Floor By Floor Quotes & Sayings

I went to a large consolidated school in Appalachia. And I wrote the story when I was in the second grade and I took it up to the third floor to the school newspaper office that was written and edited by juniors and seniors. — Tom Robbins

An elaborately jointed array of bones landed in my lap, spasming like a broken crab. My cry was every bit as manly as that of a young schoolgirl surprised by a hairy spider. I knocked the thing off me, onto the floor. It — Dean Koontz

We now know that something between 85 and 90 percent of most software product features are unwanted and unneeded by customers. That is an enourmous ammount of waste of time and money that ends up on the floor. — Steve Blank

JAMIE'S SONG 'WHERE YOU ARE':

I left my heart at your door,
Don't tread on it on your way out.
It's convulsing on the floor,
Can't you hear it scream and shout?

I dropped my life by your feet,
Don't kick it as you walk down the street.
I put my dreams in your hand,
Don't let them slip through your fingers like grains of sand.

And my eyes will watch you from afar,
Guide you like a shooting star.

And you'll see that I'll always be where you are.
Where you are.
Yes, you know that I'll always be where you are.

Yes my eyes will watch you from afar,
Guide you like a shooting star.
And you'll see that I'll always be where you are.
Where you are. — Neha Yazmin

I work in a small study on the top floor of a brownstone in Brooklyn - it's about 75 square feet, 11 taken up by book shelves along one wall. — Kathryn Harrison

I believe in playing with your heart, with every fiber in your body-fairly, squarely, by the rules-to win. And I believe that any man's finest moment, the greatest fulfillment of all he holds dear, is that moment when he has worked his heart out and lies exhausted on the floor of battle-victorious. — Bela Karolyi

Because of the city's fragmentary, far-flung floor plan, accessible almost exclusively by car, there is no collective sense of community, no overarching sense of "we." ... It's a city of transplants ... Everyone moves to LA with plans not to stay. But then we stay. Because somewhere along the way, this Garden of Forking Freeways burrows itself inside our hardened, from-elsewhere hearts, and slowly, we begin to love the place we claimed to hate. Los Angeles is such a misunderstood city... It's a place that's impossible not to ridicule until you...fully appreciate all its endearing inconsistencies. It is ugly, and it is also beautiful. It is fast; it is slow. It is sexy, and it is also smart. — Lilibet Snellings

The moral of the story, Son," Pun would say, "is Don't take more on your heart than you can shake off on your heels."
Of all lessons, that one I never learned and I hope I never do. My heart daily grows new foliage, always adding people, picking up new heartaches like a wool coat collects cockleburs and beggar's-lice seeds. It gets fuller and fuller as I walk slow as a sloth, carrying all the pain Pun and Frank and so many others tried to walk from. Especially the pain of the lost forest. Sometimes there is no leaving, no looking westward for another promised land. We have to nail our shoes to the kitchen floor and unload the burden of our heart. We have to set to the task of repairing the damage done by and to us. — Janisse Ray

When we did eventually get to the party - me walking next to Dad's Volvo driving at five miles an hour - I had a horrible time. Everyone laughed at first but then more or less ignored me. In a mood of defiant stuffed oliveness I did have a dance by myself but things kept crashing to the floor around me. The host asked if I would sit down. I had a go at that but it was useless. In the end I was at the gate for about an hour before Dad arrived. — Louise Rennison

The kitten was six weeks old. It was enchanting, a delicate fairy-tale cat, whose Siamese genes showed in the shape of the face, ears, tail, and the subtle lines of its body. [ ... ] She sat, a tiny thing, in the middle of a yellow carpet, surrounded by five worshipppers, not at all afraid of us. Then she stalked around that floor of the house, inspecting every inch of it, climbed up on to my bed, crept under the fold of a sheet, and was at home. — Doris Lessing

They're done by guys who have talked a good game and then have scrambled together the simulacrum of a drama, so actors are habituated to sometimes having to save a picture on the floor because it's usually part of their job, but they'd rather have a writer doing his job, so that they can do theirs. But I like nothing better than working with actors. — William Monahan

The Praesidium stood on four pillars and for most of its height was square in cross-section. Not far above the dials, however, the corners of the square floor-plan were cleaved off, making it into an octagon, and not far above that, the octagon became a sixteen-sided polygon, and above that it became round. The roof of the Praesidium was a disk, or rather a lens, as it bulged up slightly in the middle to shed rainwater. It supported the megaliths, domes, penthouses, and turrets of the starhenge, which drove, and was driven by, the same clock-works that ran the dials. — Neal Stephenson

In the vaults of our hearts and brains, danger waits. All the chambers are not lovely, light and high. There are holes in the floor of the mind, like those in a medieval dungeon floor - the stinking oubliettes, named for forgetting, bottle-shaped cells in solid rock with the trapdoor in the top. Nothing escapes from them quietly to ease us. A quake, some betrayal by our safeguards, and sparks of memory fire the noxious gases - things trapped for years fly free, ready to explode in pain and drive us to dangerous behavior ... — Thomas Harris

I lie on the floor, washed by nothing and hanging on. I cry at night. I am afraid of hearing voices, or a voice. I have come to the edge, of the land. I could get pushed over. — Margaret Atwood

I got hit by the bug of reading - not via a person, but via the one-room library in our small town. I remember that the children's books were in the right-hand corner near the floor. Often when I went there, I was the only visitor. — Anita Shreve

Dorothy lived in the midst of the great Kansas prairies, with Uncle Henry, who was a farmer, and Aunt Em, who was the farmer's wife. Their house was small, for the lumber to build it had to be carried by wagon many miles. There were four walls, a floor and a roof, which made one room; and this room contained a rusty looking cookstove, a cupboard for the dishes, a table, three or four chairs, and the beds. Uncle Henry and Aunt Em had a big bed in one corner, and Dorothy a little bed in another corner. There was no garret at all, and no cellar - except a small hole dug in the ground, called a cyclone cellar, where the family could go in case one of those great whirlwinds arose, mighty enough to crush any building in its path. It was reached by a trap door in the middle of the floor, from which a ladder led down into the small, dark hole. — L. Frank Baum

My dear brothers and sisters,* how can you claim to have faith in our glorious Lord Jesus Christ if you favor some people over others? 2 For example, suppose someone comes into your meeting* dressed in fancy clothes and expensive jewelry, and another comes in who is poor and dressed in dirty clothes. 3 If you give special attention and a good seat to the rich person, but you say to the poor one, "You can stand over there, or else sit on the floor" - well, 4 doesn't this discrimination show that your judgments are guided by evil motives? — Anonymous

Isabel dug her hands into the bin of Legos next to her. "We should have a ship-building competition."

