Fictional World Quotes & Sayings

Idealistic world views should be our focus. — Sunday Adelaja

Perhaps it was that I wanted to see what I had learned, what I had read, what I had imagined, that I would never be able to see the city of London without seeing it through the overarching scrim of every description of it I had read before. When I turn the corner into a small, quiet, leafy square, am I really seeing it fresh, or am I both looking and remembering? [ ... ]
This is both the beauty and excitement of London, and its cross to bear, too. There is a tendency for visitors to turn the place into a theme park, the Disney World of social class, innate dignity, crooked streets, and grand houses, with a cavalcade of monarchs as varied and cartoony as Mickey Mouse, Snow White, and, at least in the opinion of various Briths broadhseets, Goofy.
They come, not to see what London is, or even what it was, but to confirm a kind of picture-postcard view of both, all red telephone kiosks and fog-wreathed alleyways. — Anna Quindlen

The two explorers are given fictional names. But as in real life, they travel to the Amazon roughly a generation apart, in the early-to-mid 20th century. In the film, they're both guided by Karamakate, as a young man early in the story and later as an old shaman. He and the outsiders share a desire for knowledge - self knowledge and an understanding of the world around them, says the film's co-screenwriter, Jacques Toulemonde. — Tom Cole

Writing novels allows the novelist to spend much of his time in a fictional world, which is really the only or at least the most bearable place to be. — Javier Marias

What I felt was, if you spend your life just writing fiction, you are going to falsify your material. And the fictional form was going to force you to do things with the material, to dramatize it in a certain way. I thought nonfiction gave one a chance to explore the world, the other world, the world that one didn't know fully. — V.S. Naipaul

films like The Never-Ending Story (1984), Stranger than Fiction (2006), and The Adjustment Bureau (2011). Have you seen any of these films? Then you understand hermeneutics. In each case, the story revolves around a protagonist engaging his own life as a fictional story being written either in this world or in another, seemingly by someone else. As he reads and interprets the text of his life, however, he discovers that its story or plot changes. He discovers the circle or loop of hermeneutics. He discovers that as he engages his cultural script as text creatively and critically he is rereading and rewriting himself. He is changing the story. — Whitley Strieber

The ideology of liberal humanism found expression in the earliest reviews of Hardy's writing and remained a dominant force until the explosion of literary theory in the 1980s. It is a broad and still influential category. It endorses the moral value of the individual, and the strength of the human spirit. It prefers the integrity of an organic rural society to the anonymity and materialism of an urbanised and technological world. Applied to fiction, this ideology involves the naturalisation of the novel's world and its values, and the recognition of fictional character as presenting a unified subject. — Geoffrey Harvey

A major premise of my fictional novel Noah Primeval is that the gods of the ancient world were real spiritual beings with supernatural powers. Thus, the mythical literature and artistic engravings of the gods that have been uncovered by Mesopotamian archeology reflect a certain amount of factual reality. The twist is that these gods are actually fallen divine angelic beings called "Sons of God" (Bene Elohim) in the Bible. — Brian Godawa

Creating the fictional background for a game world isn't significantly different from creating a background for fiction. — John M. Ford

It is only after knowing him for some time that you begin to realize you are, to him, an essentially fictional character, one he has invested with nearly limitless capacities for tragedy and comedy not because that is your true nature but because he, Richard, needs to live in a world peopled by extreme and commanding figures. — Michael Cunningham

We were feeling something they never had - a physical link into the world of the fictional - through the skeletal muscles of the arm to the joystick to the tiny person on the screen, a person in an imagined world. It was crude but real. — Austin Grossman

Reading had always been my lifeline
an escape to that imaginary world where hurts were fictional and endings happy ... — Phyllis A. Whitney

When you play a character, you get to see the world through their eyes. Whether it's a fictional world or a real world, you do get to see somebody else's point of view, whether he's a good guy or a bad guy. — Faran Tahir

Reading was not an escape for her, any more than it is for me. It was an aspect of direct experience. She distinguished, of course, between the fictional world and the real one, in which she had to prepare dinners and so on. Still, for us, the fictional world was an extension of the real, and in no way a substitute for it, or refuge from it. Any more than sleeping is a substitute for waking. (Jincy Willett) — Jincy Willett

