Film In Time Quotes & Sayings

I keep every script from every film that I ever made because it's like a workbook of that time in my life. — Marguerite Moreau

I've done movies with Oliver Stone and Michael Mann. And I've done quite a few dramas in my time, from the theatre to film work. I just think the audience is used to seeing me on 'Saturday Night Live,' and 'K-9,' and 'Curly Sue' and of course, 'According to Jim.' I think that my comedies have been the most popular. — James Belushi

I always collect a bunch of images for every film that I do, that reminds me of an essence of the character, or the time that they live in, or what they're experiencing. — Mia Wasikowska

Lola Montes is, in my unhumble opinion, the greatest film of all time, and I am willing to stake my critical reputation, such as it is, on this one proposition above all others. — Andrew Sarris

I could spend my whole life photographing circuses. They combine everything I'm interested in - they're ironic, poetic, and corny at the same time. There's also something about a circus that's magical, sentimental, and almost tragic, like a Fellini film. — Mary Ellen Mark

Every time an actress is celebrated for her great work, I cheer. For the more brilliant their performance, the more the audience demands stories about women ... And as we all know: a great year for women in film, is just a great year for film. — Jessica Chastain

She walks into my life legs first, a long drink of water in the desert of my thirties. Her shoes are red; her eyes are green. She's an Italian flag in occupied territory, and I fall for her like Paris. She mixes my metaphors like a martini and serves up my heart tartare. They all do. Every time. They have to. It's that kind of story. — Catherynne M Valente

You really just have to love the process. I can't tell you the amount of film sets I've been on where people are talking about Oscars in the middle of the production. It happens all the time. — Olivia Wilde

There's a lot that you can do in television that you can't do with a film, theoretically. At the time, the only possibility was to do a movie. — Mitchell Hurwitz

Yuki: "What can I learn from a stupid cat like you? You didn't even know that Jason isn't really a bear. He's a character in a horror film."
Kyo: "Yeah? So what if I didn't? Like I'd waste my time watching some movie about a bear!"
Yuki: You truly are an idiot. — Natsuki Takaya

Once in a while a good opportunity would come along, like the first 'Playhouse 90 ever to air - working in television afforded me my best opportunities. The (film) industry was going through such turmoil at the time - studios didn't know where to go anymore, they were falling apart, television was there. They didn't know what kind of films people wanted. The European films were making a huge impact because those films wanted real people in real situations. — Tab Hunter

There have been so few decent films involving Negroes that right away everybody expects every film to do everything. But when you make a flick, there are maybe two things you're trying to put into that flick. You can put the other things in another time. — Jim Brown

I work in film, TV, commercials and do live PR stunts for companies. A lot of my time is spent reading scripts and looking at designing sequences, speaking to directors and producers about how they want the sequences to look, how they will work and budgeting those stunts. — Steve Truglia

The first one I did was an action film with Sammo Hung and George Lam, but I had the usual female role for that time: you know, damsel in distress, rescued by the hero. — Michelle Yeoh

Films have a certain place in a certain time period. Technology is forever. — Hedy Lamarr

After directing awhile, you get an instinct about it, but you have to be able to trust your own feelings. Invariably, two-thirds of the way through a film, you say, "Jeezus, is this a pile of crap! What did I ever see in it in the first place?" You have to shut off your brain and forge ahead, because by that time you're getting so brainwashed. Once I commit myself to a film I commit myself to that ending, whatever the motivations and conclusions are. — Clint Eastwood

I've been banking my holidays, which means I take time off later in the year. It makes it a lot easier to fit filming in; it can be quite challenging to study and film at the same time. — Bindi Irwin

Weirdly enough, I live in London - was born there and have lived there all my life - but I hadn't made a film in London for a long time. I hadn't found the right subject. I liked going away, to some far flung place. — Asif Kapadia

One of the aspects I like about the film is that there is a kind of emotional, psychological discussion during the storytelling, ... Before taking a drug, go through yourself, experience yourself, all your hopes and fears in your own time. Before the pharmacology, do the psychology. — Keanu Reeves

One movie I come back to time and again is 'The Hustler.' I don't think there's better dialogue in any film. — Simon Kinberg

