Quotes & Sayings About Formal Writing

There's something, I think, that gets lost when we write something - something gets lost in the translation. So I speak everything out, and it's more important how it sounds. And applying that to more formal aspects of writing. — James Frey

The formal education of women was rarely considered important. Girls of good birth were taught domestic skills at home or in a convent, and rarely learned to read and write, for it was feared that if they did they would waste their talents writing love letters or reading romances that led to promiscuity. — Alison Weir

I haven't any formal schedule, but I love to write in the morning, before breakfast. Sometimes the writing goes so smoothly that I don't take a break for many hours - and consequently have breakfast at two or three in the afternoon on good days. — Joyce Carol Oates

I don't find perfection especially interesting. Art is not all about refinement and formal accomplishment. It is about passion and imagination and courage and these things that I didn't understand when I was kid being taught the rules. I realized that a novel could be. . .art could be. . . what I wanted to make it if I could pull it off. — Steve Erickson

No formal course in fiction-writing can equal a close and observant perusal of the stories of Edgar Allan Poe or Ambrose Bierce. — H.P. Lovecraft

PERHAPS IN SOME FORMAL SENSE every book begins by considering its own impossibility, but this book's completion has depended on a way of working with that impossibility without a clear resolution. Even so, something of that impossibility has to be sustained within the writing, even if it continually threatens to bring the project to a halt. — Judith Butler

The intricacy of plotting a thriller is akin to writing formal poetry. — Julianna Baggott

I began observing, making paintings of my surroundings, taking a vow of silence, listening, composing music, writing, and making time for formal education. Then I started telling stories. — John Francis

I was an avid reader, but never thought seriously about writing a novel until I was in my thirties. I took no formal fiction-writing courses and never thought about these categories when I wrote my first novel. — M.J. Rose

I can't imagine a mental life, a spiritual existence, not inextricably bound up with language of a formal, mediated nature. Telling stories, choosing an appropriate language with which to tell the story: This seems to me quintessentially human, one of the great adventures of our species. — Joyce Carol Oates

I was a 'learn by doing' writer - I never took any formal writing classes. So it took a long time to figure things out and find my voice. — Sara Zarr

Confronted by an absolutely infuriating review, it is sometimes helpful for the victim to do a little personal research on the critic. Is there any truth to the rumor that he had no formal education beyond the age of eleven? In any event, is he able to construct a simple English sentence? Do his participles dangle? When moved to lyricism, does he write "I had a fun time"? Was he ever arrested for burglary? I don't know that you will prove anything this way, but it is perfectly harmless and quite soothing. — Jean Kerr

In jargon nobody ever does anything, feels anything, or causes anything; nobody has an opinion. Opinions are had; causes result in; factors affect. Everything is reduced to vague abstraction. The writer can even abolish himself, for jargon never sounds as though anybody had written it; it seems simply to come about, as from a machine, and it talks mechanically of things that come about, through some indistinct interaction of forces." - Robert Waddell, "Formal Prose and Jargon," in Modern Essays on Writing and Style 84, 89 (Paul C. Wermuth ed., 1964). — Bryan A. Garner

I am very, very sorry to leave you hanging like that, but as I was writing the tale of the Baudelaire orphans, I happened to look at the clock and realized I was running late for a formal dinner party given by a friend of mine, Madame diLustro. Madame diLustro is a good friend, an excellent detective, and a fine cook, but she flies into a rage if you arrive even five minutes later than her invitation states, so you understand that I had to dash off. You must have thought, at the end of the previous chapter, that Sunny was dead and that this was the terrible thing that happened to the Baudelaires at Uncle Monty's house, but I promise you Sunny survives this particular episode. It is Uncle Monty, unfortunately, who will be dead, but not yet. — Lemony Snicket

Humans aren't as good as we should be in our capacity to empathize with feelings and thoughts of others, be they humans or other animals on Earth. So maybe part of our formal education should be training in empathy. Imagine how different the world would be if, in fact, that were 'reading, writing, arithmetic, empathy.' — Neil DeGrasse Tyson

I started writing poetry in high school because I wanted desperately to write, but somehow, writing stories didn't appeal to me, and I loved the flow and the feel and sense of poetry, especially that of what one might call formal verse. — L.E. Modesitt Jr.

