Quotes & Sayings About Flamenco Music

That's what it is, this arrogance, in this flamenco music this same arrogance of suffering, listen. The strength of it's what's so overpowering, the self-sufficiency that's so delicate and tender without an instant of sentimentality. With infinite pity, but refusing pity. It's a precision of suffering, he went on, abruptly working his hand in the air as though to shape it there,
the tremendous tension of violence all enclosed in a framework ... in a pattern that doesn't pretend to any other level but its own, do you know what I mean? He barely glanced at her to see if she did.
It's the privacy, the exquisite sense of privacy about it, he said speaking more rapidly,
it's the sense of privacy that most popular expressions of suffering don't have, don't dare have, that's what makes it arrogant. — William Gaddis

El duende is literally the goblin wind or force behind a person's actions and creative life, including the way they walk, the sound of their voice, even the way they lift their little finger. It is a term used in flamenco dance, and is also used to describe the ability to "think" in poetic images. Among Latina curanderas who recollect story, it is understood as the ability to be filled with spirit that is more than one's own spirit. Whether one is the artist or whether one is the watcher, listener, or reader, when el duende is present, one sees it, hears it, reads it, feels it underneath the dance, the music, the words, the art; one knows it is there. When el duende is not present, one knows that too. — Clarissa Pinkola Estes

Final Disposition

Others divided closets full of mother's things.
From the earth, I took her poppies.
I wanted those fandango folds
of red and black chiffon she doted on,
loving the wild and Moorish music of them,
coating her tongue with the thin skin
of their crimson petals.

Snapping her fingers, flamenco dancer,
she'd mock the clack of castanets
in answer to their gypsy cadence.
She would crouch toward the flounce of flowers,
twirl, stamp her foot, then kick it out
as if to lift the ruffles, scarlet
along the hemline of her yard.

And so, I dug up, soil and all,
the thistle-toothed and gray-green clumps
of leaves, the testicle seedpods and hairy stems
both out of season, to transplant them in my less-exotic garden. There, they bloom
her blood's abandon, year after year,
roots holding, their poppy heads nodding
a carefree, opium-ecstatic, possibly forever sleep. — Jane Glazer

I love the dancing and the music from Latin cultures. I went to a Flamenco show in Spain once, and it completely took my breath away! — Torrey DeVitto

I'd like to get something together - like a Handel, Bach, Muddy waters, flamenco type of thing. If I could get that sound, I'd be happy — Jimi Hendrix

Andres Segovia literally created the genre of classical guitar, which hadn't existed before around 1910. There was flamenco, which he borrowed from, but he actually arranged the works of Mozart and other classical composers for guitar, something that had never been done before ... Segovias' style is not slick or contrived, but it's still very clean and his timing is impeccable ... it's got a feeling of casual elegance, as if he's sitting around the house in Spain with a jug of wine, just playing from the heart. — Roger McGuinn