The Los Angeles Citizen-News (5/29/58) concurred, but felt the picture had more serious problems in the story department: Unfortunately, the story, as adapted for the screen comes off less praiseworthy, for most of the time the picture is not a little confusing. The story line is not easy to follow. ... Vertigo is technically a topnotch film. Storywise, little can be said. Hitchcock does as well as he can, considering the script, in a directorial capacity. Vertigo is not his best picture. — Dan Auiler

I never thought I was particularly good looking. But when I see old photographs, I realise that I was. I do wish I had known that at the time because beauty is power. I didn't realise how lucky I was to be young, beautiful and in Hollywood. It didn't hit me. Every day I woke up, went to the film studio and just got on with it. — Joan Collins

Ultimately, we want to provide people with a unique experience, and an unexpected one as well. We'd like people to leave the theater having questions, being intrigued, wanting to know more, and forming their own opinions about the characters and the world we created. We'd like the film and its images to stick around in people's heads, possibly be recalled every time the letter "H" comes up in everyday life. — Rania Attieh

Next time you're afraid to share ideas, remember someone once said in a meeting, 'Let's make a film with a tornado full of sharks. — Unknown

We are living at a time where there are so many films available to watch through so many formats all the time. It's hard for any film to stand out in that din. — Megan Griffiths

Everything in The Room, we did it the same way the big studios do it. The only difference is the budget and the actors. We put an ad in Back Stage West and in return we got almost 8,000 headshots from people who wanted to be in the film. We then do a process of selection and a rehearsal process after they are selected. The process of audition is very time consuming. — Tommy Wiseau

Well, the medium of film is so different than a book that just by bringing it into visual storytelling is to change it up. I think in a book, in any book, you can have a reactive character. Some of the great novels of all time have had that, but in a film you can't do that. — Melissa Rosenberg

Even going to college, getting my degree in Radio TV and Film, as I was approaching the time when you have to decide on a major, I kept trying to figure out what would be the best major to enhance what I am doing as a performer. — Jeff Dunham

The film was made in 1973. It was a golden time for people to experiment without risking, for example, AIDS. Today one has to be so much more careful and I don't think a character like that could exist now. — Sylvia Kristel

I think the motion picture industry is a stupid business and I despise acting the scenes in short snatches, one at a time. I hate this film work. I am disgusted with myself. On the stage I could never play a part unless I felt it with all my heart and soul. — Conrad Veidt

Black people loving and losing is something we don't see enough of. We're always in these heightened situations like something big is happening, something funny or something violent. And you know what? Sometimes we die of breast cancer or a broken heart. Things happen that are just not being explored cinematically. It's time we reinvigorated that type of film. — Ava DuVernay

If you need to strap a camera to you or get in a small space, then it makes sense to use digital.I do think it is possible to use a digital camera artistically, but it can only be good if you are using film technique. Film has grain, and digital has pixels, and there is not that much of a difference, but digital does not replace the need to create a scene and light it properly and spend time considering the shot. — Vilmos Zsigmond

Most aspiring screenwriters simply don't spend enough time choosing their concept. It's by far the most common mistake I see in spec scripts. The writer has lost the race right from the gate. Months - sometimes years - are lost trying to elevate a film idea that by its nature probably had no hope of ever becoming a movie. — Terry Rossio

Financially, I do not need to work unless I want to, and whatever film I accept has to be right for me in the sense that it should justify the time I spend away from my husband and kids. — Kajol

I figured I'd probably write 50 scripts in my life. Out of those 50, I figured maybe five would be produced, and that maybe one or two would be successful. So I always kind of expected I'd write at least one successful film in my life. [ ... ] The way it all came together was kind of like Murphy's law in reverse - I don't expect that kind of experience again any time soon. — Michael Arndt

I left the studio at 5:30 in the morning. It's an incredible mind exercise. You have to, obviously, have stamina, but you really feel like you're kind of feeding your mind. It's a challenge of learning lines very fast and then you have to be lose enough to hopefully make good choices in a much shorter amount of time that it takes to film certain scenes. — Glenn Close

There's so much more freedom in film as far as subject matter and what can be said. And then, also, the process is different because there's more time. On movies there's just so much freedom and space to explore in front of the camera. — Dave Franco