One, something emotional has to be at stake. There has to be something important for me that I'm writing about. And then two, I have to have a formal idea. Something has to be being worked out in poetry. — Edward Hirsch

One night I begged Robin, a scientist by training, to watch Arthur Miller's 'Death of a Salesman' with me on PBS. He lasted about one act, then turned to me in horror: 'This is how you spend your days? Thinking about things like this?' I was ashamed. I could have been learning about string theory or how flowers pollinate themselves.
I think his remark was the beginning of my crisis of faith. Like so many of my generation in graduate school, I had turned to literature as a kind of substitute for formal religion, which no longer fed my soul, or for therapy, which I could not afford ... I became interested in exploring the theory of nonfiction and in writing memoir, a genre that gives us access to that lost Middlemarch of reflection and social commentary. — Mary Rose O'Reilley

He wouldn't write a letter because he couldn't without beginning it 'Dear Sylvia' and ending it 'Yours sincerely' or 'truly' or 'affectionately.' He's that sort of precise imbecile. I tell you he's so formal he can't do without all the conventions there are and so truthful he can't use half of them. — Ford Madox Ford

Novels give you the matrix of emotions, give you the flavour of a time in a way formal history cannot. — Doris Lessing

I now knew a method of speaking and writing that - by means of a refined vocabulary, stately and thoughtful pacing, a determined arrangement of arguments, and a formal orderliness that wasn't supposed to fail - sought to annihilate the interlocutor to the point where he lost the will to object. — Elena Ferrante

I entered the literary world, really, from outside. My entire background has been in sciences; I was a biology major in college, then went to medical school. I've never had any formal training in writing. — Khaled Hosseini

In fact, the most interesting writing I did during those days was the plain everyday observations that I recorded in my journal. Descriptions of a neighbor... Local gossip. A kind of reporting, a style of 'seeing' and 'hearing' that would later seriously influence me, though I was unaware of it then, for all my 'formal' writing, the stuff that I published and carefully typed, was more or less fictional. — Truman Capote

As you consider whether to move a child into formal academic training, remember that we want our children to do more than just learn how to read and write; we want them to learn in such a way that they become lifelong readers and writers. If we push our children to start learning these skills too far ahead of their own spontaneous interest and their capacity, we may sacrifice the long-range goal of having them enjoy such pursuits. — Lilian Katz

{When Abraham Lincoln was 26 years old in 1835, he wrote a defense of Thomas Paine's deism; a political associate, Samuel Hill, burned it to save Lincoln's political career. Historian Roy Basler, the editor of Lincoln's papers, said Paine had a strong influence on Lincoln's style:}

No other writer of the eighteenth century, with the exception of Jefferson, parallels more closely the temper or gist of Lincoln's later thought. In style, Paine above all others affords the variety of eloquence which, chastened and adapted to Lincoln's own mood, is revealed in Lincoln's formal writings. — Roy Basler

What's precious about somebody like Bill Vollmann is that, even though there's a great deal of formal innovation in his fictions, it rarely seems to exist for just its own sake. It's almost always deployed to make some point (Vollmann's the most editorial young novelist going right now, and he's great at using formal ingenuity to make the editorializing a component of his narrative instead of an interruption) or to create an effect that's internal to the text. His narrator's always weirdly effaced, the writing unself-conscious, despite all the "By-the-way-Dear-reader" intrusions. In a way it's sad that Vollmann's integrity is so remarkable. Its remarkability means it's rare — David Foster Wallace

I am curious to see what books will emerge from all this writing online that's the result of those who grew up pouring their feelings out on Livejournal or Tumblr - excessive, sometimes automatic, sometimes enraged, emotional, while also quite intellectual - or if formal books will emerge at all, if that's not the point of these unmediated raw spaces. I'm excited by the possibility. — Kate Zambreno

With Head Off & Split, Nikky Finney establishes herself as one of the most eloquent, urgent, fearless and necessary poets writing in America today. What makes this book as important as anything published in the last decade is the irresistible music, the formal dexterity and the imaginative leaps she makes with metaphor and language in these simply stunning poems. This is a very, very important achievement. — Kwame Dawes

I began to write what I called 'rhythms' ie unrhymed pieces with no formal metrical scheme where the rhythm was created by a kind if inner chant..Later I was told I was writing 'free verse' or Vers libre. — Richard Aldington

Now as God revealed his Word and spoke, or preached, by the mouth of the fathers and Prophets, and at last by his own Son, then by the Apostles and evangelists, whose tongues were but as the pens of scribes writing rapidly, God thus employing men to speak to men; so to propose, apply, and declare this his Word, he employs his visible spouse as his mouthpiece and the interpreter of his intentions. It is God then who rules over Christian belief, but with two instruments, in a double way: (1) by his Word as by a formal rule and (2) by his Church as by the hand of the measurer and rule-user. Let us put it thus: God is the painter, our faith the picture, the colors are the Word of God, the brush is the Church. Here then are two ordinary and infallible rules of our belief: the Word of God, which is the fundamental and formal rule; the Church of God, which is the rule of application and explanation. — Francis De Sales