"Yes," Gabriel said. "I am the King of Legos."

"Is that a self-proclaimed title or one that was appointed?" I asked.

Isabel laughed.

Gabriel acted offended. "Appointed, of course." He joined us on the floor and scooped out a handful of Legos. "By my father. — Kasie West

A single wire hanger on a nail by itself
Isn't bad though a stack of them on a floor
Is too gloomy for words. — Dara Weir

You'll address me by my title," I said sharply. "And bow until your pointed chin scrapes the floor. — Jennifer A. Nielsen

By then all stores of food had given out and murder was everywhere upon the land. The world soon to be largely populated by men who would eat your children in front of your eyes and the cities themselves held by cores of blackened looters who tunneled among the ruins and crawled from the rubble white tooth and eye carrying charred and anonymous tins of food in nylon nets like shoppers in the commissaries of hell. The soft black talc blew through the streets like squid ink uncoiling along a sea floor... — Cormac McCarthy

The elevator doors opened on the first floor and Van Holtz was waiting there with several bags of groceries in his hands.
"Oh. You," he said. He started to walk in and, without thinking, simply reacting, Bo shoved him back out of the elevator by his head and hit the elevator button again.
"You asshole!" Bo heard as the door closed. — Shelly Laurenston

Apart from these parental physical jerks, he did not train his body; he merely inhabited it. A friend had once shown what he called gymnastics for the intelligentsia. You took a box of matches and threw its contents on the floor, then bent down and picked them up, one by one. The first time he tried it himself, he lost patience and stuffed all the matches back in handfuls. He persevered, but the next time, just as he was bending down, the telephone went, and he was needed at once; so the housekeeper was detailed to pick up the matches instead. — Julian Barnes

But one day she was telling me how every room has a note. You just have to find it. She started warbling away, up and down. And suddenly one note came back to us, just bounced back off the walls and rose from the floor and filled the place with this perfect hum. This beautiful sound. Like you've thrown a plum and an orchard comes back at you. You wouldn't believe it, Mr. Evans. These two completely different things, a note and a room, finding each other. It sounded ... right. Am I being ridiculous? Do you think that's what we mean by love, Mr. Evans? The note that comes back to you? That finds you even when you don't want to be found? That one day you find someone, and everything they are comes back to you in a strange way that hums? That fits. That's beautiful. — Richard Flanagan

If you ever get rich and famous, by definition you are special. You have done something special, and therefore you start to behave special. Then if the floor drops out, and you become down and out, you have a really new perspective. — Danny Bonaduce

Without saying anything, Dara gathered her pillow and one of the soft comforters from her bed and carried it into Carolina's room. Mackenzie and Jennifer followed her. They would sleep in her room that night, keeping the ice packs around her, adjusting the fan. One by one they fixed their make-shift beds on the floor, close to each other, and close to Carolina. — Barbara Casey

A small town called Phoenixville in Pennsylvania is invaded by aliens. Or maybe alien singular, it's hard to tell. Because this hostile visitor is an amorphous mass of goo that must be jelly 'cos jam don't shake like that. It doesn't do too much leaping (unless you count the jerk-edit special effects), but it's very good at sliding across the floor, killing puny humans by absorbing them. Steve McQueen is Steve is the boy who leads a group of teens who foil its evil plan to turn Earth into a giant trifle. — Garry Mulholland

The pope was lying fully stretched out on the floor, his body half-obscured by Cardinal Villot, who was leaning over him. Calvi's heart jumped into his throat. The pontiff 's eyes were shut, his face distorted in pain. He wasn't breathing. He was life-less, drained of color. — Peter J. Tanous

Oh yeah, I'm literally walking through my house now looking down and there are maybe, like, 15 pairs on the floor. For real. Real talk. It's just simplicity. They're something I wear every day. Before I got a deal with them, I was wearing some type of Vans all the time. I would just order them by the box, like, 10 at a time. — Lupe Fiasco

Two years ago," she says, "I was afraid of spiders, suffocation, walls that inch slowly inward and trap you between them,getting thrown out of Dauntless, uncontrollable bleeding, getting run over by a train, my father's death,public humiliation, and kidnapping by men without faces."
Everyone stares blankly at her.
"Most of you will have anywhere from ten to fifteen years in your fear landscapes. That is the average number," she says.
"What's the lowest number someone has gotten?" asks Lynn.
"In recent years," says Lauren, "four."
I have not looked at Tobias since we were in the cafeteria,but I can't help but look at him now. He keeps his eyes trained on the floor. I knew that four was a low number, low enough to merit a nickname,but I didn't know it was less than half the average.
I glare at my feet.He's exceptional. And now he won't even look at me. — Veronica Roth

This house had a small front garden, black railings and a lawn in need of mowing. Two white front doors had been crammed together side by side, showing that the three-story building had been converted into upper and lower flats. A girl called Robin Ellacott lived on the ground floor. Though he had made it his business to find out her real name, inside his own head he called her The Secretary. He had just seen her pass in front of the bow window, easily recognizable because of her bright hair. — Robert Galbraith

