Forest Fairy Quotes & Sayings

A trail made of pine needles and thistles leads you into the green darkness. The canopy casts shadows on old oaks and dogwoods, and you think you can smell the sour breath of a witch behind you. The wind sighs like a sleeping girl, carrying her bittersweet dreams along the paths to attract any man willing to look for thorn-covered castles. A wolf darts between fallen, rotted wood; maybe he's the one who can tell you where your heart is, how you're still breathing. — Kimberly Karalius

Devic Magic
Woodland sprites, elves and nymphs
Waltz in time take a glimpse
Fairies hide the forest wit
Mushrooms fly, agarics hit — William O'Brien

Being the reader of a dark fairy tale is much like being the hero of one. Our lives are filled with pain, boredom, and fear. We want to venture into the dark wood, to see the oddities and the beauties it holds, and to test ourselves against them. So we pick up a book of fairy tales. The real ones. THe weird ones. The dark ones. We see oddities and beauties galore. We test our courage and our understanding. Finally, we put the book down and return to our lives. And hopefully, just like the hero of the fairy tale, we return stronger, richer, and wiser. In difficult times - of recession and violence and political bitterness - we long for a dark forest to which we can escape; and from which we can return, better than we were before. — Adam Gidwitz

Carelessness was once something to be owned. They wore it around their necks as they joined the springtime breeze while ducking in and out of the forest believing their fairy tale. — A. Lynn

I believe that the great stretches of forests in northern Europe, with their constant seasonal changes, their restricted views, their astonish biological diversity, their secret gifts and perils and the knowledge that you have to go through them to get anywhere else, created the themes and ethics of the fairy tales we know best. There are secrets, hidden identities, cunning disguises; there are rhythms of change like the changes of the seasons; there are characters, both human and animal, whose assistance can be earned or spurned; and there is
over and over again
the journey or quest, which leads first to knowledge and then to happiness. The forest is the place of trial in fairy stories, both dangerous and exciting. Coming to terms with the forest, surviving its terrors, utilising its gifts and gaining its help is the way to 'happy ever after. — Sara Maitland

Fairy damsels met in forest wide / By knights of Logres, or of Lyones, / Lancelot or Pelleas, or Pellenore. — John Milton

The universe is a dark forest. Every civilization is an armed hunter stalking through the trees like a ghost, gently pushing aside branches that block the path and trying to tread without sound. Even breathing is done with care. The hunter has to be careful, because everywhere in the forest are stealthy hunters like him. If he finds other life - another hunter, an angel or a demon, a delicate infant or a tottering old man, a fairy or a demigod - there's only one thing he can do: open fire and eliminate them. In this forest, hell is other people. An eternal threat that any life that exposes its own existence will be swiftly wiped out. This is the picture of cosmic civilization. It's the explanation for the Fermi Paradox. — Liu Cixin

Conner raised an eyebrow. 'Who told you that?'
'Well,' she said, not knowing how to describe what she experienced. 'Um ... a moth did.'
Conner squinted at her and his mouth fell open. He was expecting a much better answer than that. 'A moth told you?'
'Yes
but it wasn't a regular moth, it was more like an angel.'
'An angel moth?'
'Well, it came from somewhere in the stars. I think Grandma sent it.'
'Grandma sent you an angel moth from outer space?'
'Kind of! Anyway, the moth took me to a forest and then turned into a bunch of orbs that re-created a memory
stop looking at me like that, Conner! — Chris Colfer

He smelled of forest and primal desire that saturated Taryn's senses and made her imagine what it felt like to be caught and conquered. — Genevra Thorne

Fairy tale 'adaptations' are usually stripped of every moral and lesson the stories were originally intended to teach, and replaced with singing and dancing forest animals. I recently read that films are being created depicting Cinderella as a struggling hip-hop singer and Sleeping Beauty as a warrior princess battling zombies!" "Awesome," a student behind Alex whispered to himself. Alex — Chris Colfer

