Quotes & Sayings About First Person Narrative

There are certain things in 'Twilight' ... As much as I'm proud of that movie and I do like it, I feel like maybe I brought too much of myself to the character. I feel like I really know Bella now. But most readers feel like they know Bella because it's a first-person narrative. — Kristen Stewart

Marie Houzelle is a master of the first-person narrative. In Tita she has created a strange, utterly original child whose deadpan certainties are a beguiling invitation to readers of all ages. — Katharine Weber

Of course, if I write a first-person novel about a woman writer, I am inviting every book reviewer to apply the autobiographical label
to conclude that I am writing about myself. But one must never not write a certain kind of novel out of fear of what the reaction to it will be. — John Irving

When it comes to the form the narrative will take, whether first person, third person, or Aunt Grace's cat, I usually find that the story tells me which voice it prefers, and that often changes as I go along. And in the end it really doesn't matter as long as the author can rig those voices all in harness to pull the same load. — Thomas Steinbeck

Girl next to me at the baggage counter said she wrote her way to liberation. How did you handle first person narrative, I asked her. And said she knew the hole of depression, had been there. But I am out now, I escaped, I told her. 'You will fall into it again,' she said. Already I was sliding. — Kate Millett

The truth is, I hate not being the first person narrator all the way through! To paraphrase David Copperfield, I don't know whether I'm the hero or the victim of this tale. But either way, shouldn't I dominate it? — Anne Rice

Growing up, I mostly read comic books and sci-fi. Then I discovered the book 'Jane Eyre' by Jane Austen. It introduced me to the world of romance, which I have since never left. Also, the world of the first-person narrative. — Meg Cabot

With the adult ones, I feel I need to get as deep inside the psychology of a character as I can, and that needs to be first-person. In the children's books, I feel I need some distance. I don't want to be the nine-year-old at the center of the story. I need to have some type of narrative voice. — John Boyne

Because I write fiction, I don't write autobiography, and to me they are very different things. The first-person narrative is a very intimate thing, but you are not addressing other people as 'I' - you are inhabiting that 'I.' — Kate Atkinson

First person narrative is a very effective tool but you have to know as a writer how to make it work. — James McBride

Autobiography is awfully seductive; it's wonderful. Once I got into it, I realized I was following a tradition established by Frederick Douglass - the slave narrative - speaking in the first-person singular, talking about the first-person plural, always saying 'I,' meaning 'we.' — Maya Angelou

Jung Chang was the first person to tell a grand historical, political story through a personal narrative. — Aminatta Forna

A first-person voice helps to ensure the uniformity and cohesiveness of the narrative; it gathers unto itself incidents and characters in its unstoppable progress toward the story's end. — Norman Lock

It is hard to create a first-person narrator that can be a child and yet is able to take in enough information for the narrative to be legible to the reader. — Akhil Sharma

The earliest discussion of the authorship of Luke and Acts is from Irenaeus, the bishop of Lyons in Gaul, writing in the late second century. He attributes the books to Luke, the coworker of Paul, and notes that the occurrence of the first-person narrative ("we") throughout the later chapters of Acts (starting at 16:10) indicates that the author of Acts was a companion of Paul and present with him on these occasions. These "we" passages in Acts are the key to the authorship of both Acts and the Gospel of Luke. — Anonymous

It was in this man's class that I first began to wonder if people who wrote fiction were not suffering from some kind of disorder--from what I've since come to think of, remembering the wild nocturnal rocking of Albert Vetch, as the midnight disease. The midnight disease is a kind of emotional insomnia; at every conscious moment its victim--even if he or she writes at dawn, or in the middle of the afternoon--feels like a person lying in a sweltering bedroom, with the window thrown open, looking up at a sky filled with stars and airplanes, listening to the narrative of a rattling blind, an ambulance, a fly trapped in a Coke bottle, while all around him the neighbors soundly sleep. this is in my opinion why writers--like insomniacs--are so accident-prone, so obsessed with the calculus of bad luck and missed opportunities, so liable to rumination and a concomitant inability to let go of a subject, even when urged repeatedly to do so. — Michael Chabon