The scripts for Marco Polo are absolutely, positively fantastic. The challenge of making that show in China has proved to be as formidable as we feared. It's not like making a movie in China where, once you load up and you leave, you're gone. We have to be able to come back and capture something that's going to feel like a major feature film, on a television budget, and do it, hopefully season after season, so we are taking more time than the producers thought. — Chris Albrecht

I flew over to Birmingham and did half a dozen scenes or so as a pastor in the film. I had a great time. I look forward to seeing the final version. I also am good friends with the Erwin Brothers who are co-directing and producing the film with Kevin. They also helped with Courageous. It's kind of a small little family in this arena and we love helping each other out. — Alex Kendrick

I used to spend a lot of time cutting out film posters from papers and putting them up on the wall in my room. — Anurag Kashyap

The idea that every time you do a film you're supposed to be tortured confuses me. I mean, guys who say, 'Oh, it's really tough, my character is really suffering' -come on. For us, even in the rotten ones we've had a good time. I don't think you have to suffer. — George Clooney

Time never waits for your answers like do you want to continue or not. It continues so be clever, one moment you will wake up in 16, then 26, then 45, then 67 and your whole life it will went like two hours film! — Deyth Banger

But this month is all about CITY OF JASMINE which I hope you already have in your hot little hands. My favorite review snippet? KIRKUS REVIEWS said it's "part screwball comedy".
I can't tell you how much time I spent with Carole Lombard and William Powell and Irene Dunne when I was writing it. I adore the 30s comedies for their light-hearted take on relationships and adventure - and the glamorous settings and occasional dash of intrigue only heighten the magic. (Did you know that Nicholas Brisbane from my Lady Julia series was named for THE THIN MAN's Nick Charles? And apologies to Dashiell Hammett, but I fell in love with the film long before I read the book and appreciated how much it had been lightened in the adaptation!) So when you're reading CITY OF JASMINE, give some thought to who you'd like to see playing Evie and Gabriel - I'd love to hear who you'd cast in your own production. — Deanna Raybourn

In England, when we're at drama school, we spend a lot of time learning the craft from playwrights and stage actors, who are very well trained in the basics of acting because they need to get it right the first time - you can't have second or third takes when you're in front of a live audience, unlike in film. — Sam Claflin

Any time you die in a film, it's not real, so it's all kind of fun. — Richard Jenkins

I was really nervous about people booing, because my mother had gone for a film 20 years earlier and had a terrible time with people booing, whistling, so I knew that in Cannes people can get aggressive. — Charlotte Gainsbourg

It's really interesting making films and actually seeing the life that they have in the subsequent years and seeing which ones stand up over time and which ones sort of fade away. — Guy Pearce

When I was little it was a great time for film-making, with stuff like Mike Nichols' 'Silkwood.' The films you see in that pre-secondary-school stage stay with you in a very particular way. — Saffron Burrows

I think for a film that has real theatrical potential a sales agent is key. For a film that may find it tougher in the American marketplace, such as many of the docs in the world competition that may not be competing for deals - any subtitled film has a harder time in this marketplace - for those films I don't know that a sales agent necessarily helps for the kinds of smaller deals that may or may not be offered. — Thom Powers

I was shooting all this time. And there was only one guy who helped to pull him. And I had to think whether I was going to keep shooting or help the guy. And so I kept shooting and then they put him in this little clinic, and I photographed through the window while they had to amputate his leg. And I felt very strange because I didn't - I felt I could have helped, but I didn't help. But then I also felt elated that I was getting a shot that would be important to the film. — Haskell Wexler

The first time I ever thought about doing a film seriously, I was in London. I was about 17 years old. I was just standing in the street, a bit dazzled by an Antonioni bus wipe, which by the way are inherent in London, and I imagined a film set in London starting out with the riff from The Yardbird's "Heart Full of Soul", and now, how ever many years later, I've done it. — William Monahan

We were thirsty for some form of beauty, even in an incomprehensible, overintellectual, abstract film with no subtitles and censored out of recognition. There was a sense of wonder at being in a public place for the first time in years without fear or anger, being in a place with a crowd of strangers that was not a demonstration, a protest rally, a breadline or a public execution...For a brief time we experienced collectively the kind of awful beauty that can only be grasped at through extreme anguish and expressed through art. — Azar Nafisi