Let me guess - you're Grumpy?'
He let out a humpf. ' And you would be too, if you'd just spent the last hour searching the forest for your wayward charge.' He walked even faster. 'We tell you to stay inside, we tell you not to talk to strangers. But oh no, you must be out singing to the animals as if the birds didn't do a fine enough job of it. And this after Queen Neferia has already tried to kill you thrice. [ ... ] Which is why you are not to go shopping anymore, no matter how pretty the wares, remember?'
Oh, right.'
[ ... ] when you looked at it that way, Snow White had to be pretty idiotic to keep falling for the same trick. — Janette Rallison

Now fairy stories are at risk too, like the forests. Padraic Column has suggested that artificial lighting dealt them a mortal wound: when people could read and be productive after dark, something fundamental changed, and there was no longer need or space for the ancient oral tradition. The stories were often confined to books, which makes the text static, and they were handed over to children. — Sara Maitland

You discovered yourself and what really mattered only after you passed through the lens of the fairy tale, imposed on every human female and male alike, that someone existed out in the forest of the world for you to love and marry. — Jonathan Lethem

in the woods, Miss," he explained, "THE woods. The ancient, the original. When you step under the trees and you don't know the name of the forest or how big it is or where you're going, that's where we are now. The woods used to surround Man on all sides. Now, they're hard to find. This is the breeding ground of fairy tales. — Richard Roberts

In a cottage deep in the forest lived the wicked old witch ... it was a cottage out of the nastier kind of fairy tale — Terry Pratchett

Then they gave me a loaf of bread and told me to walk through the forest and give some to anyone who asked. I did exactly what they told me, and the second beggar-woman was a fairy in disguise, but instead of saying that whenever I spoke, diamonds and roses would drop from my mouth, she said that since I was so kind, I would never have any problems with my teeth."
"Really? Did it work?"
"Well, I haven't had a toothache since I met her."
"I'd much rather have good teeth than have diamonds and roses drop out of my mouth whenever I said something — Patricia C. Wrede

It is winter now,
and the roses are blooming again,
their petals bright against the snow.
My father died last April;
my sisters no longer write,
except at the turning of the year,
content with their fine houses
and their grandchildren.
Beast and I
putter in the gardens
and walk slowly on the forest paths.
[from the poem, Beauty and the Beast: An Anniversary] — Jane Yolen

I turned into Little Red Riding Hood. I made a cake, packed it up and went through the forest until I met the wolves. That's something the story got wrong, wolves don't travel solo, they hunt in packs. — Louise Welsh

You worked at night, when the shadows masked you and you were little more than a dream. You hid in the forest or the mountains, away from the steam engines and the lamps of the cities, the things that would expose you, confirming you and stripping you of your mystery. You showed yourself rarely, and only to the ones who needed to see you. After the free-for-all that was the earlier Chapters, when babies were stolen, young men murdered and maidens locked away, the fae had had to learn to be very careful about their involvement in the lives of the characters, lest they turn still further away from their beliefs. — F.D. Lee

he gave an account of the Spenserian world that championed its ethical attitudes as well as their fairy-tale terms, with a rich joy in the defeat of dragons, giants, sorcerers, and sorceresses by the forces of virtue; it was a world he could inhabit and believe in as one inhabits and believes a dream of one's own; its knights, dwarfs, and ladies were real to him...he rejoiced as much in the ugliness of the giants and in the beauty of the ladies as in their spiritual significances, but most of all in the ambience of the faerie forest and plain that, he said, were carpeted with a grass greener than the common stuff of ordinary glades; this was the reality of grass, only to be apprehended in poetry: the world of the imagination was nearer to the truth than the world of the senses, notwithstanding its palpable fictions, and Spenser transcended sensuality by making use of it — Jocelyn Gibb

Forests to the [early] Northern European peoples were dangerous and generous, domestic and wild, beautiful and terrible. And the forests were the terrain out of which fairy stories, one of our earliest and most vital cultural forms, evolved. The mysterious secrets and silences, gifts and perils of the forest are both the background to and source of these tales ...
Forests are places where a person can get lost and also hide
and losing and hiding, of things and people, are central to European fairy stories in ways that are not true of similar stories in different geographies. Landscape informs the collective imagination as much as or more than it forms the individual psyche and its imagination, but this dimension is not something to which we always pay enough attention. — Sara Maitland

