so I swallow it. A moment later I decide I don't care.
"I wish we were alone," I say as I back out of the cell.
She smiles. "I almost always wish that. — Veronica Roth

hear him breathing behind me, loud and fast. "Are you all right, Four?"

"Are you human, Tris? Being up this high..." He gulps for air. "It doesn't scare you at all?"

I look over my shoulder at the ground. If I fall now, I will die. But I don't think I will fall. A gust of air presses against my left side, throwing my body weight to the right. I gasp and cling to the rungs, my balance shifting. Four's cold hand clamps around one of my hips, one of his fingers finding a strip of bare skin just under the hem of my T-shirt. He squeezes, steading me and pushing me gently to the left, restoring my balance. Now I can't breathe. I pause, staring at my hands, my mouth dry. I feel the ghost of where his hand was, his fingers long and narrow.

"You okay?" he asks quietly.

"Yes," I say, my voice strained. — Veronica Roth

Okay. Then ... I can talk. Ask me something."
"Okay." He laughs shakily in my ear. "Why is your heart racing Tris?"
I cringe and say, "Well, I ... I barely know you. I barely know you and I'm crammed up against you in a box, Four, what do you think?" ...
"Maybe you were cut out for Candor," he says, "because you're a terrible liar. — Veronica Roth

Okay, okay." I set my hand on top of his and guide it to my chest, so it's right over my heart. "Feel my heartbeat. Can you feel it?"
"Yes."
"Feel how steady it is?"
"It's fast."
"Yes, well, that has nothing to do with the box." I wince as soon as I'm done
speaking. I just admitted to something. Hopefully he doesn't realize that. — Veronica Roth

He slides his hand over my cheek, one finger anchored behind my ear. Then he tilts his head down and kisses me, sending a warm ache through my body. I wrap my hands around his arm, holding him there as long as I can. When he touches me, the hollowed-out feeling in my chest and stomach is not as noticeable. — Veronica Roth

Rosethorn had gone to her room the moment Niko started to cough. Now she returned with her syrup and a firm look in her eye. "I thought you were having trouble last night. Drink this." She poured some into a cup and held it out to him.
Niko looked at it as if she offered him rotten fish. "I am fine. I am per-" He couldn't even finish the sentence for coughing.
"It's not bad," said Tris, crossing her fingers behind her back. "Really, tastes like-like mangoes."
Niko looked at her, then took the cup and downed its contents. The four watched with interest as his cheeks turned pale, then scarlet. "That's terrible (exclamation point)" he cried, his voice a thin squeak.
"Maybe I was thinking of some other syrup," Tris remarked with a straight face. — Tamora Pierce

Tris," he says. "What did they do to you? You're acting like a lunatic."
"That's not very nice of you to say," I say. "They put me in a good mood, that's all. And now I really want to kiss you, so if you could just relax- — Veronica Roth

You nearly died today,' he says. 'I almost shot you. Why didn't you shoot me, Tris?'
'I couldn't do that,' I say. 'It would have been like shooting myself.'
He looks pained and leans closer to me, so his lips brush mine when he speaks. — Veronica Roth

You don't have to tell me everything right away, but I have to tell you everything right away? Can't you see how stupid that is? — Veronica Roth

There's a reason why she left them, Lauren," he says. His voice is deep, and it rumbles. "What's your name?"
"Um ... " I don't know why I hesitate. But "Beatrice" just doesn't sound right anymore.
"Think about it," he says, a faint smile curling his lips. " You don't get to pick again."
A new place, a new name. I can be remade here.
"Tris," I say firmly. — Veronica Roth

Maybe time would not feel as heavy if I didn't have this guilt - the guilt of knowing the truth and stuffing it down where no one can see it. — Veronica Roth

Dead people can be our heroes because they cant disappoint us later; they only improve over time, as we forget more and more about them. — Veronica Roth

Are you asking me to undress, Tris?'
A nervous laugh gurgles from my throat. 'Only ... partially — Veronica Roth

Your daughter is doing well here. I've been overseeing her training."
Since when does "overseeing" include throwing knives at me and scolding me at every opportunity? — Veronica Roth

I think that you are the liar!" I say, my voice quaking. "You tell me you love me, you trust me, you think I'm more perceptive than the avarge person. And the first second that belief in my perceptiveness, that trust, that love is put to the test, it all falls apart." I am crying now, nut I am not ashamed of the tears shining on my cheeks or the thickness of my voice. "So you must have lied when you told me all those things ... you must have, because I can't believe your love really is that feeble."
I step closer to him, so that there are only inches between us, and none of the others can hear me.
"I am still the person who would have died rather than kill you," I say, remembering the attack simulation and the feel of his heartbeat under my hand. "I am exactly who you think I am. — Veronica Roth

For a few minutes we kiss, deep in the chasm, with the roar of water all around us. And we rise, hand in hand, I realize that if we had both chosen differently, we might have ended up doing the same thing, in a safer place, in gray clothes instead of black ones. — Veronica Roth

The tiles in the Merciless Mart are always black and white, and here they are in a checkered pattern. If I unfocus my eyes, I see exactly what the Candor don't believe in - gray. — Veronica Roth