You taste injustice, even if it's fictional, really taste it,it has a way of doing that. Sometimes, you can never put the shoe on the other foot. We can't go back in time and know what it was like to be a black person then. Even today, when things are supposed to be so much better, not one of you can understand what it's like to be black, to live with the knowledge of what happened to your ancestry and still face injustice. But that book makes us taste it and, reading it, we know how bitter that taste is and we know we don't like it. But that bitter wakes you up, and when you wake up, you open your mind to things in this world, you make yourself think. Then you'll decide you don't like the taste of injustice, not for you and not for anyone, and you'll understand that even though all the battles can't be won, that doesn't mean you won't fight. — Kristen Ashley

That, incidentally, gives me the greatest possible pleasure - the knowledge that we are all linked by our friendship with a group of fictional people. What a pleasant club of which to be a member! [from the preface; on writing for people around the world] — Alexander McCall Smith

fiction, no matter the form, allows you to live a thousand meaningful experiences and relationships that you could never have in real life. Getting invested in a fictional world means you have a wonderful imagination, a big heart, and the capacity for endless creativity. No one can say anything bad about that. — Sam Maggs

Freedom is not defined by safety. Freedom is defined by the ability of citizens to live without government interference. Government cannot create a world without risks, nor would we really wish to live in such a fictional place. Only a totalitarian society would even claim absolute safety as a worthy ideal, because it would require total state control over its citizens' lives. Liberty has meaning only if we still believe in it when terrible things happen and a false government security blanket beckons. — Ron Paul

It wasn't that we didn't know history. Even if you only count the real world, we knew more history than most people. We'd been taught about cavemen and Normans and Tudors. We knew about Greeks and Romans. We knew masses of personal stories about World War II. We even knew quite a lot of family history. It just didn't connect to the landscape. And it was the landscape that formed us, that made us who we were as we grew in it, that affected everything. We thought we were living in a fantasy landscape when actually we were living in a science fictional one. In ignorance, we played our way through what the elves and giants had left us, taking the fairies' possession for ownership. I named the dramroads after places in The Lord of the Rings when I should have recognized that they were from The Chrysalids. — Jo Walton

A publisher sent him a galley of a novel by a writer he had barely heard of, one that impressed him deeply and seemed to embody all the literary qualities he had called for in his "fictional Futures" essay. The book was Franzen's The Twenty-Seventh City. Set in St. Louis, it mixed postmodernism and traditional storytelling and showed a familiarity its chosen city that Wallace could only marvel it. it decanted a Pynchonesque conspiracy in media-mediated language; it was about word AND the world, realism for an era when there was no real. — D.T. Max

Having spent so much time in a fictional world, I prefer to read about the real world. — Brent Spiner

To readers who tend to think primarily in terms of liking or disliking characters: these people are fictional. They do not stand before us asking to be liked. They stand before us asking to be read. They ask to be seen and heard and maybe even understood, or at least for their motives to be understood, if that is what the author is after. But, for the sake of argument, let's pretend these characters are in fact real, that they are human beings standing before us. Let us open up at least a little to those we might not like - in their presence, we might experience something new. To me, facing those we might not want to face is crucial to living in a diverse world. — T.C. Boyle

Libraries are sanctuaries from the world and command centers onto it: here in the quiet rooms are the lives of Crazy Horse and Aung San Suu Kyi, the Hundred Years' War and the Opium Wars and the Dirty War, the ideas of Simone Weil and Lao-Tzu, information on building your sailboat or dissolving your marriage, fictional worlds and books to equip the reader to reenter the real world. They are, ideally, places where nothing happens and where everything that has happened is stored up to be remembered and relived, the place where the world is folded up into boxes of paper. Every book is a door that opens onto another world, which might be the magic that all those children's books were alluding to, and a library is a Milky Way of worlds. — Rebecca Solnit

I don't even like horror movies. The world has enough real monsters without creating fictional monsters. — Lisa Renee Jones

I'm a writer who never writes about sex. It's so far from my own fictional world. — Zadie Smith

It's not fiction's job to be photographically representative of reality. If I want to make a fictional world where there's no kindness, this doesn't mean I believe there's no kindness in the real world. In fact, what it may mean is that I very much value kindness. Like if you make a painting in which only greens are allowed, it wouldn't mean you don't believe in blue. — George Saunders

Being an entrepreneur might seem like the scariest thing in the world to pursue, and those around you who appear to be unsupportive are the same people who wish that they could do what you are about to do. Facing fears means not being afraid of people who may ridicule you if you fall. Use those butterflies and jitters to fuel your fearless actions. Successful business owners do not let fear stop them, and they do not create fictional scenarios about how and when they will fail. As business owners, if we are ever to assume, let them be positive assumptions. — V.L. Thompson