The Thwaites lived on Central Park West in the upper Eighties, in a building that, while manifestly grand, particularly to someone from Ohio, was by no means the most elegant among its neighbors. Its lobby, for one thing, was little more than a wide corridor, with two drably upholstered wing chairs propped against a wall and, between them, a glass table upon which rested an elaborate but unaesthetic arrangement of silk flowers. The light in the corridor was greenish, dim and lavatorial, barely illuminating the shallowly carved figures that marched, in pseudo-Egyptian fashion, along the pink stone tiles as far as the elevator. The floor, incongruously, was of a black and white parquet, upon which all but the softest slippers echoed ominously. And the elevator itself - paneled, with brass fixtures and a single tiny red velvet stool, presumably for its operator's comfort - seemed again of a different, though no less ancient, era. — Claire Messud

You make me thirsty, Promethea, my river, you make me eternally thirsty, my water. As if I had spent my life in an old house of dried mud, so dry myself that I could not even thirst, until yesterday. And suddenly yesterday, the dusty floor of my old house burst open and while I was still dozing away my parched existence, drop by drop I heard the music of coolness awaken the thirst under my dry soul. And leaning over the dark shaft of my life, I saw my childhood springs unearthed. Is that always how (by accident) we rediscover Magdalenian riches? — Helene Cixous

the chambers and passages of the cave system. A track led past both entrances, and round up onto the hill-top, up which sloping trail Yana now wearily pulled herself. Some huts were private dwelling places while others were the domain of certain crafts. Community meetings were held either outside in a large space deliberately left clear in the centre of the huts, or during cold or inclement weather, in the larger of the two entrance chambers of the cave system. Yana moved aside the leather windbreak sheltering the entrance to the hut which was her family's home and walked down the four stone-flagged steps to the floor of the sunken hut. A strong herbal odour hung in the air. Ignoring it, Yana dropped her kill by the fire, and made her way to the occupied sleeping platform at — Julie Reilly

I was greeted by the Ulmers' eleven-year-old daughter, a girl of remarkable poise. Mrs. Ulmer was busily typing a manuscript that needed to make the evening mail and after welcoming me, in a very friendly manner, she returned to work. There were two other children and Mr. Ulmer, who was writing the manuscript just as his wife was typing it. The youngest child, who could have been no more than five or six, had the task of relaying the handwritten pages from his father to his eldest sister, who would quickly scan them for errors, and from her to his mother. The middle child, a little girl of seven or eight, lay on the floor with a large dictionary and would look up words when called upon by her parents or sister. — Robert Bruce Stewart

But in summer, welcoming summer, the rocks are soft-fledged with moss. The forest floor is bouncy with fresh shoots and enthusiastic blooms; the twisted angles of the branches are laced by bud and leaf. — Tara O'Brady

You're not very good at this," Emma said, laughing at the frustration on Sean's face.
He pulled his hand out from under the back of her T-shirt. "You're distracting me."
"How am I distracting you?" She shook the bag at Sean, reminding him to pull two letter tiles to replace the C and the T he'd used to make CAT.
"You look totally hot. And you did it on purpose so I wouldn't be able to concentrate and you'd win."
Emma laughed. Sure, she'd thrown on baggy flannel boxers and an old Red Sox T-shirt after her shower just to seduce him out of triple-word scores. "You not having a shirt on is distracting. And you keep pretending you want to rub my back so you can peek at my tile rack."
"Nothing wrong with checking out your rack." He craned his neck to see better and she shoved him away. It wasn't easy playing Scrabble sitting side by side on the couch, but after a long workday, neither was willing to take the floor. — Shannon Stacey

Late in the afternoon, thunder growling, that same old green pickup rolled in and he saw Jack get out of the truck, beat up Resistol tilted back. A hot jolt scalded Ennis and he was out on the landing pulling the door closed behind him. Jack took the stairs two and two. They seized each other by the shoulders, hugged mightily, squeezing the breath out of each other, saying, son of a bitch, son of a bitch, then, and easily as the right key turns the lock tumblers, their mouths came together, and hard, Jack's big teeth bringing blood, his hat falling to the floor, stubble rasping, wet saliva welling, and the door opening and Alma looking out for a few seconds at Ennis's straining shoulders and shutting the door again and still they clinched, pressing chest and groin and thigh and leg together, treading on each other's toes until they pulled apart to breathe and Ennis, not big on endearments, said what he said to his horses and his daughters, little darlin. — Annie Proulx

Sometimes I'd see my father, walking past my building on his way to another nowhere. I could have given him a key, offered a piece of my floor. A futon. A bed. But I never did. If I let him inside I would become him, the line between us would blur, my own slow-motion car wreck would speed up. The slogan on the side of a moving company truck read TOGETHER WE ARE GOING PLACES
modified by a vandal or a disgruntled employee to read TOGETHER WE ARE GOING DOWN. If I went to the drowning man the drowning man would pull me under. I couldn't be his life raft. — Nick Flynn

All the poison that my Hon. friend (Edwina Currie) suggests I would happily take rather than be spread eagled on the floor of the House by her. — Nicholas Fairbairn

I remember the first year after my second child was born, what I can remember of it at all, as a year of disarray, of overturned glasses of milk, of toys on the floor, of hours from sunrise to sunset that were horribly busy but filled with what, at the end of the day, seemed like absolutely nothing at all. What saved my sanity were books. What saved my sanity was disappearing, if only for fifteen minutes before I inevitably began to nod off in bed ... and as it was for me when I was young and surrounded by siblings, as it is today when I am surrounded by children, reading continues to provide an escape from a crowded house into an imaginary room of one's own. — Anna Quindlen

Call down to the desk to ask about the room?" "No phone," Cisco said. "Just watch." Once back on the ground floor, Gloria stepped out of the elevator and went to a house phone that was on a table against the wall. She made a call and soon was speaking to someone. "This is her asking to be connected to the room," Cisco said. "She is told by the operator that there is no Daniel Price registered in the hotel and no one in eight thirty-seven." Gloria hung up the phone, and I could tell by her body language that she was annoyed, frustrated. Her trip had been wasted. She headed back through the lobby, moving at a faster clip than when she had arrived. "Now watch this," Cisco said. Gloria was halfway across the lobby when a man entered the screen thirty feet behind her. He was wearing a fedora and had his — Michael Connelly

