First Time Painting Quotes & Sayings

Painting doesn't freeze time. It circulates and recycles time like a wheel that turns. Those who were first might well be last. Painting is a very slow art. It doesn't travel with the speed of light. That's why dead painters shine so bright. — Marlene Dumas

Entering that gable-ended Spouter-Inn, you found yourself in a wide, low, straggling entry with old-fashioned wainscots, reminding one of the bulwarks of some condemned old craft. On one side hung a very large oil painting so thoroughly besmoked, and every way defaced, that in the unequal crosslights by which you viewed it, it was only by diligent study and a series of systematic visits to it, and careful inquiry of the neighbors, that you could any way arrive at an understanding of its purpose. Such unaccountable masses of shades and shadows, that at first you almost thought some ambitious young artist, in the time of the New England hags, had endeavored to delineate chaos bewitched. But by dint of much and earnest contemplation, and oft repeated ponderings, and especially by throwing open the little window towards the back of the entry, you at last come to the conclusion that such an idea, however wild, might not be altogether unwarranted. — Herman Melville

This land, like so much of the French countryside, was a painting, but Mercier felt his heart touched with melancholy and realized, not for the first time, that beautiful places were hard on lonely people. — Alan Furst

For the last fifty years or so, The Novel's demise has been broadcast on an almost weekly basis. Yet it strikes me that whatever happens, however else the geography of the imagination might modify in the future in, say, the digital ether, The Novel will continue to survive for some long time to come because it is able to investigate and cherish two things that film, music, painting, dance, architecture, drama, podcasts, cellphone exchanges, and even poetry can't in a lush, protracted mode. The first is the intricacy and beauty of language - especially the polyphonic qualities of it to which Bakhtin first drew our attention. And the second is human consciousness. What other art form allows one to feel we are entering and inhabiting another mind for hundreds of pages and several weeks on end? — Lance Olsen

What do you see when you look at a representational painting? Most of the time, the first thing I see is a flat piece of canvas covered with colored patterns. — Terry Teachout

Little by little, I've reached the stage of using only a small number of forms and colors. It's not the first time that painting has been done with a very narrow range of colors. The frescoes of the tenth century are painted like this. For me, they are magnificent things. — Joan Miro

Amitai shook his head, almost smiling, because here he was, feeling for the first time that the tragedy of European Jewry did belong to him. Before today, his lack of personal connection to the Holocaust had made it a distant history, no more relevant to him than any other. But Natalie, the locket, the painting, the Hall of Names, taking responsibility for Komlos in the Pages of Testimony, these had brought him to he realization that, merely by virtue of being a Jew, even a Jew from another place and time, it was his history, too. Not personally, but collectively. It belonged to him, as he belonged to all those Jews rising up into the infinite ceiling in the Hall of Names. He and Natalie were in the same place, but they had come from different directions. — Ayelet Waldman

When I'm teaching, I tell the story of this painting for two reasons. First of all, if you want a good solid color structure, you have to have a solid development in values, dark and light. Second, if you have a good design, don't leave it if you fail to render it to its full extent the first time around. Remember it's the design that's important. Try and try till you get the thing to work. That's why The Pattern Makers is a key picture in my painting career. — Milford Zornes

In every painting, as in any other work of art, there is always an IDEA, never a STORY. The idea is the point of departure, the first cause of the plastic construction, and it is always present all the time as energy creating matter. The stories and other literary associations exist only in the mind of the spectator, the painting acting as the stimulus. — Jose Clemente Orozco

In 1946 there was no money in art, no dealer galleries, no craft shops. After the war we started to teach art in every school for the first time. Our generation played a crucial role. We were the stepping stones towards today's galleries. — Theresa Sjoquist

When I was younger, I had no interest. But after I went to Paris to see the collections for the first time a few years ago, they made a huge impression on me. I realized that fashion is an art form, like acting or painting. — Camilla Belle

No sketches first, no studies, that's long past:
I do what many dream of, all their lives,
--Dream? strive to do, and agonize to do,
And fail in doing. I could count twenty such
On twice your fingers, and not leave this town,
Who strive--you don't know how the others strive
To paint a little thing like that you smeared
Carelessly passing with your robes afloat,--
Yet do much less, so much less, Someone says,
(I know his name, no matter)--so much less!
Well, less is more, Lucrezia: I am judged.
There burns a truer light of God in them,
In their vexed beating stuffed and stopped-up brain,
Heart, or whate'er else, than goes on to prompt
This low-pulsed forthright craftsman's hand of mine.
Their works drop groundward, but themselves, I know,
Reach many a time a heaven that's shut to me,
Enter and take their place there sure enough,
Though they come back and cannot tell the world. — Robert Browning

Oh. Well was this your first time painting a live model?"
She nodded her head, with an almost guilty look on her face.
"What's it like?"
"Hard," she replied. — Zack Love

