Finally Time To Move On Quotes & Sayings

Nigger, you sure ought to be glad it was us you talked to that way. You're a lucky bastard, 'cause if you'd said that to some other white man, you might've been a dead nigger now." I was learning rapidly how to watch white people, to observe their every move, every fleeting expression, how to interpret what was said and what left unsaid. Late one Saturday night I made some deliveries in a white neighborhood. I was pedaling my bicycle back to the store as fast as I could when a police car, swerving toward me, jammed me into the curbing. "Get down, nigger, and put up your hands!" they ordered. I did. They climbed out of the car, guns drawn, faces set, and advanced slowly. "Keep still!" they ordered. I reached my hands higher. They searched my pockets and packages. They seemed dissatisfied when they could find nothing incriminating. Finally, one of them said: "Boy, tell your boss not to send you out in white neighborhoods at this time of — Richard Wright

I'm not very close to my parents. My stepfather (in my opinion) was very emotionally abusive when I was growing up and there were a lot of other issues I don't feel comfortable talking about publicly. I spent a lot of time in therapy dealing with these issues though, and I feel i'm finally starting to move past them. — Marie Calloway

What are we?" he asked. "Why, we are the miracle of force and matter making itself over into imagination and will. Incredible. The Life Force experimenting with forms. You for one. Me for another. The Universe has shouted itself alive. We are one of the shouts. Creation turns in its abyss. We have bothered it, dreaming ourselves to shapes. The void is filled with slumbers; ten billion on a billion on a billion bombardments of light and material that know not themselves, that sleep moving and move but finally to make an eye and waken on themselves. Among so much that is flight and ignorance, we are the blind force that gropes like Lazarus from a billion-light-year tomb. We summon ourselves. We say, O Lazarus Life Force, truly come ye forth. So the Universe, a motion of deaths, fumbles to reach across Time to feel its own flesh and know it to be ours. We touch both ways and find each other miraculous because we are One. — Ray Bradbury

Alf pondered his next move. On the one hand, the savages seemed to be responding reasonably well to "How." On the other hand they really weren't making much progress.
At least they're not eating us, he thought.
Ten seconds went by, then twenty, as Alf looked at the older savage, and the older savage looked at Alf. Finally, out of sheer nervousness, and unable to think of what else to do, Alf raised his right hand again. But this time, just as Alf began to speak, the savage rotated his spear from the vertical to the horizontal, pointing it toward Alf's chest. Alf stopped in mid "How," staring at the sharp pink spear tip, inches from his heart.
And the savage spoke.
Poking his spear tip against Alf's chest, he said: "Can we move this conversation along, old chap? I'm getting frightfully tired of "How. — Dave Barry

We left about midnight and walked down the hill in silence. the night was muggy, and all around me i felt the same pressure, a sense of time rushing by while it seemed to be standing still. whenever i thought of time in puerto rico, i was reminded of those old magnetic clocks that hung on the walls of my classrooms in high school. every now and then a hand would not move for several minutes
and if i watched it long enough, wondering if it had finally broken down, the sudden click of the hand jumping three for four notches would startle me when it came. — Hunter S. Thompson

Well we've left behind the 200X's, and we move onto the 20XX's. Maybe that will finally make us feel like we're living in the future, rather than a media controlled slave state where an iPhone is worth substantially more than a human life. Happy new year. — Yahtzee Croshaw

I've waited a long time for you and now that I finally have you I will move Heaven and Earth to keep you right where I've always wanted you, at my side. I will walk in the rain so you stay dry, I will forgo food so you can eat, I will take the pain so you won't feel any and I will absolutely step in front of danger to keep you safe." Tears — L.A. Fiore

It was awful, but it's over. And now I feel like I'm finally coming up for air."
"Yes, well, it's been a very stressful time for both of us," said Leonard.
"How has it been stressful for you? said Holly.
"I had that move."
Holly just looked at him.
"What," said Leonard.
"You moved apartments" said Holly. — Sarah Dunn