Peter and the deer herd ranged over the forest together, and without words, Peter told the deer about his new life at the Palace, amongst people. The scents that lingered on him told a hundred stories. His expressions and movements too, echoed foreign influences. And in Peter's eyes, the story was told plainly. They sensed that he had grown not just physically, but in his being he was bigger, more mature.
The deer wanted the Wild Boy to return to the Enchanted Forest with them, but they were uncertain he would come. They called him by his forest name, and he replied, "Peter." The strangeness of this intonation puzzled them. — Christopher Daniel Mechling

Inevitably they find their way into the forest. It is there that they lose and find themselves. It is there that they gain a sense of what is to be done. The forest is always large, immense, great and mysterious. No one ever gains power over the forest, but the forest posses the power to change lives and alter destinies. — Jack D. Zipes

Because," Conner explained with a smirk on his face, "if you're going to live in a house made of candy, don't move next door to a couple of obese kids. A lot of these fairy-tale characters are missing common sense." Alex let out another disapproving grunt. Conner figured he could get at least fifty more out of her before they got home. "The witch didn't live next door! She lived deep in the forest! They had to leave a trail of bread crumbs behind so they could find their way back, remember. And the whole point of the house was to lure the kids in. They were starving!" Alex reminded him. "At least have all the facts straight before you criticize." "If they were starving, what were they doing wasting bread crumbs?" Conner asked. "Sounds like a couple of troublemakers to me." Alex grunted again. "And — Chris Colfer

She moves like beauty, she whispers to us of wind and forest - and she tells us stories, such stories that we wake in the night, dreaming dreams of a life long past. she reminds us of what we used to be.

She reminds us of what we could be. — Meagan Spooner

The sleep that flits on baby's eyes - does anybody know from where it comes? Yes, there is a rumour that it has its dwelling where, in the fairy village among shadows of the forest dimly lit with glow-worms, there hang two timid buds of enchantment. From there it comes to kiss baby's eyes.
The smile that flickers on baby's lips when he sleeps - does anybody know where it was born? Yes, there is a rumour that a young pale beam of a crescent moon touched the edge of a vanishing autumn cloud, and there the smile was first born in the dream of a dew-washed morning - the smile that flickers on baby's lips when he sleeps.
The sweet, soft freshness that blooms on baby's limbs - does anybody know where it was hidden so long? Yes, when the mother was a young girl it lay pervading her heart in tender and silent mystery of love - the sweet, soft freshness that has bloomed on baby's limbs. — Rabindranath Tagore

Winter had long since come. It was freezing cold. Torn-up sounds and forms appeared with no evident connection from the frosty mist, stood, moved, vanished. Not the sun we are accustomed to on earth, but the crimson ball of some other substitute sun hung in the forest. From it, strainedly and slowly, as in a dream or a fairy tale, rays of amber yellow light, thick as honey, spread and on their way congealed in the air and froze to the trees. — Boris Pasternak

Sleep is like a mythical creature that lives in fairy forest and drinks rainbow water. — Layne Harper

Before you enter the forest, you must leave your mind outside, because in the land of fairy tales there is no need for it! — Mehmet Murat Ildan

Fairy elves, Whose midnight revels by a forest side Or fountain some belated peasant sees, Or dreams he sees, while overhead the moon Sits arbitress. — John Milton

We live in the fairy forest of huge trees which is on the other side of the lake, said Farina. — Magda M. Olchawska

Within and about the Forest of Tantrevalles existed a hundred or more fairy shees, each the castle of a fairy tribe. Thripsey Shee on Madling Meadow, little more than a mile within the precincts of the forest, was ruled by King Throbius and his spouse Queen Bossum. His realm included Madling Meadow and as much of the forest surrounding as was consistent with his dignity. The fairies at Thripsey numbered eighty-six. — Jack Vance

