Quotes & Sayings About Figure Drawing

An aspiring comedian must be determined to get to his or her true feelings on a subject and convey that to the audience. Figure out what you're feeling or interested in because the goal is to get the audience interested in what you're interested in. Good stand up comedy is drawing people into your head. — Franklyn Ajaye

There is something about the act of studying an unclothed body, as an artist does, that allows a person to appreciate it as pure form, regardless of the kinds of traits traditionally regarded as imperfections. In a figure drawing class, an obese woman's folds of flesh take on a kind of beauty. You can look at a man's shrunken chest or legs or buttocks with tenderness. Age is not ugly, just poignant. — Joyce Maynard

Well, something must be done for May, The time is drawing nigh
To figure in the Catalogue, And woo the public eye. Something I must invent and paint; But oh my wit is not Like one of those kind substantives That answer Who and What? — Thomas Hood

He who draws ... ought to take his position so that the eye of the figure he is drawing is on a level with his own ... because, generally, figures or people whom you meet in the streets all have their eyes at the same level as yours, and if you make them higher or lower you will find that your portrait will not resemble them. — Leonardo Da Vinci

I usually use quick sketches that I accumulated from the figure drawing classes I once instructed. — Frank Bruno

Darleen studies her drawing, then she looks up.

'It's not that I don't believe you can get a B,' she says. 'I don't think you're half as dumb as you think I think you are.'

If I was smarter, I'm sure I could figure that out. — K.L. Going

I am going to do some drawings or paintings ... in the mirror of my wardrobe..with myself as a figure doing something. — Gwen John

Survive today. Figure out crayon drawing of destiny later. — Rick Riordan

The construction of the human figure, its tremendous variety of balance, of size, of rhythm, all those things make the human form much more difficult to get right in a drawing than anything else. — Henry Moore

You will forgive me, for I never visit. I am from the fields, you know, and while quite at home with the Dandelion, make but sorry figure in a Drawing
room
Did you ask me out with a bunch of Daisies, I should thank you, and accept
— Emily Dickinson

Maybe in some distant place, everything is already, quietly, lost. Or at least there exists a silent place where everything can disappear. Or at least there exists a silent place where everything can disappear, melting together in a single overlapping figure. And as we live our lives we discover - drawing toward us the thin threads attached to each - what has been lost. — Haruki Murakami

Considerable obstacles generally present themselves to the beginner, in studying the elements of Solid Geometry, from the practice which has hitherto uniformly prevailed in this country, of never submitting to the eye of the student, the figures on whose properties he is reasoning, but of drawing perspective representations of them upon a plane ... I hope that I shall never be obliged to have recourse to a perspective drawing of any figure whose parts are not in the same plane. — Augustus De Morgan

When an artist or student draws a nude figure with painstaking care, the result is drawing, and not emotion. — Henri Matisse

Can you look without the voice in your head commenting, drawing conclusions, comparing, or trying to figure something out? — Eckhart Tolle

Forgive me if I never visit. I am from the fields, you know, and while quite at home with the dandelions, make a sorry figure in a drawing room. — Emily Dickinson

Not at all. You look as though magic has taken hold of you. It must be magic because I don't know how you can draw like that. I can barely manage a stick figure. — Sharon Biggs Waller

When you draw a nude, sketch the whole figure and nicely fit the members to it and to each other. Even though you may only finish one portion of the drawing, just make certain that all the parts hang together, so that the study will be useful to you in the future. — Leonardo Da Vinci

Painting figures is the hardest, certainly the most taxing genre, and you have to be the most on your game. If you have significant drawing problems, the figure will fall apart and it will read wrong emotionally. — Jacob Collins

The ancient Greek mathematician Ptolemy was born some time at the end of the first century. Ptolemy based his version of trigonometry on the relationships between the chords of circles and the corresponding central angles of those chords. Ptolemy came up with a theorem involving four-sided figures that you can construct with the chords. In the meantime, mathematicians in India decided to use the measure of half a chord and half the angle to try to figure out these relationships. Drawing a radius from the center of a circle through the middle of a chord (halving it) forms a right angle, which is important in the definitions of the trig functions. These half-measures were the beginning of the sine function in trigonometry. In fact, the word sine actually comes from the Hindu name jiva. — Mary Jane Sterling

I did this movie right after it about the life of Chet Baker. It's called Born to Be Blue. In that situation, there's a real clear character you're drawing on. It's a real person. It's really exciting and interesting to do the research to figure out how to make that a nuanced, three-dimensional human being. — Ethan Hawke

I've been drawing as long as I can remember. I think all children draw as soon as they figure out the thumb and can grab crayons. The only difference with people like myself is that we never stopped drawing. — Adam Hughes