I took an oath June. I am still bound by that oath. I will die with honor for sacrificing everything I have-everything-for my country.. And yet, Day is a legend, while I am to be executed." His voice finally breaks with all his anger and inner torment, the injustice he feels. "It makes no sense."
I stand up. Behind me, guards move toward the cell door. "You're wrong," I say sadly. "It makes perfect sense."
"Why?"
"Because Day chose to walk in the light." I turn my back on him for the last time. The door opens; the cell's bars make way for the hall, a new rotation of prison guards, freedom. "And so did Metias. — Marie Lu

I mustered all my strength, drew back, and swung.
The sword's blade hit the side of her neck, hard and deep. She gave a horrible, sickening cry, a shriek that made my skin crawl. She tried to move toward me. I pulled back and hit again. Her hands clutched at her throat, and her knees gave way. I struck and struck, the sword digging in deeper into her neck each time. Cutting off someone's head was harder than I thought it would be. The old, dull sword probably wasn't helping.
But finally, I gained enough sense to realize she wasn't moving. Her head lay there, detached from her body, her dead eyes looking up at me as though she couldn't believe what had happened. That made two of us. — Richelle Mead

I really have discovered something at last. Through watching so much at night, when it changes so, I have finally found out. The front pattern does move - and no wonder! The woman behind shakes it! Sometimes I think there are a great many women behind, and sometimes only one, and she crawls around fast, and her crawling shakes it all over. Then in the very ' bright spots she keeps still, and in the very shady spots she just takes hold of the bars and shakes them hard. And she is all the time trying to climb through. But nobody could climb through that pattern - it strangles so: ... — Charlotte Perkins Gilman

Do you have any idea how much it turns me on, knowing something of mine has been cradling your sweet pussy all day long?" Without warning, he thrust two thick fingers inside her with just enough force to make her cry out, bring her up on her toes. He didn't move them, only held them there, high and tight inside her. Ruby's head fell forward on a moan that was equal parts frustrated and relieved. He'd finally filled her. But she needed so much more from him, and he seemed determined to take his time. "You walked around with your naughty secret all day, didn't you? Did you think of me while you sat in class wearing my underwear? Did the thought of me get you all wet, baby?" His thrust his fingers deeper. "Answer me or you'll get no more. — Tessa Bailey

I had an ethnic preference, if you will, for the warm weather, coming from Chennai. So I finally said, 'Look, can I move to California?' because every time I come here, it would be in the 70s or 80s, and there would be beautiful blue sky and warm. — Ram Shriram

Intimacy is not trapped within words. It passes through words. It passes. The truth is that intimates leave the room. Doors close. Faces move away from the window. Time passes. Voices recede into the dark. Death finally quiets the voice. And there is no way to deny it. No way to stand in the crowd, uttering one's family language. — Richard Rodriguez

Is it not clear to us that we can be our own worst enemy? But we can also be our own saviors. Through the active expression of our genuine nature, and the steady efforts to master our minds and move our lives forward, we can finally, after all this time, experience the freedom and joy that we deserve in life. — Brendon Burchard

Good morning."
"Fuck you," she growled, still confused.
"I wore you out, huh?"
Raven's angry panicked eyes narrowing, she glared at me. "If anyone was worn out, it was you. I'm surprised I didn't break your dick."
"Who said you didn't?" I said, causing her to smirk. "I might need a little cast for it."
Raven finally smiled for real. "It wouldn't be the first time."
"We could test it out," I said, wiggling my eyebrows.
"I need to leave."
"It's barely six."
"Sleeping over is a mistake."
"True," I said, tossing aside the sheets to show how a little cast wasn't in my future. "Of course, I don't know if walking will be an option after I'm done with you. Better for you to go while you can still move. — Bijou Hunter

But experience has taught me that you cannot value dreams according to the odds of their coming true. Their real value is in stirring within us the will to aspire. That will, wherever it finally leads, does at least move you forward. And after a time you may recognize that the proper measure of success is not how much you've closed the distance to some far-off goal but the quality of what you've done today. — Sonia Sotomayor