The principle of painting is also to make a choice. "Even genius," writes Delacroix, ruminating on his art,
"is only the gift of generalizing and choosing." The painter isolates his subject, which is the first way of
unifying it. Landscapes flee, vanish from the memory, or destroy one another. That is why the landscape
painter or the painter of still life isolates in space and time things that normally change with the light, get
lost in an infinite perspective, or disappear under the impact of other values. The first thing that a
landscape painter does is to square off his canvas. He eliminates as much as he includes. — Albert Camus

1) Work on one thing at a time until finished.
2) Start no more new books, add no more new material to "Black Spring."
3) Don't be nervous. Work calmly, joyously, recklessly on whatever is in hand.
4) Work according to Program and not according to mood. Stop at the appointed time!
5) When you can't create you can work.
6) Cement a little every day, rather than add new fertilizers.
7) Keep human! See people, go places, drink if you feel like it.
8) Don't be a draught-horse! Work with pleasure only.
9) Discard the Program when you feel like it - but go back to it next day. Concentrate. Narrow down. Exclude.
10) Forget the books you want to write. Think only of the book you are writing.
11) Write first and always. Painting, music, friends, cinema, all these come afterwards. — Henry Miller

Within one hour of touching the brush to canvas for the first time, my students have a total, complete painting. — Bob Ross

Suddenly, I saw it in a new way, as a picture that offered me a new view, free of all the conventional criteria I had always associated with art. It had no style, no composition, no judgment. It freed me from personal experience. For the first time, there was nothing to it: it was pure picture. That's why I wanted to have it, to show it - not use it as a means to painting but use painting as a means to photography. — Gerhard Richter

It all has to do with art - writing, painting, things I've done for a long time but just never had enough time to pursue. I have poetry - things that are designed for songs, but they're always poems first. — Jason Newsted

The first painting that I realised I liked was 'The Garden of Earthly Delights' by Hieronymus Bosch, when I was six years old, at the Prado in Madrid. I still find myself returning there every time I'm in the city. — Carolina Herrera

I still have an old painting the Colonel gave me. It was the first time the Colonel had been back to the Hilton since Elvis had passed away. — Mac Davis

Most of us have had the experience of creating beauty, whether by cleaning a room, planting a bed of flowers or hanging a painting. Our first impulse is to say, "Come and see! Look what I did!" Though it may be a long time since mom or dad came to see, we still have the need to share - to be seen, acknowledged, appreciated. But it's more than approval we seek; we want to extend the joy. We want someone to help us make it more real, to linger with us in the warmth. — Laurie A. Helgoe

I wasn't exposed to art as I was growing up, and can't recall the first time I saw a work of art. However, I remember very clearly a vision I had of a little green reindeer when I was a child, and visions emanate from the same mythical area where painting resides. Whatever the reason, I immediately felt comfortable working with visual materials. — William S. Burroughs

Mary stood beside Wilbur, waiting as he sewed Henrietta's abdomen closed. She wanted to run out of the morgue and back to the lab, but instead, she stared at Henrietta's arms and legs - anything to avoid looking into her lifeless eyes. Then Mary's gaze fell on Henrietta's feet, and she gasped: Henrietta's toenails were covered in chipped bright red polish. "When I saw those toenails," Mary told me years later, "I nearly fainted. I thought, Oh jeez, she's a real person. I started imagining her sitting in her bathroom painting those toenails, and it hit me for the first time that those cells we'd been working with all this time and sending all over the world, they came from a live woman. I'd never thought of it that way." — Rebecca Skloot

Taste and smell are often the beggars among our five senses - they leave no written language and therefore no standards other than wholly personal ones. Tasting a superlative Moselle wine can be an aesthetic experience no less genuine than hearing a Mozart piano concerto or seeing for the first time an original Breughel painting. — Frank Schoonmaker

I do remember when it occurred to me the first time, when I got the idea of painting the way I feel at a given moment. I was sitting in a chair and felt it pressing against me. I still have the drawings where I depicted the sensation of sitting. — Maria Lassnig

Years ago, when I was in Siena for the first time, I saw the works of Duccio, whose deeply emotional painting from the thirteenth century has never left me. — Siri Hustvedt

It takes more time to rework a painting than it takes to fill in the canvas in the first place. I wish I could get them all right with the first coat like many of the old masters could, but seem destined to have to rework to make them even passable. — E. J. Hughes

Great art is anything that provokes a deep emotinal reaction at the time that you hear it and then you can't get it out of your head. And then you go back and you experince something completely different to the thing that you experinced the first time. And wheather its a painting, a piece of music or a book. In a book, its that moment, when you put it down and you go:"I'm not quite the same person, that I was before I read that book" or "I'm not the same person I was before I saw this painting." That is great art. — Neil Gaiman