Be sure to do burning pots at least once a month to clean the physical atmosphere of your home. This is done by getting a small cooking pot and placing it on the floor with a plate under it. Place a half an inch of Epsom salt in the pot covered by an inch of rubbing alcohol. Then light a match to it. I call this the New Age campfire. This will clean whatever room you put it in 100% of all etheric, astral and mental negative energies. — Joshua Stone

I was stuck back on "you can't have two maids of honor" and therefore fighting back hyperventilation at the same time flashing pictures filled my head of a commando-style wedding; Hawk in black cargos, me in a white flak jacket festooned with lace. The picture of me carrying a bouquet of flowers and Hawk carrying an automatic weapon. The picture of me admiring Hawk's huge-ass hunting knife. The picture of Hawk carrying me out of the reception in a fireman's hold while bullets flew and flames caused by Molotov cocktails danced on the dance floor. — Kristen Ashley

So I heard on the news that the Tard died and your house burnt down. I bet secretly you're relieved you don't have to live with him anymore in that dump."
The whole commotion in the hallway immediately stopped, as if her words had been spoken over the intercom. It became so quiet that you could hear Mina's and Nan's sharp intakes of breath. Mina wasn't prone to violence and was about to think of something mean to say back to Savannah, but she didn't have the chance to, because Nan Taylor, perky, happy-go-lucky Nan Taylor, pulled back her fist and punched Savannah in the face.
Savannah wasn't prepared, and fell to the floor. Nan stood over her shocked face and yelled, "No way was he handicapped, or different. He was the most special, coolest and smartest kid ever. And the world is a much sadder place because he's not here. And don't you ever, EVER, insult him again!" Nan shook with anger.
The hall was full of students and teachers, and one by one they started to clap. — Chanda Hahn

NO!" She shouted through my lips.
Jared caught her hands, then caught me against the wall before I could fall. I sagged, my body confused by the conflicting directions it was receiving.
"Mel? Mel!"
"What are you doing?"
He groaned in relief. "I knew you could do it! Ah Mel!"
He kissed her again, kissed the lips that she controlled, and we could both taste the tears that ran down his face.
She bit him.
Jared jumped back from both of us, and I slid to the floor, landing in a wilted heap.
He started laughing, "That's my girl. You still got her, Wanda?"
"Yes," I gasped.
What the hell, Wanda? She screeched at me.
Where have you been? Do you have any idea what I've been going through trying to find you?
Yeah, I can see that you were really suffering. — Stephenie Meyer

The house kept its own time, like the old-fashioned grandfather clock in the living room. People who happened by raised the weights, and as long as the weights were wound, the clock continued ticking away. But with people gone and the weights unattended, whole chunks of time were left to collect in deposits of faded life on the floor. — Haruki Murakami

Surely it is one of the requisites of a tasteful garb that the expression of effort to please shall be wanting in it; that the mysteries of the toilet shall not be suggested by it; that the steps to its completion shall be knocked away like the sculptor's ladder from the statue, and the mental force expended upon it be swept away out of sight like the chips on the studio floor. — Elizabeth Stuart Phelps Ward

Blast it! Where is that letter?"
Sophia pulled it from her pocket. "I have it here."
Sir Reginald's voice lifted with amazament. "You took that from me? When we were-"
"Yes," she said, her color high. "I thought you'd sold my jewelry and that the envelope contained the payment. I wanted proof,so I took it."
"By kissing me?"
Outside, lightning cracked.
"You kissed him?" Dougal demanded.
"Only once."
"Actually, it was twice," Sir Reginald said softly.
Dougal punched him, sending the dandy flying into the wall, where he slid to the floor.
"B'God, that's a nice one!" Red cried. "MacLean, I'd like to see you in a real mill."
"Aye," the earl agreed. "He's got a good solid left."
"What do you know about boxing? Red asked rudely.
"I've seen every large match for the last-"
Thunder crashed as lightning sent shards of light flashing into the great hall.
"That's enough," Dougal said firmly, noting Sophia's pale face. — Karen Hawkins

I have been asked what I mean by my word of honor. I will tell you. Place me behind prison walls - walls of stone ever so high, ever so thick, reaching ever so far into the ground - there is the possibility that in some way or another I may escape; but stand me on the floor and draw a chalk line around me and have me give my word of honor never to cross it. Can I get out of the circle? No. Never! I'd die first! — Karl G. Maeser

Are you kidding me?' Shan asked, slightly drunk, slightly dramatic, and now sitting yoga style on the floor. 'You can't write an honest novel about race in this country. If you write about how people are really affected by race, it'll be too obvious. Black writers who do literary fiction in this country, all three of them, not the ten thousand who write those bullshit ghetto books with the bright covers, have two choices: they can do precious or they can do pretentious. When you do neither, nobody knows what to do with you. So if you're going to write about race, you have to make sure it's so lyrical and subtle that the reader who doesn't read between the lines won't even know it's about race ... ' p.335 — Chimamanda Ngozi Adichie

The room was almost dark, with just flickers of light coming from the logs burning in the hearth. I could just see his shape, sitting in the leather, wing-backed chair, silhouetted by the fire.
"Come here."
His voice was quiet, but with the firmness I had come to expect from him. I moved closer and knelt down in front of him, my naked bottom facing the warmth of the fire. I bent my head downwards and looked at the floor as I had been taught, but he surprised me by lifting up my chin with his hand.
"You look so beautiful."
He bent and kissed me softly on the lips, and I shivered in anticipation. Was it to be pleasure or pain this time? Or perhaps a combination of both, given in the way that only he can. — Rachel De Vine