This is magic we're talking about. It's supposed to go places science can't, defy logic, wink at technology, fill us all with the sensawunda that comes of gazing upon a fictional world and seeing something truly different from our own. — N.K. Jemisin

Be your authentic self. Your authentic self is who you are when you have no fear of judgment, or before the world starts pushing you around and telling you who you're supposed to be. Your fictional self is who you are when you have a social mask on to please everyone else. Give yourself permission to be your authentic self. — Phil McGraw

I want to write about people I love, and put them into a fictional world spun out of my own mind, not the world we actually have, because the world we actually have does not meet my standards. Okay, so I should revise my standards; I'm out of step. I should yield to reality. I have never yielded to reality. That's what SF is all about. If you wish to yield to reality, go read Philip Roth; read the New York literary establishment mainstream bestselling writers ... .This is why I love SF. I love to read it; I love to write it. The SF writer sees not just possibilities but wild possibilities. It's not just 'What if' - it's 'My God; what if' - in frenzy and hysteria. The Martians are always coming. — Philip K. Dick

When you're playing a fictional character reacting to the real world, it's incredibly difficult and confusing and kind of messes with your values a bit. — Ed Helms

He's seeing the actual Milky Way streaked across the sky. The whole of his entire galaxy, right there in front of him. Billions and billions of stars. Billions and billions of worlds. All of them, all of those seemingly endless possibilities, not fictional, but real, out there, existing, right now. There is so much more out there than just the world he knows, so much more than his tiny Washington town, so much more than even London. Or England. Or hell, for that matter.
So much more that he'll never see. So much more that he'll never get to. So much that he can only glimpse enough of to know that it's forever beyond his reach. — Patrick Ness

Now, Woolf calls her fictional bastion of male privilege Oxbridge, so I'll call mine Yarvard. Even though she cannot attend Yarvard because she is a woman, Judith cheerfully applies for admission at, let's call it, Smithcliff, a prestigious women's college. She is denied admission on the grounds that
the dorms and classrooms can't
accommodate wheelchairs, that her speech pattern would interfere with her elocution lessons, and that her presence would upset the other students. There is also the suggestion that she is not good marriage material for the men at the elite college to which Smithcliff is a bride-supplying "sister school." The letter inquires as to why she hasn't been institutionalized.
When she goes to the administration building to protest the decision, she can't get up the flight of marble steps on the Greek Revival building. This edifice was designed to evoke a connection to the Classical world, which practiced infanticide of disabled newborns. — Rosemarie Garland-Thomson

The casting of the brash United States Army Air Force officer Colonel Robert E. Hogan and the pompous German Luftwaffe officer Colonel Wilhelm Klink was inspired. For this series - a comedy with the serious backdrop of war - to succeed, the lead players had to be the perfect fit. The dynamic portrayal of this military odd couple had to be articulate, accurate, and precise. For the show to work, for the concept to be accepted, for one of the most outlandish premises in television history to be believed, the actors signed to play the two leading characters not only had to bring these extreme individuals to life with broad, fictional strokes, they had to make them real in the details. — Carol M. Ford

If you created a place in air where they're breathing and running around in, and then they speak in that fictional milieu, it's perfectly authenticated because the whole world relies on you, who've made it possible. — Fred D'Aguiar

It's so much harder than it looks - to conjure a fictional world that some passing wolf of skepticism can't just blow down in one breath. — William Finnegan

2D looks so flat. Well, it is, of course, it's flat. But 3D isn't. And for an adventure story that takes you into a long-distant, fictional world, it's ideal, I think. — Ian McKellen

Perhaps every writer who thoroughly creates a fictional world will inevitably create a mirror of his own time and yet also create a world that no one else but him has ever visited ... — Orson Scott Card

Fictional comedy tells us that the writer is remarkable. Factual comedy tells us that the world is remarkable. I suppose I prefer to live in a remarkable world. — Dave Gorman

As far as I am concerned, Don Quixote is the most metal fictional character that I know. Single handed, he is trying to change the world, regardless of any personal consequences. — Christopher Lee

The world domination plan goal is that I would love Veronica Mars to become a brand like Sherlock Holmes is a brand, like Nancy Drew, in a way, is a brand. When people start listing who are the great fictional detectives, I want Veronica Mars to make that list. That would be the dream scenario. — Rob Thomas