I never considered I might make a career out of writing as I was going to school, so when I did turn my attentions that way, I was very ill prepared, having only what I read as a guide, and no formal training whatsoever. I credit that very ignorance with a great deal of my success. — Kim Harrison

I am conscious of trying to stretch the boundaries of non-fiction writing. It's always surprised me how little attention many non-fiction writers pay to the formal aspects of their work. — Alain De Botton

Blogging is to writing what extreme sports are to athletics: more free-form, more accident-prone, less formal, more alive. It is, in many ways, writing out loud. — Andrew Sullivan

We all know what good writing is: It's the novel we can't put down, the poem we never forget, the speech that changes the way we look at the world. It's the article that tells us when, where, and how, the essay that clarifies what was hazy before. Good writing is the memo that gets action, the letter that says what a phone call can't. It's the movie that makes us cry, the TV show that makes us laugh, the lyrics to the song we can't stop singing, the advertisement that makes us buy. Good writing can take form in prose or poetry, fiction or nonfiction. It can be formal or informal, literary or colloquial. The rules and tools for achieving each are different, but one difficult-to-define quality runs through them all: style. "Effectiveness of assertion" was George Bernard Shaw's definition of style. "Proper words in proper places" was Jonathan Swift's. You — Mitchell Ivers

Taken thus by surprise, it was several moments before she was able to decide whether to make herself known to him, or to await a formal introduction. The strict propriety in which she had been reared urged her to adopt the latter course; then she remembered that she was not a young girl any longer, but a guardian-aunt ... To flinch before what would certainly be an extremely disagreeable interview would be the act, she told herself, of a pudding-heart. Bracing herself resolutely, she got up from the writing-table, and turned, saying, in a cool, pleasant tone: 'Mr Calverleigh?'
He had picked up a newspaper from the table in the centre of the room, and was glancing through it, but he lowered it, and looked enquiringly across at her. His eyes, which were deep-set and of a light grey made the more striking by the swarthiness of his complexion, held an expression of faint surprise; he said: 'Yes? — Georgette Heyer

I've never taken any classes or had formal training in writing novels. At its most basic, I learned how to structure a novel. — Dennis Green

I know a person who will poke the fire, set chairs straight, pick dust specks from the floor, arrange his table, snatch up a newspaper, take down any book which catches his eye, trim his nails, waste the morning anyhow, in short, and all without premeditation - simply because the only thing he ought to attend to is the preparation of a noonday lesson in formal logic which he detests. - William James — Mason Currey

Every time you observe that more of a good thing is not always better; or you remember that improbable things happen a lot, given enough chances, and resist the lure of the Baltimore stockbroker; or you make a decision based not just on the most likely future, but on the cloud of all possible futures, with attention to which ones are likely and which ones are not; or you let go of the idea that the beliefs of groups should be subject to the same rules as beliefs of individuals; or, simply, you find that cognitive sweet spot where you can let your intuition run wild on the network of tracks formal reasoning makes for it; without writing down an equation or drawing a graph, you are doing mathematics, the extension of common sense by other means. When are you going to use it? You've been using mathematics since you were born and you'll probably never stop. Use it well. — Jordan Ellenberg

Primo Levi's - I mean, he's a very different kind of writer. He's a much more formal writer. He's a much more -almost detached. I mean, I wouldn't really say that he's detached ultimately. But he does write as a scientist, and so he describes things very - in great detail, very carefully. — Ann Goldstein

Most of my formal choices are a combination of everything I learned about form - semiotics, linguistics, and the history of style experimentations tethered to literary movements (formalism, deconstruction, modernism, and postmodernism), and the basic principal of breaking every rule I ever learned from a patriarchal writing tradition that never included my body or experience, and thus has nothing to offer me in terms of representation. — Lidia Yuknavitch

Try - Takes the infinitive: "try to mend it," not "try and mend it." Students of the language will argue that 'try and' has won through and become idiom. Indeed it has, and it is relaxed and acceptable. But 'try to' is precise, and when you are writing formal prose, try and write 'try to. — William Strunk Jr.

I might spend 100 pages trying to get to know the world I'm writing about: its contours, who are my main characters, what are their relationships to each other, and just trying to get a sense of what and who this book is about. Usually around that point of 100 pages, I start to feel like I'm lost, I have too much material, it's time to start making some choices. It's typically at that point that I sit down and try to make a formal outline and winnow out what's not working and what I'm most interested in, where the story seems to be going. — Michael Chabon