People in LA seem to have no concept of the time outside of their city. I've been trained for thirty years in the film industry of having whether its agents, lawyers, actors, or whoever calling up all night. — Matthew Vaughn

For a long time, I've had to hustle. If a film role is obviously great, then it's been difficult for me to get a look-in. — Rufus Sewell

E'en Beauty mourns in her decaying bower,
That Time upon her angel brow should set
His crooked autograph, and mar the jet
Of glossy locks. Lo! how her chaplet green,
The hoar frost and the canker worm destroy.
Decay's dull film obscures those matchless eyes. — Isaac McLellan

When I'm working, I look forward to weekends. Film sets give your time a structure; otherwise, one day can run into another. I often find myself in unusual locations, so Friday nights I might head out with some of the cast and crew to explore the town. — Thomas Sangster

Laughter is binary: It either happens or it doesn't. As each joke arrives in the course of a film, the cavernous space of the theater is either filled with joy and laughter or with the quiet of cringing embarrassment. Every time you step to the plate to make a joke, you're going to experience one or the other. — David Dobkin

I am going to produce a movie of my own. I am not going to stick to the time-tested formulae of Hindi cinema. I want to make a film for the present generation. So there will be a lot of new faces in the film. — Kabir Bedi

The only time I felt a little too exposed was for a week then I started life-streaming for a couple of hours a day on Qik and Ustream. It became very much like the film 'We Live in Public.' — Jason Calacanis

My all-time favorite is Brad Pitt in 'Interview with the Vampire.' He's so sexy. I'm a fan of anything he does, but in that film he's a vampire who doesn't want to feed. There's something super sexy about someone who has to feed to survive but doesn't want to do it. — Kayla Ewell

It was great to work in Ireland because it's such a beautiful country, but it's not particularly easy to film in because the weather changes all the time. — Anjelica Huston

The film 'Black Orpheus' is one of my favorite films of all time, which is set in Carnival in Brazil. — Win Butler

For me the most moving moment came when I first started working on 2001. I was already in awe of him, and he had very much already become Stanley Kubrick by the time the film started. — Keir Dullea

I admit that I've been beaten up so many times in films, but we do not fake it - we actually have to fight when we shoot to make it real and to save film and time. Even the props that are not real, like the bats are plastic, but they're still very hard, so it still hurts. — Min-sik Choi

On 11 September 2012 crowds of friendly locals in Kabul, Afghanistan, were chanting the usual 'Death to America' slogans. At the same time American flags were torched from London to Sydney. And in Benghazi, Libya, a group of 'spontaneous protesters' arrived at the US consulate with rocket-propelled grenades and savagely murdered the US ambassador. In Washington, members of the Obama administration were, as we have already seen, showing that they weren't taking any of this personally. It wasn't about them and it certainly wasn't about their ambassador, who had in fact been murdered by terrorists in a pre-planned attack. The administration was still claiming all this was caused by an excerpt from an amateur film which had been up on YouTube for weeks. — Douglas Murray

In the almost film-like flitting-by of modern life, a man needs something to tell him, from time to time, that he is still himself, and nothing can give him this assurance in so comforting a manner as the "four feet trotting behind". — Konrad Lorenz

From time to time, there are people in the film industry who appear on the horizon with a unique vision. South African director Neill Blomkamp is one of those rare people. — Ridley Scott

When I did the film Generations, in which the character died, I felt like a guest for the first time. That made me very sad. — William Shatner

One of the first decisions I made, as the director of "Hide and Seek," was that our film would be silent and use underscoring of original music that I was planning on composing. The decision was mostly predicated on knowing how time consuming the editing of dialogue can be and given the various locations we shot in, I didn't want to worry about having to mix room tones in such a short amount of time. — Garth Kravits

It's very strange what happens when I start working for a film. In my life I've done a lot of stuff - I did a lot of dance music, a lot of TV shows and lots of different types of films - and every time it is a new experience. — Claudio Simonetti