Terraforming, I want to suggest, is a science-fictional representation of globalization. Central to both processes is the logic of simile, a figure of speech in which two things are compared explicitly. Many of the debates over globalization can be understood as a debate over precisely how explicit the comparability between the global and the local is or ought to be. Does-should-globalization homogenize the localities of our world? — Seo-Young Chu

Comics is all about making it believable and helping people to get completely lost in a fictional world. — Dave Gibbons

Writing is a completely private act. It's in a way like play but very serious play, and sometimes I can escape into the fictional world that I'm creating so fully as to see hours go by without my noticing it. I think that kind of suspension of time and that mindfulness is a real gift. — Antonya Nelson

I love the idea of fictional worlds kind of all cohering in some way. — Ann Brashares

Readers the world over are always so let down that Hogwarts and Narnia and Middle Earth don't exist, that they will never be able to visit their favorite fictional places. — E. Lorn

Sometimes I think that creativity is a matter of seeing, or stumbling over, unobvious similarities between things - like composing a fresh metaphor, but on a more complex scale. One night in Hiroshima it occurred to me that the moon behind a certain cloud formation looked very like a painkiller dissolving in a glass of water. I didn't work toward that simile, it was simply there: I was mugged, as it were, by the similarity between these two very different things. Literary composition can be a similar process. The writer's real world and the writer's fictional world are compared, and these comparisons turned into text. But other times literary composition can be a plain old slog, and nothing to do with zones or inspiration. It's world making and the peopling of those worlds, complete with time lines and heartache. — David Mitchell

The idea of mind separate from body goes far back in time. The most famous expression of this is the idea of the Platonic image discussed in the Socratic Dialogues (circa 350 BC). Socrates and Plato expressed the opinion that the real world was but a shadow of reality, and that reality existed on a higher, purer plane reachable only through and preserved in the mind. The mind was considered immortal and survived the crumbling corpus in which it dwelt. But only enlightened minds, such as theirs, could see true reality. As such, they believed people like themselves ought to be elevated to the position of philosopher kings and rule the world with purity of vision. (A similarly wacky idea was expressed by the fictional air force General Jack D. Ripper in Kubrick's classic dark satire Dr. Strangelove. General Ripper postulated that purity of essence was the most important thing in life.) — James Luce

The world is a stage we walk upon. We are all in a way fictional characters who write ourselves with our beliefs. — Louis Theroux

Fictional stories were written so that they seemed real, kind of like a well-executed lie. Fiction creates an unreal world that's better than the real one. — Hiroshi Ishizaki

I feel like these characters, these places, these beings and plots, and even these inanimate objects are counting on me for survival. It's my responsibility to reveal them to the world, to show my readers the names of these things, to show them their histories and stories. — Nicholas Trandahl

I wouldn't want everybody to be an art or literature major, but the world would be poorer - figuratively, anyway - if we were all coding software or running companies. We also want musicians to awaken our souls, writers to lead us into fictional lands, and philosophers to help us exercise our minds and engage the world. — Nicholas Kristof

Therefore, no matter how the world makes out in the next few centuries, a large class of readers at least will not be too surprised at anything. They will have been through it all before in fictional form, and will not be too paralyzed with astonishment to try to cope with contingencies as they arise. — L. Sprague De Camp

Some days I spent up to three hours in the arcade after school, dimly aware that we were the first people, ever, to be doing these things. We were feeling something they never had - a physical link into the world of the fictional - through the skeletal muscles of the arm to the joystick to the tiny person on the screen, a person in an imagined world. It was crude but real. We'd fashioned an outpost in the hostile, inaccessible world of the imagination, like dangling a bathysphere into the crushing dark of the deep ocean, a realm hitherto inaccessible to humankind. This is what games had become. Computers had their origin in military cryptography - in a sense, every computer game represents the commandeering of a military code-breaking apparatus for purposes of human expression. We'd done that, taken that idea and turned it into a thing its creators never imagined, our own incandescent mythology. — Austin Grossman

I think that a lot of people have a longing to move out of the present. The present is very constricting. You can't go back to your past, you can't go ahead to see what's in your future, so you have to put up with whatever is here now. People have a deep longing to think about something else and move into a fictional world and also to feel there are other possibilities than just everyday reality. I don't think time travel is actually possible, but as a metaphor it is interesting. — Audrey Niffenegger