Oh, for pity's sake," she muttered, but stopped fighting him. After a moment of enduring the indignity of
having his hands on her, she snapped, "My pistol is in my reticule, which is sitting in Lord Draker's
drawing room. All right?"
The woman was a walking arsenal. "All right." He released her, not because of what she'd said, but
because running his hands over her petite but surprisingly womanly figure had perversely aroused him. He
didn't want her to know it, however - the female was liable to shoot off his cock for its impertinence. — Sabrina Jeffries

This is not exactly what I had in mind when I agreed to miss lunch," Alex said grumpily forty minutes later. He shifted uncomfortably and tried to see what I was doing.
I stared him back into submission. "Wait."
The art room is usually empty Thursday afternoons except for me. Ms. Evers leaves early to teach her UArts class and looks up.Of course, I am one of the few entrusted with the Secret Location of the Key.
A few feet away from where I sat perched on a stool,Alex was posed on the anchient chaise we use for figure drawing. It's a relic, probably from the Palladinetti years: chipped mahogany and dusty velvet, what little remaining stuffing pokes out from a century of holes. I was probably luxurious once. Now it's like sitting on a slightly smelly board. But I'd wanted to sketch Alex as I so often saw him, reclining with his head propped on one hand,listening or talking or coaxing me to put down the glass, already,Ella,and come here. — Melissa Jensen

I want to do drawings which touch some people ... In either figure or landscape I wish to express, not sentimental melancholy, but serious sorrow. — Vincent Van Gogh

I'd done a drawing of the model using only peripheral vision, looking at a spot on the wall to the right of where she sat. It wasn't really a drawing of her I produced; it was a drawing of the cloud of lights and darks she dissolved into when I focused on the spot. You could look at my drawing of this cloud and read it as a nude female figure, though a little translation was required. — Peter Blegvad

Saku's figure before me looked like a morning glory drawn with one stroke of the brush. My only regret was that the drawing was not by the hand of a master. — Soseki Natsume

Cold men destroy women," my mother wrote me years later. "They woo them with something personable that they bring out for show, something annexed to their souls like a fake greenhouse, lead you in, and you think you see life and vitality and sun and greenness, and then when you love them, they lead you out into their real soul, a drafty, cavernous, empty ballroom, inexorably arched and vaulted and mocking you with its echoes - you hear all you have sacrificed, all you have given, landing with a loud clunk. They lock the greenhouse and you are as tiny as a figure in an architect's drawing, a faceless splotch, a blur of stick limbs abandoned in some voluminous desert of stone. — Lorrie Moore

Well, what we do is we have a script, of course. But for us, writing is also like storyboarding. It's drawing. And so we will cut all of those drawings together with music, sound effects and dialogue. And we screen this kind of stick-figure version of the film. — Pete Docter

They forget that those tiny little hands in the manger, those tiny little hands embraced by Simeon, those hands were made so that nails might be driven through them. Those baby feet, not yet able to walk, they were made to walk up Golgotha to be nailed to the cross. The head of baby Jesus was made so that someday wicked men would press down a crown of thorns into it, drawing his precious blood. This baby's soft tummy would someday be violently ripped open by a spear. So many forget that the manger leads to the cross. Jesus was born to die and when we speak about that, we find rejection by so many. When we speak about why he had to die, when we speak about our sin and the wrath of God, people turn off and tune out. When you see the Messiah in the big picture of our salvation, he is a divisive figure. He divides people into two groups: unbelievers and believers. It was that way in his day and still is today. — Anonymous

I keep quiet and look out the window. The light is weak and watery-looking, like the sun hast just spilled itself over the horizon and is too lazy to clean itself up. The shadows are as sharp and pointed as needles. I watch three black crows take off simultaneausly from a telephone wire and wish I could take off too, move up, up, up, and watch the ground drop away from me the way it does when you're on an airplane, folding and compressing into itself like an origami figure, until everything is flat and brightly colored - until the world is like a drawing of itself — Lauren Oliver

Prince Bolkonsky was of medium height, a rather handsome young man with well-defined and dry features. Everything in his figure, from his weary, bored gaze to his quiet, measured gait, presented the sharpest contrast with his small, lively wife. Obviously, he not only knew everyone in the drawing room, but was also so sick of them that it was very boring for him to look at them and listen to them. Of all the faces he found so boring, the face of his pretty wife seemed to be the one he was most sick of. With a grimace that spoiled his handsome face, he turned away from her. He kissed Anna Pavlovna's hand and, narrowing his eyes, looked around at the whole company. — Leo Tolstoy