Quotes & Sayings About First Dances

MAURY: What is a gentleman, anyway? ANTHONY: A man who never has pins under his coat lapel. MAURY: Nonsense! A man's social rank is determined by the amount of bread he eats in a sandwich. DICK: He's a man who prefers the first edition of a book to the last edition of a newspaper. RACHAEL: A man who never gives an impersonation of a dope-fiend. MAURY: An American who can fool an English butler into thinking he's one. MURIEL: A man who comes from a good family and went to Yale or Harvard or Princeton, and has money and dances well, and all that. MAURY: At last - the perfect definition! Cardinal Newman's is now a back number. — F Scott Fitzgerald

I keep thinking about all the kids who got wiped out by seventeen years of war movies before coming to Vietnam to get wiped out for good. You don't know what a media freak is until you've seen the way a few of those grunts would run around during a fight when they knew that there was a television crew nearby; they were actually making war movies in their heads, doing little guts-and-glory Leatherneck tap dances under fire, getting their pimples shot off for the networks. They were insane, but the war hadn't done that to them. Most combat troops stopped thinking of the war as an adventure after their first few firefights, but there were always the ones who couldn't let that go, these few who were up there doing numbers for the cameras ... We'd all seen too many movies, stayed too long in Television City, years of media glut had made certain connections difficult. — Michael Herr

Well, then we're a perfect fit, 'cause you're a first-class bitch most of the time."
Fire dances in her eyes as she raises her half-filled glass.
"Don't you fucking dare. You throw that drink at me, I'm not responsible for what I do after."
I'll give you a minute to guess what she does ... — Emma Chase

I used to think love was bound by numbers: first kisses, second dances, infinite heartbreaks. I used to think numbers outlasted the love itself, surviving in the dark corners of the demolished heart. I used to think love was heavy and hard.
I don't think those things anymore. — David Arnold

Let me twine
Mine arms about that body, where against
My grained ash an hundred times hath broke
And scarr'd the moon with splinters: here I clip
The anvil of my sword, and do contest
As hotly and as nobly with thy love
As ever in ambitious strength I did
Contend against thy valour. Know thou first,
I loved the maid I married; never man
Sigh'd truer breath; but that I see thee here,
Thou noble thing! more dances my rapt heart
Than when I first my wedded mistress saw
Bestride my threshold. — William Shakespeare

The three Divine are in this hierarchy, First the Dominions, and the Virtues next;
And the third order is that of the Powers. The in the dances twain penultimate
The Principalities and Archangels wheel; The last is wholly of angelic sports.
These orders upward all of them are gazing,
And downward so prevail, that unto God
They all attracted are and all attract. — Dante Alighieri

I'm never really comfortable at parties. Maybe I'm just not the partying type.
... I think it's because I'm never sure what to do with myself.
I mean, there're drinks, but I don't like being drunk ... There's music, but I never really learned to dance to anything that involved an electric guitar. There are people to talk to ... but once you put all the stupid things I do aside, I'm really not that interesting. I like reading, staying home, going on walks with my dog ... Who wants to hear about that? Especially when I would have to scream it over music to which no one dances.
So I'm there but not drinking, listening to music but not dancing, and trying to have conversations with near-strangers about anything other than my own stupid life ... Leads to a lot of awkward pauses. And then I start wondering why I showed up in the first place.
Cold Days (The Dresden Files Book 14), pg. 33 — Jim Butcher

I thought of kissing Astrid under the fire escape. I thought of Norm's rusty microbus and of his father, Cicero, sitting on the busted-down sofa in his old trailer, rolling dope in Zig-Zag papers and telling me if I wanted to get my license first crack out of the basket, I'd better cut my fucking hair. I thought of playing teen dances at the Auburn RolloDrome, and how we never stopped when the inevitable fights broke out between the kids from Edward Little and Lisbon High, or those from Lewiston High and St. Dom's; we just turned it up louder. I thought of how life had been before I realized I was a frog in a pot. I shouted: "One, two, you-know-what-to-do!" We kicked it in. Key of E. All that shit starts in E. — Stephen King

But Elizabeth was not formed for ill-humour; and though every prospect of her own was destroyed for the evening, it could not dwell long on her spirits; and having told all her griefs to Charlotte Lucas, whom she had not seen for a week, she was soon able to make a voluntary transition to the oddities of her cousin, and to point him out to her particular notice. The first two dances, however, brought a return of distress; they were dances of mortification. Mr. Collins, awkward — Jane Austen

Awake

Shake dreams from your hair
My pretty child, my sweet one.
Choose the day and
choose the sign of your day
The day's divinity
First thing you see.
A vast radiant beach
in a cool jeweled moon
Couples naked race down by it's quiet side
And we laugh like soft, mad children
Smug in the woolly cotton brains of infancy
The music and voices are all around us.
Choose, they croon, the Ancient Ones
The time has come again
Choose now, they croon,
Beneath the moon
Beside an ancient lake
Enter again the sweet forest
Enter the hot dream
Come with us
Everything is broken up and dances. — The Doors