Tiffany got up early and lit the fires. When her mother came down, she was scrubbing the kitchen floor, very hard.
"Er ... aren't you supposed to do that sort of thing by magic, dear?" said her mother, who'd never really got the hang of what witchcraft was all about.
"No, Mum, I'm supposed not to," said Tiffany, still scrubbing.
"But can't you just wave your hand and make all the dirt fly away, then?"
"The trouble is getting the magic to understand what dirt is," said Tiffany, scrubbing hard at a stain. "I heard of a witch over in Escrow who got it wrong and ended up losing the entire floor and her sandals and nearly a toe."
Mrs. Aching backed away. "I thought you just had to wave your hands about," she mumbled nervously.
"That works," said Tiffany, "but only if you wave them about on the floor with a scrubbing brush. — Terry Pratchett

I sit there on the floor with the picture in front of me and think about how things get broken all the time by accident, and how sometimes you just don't get round to getting them fixed. — Paula Hawkins

Maybe you've been there. You go into a police or sheriff's station after a gang of black kids forced you to stop your car while they smashed out your windows with garbage cans; a strung-out addict made you kneel at gunpoint on the floor of a grocery store, and before you knew it the begging words rose uncontrollably in your throat; some bikers pulled you from the back of a bar and sat on your arms while one of them unzippered his blue jeans. Your body is still hot with shame, your voice full of thumbtacks and strange to your own ears, your eyes full of guilt and self-loathing while uniformed people walk casually by you with Styrofoam cups of coffee in their hands. Then somebody types your words on a report and you realize that this is all you will get. — James Lee Burke

Through the half-open door in one room of the huts I saw Pastor Bonhoeffer, before taking off his prison garb, kneeling on the floor praying fervently to his God. I was most deeply moved by the way this lovable man prayed, so devout and so certain that God heard his prayer. At the place of execution, he again said a short prayer and then climbed the steps to the gallows, brave and composed. His death ensued after a few seconds. In the almost fifty years that I worked as a doctor, I have hardly ever seen a man die so entirely submissive to the will of God. — H. Fischer-Hullstrung

Suddenly, the shadow disappeared through the wall!
Maybe the shadow disappeared again.Can we please go back home now?I really don't like it here & I'm scared! Julia pleaded.
The shadow was standing by a very small cage, pointing its long, thin finger towards the floor. — Magda M. Olchawska

I don't split poles. When I'm walking with my friends by lampposts, we all walk on the same side. And I won't cross over your legs. If you're sitting down and like chilling on the floor, I won't walk over your legs because then you'll go to jail. — Curren$y

And there you have it, another body on the floor surrounded by things that don't mean much to anyone except to the one who can't take any of them along. — Mark Z. Danielewski

Some lessons you learn gradually and some you learn in a sudden moment, like a flash going off in a dark room. I sift and rake and dig around in my vivid recollections of young Sean on the floor in summer, and I try to see what makes him tick, but I know a secret about young Sean, I guess, that he kind of ends up telling the world: nothing makes him tick. It just happens all by itself, tick tick tick tick tick, without any proximal cause, with nothing underneath it. He is like a jellyfish adrift in the sea, throbbing quietly in the warm waves of the surf just off the highway where the dusty white vans with smoked windows and indistinct decals near their wheel hubs roll innocently past. — John Darnielle

And yet, I hope. This cannot continue eternally, can it? Something must someday happen. It is not possible that I should be a permanent fixture here, on the ninth floor of TGK, perpetually repeating the same small and meaningless rituals by rote. Someone — Jeff Lindsay

She smiled, nodded, and kept walking. She waved her badge at the proximity sensor, stepped into the revolving door, and entered the cavernous atrium. Right in the center, surrounded by tropical foliage, was a huge bronze globe, the continents sculpted in sharp relief. On the front of the globe, set at a jaunty angle, was the Gifford Industries logo, which couldn't have been more hokey: retro squared-off streamlined script that must have looked futuristic when it was designed in the 1930s. A couple more people waved at her, flashed sympathetic looks, and she ducked into the express elevator to the twenty-fourth floor. She slid her security card into the slot, and the elevator rose. The lights in the executive suite were already on, which surprised her. She was normally the first one in. She passed her prox badge against the sensor until it beeped, then pushed open the glass doors. When she rounded the corner, she saw someone sitting at her desk. Noreen Purvis. 23. — Joseph Finder

Selena between them at a long counter overlooking the dance floor. Backs to the D.J. booth, they faced the door. Two other homicide detectives, hand-picked by Lt. Lee, posed as a waitress and a bouncer, covering the crowd and the door. The composite the police sketch artist had created with Selena's help burned in their brains, but nothing so far. "This is not nearly — Victoria Heckman

Yee-ouch!" she cried as the pan clattered back onto the stovetop. She was shaking her left hand and staring at the venison, grateful she hadn't dropped their dinner on the floor, when Callahan appeared in the doorway to her kitchen. "What's wrong?" "I'm an idiot. I almost dropped the roast." "You burned yourself," he surmised as his gaze shifted from her to the pot on the stove. Crossing to the kitchen sink, he twisted the cold water faucet. "C'mere." When she moved close, he took her arm by the wrist and studied her hand as he guided it beneath the running water. "You grabbed your pan without a pad? You don't strike me as the careless sort." "I have my moments of ditziness," she replied. Ditziness — Emily March

Don't play with scorpions unless you intend to get stung." He yanked the neckline apart. Round, glass buttons popped onto the floor and rolled around like eyeballs, astounded by the sight of my bare flesh. "We're harsh and predatory and full of venom." He gnashed his teeth at me and ripped my blouse in two. — Leylah Attar

It happened as it always did, swallowing her swiftly and completely. Intense. Painful. Quick, vivid colors spun beneath her eyelids. Sounds were sharp inside her skull. Fire shot up through her bones. She may have been screaming and she wouldn't have known. There was smoke in her nose, thick and black, and she couldn't breathe. It stung her eyes and licked at her skin. Wood and metal crashed down as skin blistered and popped and she knew this wasn't her, knew it was someone else, someone with a bigger body, bigger boots and darker jeans, and big ol' hands with scars on the fingers. Men's hands. Nails blunt and dirty with oil and grease and burning and- The cars were on fire. Paper burned and curled and rags ignited, the cement floor pockmarked by flash fires. Meat withered in her nose and she realized it was her. Him. Dancing embers blackened and burned bone. He screamed and she hoped she was not. He writhed and she really hoped she was not. He was dying, dead, and- — Angele Gougeon