You know, like Prince Charming. Because you never know, maybe he's an enchanted prince under an evil spell."
"Life isn't a fairy tale, you know," Sam said.
"Wanna bet?" The teen smirked at him. — Deborah Blake

It's the pool where we all go down to drink, to swim, to catch a little fish from the edge of the shore; it's also the pool where some hardy souls go out in their flimsy wooden boats after the big ones. It is the pool of life, the cup of imagination, and she has an idea that different people see different versions of it, but with two things ever in common: it's always about a mile deep in the Fairy Forest, and it's always sad. Because imagination isn't the only thing this place is about. — Stephen King

Water fell from the sky and dripped from the branches, streaming down the gully of the trail. I walked beneath the enormous trees, the forest canopy high above me, the bushes and low-growing plants that edged the trail soaking me as I brushed past. Wet and miserable as it was, the forest was magical - Gothic in its green grandiosity, both luminous and dark, so lavish in its fecundity that it looked surreal, as if I were walking through a fairy tale rather than the actual world. — Cheryl Strayed

Tomber amoureux. To fall in love. Does it occur suddenly or gradually? If gradually, when is the moment "already"? I would fall in love with a monkey made of rags. With a plywood squirrel. With a botanical atlas. With an oriole. With a ferret. With a marten in a picture. With the forest one sees to the right when riding in a cart to Jaszuny. With a poem by a little-known poet. With human beings whose names still move me. And always the object of love was enveloped in erotic fantasy or was submitted, as in Stendhal, to a "cristallisation," so it is frightful to think of that object as it was, naked among the naked things, and of the fairy tales about it one invents. Yes, I was often in love with something or someone. Yet falling in love is not the same as being able to love. That is something different. — Czeslaw Milosz

Every child can remember laying his head in the grass, staring into the infinitesimal forest and seeing it grow populous with fairy armies. — Robert Louis Stevenson

In this life you have to be your own hero.
By that I mean you have to win whatever it is that matters to you by your own strength and in your own way.
Like it or not, you are alone in a forest, just like all those fairy tales that begin with a hero who's usually stupid but somehow brave, or who might be clever, but weak as a straw, and away he goes (don't worry about the gender), cheered on by nobody, via the castles and the bears, and the old witch and the enchanted stream, and by and by (we hope) he'll find the treasure. — Jeanette Winterson

Thing is," Grial said in a conspiratorial voice, "let me tell you a little secret, girlie. That road- those roads, all roads and paths in fact- they never end. You might think they do. You might think they just narrow and fade and disappear in the hoary depths of the forest? Not so, not at all! They merely go into hiding, and you just have to search a bit harder to see them. — Vera Nazarian

It was an irresistible development of modern illustration (so largely photographic) that borders should be abandoned and the "picture" end only with the paper. This method may be suitable for for photographs; but it is altogether inappropriate for the pictures that illustrate or are inspired by fairy-stories. An enchanted forest requires a margin, even an elaborate border. To print it coterminous with the page, like a "shot" of the Rockies in Picture Post, as if it were indeed a "snap" of fairyland or a "sketch by our artist on the spot", is a folly and an abuse. — J.R.R. Tolkien

Vampires were fairy tales and magic. They were the wolf in the forest that ran ahead to grandmother's house, the video game big boss who could be hunted without guilt, the monster that tempted you into its bed, the powerful eternal beast one might become. The beautiful dead, la belle mort. — Holly Black

In the fairy tales there's only one Big Bad Wolf and the little girl takes only one trip through the Dark Forest and fights only one fight for her life before the story ends in happily and ever after. But life on the Calle is real, not make-believe, and every Calle girl knows that once the My-What-Big-Paws-You-Have fall on her skin, Little Red will carry that scent no matter how hard she scrubs. From that point on, every wolf in the every forest of her very real life will recognize her and they'll do their Biggest and Baddest to get into her basket anytime she drops her guard. So be prepared. We're not out of the woods yet. — Tupelo Hassman

Between the borders of Faerie and the physical world stands an ancient forest where the trees are exceedingly tall; and although no longer visible to men, their roots go deep into its earth. — Gabriel Brunsdon