Too bad. And Mozart, not long after writing The Magic Flute, had died
in his thirties
of kidney disease. And had been buried in an unmarked pauper's grave.
Thinking this, he wondered if Mozart had any intuition that the future did not exist, that he had already used up his little time. Maybe I have too, Rick thought as he watched the rehearsal move along. This rehearsal will end, the performance will end, the singers will die, eventually the last score of the music will be destroyed in one way or another; finally the name "Mozart" will vanish, the dust will have won. If not on this planet then another. We can evade it awhile. As the andys can evade me and exist a finite stretch longer. But I will get them or some other bounty hunter gets them. In a way, he realized, I'm part of the form-destroying process of entropy. — Philip K. Dick

Either we can be victimized and become victims, or we can be victimized and rise above it. Often it is easier to play the victim than take off our masks and ask for help. We get comfortable with our victim status. It becomes our identity and is hard to give up. The Israelites often played the victim card, and I love what God finally tells them, "You have circled this mountain long enough. Now turn north" (Deuteronomy 2:3 [NASB]). Turn north! It's time to move on! Self-pity, fear, pride, and negativity paralyze us. Taking off our masks takes courage, but if we don't do it, we will remain in our victim status and end up stunted.6 — Lysa TerKeurst

Oh, my God,' she said, between sobs. 'Oh, my God.'
Olanna reached out often to squeeze her arm. The rawness of Edna's grief made her helpless, brought the urge to stretch her hand into the past and reverse history. Finally, Edna fell asleep. Olanna gently placed a pillow beneath her head and sat thinking about how a single act could reverberate over time and space and leave stains that could never be washed off. She thought about how ephemeral life was, about not choosing misery. She would move back to Odenigbo's house. — Chimamanda Ngozi Adichie

For a moment I just watch Sean wrap Corr's leg, watching how his shoulders move when they're not hidden by his jacket, how he tilts his head when he's involved in his work. He either hasn't noticed my arrival or he's pretending that he hasn't, and either's fine by me. There's something rewarding about watching a job done well, or at least a job done with everything you've got. I try to put my finger on how it is that Sean Kendrick seems so different to other people, what it is about him that makes him seem so intense and still at the same time, and I think, finally, that it's something about hesitation. Most people hesitate between steps or pause or are somehow uneven about the process. Whether that process is wrapping a leg or eating a sandwich or just living life. But with Sean, there's never a move he's not sure of, even if it means not moving at all. — Maggie Stiefvater

I thought it could be something, I mean, eventually." Harrison finally looks at us. "My life I thought-but I mean ... it's nothing."
"Don't cry" Grace says. "You have a lot of time."
"No, I don't."
"Yeah, you do."
"No.-"
"Yeah! Yeah, you do. It's okay. Look-"
She does something that is so amazingly selfless and also gross. She tilts Harrison's face up and gives him a sweet kiss on the lips and it lasts long enough for him to taste her back, to move his mouth against hers.
Harrison stares at her dumbfounded but he's stopped crying
She is so nice. — Courtney Summers

We have gone on too long blaming or pitying the mothers who devour their children, who sow the seeds of progressive dehumanization, because they have never grown to full humanity themselves. If the mother is at fault, why isn't it time to break the pattern by urging all these Sleeping Beauties to grow up and live their own lives? There never will be enough Prince Charmings or enough therapists to break that pattern now. It is society's job, and finally that of each woman alone. For it is not the strength of the mothers that is at fault but their weakness, their passive childlike dependency and immaturity that is mistaken for "femininity." Our society forces boys, insofar as it can, to grow up, to endure the pains of growth, to educate themselves to work, to move on. Why aren't girls forced to grow up - to achieve somehow the core of self that will end the unnecessary dilemma, the mistaken choice between femaleness and humanness that is implied in the feminine mystique? — Betty Friedan

The Rosalie really did not want to go like the clappers and performed its usual consumptive drama every time we came to an uphill slope, coughing and gasping like a dying Dickens heroine, and finally just stopped - engine still gasping a bit but the car just stopped. Simply could not move forward up the hill. Choke full out but cylinders firing pathetically as though we were trying to make the poor thing run on nothing but air. — Elizabeth Wein