Films are subjective - what you like, what you don't like. But the thing for me that is absolutely unifying is the idea that every time I go to the cinema and pay my money and sit down and watch a film go up on-screen, I want to feel that the people who made that film think it's the best movie in the world, that they poured everything into it and they really love it. Whether or not I agree with what they've done, I want that effort there - I want that sincerity. And when you don't feel it, that's the only time I feel like I'm wasting my time at the movies. — Christopher Nolan

I had such an amazing time filming 'Major Movie Star.' I loved everyone in the cast. They all brought their own spirit to the film, and I hope that is what will be seen on screen. — Olesya Rulin

I was born in Faridabad but brought up in Delhi and Mumbai. My father had been living hand-to-mouth and literally slept on railway platforms when he came to Mumbai for the first time to become a film singer. My parents were both singers; they sang together and fell in love due to their singing. — Sonu Nigam

People look at film in a gallery, and if they walk out after two minutes they know they haven't seen the whole work. But then people look at a painting for two minutes and think they've seen it. Certain paintings are made to be consumed fast. But some require a slowed-down time. You have to go back to them. — Julie Mehretu

I know, for me, you know, my generation - I never would have known anything about Robert Preston's performance in 'The Music Man' if there hadn't been a film where he played the part. I just heard how great he was on Broadway way before my time. — John Lloyd Young

I was born in Paris in the mid-1960s, and by the time I was 12 I had started going to the movies by myself. Most of the movies of that period never appealed to me. I didn't like the 'naturalism,' the sad or the 'down-to-earth' characters. What I wanted from film was fantasy, dreams, funny situations, extravagant decor - and beautiful women. — Christian Louboutin

I try to express in my films things that no other art can approach. In my monster films for example, I use special effects in the same way one would use a special film stock, a special camera, and so on. Monster films permit me to use all of these elements at the same time. They are the most visual kind of film. — Ishiro Honda

I wanted to make a film about anorexia. I thought about it for a long time, but then gave up on this idea as I felt that this theme would be so hermetic and closed that it would not reach an audience. However, the plot about the character of Olga and the idea that a body has a lot of different meanings were still present in my mind. — Malgorzata Szumowska

I did a film called 'Floating' early on that had a scene which was similar to a real-life situation I was in at the time. It involved me having a conversation with my father, who was dying. It was close to home and it made me realise acting wasn't just making faces for the cameras, it was a real art form. — Norman Reedus

By the time you arrive at Sundance as a filmmaker, you've been living with your film intimiately, and scrutinized every frame, and probably aren't happy with - or at least I'm never happy with it - and you've seen it in the roughest of states, and you lose perspective, really. — James Ponsoldt

I would often sit in the corner of the room wearing Dad's massive headphones, carefully replaying the records time after time. It was something I did frequently throughout my childhood with music, comedy and film, inspiring my own creative imagination, the headphones rendering the experience intensely personal, as though it were all happening inside my own head. — Simon Pegg

When I lived in New York, there wasn't as much TV or film around. I got asked to do a couple of indie films, just based on me being from The Smashing Pumpkins and A Perfect Circle. I did a couple of indie movies from Japan and one from Canada, and I thought it was an exciting, fun thing to do. I had a great time doing it, it was just that, in New York, there really wasn't as much. My studio in New York closed, so I moved out to L.A. and just started looking into composing as another thing to do, as a musician. I like it a lot. It's fun and it's a different way of thinking about music. — James Iha

Music, to me, is the most beautiful form, and I love film because film is very related to music. It moves by you in its own rhythm. It's not like reading a book or looking at a painting. It gives you its own time frame, like music, so they are very connected for me. But music to me is the biggest inspiration. When I get depressed, or anything, I go "think of all the music I haven't even heard yet!" So, it's the one thing. Imagine the world without music. Man, just hand me a gun, will you? — Jim Jarmusch

I think part of that comes from time's passed, and she's been in an environment where training is part of the thing. It's not like we do a montage of her discovering her powers like in every X-Men film but yeah, there's no montage. But she does have these new abilities that we pick her up with. — Elizabeth Olsen

We've got people looking at our seamy side and our sad side a lot of the time because that's easier. It's much more difficult to make a film about happiness with lots of jokes in it. — Emma Thompson