How readily and thinly we procure these fictional selves, deceiving the world and what we might have become if only we hadn't got in the way, if only we had waited to see what might have become of us. — Hisham Matar

every fictional world was a work of fantasy, and whenever writers introduce a threat or a conflict into their story, they create the possibility of horror. He had been drawn to horror fiction, he said, because it took the most basic elements of literature and pushed them to their extremes. All fiction was make-believe, which made fantasy more valid (and honest) than realism. He — Joe Hill

Our relationship with literary characters, at least to those that exercise a certain attraction over us, rests in fact on a denial. We know perfectly well, on a conscious level, that these characters "do not exist," or in any case do not exist in the same way as do the inhabitants of the real world. But things manifest in an entirely different way on the unconscious level, which is interested not in the ontological differences between worlds but in the effect they produce on the psyche.
Every psychoanalyst knows how deeply a subject can be influenced, and even shaped, sometimes to the point of tragedy, by a fictional character and the sense of identification it gives rise to. This remark must first of all be understood as a reminder that we ourselves are usually fictional characters for other people [ ... ] — Pierre Bayard

The fictional world seems larger, seems to have more dimension and richness when, for example, the protagonist from one novel you've read has a cameo role in another. I think that recognition is a very, very powerful phenomenon; it is one of the deepest and greatest pleasures of reading. — Paul Harding

The world is full of fictional characters looking for their stories — Diane Arbus

You might think of the barrier between fiction and reality as being a bit like a blood-brain barrier, which allows only some kinds of molecules to pass from the bloodstream into the brain. Emotions can easily pass from the fictional world into the real one, so that fiction can feel as if it were real. But BELIEFS are blocked. We KNOW the events have no bearing in the real world. — Greg Carlson

In actuality, 'Sammy's House' can and should be read as an entirely fictional comedy set in a fascinating political world. — Kristin Gore

I don't want at the end of my life to look back at just a bunch of fictional movies I was involved in that kept taking me away from the real world. — Joel Edgerton

Whenever I come across someone speaking negatively about escapism or looking down on those who seek a temporary escape from this world, I can't help but look at them as absolute fools. To deny someone the right to find temporary peace in escapism is to deny human nature itself as well as all the benefits of such a beautiful concept. Often times, these instances show them saying that "it'll only make things worse" or "it's not gonna change anything", except, a lot of times, that's not the case at all. How many times has someone shut themselves away from the world by listening to a song they hold dear only to return more ready to face the world than before, how many times has someone learned something about themselves through the fictional events of a novel that they wouldn't have other wise, how many times has society experienced great change through people who dreamed of making the world a better place, only to eventually make those dreams into a reality. — Justin Allen

We, being the Western world, wouldn't let Russia off the hook on debt. So there were demands on debt servicing in the early days until they ran out of reserves. There was no real aid program, just a fictional aid program. — Jeffrey Sachs

I'm trying to listen to my past, listen to what's most deeply going on inside myself, my creative set of fictional characters, a fictional world - to listen to that world, to search. — Frederick Buechner

Because of an instability at my own core, it comforts me to live, fixed, within a story. If reading is our consolation for having been allotted only one life, I find that writing oneself into a fictional world is even more comforting. — Norman Lock

It doesn't matter if it's the real world or fictional," I insisted. "Crushes are the best part of liking someone, and they are completely safe. You get all the benefits of fantasising about someone, but none of the he-loves-me-he-loves-me-not drama. It's all the good parts with none of the parts that make you lie awake at night all angsty. — Liz Czukas

As a kind of castaway myself, I was happy to escape into the fictional world of someone else's trouble. — Octavia E. Butler

Look, Mr. uh, Wulf I appreciate your trying to warn me about this, Ireally do. But there's no such thing as vampires. They're made-up. We writers made them up. I'm sorry we did such a good job that we made the whole world paranoid, but it's true. They're fictional. Blame Bram Stoker. He started it. — Meg Cabot

Yet the experience of reading a novel has certain qualities that remind us of the traditional apprehension of mythology. It can be seen as a form of meditation. Readers have to live with a novel for days or even weeks. It projects them into another world, parallel to but apart from their ordinary lives. They know perfectly well that this fictional realm is not 'real' and yet while they are reading it becomes compelling. A powerful novel becomes part of the backdrop of our lives, long after we have laid the book aside. — Karen Armstrong