I do a first draft as passionately and as quickly as I can. I believe a story is valid only when it's immediate and passionate, when it dances out of your subconscious. If you interfere in any way, you destroy it. — Ray Bradbury

He leaned in and kissed her softly. "If you're finally going to let yourself love me, we're going to date."
"We sort of have been."
"No." He caught her hands and pulled her into his embrace. "We've been trying very hard not to date. Let me show you our world. Let me take you to dinner and whisper temptations. Let me take you to ridiculous carnival rides and symphonies and dances in the rain. I want you to laugh and smile and trust me first. i want it to be real love if you are in my bed. — Melissa Marr

In the blackness of the midnight sleep world, immunized from the harsh glare of daytime reality, the active imagination of the soul dances in the mind of a dream weaver. Safely shrouded in the all-encompassing blanket of darkness supplied by nighttime sleep, our secret wishes speak to us by channeling the collective mythology of the primordial mind. During the wee hours of night, right before first light, we summon our personal muse to tell us in operatic fashion what it means to be human. If we listen carefully, our muse's heart songs shares with us what it means to experience both the tragedy and comedy of life, and encourages us to unreservedly embrace in a moral manner the banality, brutality, beauty, and splendor of nature that occurs eternally in the cosmic world that swaddles us. — Kilroy J. Oldster

The eternity of "anytime" shines in this moment "now" while the unlimitedness of "anyplace" is manifested in the limits of "here." When the universality of "anyone" dances out in the individual "I," for the first time you have the world of Zen. — Omori Sogen

Well, I think the first piece of music I ever heard that I really loved was 'Salome's Dances' by Richard Strauss. I played that 12-inch, 78 record, and I stood up on an ottoman to play it on a big Victrola and I'd just keep playing it and playing it. — Mike Stoller

I think I finally understand the saying like a moth to a flame. I'm the moth. My heart flutters like the paper thin wings. And he is the flame, incendiary, scorching my soul.
He inhales so heavily, like he's been holding his breath under water. He presses his lips against mine and tugs at my hair gently. My head falls back and my mouth falls open. His tongue, slick as silver, dances with mine.
I'm wrong. I'm not a moth. I'm Icarus and I've flown too close to the sun. — A.D. Evans

It is dancing that brings together tribes from all over North America to compete against each other [in pow wows], to share traditional similarities and differences, and to let non-aboriginal people learn about the first cultures on this continent. The dances change over the years, reflecting new generations and their influences, adapting the traditions of their grandparents and their grandparents' grandparents, to be able to exist in this rapidly evolving world.

"There will always be the elders who shake their heads at the younger generation's behaviour and teenagers who push the boundaries of traditions they have been taught. In dancing, though, everyone can be on the same beat, regardless of their fancy footwork or swirling shawls. — Lori Henry

The river passes by the side of a tree, saying hello, nourishing the tree, giving water to the tree ... and it moves on, dances on. It does not cling to the tree. And the tree does not say, Where are you going? We are married! And before you can leave me you will need a divorce - at least a separation! Where are you going? And if you were going to leave me, why did you dance so beautifully around me? Why did you nourish me in the first place? — Osho

That reminds me - I want you to start practicing the dances you learned. Show me one before bed tonight." He nuzzled her hair and murmured, "If it is adequate, I will take you and please us both. If not, I'll beat on you first for a while and then take you anyway." She gave a sigh of utter content and leaned back on his chest. "Yes, Master. — Cherise Sinclair

The word came into common usage during the First American Occupation of the DR, which ran from 1916 to 1924. (You didn't know we were occupied twice in the twentieth century? Don't worry, when you have kids they won't know the U.S. occupied Iraq either.) During the First Occupation it was reported that members of the American Occupying Forces would often attend Dominican parties but instead of joining in the fun the Outlanders would simply stand at the edge of dances and watch. Which of course must have seemed like the craziest thing in the world. Who goes to a party to watch? — Junot Diaz

Secret kabals of vegetarians habitually gather under the sign to exchange contraband from beyond the Vegetable Barrier. In their pinpoint eyes dances their old dream: the Total Fast. One of them reports a new atrocity published without compassionate comment by the editors of Scientific American: "It has been established that, when pulled from the ground, a radish produces an electronic scream." Not even the triple bill for 65 will comfort them tonight. With a mad laugh born of despair, one of them throws himself on a hot-dog stand, disintegrating on the first chew into pathetic withdrawal symptoms. The rest watch him mournfully and then separate into the Montreal entertainment section. The news is more serious than any of them thought. One is ravished by a steak house with sidewalk ventilation. In a restaurant, one argues with the waiter that he ordered "tomato" but then in a suicide of gallantry he agrees to accept the spaghetti, meat sauce mistake. — Leonard Cohen

I had received my first establishment grants in response to applications filed the year before. To the pages of baffling forms I had simply attached a handwritten note saying, 'I make dances, not applications. Send the money. Love, Twyla. — Twyla Tharp