Minutes later I am discovering what it's like to be driven by a woman who thinks the world will end if she doesn't keep the gas pedal firmly against the floor and that apparently there's no such thing as the "Oh My Fuck God" handle bar for me to hang onto in an early-eighties Caddy that's the color of shit. Mrs. — T.J. Klune

When she told me how Phil had built a platform that hung five feet from the floor by thick chains to hold the drummer's kit, I nearly died. He'd built it because he believed that drums should be recorded from — Mick Fleetwood

Avelina raised her hand to her face, the one Lord Thornbeck had squeezed a moment ago, and was overcome by his familiar scent - the smell of evergreen trees and mint leaves the servants put in his laundry. Warmth washed over her as she remembered how he had held her tight, much tighter than necessary, sitting on the balcony floor. Surely — Melanie Dickerson

When you go out hunting wicked spirits, it's the simple things that matter most. The silvered point of your rapier flashing in the dark; the iron filings scattered on the floor; the sealed canisters of best Greek Fire, ready as a last resort ...
But tea bags, brown and fresh and plenty of them, and made (for preference) by Pitkin Brothers of Bond Street, are perhaps the simplest and best of all.
OK, they may not save your life like a sword-tip or an iron circle can, and they haven't the protective power of a sudden wall of fire. But they do provide something just as vital. They help keep you sane. — Jonathan Stroud

And an unstable childhood makes you appreciate calmness and not crave excitement. To spend a Saturday afternoon mopping your kitchen floor while listening to opera on the radio, and to go that night to an Indian restaurant with a friend and be home by nine o'clock - these are enough. They are gifts. — Curtis Sittenfeld

He smiled against my cheek and kissed me again. "Talking with you would be much more enjoyable than talking with Talia, Lilly." His eyes scanned the floor by my feet. "She's paint by number; you're watercolor." Things like that, moments like those, how do you explain to other people that no one else in the world can make you feel this way? — Amber L. Johnson

Mr. Lecky had proceeded quickly for several moments before he drew up, shocked. A few more steps and he might have stumbled on his idiot, for the stairs he had been approaching were the front stairs to the silverware department, which he wished to avoid. Shaken by this unpleasant mistake, he re-directed himself, turning back down the center of the dark floor. Certainly he did not want to see the corpse; the corpse could not very well want to see him. — James Gould Cozzens

Nobody wants to hear that any aspect of my awesome life is bad. I get that. But there are days, maybe two or three times a year, when I get completely overwhelmed by my job and go to my office, lie on the floor, and cry for ten minutes. Then I think: Mindy, you have literally the best life in the world besides that hot lawyer who married George Clooney. This is what you dreamed about when you were a weird, determined little ten-year-old. There are more than a thousand people in one square mile of this studio who would kill to have this job. Get your ass up off the floor and go back into that writers' room, you weakling. Then I get up, pour myself a generous glass of whiskey and club soda, think about the sustained grit of my parents, and go back to work. — Mindy Kaling

So the professor takes the student's point seriously, and responds with a concise but adequate argument in defence of the disputed equation. The professor tries hard to show no sign of being irritated by criticism from so lowly a source. Most of the questions from the floor will have the form of criticisms which, if valid, would diminish or destroy the professor's life's work. But bringing vigorous and diverse criticism to bear on accepted truths is one of the very purposes of the seminar. Everyone takes it for granted that the truth is not obvious, and that the obvious need not be true; that ideas are to be accepted or rejected according to their content and not their origin; that the greatest minds can easily make mistakes; and that the most trivial-seeming objection may be the key to a great new discovery. — David Deutsch

Sicarius padded toward the exit, his soft black boots silent on the tile floor. He paused in the doorway and glanced at the backs of the two older men.
The emperor emitted a nervous chuckle. "You trained him too well, Hollow. The man bothers me."
"He is loyal."
"I know. You did a good job. I ought to give you Sespian to work with. The boy is disappointing."
"He does seem soft," Hollowcrest said.
"Did you hear that scream? I would've been fascinated by severed heads at that age."
"You're fascinated with them now, Sire."
"True enough."
They shared a laugh and headed for the door. Sicarius slipped away before they noticed him. — Lindsay Buroker

What a shock that a guy who makes $2 million a week behaves exactly like I would with $2 million a week. As far as I'm concerned, if you make $2 million a week and you don't have a hooker in your hotel room, you're creepy and I don't trust you. And I don't do drugs at all, so for me it would just be more prostitutes. That's how they would find me. I would be dead on the floor, flattened by a pile of prostitutes. I'd look like a cat in a hoarders' house. — Jim Norton

Edith's clothes were flung in disarray on the floor beside the bed, the covers of which had been thrown back carelessly; she lay naked and glistening under the light on the white unwrinkled sheet. Her body was lax and wanton in its naked sprawl, and it shone like pale gold. William came nearer the bed. She was fast asleep, but in a trick of the light her slightly opened mouth seemed to shape the soundless words of passion and love. He stood looking at her for a long time. He felt a distant pity and reluctant friendship and familiar respect; and he felt also a weary sadness, for he knew that he would never again be moved as he had once been moved by her presence. The sadness lessened, and he covered her gently, turned out the light, and got in bed beside her. — John Edward Williams