Seriously, a thirty-something woman shouldn't be daydreaming about a fictional character in a two-hundred-year-old world to the point where it interfered with her very real and much more important life and relationships. Of course she shouldn't. — Shannon Hale

It seems natural to surround my fictional world with animals because my reality is full of them. When I'm sitting there conceiving a story, they just pop up. — Sara Gruen

Every place you have ever imagined is real.
There's a fictional city in your mind and you know every corner of it.
Your mind is a world and each of us is a place. — Unknown

Perhaps this is what Henry James meant when he talked about the "irresponsibility" of characters. Characters are irresponsible, art is irresponsible when compared to life, because it is first and foremost important that a character be real, and as readers or watchers we tend to applaud any effort made towards the construction of that reality. We do not, of course, indulge actual people in the world this way at all. In real life, the fact that something seems real to someone is not enough to interest us, or to convince us that that reality is interesting. But the self-reality of fictional characters is deeply engrossing, which is why villains are lovable in literature in ways that they are not in life. — James Wood

The first mode is the open hostility to verifiable reality, which takes the form of presenting inventions and lies as if they were facts. The president does this at a high rate and at a fast pace. One attempt during the 2016 campaign to track his utterances found that 78 percent of his factual claims were false. This proportion is so high that it makes the correct assertions seem like unintended oversights on the path toward total fiction. Demeaning the world as it is begins the creation of a fictional counterworld. The — Timothy Snyder

Now that I no longer feel lonely, and now that my own past feels resolved in a whole new and very deep way, I am excited to write about the real world, to stay in it. Fiction is an escape, a parallel life, and it was a powerful source of comfort for me when my own life was raw and uncomfortable. I don't feel the burning need to disappear into a fictional character these days. — Kate Christensen

...the experience of reading a novel has certain qualities that remind us of the traditional apprehension of mythology. It can be seen as a form of meditation. Readers have to live with a novel for days or even weeks. It projects them into another world, parallel to but apart from their ordinary lives. They know perfectly well that this fictional realm is not 'real' and yet while they are reading it becomes compelling. A powerful novel becomes part of the backdrop of our lives, long after we have laid the book asie. It is an exercise of make-believe that, like yoga or a religious festival, breaks down barriers of space and time and extends our sympathies, so that we are able to empathise with others lives and sorrows. It teaches compassion, the ability to 'feel with' others. And, like mythology, an important novel is transformative. If we allow it to do so, it can change us forever. — Karen Armstrong

Why bother with fictional characters and plots when the world was full of more marvelous stories that were true, with characters so fresh, so powerful, so new, that they stepped from into the narratives under their own power? — Doris Kearns Goodwin

I'm surrounded by music; I always was when I was growing up and continue to be. And I love music. And when I imagine a fictional world, I imagine there's music in it for those people, too. — Lorrie Moore

What's fascinating to me is the way that multiple stories go into creating any world - a fictional world, but certainly the world that we live in as well. Of course, I cannot control that world. I can just control the fictional world. — Ruth Ozeki

Science fiction in particular is often assumed to be about the future, or about some abstract technological or philosophical idea, or just about 'adventure,' but writers can't build worlds out of nothing. We use bits and pieces of the real world to assemble our fictional ones. — Ann Leckie

I was totally absorbed in the real world, the politics, the history, the news, and I just couldn't find my way into the fictional world ... When I finally could return to writing the novel, it was in fits and starts. — David Guterson

I laughed. It was just like Owen to make excuses for someone else's shortcomings. Even fictional characters. Owen found my tendency to speak my mind "refreshingly honest," and hailed Marc's temper as "a deep protective instinct." He said Ethan "thoroughly enjoyed life," and that Parker "really knew how to have a good time." According to Owen, we were all doing just fine, and all was right with the world. — Rachel Vincent

Kafka is one of my very favorite writers. Kafka's fictional world is already so complete that trying to follow in his steps is not just pointless, but quite risky, too. What I see myself doing, rather, is writing novels where, in my own way, I dismantle the fictional world of Kafka that itself dismantled the existing novelistic system. — Haruki Murakami

I retreat into my fictional world where everything makes sense - but even there I can't even control what people do ... — John Geddes

The proverb, "Where there's a will.." sums it up for a writer who had just started in his writing life; for himself, the fictional characters and the audience of his works. It's a trinity of perspectives; one of his struggle, another of the story character which he writes about and the last one of the reader's expectation of his protagonists. — Lucas Michael

