Formalist Quotes & Sayings

It took me twenty years to get Steven Parrino's work. From the time I first saw his art, in the mid-eighties, I almost always dismissed it as mannered, Romantic, formulaic, conceptualist-formalist heavy-metal boy-art abstraction. — Jerry Saltz

Whenever the pulpit is usurped by a formalist, then is the worshipper defrauded and disconsolate. — Ralph Waldo Emerson

Abandoned by philosophy, politics, and sociology, historical determinism continues to hold out in formalist art criticism. — Harold Rosenberg

People constantly describe me as a formalist or even a minimalist, but I'm not really bothered with the rules of painting or the history of painting. My approach is that everything is mine. I take what I can use from wherever, and then I forget where I've taken it from. But there is no point me making anything that looks like anyone else's. — Gary Hume

I don't think that any 'ism' is higher than literature or art. So I'm a formalist. I greatly honor and respect the form of a work. — Joyce Carol Oates

Most writers on the subject seem to agree that the typical working mathematician is a Platonist on weekdays and a formalist on Sundays. — Philip J. Davis

Why can't a photograph be all four things at once? -be an art object; be a document, what ever that means exactly, but deal with content; be a formalist exploration; and operate on some, metaphor is not the right word but, resonant level.. — Stephen Shore

I want to seduce my viewers and be able to hold them with the work. Much of that is done in terms of formalist ideas that I bring to the work. — Catherine Opie

The cramping influence of a hard formalist on a young child in repressing his spirits and courage, paralyzing the understanding, and that without producing indignation, but only fear and obedience, and even much sympathy with his tyranny, - is a familiar fact explained to the child when he becomes a man, only by seeing that the oppressor of his youth is himself a child tyrannized over by those names and words and forma, of whose influence he was merely the organ to the youth. — Ralph Waldo Emerson

The 1980s witnessed radical advances in the theorisation of the study of literature in the universities. It had begun in France in the 1960s and it made a large impact on the higher education establishments of Britain and America. New life was breathed into psychoanalytic and Marxist theory, while structuralism gave way to post-structuralism. The stability of the text as a focus of study was challenged by deconstruction, a theory developed by the French philosopher, Jacques Derrida, which represented a complete fracture with the old liberal-formalist mode of reading. Coherence and unity were seen as illusory and readers were liberated to aim at their own meanings. Hardy's texts were at the centre of these theoretical movements, including one that came to prominence in the 1980s, feminism. — Geoffrey Harvey

The anorexic is the fuse nakedly exposed to the direct power of modern media, a psyche whose wiring has no insulation. The anorexic is an analog to the ideologue, who is likewise devoid of common sense, independent ego, culture, intuitive intelligence, etc.: all the ideologue has to orient himself by is the formalist or abstractivist directives inlaid in modern mass-culture. Both are forms of the True Believer, minds in whom factors of self-active life are reduced to negligibility and pathos reigns. — Kenny Smith

The politics of Islamic law in the formative periods of the modern Muslim state indicate that the transformation of Islamic law from authoritative to authoritarian arose from the conjunction of the rise of formalist visions of Islamic law (made necessary and possible by the intervention of the colonial state through treaties, trials and texts) with the growing sense among Muslim elites of the need to protect the shrinking jurisdiction allowed to Islamic law. — Iza R. Hussin

Here's the most startling irony I know in film history: Antonioni, who is often denigrated by left-wing critics as a formalist and aesthete gives us radical realism through the long take, and what he gives us
this is his metaphysical wager
is real outside the film, off the set, beyond the camera and underneath the surface of everyday life. — Frank Lentricchia

What was needed was a literary theory which, while preserving the formalist bent of New Criticism, its dogged attention to literature as aesthetic object rather than social practice, would make something a good deal more systematic and 'scientific' out of all this. The answer arrived in 1957, in the shape of the Canadian Northrop Fryes mighty 'totalization' of all literary genres, Anatomy of Criticism . — Terry Eagleton