I was always prepared for my 'Fringe' journey to end immediately. I had only signed up for a guest role but they kept bringing me back in the third season as a recurring character. So pretty much every time I went to film a 'Fringe' episode I kind of said goodbye to the show, but then they kept bringing me back. — Seth Gabel

Pretty early on in making the first movie I realized that this is what I wanted to do. I felt like by that time I just found my niche, like this is what I was supposed to be doing. So I completely submerged myself into the world of watching movies, making my own movies, buying video cameras and lights. When I wasn't making a movie, I was making my own movies. When I wasn't making movies, I was watching movies. I was going back and studying film and looking back at guys that were perceived as great guys that I can identify with. It just became my life. — Mark Wahlberg

Film sets are a strange place, but an exciting place. I do love my work; I really enjoy going to work. But if you just spend all your time on film sets or even on stage, you can become a Michael Jackson figure, living in your own little universe. — James McAvoy

I think the only time I doubted myself was my senior year in high school. I was not offered a Division I scholarship. I remember a scout from Ohio State coming in and looking at my film. He was all excited to meet me. Then he met me and I was 5'10 and he said that I was not a Division I quarterback. — Doug Flutie

Watch the Film You Paid to See"

In my bedroom my weight is three times more
than what I'd weigh on Jupiter.
If your kitchen was on Mercury I'd be heavier by half
of you while sitting at your table.
On Uranus, a quarter of my weight is meat,
or an awareness of myself as flesh.
On Venus the light would produce a real volume around me
that would make me look happy in photographs.
This is how it is with quantity in any life. It's a fact
that on certain planets I'd actually be able to mount
the stairs four at a time. Think of the most beautiful horse
in the world: a ridiculously beautiful golden horse,
with a shimmering coat; it would weigh no more
than an empty handbag on Mars. You need
to get real about these things. — Todd Colby

I feel like something I've wanted to do for a really long time, in a feature film or anything, is playing a rocker. Somewhere where I can be on a stage and have a guitar or a microphone and just kind of jam out. — Olivia Holt

We all know perfectly well that the man who lives out his life as a consumer," he writes in "The Coming Crisis in Psychiatry," "a sexual partner, an 'other-directed' executive; who avoids boredom and anxiety by consuming tons of newsprint, miles of film, years of TV time; that such a man has somehow betrayed his destiny as a human being. — Scott Stossel

One of the things I tried to do is to kind of talk my actors through the scene, but at the same time let them know how I plan to shoot the film and just give them an insight into the way I'm thinking, so that when they're acting out their scene, they can kind of see it in their minds' eyes. — James Wan

In a way, we tried to make 'The Salvation' a contemporary film with contemporary emotions. At the same time, in the script, you get a feel that all the small talk is not a part of our universe. It's more precise talk. — Mads Mikkelsen

I don't know when the last time was that Steven Spielberg or George Lucas made a movie with Universal, but I can tell you that Universal is leading the charge. They're looking at film differently. They're planning ahead in a way that I've never seen a studio do before. They're believing in a relationship between fan and film franchise, in a new way. They're more receptive to an audience, in part because of social media, in a way we've never been allowed. — Vin Diesel

no matter it's actual narrative content, every movie is a ghost story. A film's production forms a time capsule, becoming a static window into a particular moment of a particular era. Even period pieces tell you more about the times they were made in than the times they depict — Gemma Files

Film is not like a book; it's not a writer's baby at all. So many people have put in their talent, by that time that you feel grateful for what they've done, you don't feel possessive about it in any way. — Ruth Prawer Jhabvala

The amount of time you invest in a film is not directly proportional to its success. — Shahid Kapoor

They may be called the Palace Guard, the City Guard, or the Patrol. Whatever the name, their purpose in any work of heroic fantasy is identical: it is, round about Chapter Three (or ten minutes into the film) to rush into the room, attack the hero one at a time, and be slaughtered. No one ever asks them if they want to.
This book is dedicated to those fine men. — Terry Pratchett

We had a moment in the '40s and '50s, where female characters were very strong in film, where these incredible roles were written for women like Joan Crawford, like Bette Davis. But then there was a space of time where - I don't know why - it wasn't like that. It became difficult for women to find certain roles after a certain age. — Monica Bellucci