The world soon to be largely populated by men who would eat your children in front of your eyes and the cities themselves held by cores of blackened looters who tunneled among the ruins and crawled from the rubble white of tooth and eye carrying charred and anynymous tins of food in nylon nets like shoppers in the commissaries of hell. The soft black talc blew through the streets like squid ink uncoiling along a sea floor and the cold crept down and the dark came early and the scavengers passing down the steep canyons with their torches trod silky holes in the drifted ash that closed behind them silently as eyes. Out on the roads the pilgrims sank down and fell over and died and the bleak and shrouded earth went trundling past the sun and returned again as trackless and as unremarked as the path of any nameless sisterworld in the ancient dark beyond. — Cormac McCarthy

All of us should treasure his (John Dillinger) Oriental wisdom and his preaching of a Zen-like detachment, as exemplified by his constant reminder to clerks, tellers, or others who grew excited by his presence in their banks: 'Just lie down on the floor and keep calm. — Robert Anton Wilson

And he still had those two big nuts in his pocket that he'd picked up from the Purdys' barn workshop, the one with the green-and-yellow overspray on the floor, a green-and-yellow spray that didn't match the hard green and yellow of the John Deere, but did match the green and yellow of fair fire hydrants . . . and those nuts in his pocket. Why would you need a whole bag of big nuts, but no bolts? You wouldn't - unless they were shrapnel. And that nagging intuition he'd had by the Varied Industries building: he'd been walking by fire hydrants all morning, the same yellow and green as the overspray on the Purdys' barn floor. A bomb. The Purdys had built a bomb. The farm kid who'd been brain-injured by IEDs in Iraq had built himself an IED. A bomb disguised as a fire hydrant that was probably standing on the Concourse, right where the candidates would be marching by, right on the curb. — John Sandford

Peter smiled as Concheetah sashayed across the ballroom floor
Concheetah sashayed towards him, wriggling her hips, full lips in a pout, followed obediently by the tentative, Tapping Ted dressed in tight shorts and singlet. Tapping? Tapping because he always wore conspicuous, tap-dancing shoes in the club.
Was Ted going to rip up the stage as a mincing Irish dancer or maybe perform a Gene Kelly routine or the Swan Lake ballet in taps? It was terrible to imagine. Peter bit his lip at that thought, hoping he wouldn't burst into howls of laughter.
He had noted after coming to several shows, that Ted usually stood at the side of the stage ready with a drink of champagne and an encouraging word and a dry towel to mop Her Highness's face. And he always cried during the
show's finale, Abba's Dancing Queen. Poor Tapping Ted. — T.W. Lawless

I'm attracted to the idea of drowning. Or rather the idea of jumping off and being enveloped by something, not bad or good, just enveloping.
When I was a kid, I had a moment when I got under the water, lying on the pool floor, and felt I could breathe. I've been trying to recreate that feeling ever since. — Florence Welch

Jean following close behind. The plan was for them to cover us as we entered. Getting in was easy. The door was unlocked. I went in low, clearing the first visible area. After Bear entered, I moved past the door. I had to trust that Pierre and Jean would act accordingly. A feat more difficult due to the necessary silence. We'd never worked together, but tactics were tactics, and training was training. They'd done this before. Room by room, floor by floor, we investigated the house. And we found it empty. The thought of Bashir al-Sharaa slipping out of my grasp once again gnawed at my gut. — L.T. Ryan

The acrobat practices: He steps on the edge of a chair and leaps to the floor, feeling the rush as the air flares up his face as he falls. Then he sets himself on something higher, like a table then jumps. He scales a ladder to the ceiling, climbs a tree, pole, watchtower. He keeps increasing the height until no one sees him and the fear to jump leaves him completely, layer by layer [. . .] The acrobat imagines there is a highest possible point in the sky where if he were to fall from it the fall would never end. — Wataru Tsurumi

We also have a responsibility not to let ourselves be judged. We do not have to accept others' evaluations of our worth, nor are we obligated to believe in their superiority. Whichever role we are assigned, we can stop the game by refusing to play our expected part. When someone suggests that our recent behavior has undone our right to exist, a useful question to ask is, "What do you want? What can I do to make the situation better?" This often reduces the Judge's voice to silence, because what the Judge really wants- but cannot admit- is to make you feel bad, not to get the floor clean. When we feel secure in our inherent value, we do not have to argue about our worth as human beings. Instead, we can attempt to solve the problem. — Starhawk

Beneath Albright's office, the colliery sprawled across the hillside, red brick buildings scattered as though hurled from a great height, a hotchpotch of mismatched structures spattered on the valley floor. At the bottom stood the winding house, wheels motionless, above it, the engineering sheds and workshops, canteen and bath house. All lay empty. No buzz and hum of machinery. No voices raised in laughter or dispute. Gwyn found it unsettling: his lads had been out a month and a half and already the power had drained from the place. In the stillness, he caught the echo of footsteps. The crunch of boots on gravel. Generations of long-gone Pritchards clocking in and out. He was bound to Blackthorn by the coal that clogged his veins and by a bond of duty. The strike left him as diminished as his pit, day dragging after idle day. — Kit Habianic

As the thing came closer, what was left of Nick's body became revealed and I could see how the dead boy's eyes had bled from the trauma inflicted upon him; they dripped with steady succession onto the floor between his splayed legs. He looked like a rejected marionette tossed haphazardly in the corner by a frustrated puppeteer, his head drooping so low that his chin rested against his chest. His motionless arms lay at his sides, both of them squeezed into tight fists, as if he'd died futilely trying to defend himself. — J. Tonzelli

And then I knew for sure what I had been trying to avoid for so long. Everything rushed to the surface. I cried as I remembered throwing the dress I had received for my third birthday on the floor. I cried as I remembered wanting to be best friends with a girl in fifth grade because she was so pretty. I cried as I remembered always rescuing the girl, played by a stuffed animal, while pretending to be Indiana Jones. I — Sara Farizan

One especially prominent time loop lashes together two of the city's most celebrated high-rises -- the Park Hotel and the Jin Mao Tower -- binding the Puxi of Old Shanghai with the Pudong New Area. Each was the tallest Shanghai building of its age (judged by highest occupied floor), the Park Hotel for five decades, the Jin Mao Tower for just nine years. This discrepancy masks a deeper time-symmetry in the completion dates of the two buildings: the Park Hotel seven years prior to the closing of the city (with the Japanese occupation of the International Settlement in 1941), the Jin Mao Tower seven years after the city's formal re-opening (as the culmination of Deng Xiaoping's Southern Tour, in 1992). — Nick Land