Every fictional character is real, they just inherit a different world. — Daniel Schwabauer

One of the proud joys of the man of letters
if that man of letters is an artist is to feel within himself the power to immortalize at will anything he chooses to immortalize. Insignificant though he may be, he is conscious of possessing a creative divinity. God creates lives; the man of imagination creates fictional lives which may make a profound and as it were more living impression on the world's memory. — Edmond De Goncourt

Once I had opened a book and read its pages, those characters could never be taken away from me. Even if the books were burned, they would still live on in my mind. — Jennifer Wilson

This was during a period in my reading life when I was given to understand that "relating" to the fictional characters or situation was of prime importance, and so I read, I'm sorry to say, narrowly, frugally, unadventurously, as though I had no interest in the greater world and no desire to experience other cycles of thinking and being. This idea of "relating", or identifying, was encouraged by my teachers and even, I believe, by the critical theories of the day. Naive as it may sound, one read fiction in order to confirm the reality of one's experience. — Carol Shields

Over recent years I had increasingly lost faith in literature. I read and thought this is something someone has made up. Perhaps it was because we were totally inundated with fiction and stories... All these millions of paperbacks, hardbacks, DVDs and TV series, they were all about made-up people in a made-up, though realistic, world. And news in the press, TV news and radio news had exactly the same format, documentaries had the same format, they were also stories, and it made no difference whether what they told had actually happened or not...

Fictional writing has no value, documentary narrative has no value. The only genres I saw value in, which still conferred meaning, were diaries and essays, the types of literature that did not deal with narrative, that were not about anything, but just consisted of a voice, the voice of your own personality, a life, a face, a gaze you could meet. What is a work of art if not the gaze of another person? — Karl Ove Knausgard

[W]hen I put Jorge in the library I did not yet know he was the murderer. He acted on his own, so to speak. And it must not be thought that this is an 'idealistic' position, as if I were saying that the characters have an autonomous life and the author, in a kind of trance, makes them behave as they themselves direct him. That kind of nonsense belongs in term papers. The fact is that the characters are obliged to act according to the laws of the world in which they live. In other words, the narrator is the prisoner of his own premises. — Umberto Eco

I'm sorry if I seem to digress, but that is precisely what I was thinking at the moment. It's the way my mind works. Things are not the same in real life as they are in, for instance, the fictional world of Sherlock Holmes. Brains, in reality, do not go clickety-clickety-clickety-click from A to B to C to D and so forth, rushing like a train along the rails, until at the end, with a happy "Toot-toot!" they arrive at their destination, Z, and the case is suddenly solved. Quite the contrary. In reality, analytical minds such as my own are forever shooting wildly off in all directions simultaneously. It's like joyously hitting jelly with a sledgehammer; like exploding galaxies; like a display of fireworks in which the pyrotechnic engineer has had a bit too much to drink and set off the whole conglobulation all at once, by accident. — Alan Bradley

Food is an excellent way to do very elegant worldbuilding - the kind that can make a fictional world seem real, like it extends way past the edges of the frame. — Ann Leckie

Magic happens when the wand of language strikes a stone and makes it melt, touches a spindle and turns it into gold, or taps a trunk and makes it fly. By drawing on a syntax of enchantment that conjures fluidity, ethereality, flimsiness, and transparency, writers turn solidity into resplendent airy lightness to produce miracles of linguistic transubstantiation.

What is the effect of that beauty? How do readers respond to words that create that beauty? In a world that has discredited that particular attribute and banished it from high art, beauty has nonetheless held on to its enlivening power in children's books. It draws readers in, then draws them to understand the fictional worlds it lights up. — Maria Tatar

This isn't your world. It's your parents. Your world is still out there, waiting to be discovered. Always remember that. — Carroll Bryant

The world tends toward chaos, you know, Cassidy said. You could too. Just write down a made up name, or even a fictional character. And the next person who finds this geocache, it's as though things really hapened that way. You have to at least allow for the possibility of it. — Robyn Schneider

A writer often wants to change a reader's perception about the world, which is a political act. But we have to work through character, so helping the reader to feel close to fictional characters is the gate through which we have to usher the reader. — Caryl Phillips

As for most writers, language is vital for me: a writer's ability to render a fictional world - characters, landscape, emotions - into something original that alters or deepens my understanding of both literature and life. — Dinaw Mengestu