Memories are weird. They never really leave you alone, no matter how much you try, and the funny part is--the more you try, the more they haunt you. The more you want to run away, the faster they seem to catch up, and then there comes a time when you are convinced that you have finally managed to leave them behind and move on. You rejoice. You celebrate. You have exorcised the ghosts of the past--you feel liberated, UNTIL one fine day, some old memory creeps up slowly from behind and taps you on your shoulder just to say "Hi. How's it going so far?". That is when everything comes rushing in, and you realize that maybe, just maybe, it had never really gone away. — Priyanka Naik

She stood up. Something inside her had changed. "It was finally time," she thought.
It was finally time to leave the past in the past. And move on.
She took her first step. It felt like walking for the first time. It was strange to not be chained anymore.
It felt like life. Like hope. Like happiness. — Yasmin Mogahed

Shimamoto was in charge of the records. She'd take one from its jacket, place it carefully on the turntable without touching the grooves with her fingers, and, after making sure to brush the cartridge free of any dust with a tiny brush, lower the needle ever so gently onto the record. When the record was finished, she'd spray it and wipe it with a felt cloth. Finally she'd return the record to its jacket and its proper place on the shelf. Her father had taught her this procedure, and she followed his instructions with a terribly serious look on her face, her eyes narrowed, her breath held in check. Meanwhile, I was on the sofa, watching her every move. Only when the record was safely back on the shelf did she turn to me and give a little smile. And every time, this thought hit me: It wasn't a record she was handling. It was a fragile soul inside a glass bottle. — Haruki Murakami

I know what I'm looking for, my brain just can't get to it. It's like if you decided you wanted that glass of water, only your hand won't pick it up. You ask it nicely, you threaten it, but it just won't budge. You might finally get it to move, but then you grab the saltshaker instead, or you knock the glass and spill the water all over the table. Or by the time you get your hand to hold the glass and bring it to your lips, the itch in your throat has cleared, and you don't need a drink anymore. The moment of need has passed." "That sounds like torture, Mom." "It is." "I'm so sorry you have this." "Thanks. — Lisa Genova

I'm the last person to tell you that you need a guy to make you happy. But if you're not moving on because you're afraid you'll hurt David, maybe you need to remember that you're hurting Tamani by not moving on, and you might be hurting David by not letting him move on. If
and I'm not saying you should choose him, but if
you really love Tamani, and you keep putting him off because of David, by the time you're finally ready to be with him, you may find that he's moved on. That's all I'm going to say ... — Aprilynne Pike

For many years, Darrel Royal was the football coach for the University of Texas at Austin. They always had great teams and winning records. Sometimes, however, when they won a close game, a sportswriter would suggest that while the Longhorns were skilled, they had been lucky on that day. Hearing it one time too often, Coach Royal finally said, "Luck is partly the residue of design, the simple act of being prepared for luck when it arrives." And there is something else to luck, Royal said - luck follows speed. Move, and luck finds you. Move quickly, and it finds you more often. — Mac Anderson

A lot of artists start out as failed poets, then move on to being failed short-story writers before they finally break through to the big time and become failed novelists. — Gary Reilly

I finally figured out that I'm solitary by nature, but at the same time I know so many people; so many people think they own a piece of me. They shift and move under my skin, like a parade of memories that simply won't go away. It doesn't matter where I am, or how alone
I always have such a crowded head. — Charles De Lint

We began our life together at a moment of natural self-pity and defeat that left an inimitable impression on both of us. The rejection chastened me and let me know my proper place in the grand scheme of things. It was the last time I would ever make a move that required boldness or a leap of the imagination. I became tentative, suspicious, and dull. I learned to hold my tongue and mark my trail behind me and to look to the future with a wary eye. Finally, I was robbed of a certain optimism, that reckless acceptance of the world and all it could hand my way that had been my strength and deliverance. — Pat Conroy