The bones said death was comin', and the bones never lied.
Eva Savoie leaned back in the rocking chair and pushed it into motion on the uneven wide-plank floor of the one-room cabin. Her grand pere Julien had built the place more than a century ago, pulling heavy cypress logs from the bayou and sawing them, one by one, into the thick planks she still walked across ever day.
She had never known Julien Savoie, but she knew of him. The curse that had stalked her family for three generations had started with her grandfather and what he'd done all those years ago.
What he'd brought with him to Whiskey Bayou with blood on his hands.
What had driven her daddy to shoot her mama, and then himself, before either turned forty-five.
What had led Eva's brother, Antoine, to drown in the bayou only a half mile from this cabin, leaving a wife and infant son behind.
What stalked Eva now. — Susannah Sandlin

Lindsey and I would lie down on the floor underneath it. I would pretend to be the knight that was pictured, and Holiday was the faithful dog curled up at his feet. Lindsey would be the wife he'd left behind. It always dissolved into giggles no matter how solemn the start. Lindsey would tell the dead knight that a wife had to move on, that she couldn't be trapped for the rest of her life by a man who was frozen in time ...
"You're dead, knight," she would say. "Time to move on. — Alice Sebold

Marius glowered at the long cone-shaped ship with its stupid curving tailfins. His field scan swept out. It was an illusion, produced by a small module on the airlock floor. He smashed a disruptor pulse into the solido projector, and the starship image shivered, shrinking down to a beautiful, naked young girl with blonde hair that hung halfway down her back. 'Oh, Howard,' she moaned sensually, running her hands up her body, 'do that again.' Marius let out an incoherent cry, and shot the projector again. — Peter F. Hamilton

While I was looking into Olivia's mad eyes and dreaming, my son left his game and his place by the fire. I didn't even notice as he went toward what I had thought was a bundle of rags. I didn't notice as he turned it over and drew back the blanket, lifted it carefully in his small arms.
I only noticed when he spoke.
"Look, Daddy!"
Then, too late, I turned around. I did not know what I was seeing, but even then I felt a sudden lurch of shock and dread. I felt as if I had looked away at a crucial moment and my child had fallen into the fire and been burned horribly.
I saw my son, my Alan, my darling boy, and in his arms a creature with staring, terrible black eyes. Something that had not stirred or cried out even when Olivia threw it on the floor.
"Daddy," Alan said, glowing. "It's a baby. — Sarah Rees Brennan

Mickey: I told you to stay behind.
Martha: You looked like you needed help. Besides, you're the one who persuaded me to go freelance.
Mickey: Yeah, but - we're being fired at by a Sontoran. A dumpling with a gun. And this is no place for a married woman.
Martha: Well then. You shouldn't have married me.
Above them, The Doctor takes out the Sontoran.
Mickey: If we go in here, and down to the factory floor, and down past that corridor. Then he won't know that we're here. Martha sees the Doctor.
Martha: Mickey. Mickey.
-Doctor Who — Russell T. Davies

As she uttered the words of the prayer, she glanced up at him as if he were God Himself. He watched her with growing pleasure. In front of him was kneeling the directress, being humiliated by a subordinate; in front of him a naked revolutionary was being humiliated by prayer; in front of him a praying lady was being humiliated by her nakedness.
This threefold image of degradation intoxicated him and something unexpected suddenly happened: his body revoked its passive resistance. Edward was excited!
As the directress said, 'And lead us not into temptation,' he quickly threw off all his clothes. When she said, 'Amen,' he violently lifted her off the floor and dragged her onto the couch. — Milan Kundera

They all jumped on me and started beating me. They had me on the floor - eventually my arms and legs were chained. They dragged me by the chains to PSA and stopped only when a nurse asked them to please stop. So they put me on a mattress and dragged the mattress. They took me to the observation room and left me, hands and feet cuffed. I had no sanitary napkins, no means to wash myself. The cuffs cut into my skin (the scars are still visible), and my wrists were bleeding. Later i found out that i had received an infraction for slapping an officer in the face while they were beating me. — Assata Shakur

Her insanely high Christian Louboutin stilettos made a click-clacking sound on the airport floor. Amber rolled a small Louis Vuitton luggage bag behind her. She wore a baby-blue Chanel skirt suit, which made her look like an elegant celebrity. Her hair was long and blond today and pinned up into a perfectly smooth up-do. A pair of gold earrings in the shape of four-leaf clovers and a matching pendant completed the outfit. — A.O. Peart

She hit the button again, holding her breath this time until she heard it.
Soft, sibilant, as insubstantial as the breaths that came before: Shannon. The voice whispered Shannon.
The blood rushed out of her head. Her heart knocked hard in her chest. Her knees buckled and she grabbed the counter to keep from falling. She was starting to hyperventilate, had to calm it down before she was taken by a full-blown panic attack.
Paper bag. Think. Think! Drawer below the silverware, next to the sink. Over the nose and mouth. Breathe slowly, slowly.
Holding the bag against her face, Shane slid to the floor with her back against the cabinets, legs splayed, lungs heaving.
It couldn't be him. It couldn't be Jordan. Jordan was dead. — Jane Taylor Starwood

On the hob was a little brass kettle, hissing and boiling; spread upon the floor was a warm, thick rug; before the fire was a folding-chair, unfolded and with cushions on it; by the chair was a small folding-table, unfolded, covered with a white cloth, and upon it were spread small covered dishes, a cup and saucer, and a tea-pot; on the bed were new, warm coverings, a curious wadded silk robe, and some books. The little, cold, miserable room seemed changed into Fairyland. It was actually warm and glowing. — Frances Hodgson Burnett