Fiction In A Sentence Quotes & Sayings

That at the end of the XX century many Puerto Ricans don't know who he is, nor acknowledge him as their Father is a real pity, that other Puerto Ricans that can never be compared to Dr. Betances be praised as illustrious Puerto Ricans, and his name is omitted makes one think why. — Armando Pacheco Matos

Life is a cracked surface at best. Fiction is a nice edifice. / every word/sentence/paragraph gives a writer an opportunity to reinforce or deliberately crack the edifice by screwing with meaning, structure, grammar, the fourth wall, etc. / different types and degrees of cracking produce different arrangements of order and chaos. — K.J. Bishop

Before the scene, before the paragraph, even before the sentence, comes the word. Individual words and phrases are the building blocks of fiction, the genes that generate everything else. Use the right words, and your fiction can blossom. The French have a phrase for it - le mot juste - the exact right word in the exact right position. — Nancy Kress

Gordon Edgley's sudden death came as a shock to everyone - not least himself. One moment he was in his study, seven words into the twenty-fifth sentence of the final chapter of his new book, And the Darkness Rained upon Them, and the next he was dead. A tragic loss, his mind echoed numbly as he slipped away. — Derek Landy

The resistance to my work, and to my way of writing, has been there from the beginning. The first things I wrote were these short short stories collected in At the Bottom of the River, and at least three of them are one sentence long. They were printed in The New Yorker, over the objections of many of the editors in the fiction department. — Jamaica Kincaid

In [writing] fiction, every sentence is its own reward. — Amy Tan

It can be a miserable profession, acting, because you always want what you can't have. — Eddie Redmayne

But really, and upon my honour, I will try to do what I think to be wisest; and now, I hope you are satisfied. — Jane Austen

I am not worthy of my suffering. A great sentence. It suggests not only that suffering is the basis of the self, its sole indubitable ontological proof, but also that it is the one feeling most worthy of respect; the value of all values. — Milan Kundera

In fiction, especially in texts that are framed by a storytelling situation, aporia is a favourite device of narrators to arouse curiosity in their audience, or to emphasize the extraordinary nature of the story they are telling. It is often combined with another figure of rhetoric, "aposiopesis", the incomplete sentence or unfinished utterance, usually indicated on the page by a trail of dots ... — David Lodge

You can tell within a sentence if something is fiction or non-fiction. You can tell in the artifice of the language or the care of the construction the difference between art and life. — Ethan Canin

Baltimore is one of the most beautiful towns, really. And trust me, I don't say that about every place. There is just something so quaint, old and beautiful about this place. — Polly Bergen

I don't like killing, but I'm good at it. Murder isn't so bad from a distance, just shapes popping up in my scope. Close-up work though - a garrotte around a target's neck or a knife in their heart - it's not for me. Too much empathy, that's my problem. Usually. But not today. Today is different . . . — Graeme Shimmin

A great word becomes a great sentence with great meaning from great writers who have a great imagination and who enchant greatness — Mark Peter Evans

Fiction, like sculpture or painting, begins with a rough
sketch. One gets down the characters and their behavior any
way one can, knowing the sentences will have to be revised,knowing the characters' actions may change. It makes no difference
how clumsy the sketch is - sketches are not supposed
to be polished and elegant. All that matters is that, going over
and over the sketch as if one had all eternity for finishing one's
story, one improves now this sentence, now that, noticing
what changes the new sentences urge, and in the process one
gets the characters and their behavior clearer in one's head,
gradually discovering deeper and deeper implications of the
characters' problems and hopes. — John Gardner

Don't look back until you've written an entire draft, just begin each day from the last sentence you wrote the preceding day. This prevents those cringing feelings, and means that you have a substantial body of work before you get down to the real work which is all in ... the edit.
[Ten rules for writing fiction (part two), The Guardian, 20 February 2010] — Will Self

In the longest run of all, your life, you're going to be a winner. — Amby Burfoot

---Sleeps through the washes of the morning's colors and the warm brilliance of sunrise. She sleeps in a world where she remembers, perfectly, every detail about her husband, this day, that sentence, another touch. She will remember it all in the deepest sleep, and lose it again the moment her eyes open and she wonders how late it must be for the sun to already be so high and then remembers, in the next instant, what happened the day before. — Ashley Hay

On the other hand, there are those who feel that fiction can be challenging, generally and thematically, and even on a sentence-by-sentence basis - that it's okay if a person needs to work a bit while reading, for the rewards can be that much greater when one's mind has been exercised and thus (presumably) expanded. — David Foster Wallace

There is poetry in fiction. If you cannot see it and feel it when you write, you need to step back and examine what you are doing wrong. If you have not figured out how to write a simple declarative sentence and make it sing with that poetry, you are not yet ready to write an entire book. — Terry Brooks

The phantom-host has faded quite, Splendor and Terror gone
Portent or promise
and gives way To pale, meek Dawn. — Herman Melville

Ultimately, I want a peak experience in reading, and that is sometimes difficult to find in contemporary fiction. I'm not interested in books that are just clever and well executed; polish doesn't impress me, and I don't care about a merely capable sentence. Life is short; I want a confrontation with high art. I want soul. Great literature rattles the mind and makes the body sing. It's an unmistakable, electric feeling, and too rare. That is what I want. — C.E. Morgan

The jealous man lives in hell. Drop comparing and jealousy disappears, meanness disappears, phoniness disappears. But you can drop it only if you start growing your inner treasures; there is no other way. — Rajneesh

Maybe we're all ongoing stories, defined at various stages of life, or whenever people oblige us to declare ourselves. Fiction is marvelous for studying this, allowing the writer and reader to leap decades in a sentence. No other art lets you bend time as much. — Tom Rachman

I read it, too," Komatsu said after a short pause. "Right after you called me. The writing is incredibly bad. It's ungrammatical, and in some places you have no idea what she's trying to say. She should go back to school and learn how to write a decent sentence before she starts writing fiction." "But you did read it to the end, didn't you?" Komatsu smiled. It was the kind of smile he might have found way in the back of a normally unopened drawer. "You're right, I did read it all the way through - much to my own surprise. I never read these new writer prize submissions from beginning to end. I even reread some parts of this one. Let's just say the planets were in perfect alignment. I'll grant it that much." "Which means it has something, don't you think? — Haruki Murakami

With my fiction, I focused on chapters and overall conceptions, while in poetry, I crawled along in the trenches of each sentence, examining every word for a sign of a deeper significance. — Philip Schultz

I stated that Hiroshima and Nagasaki are 'among the most unspeakable crimes in history.' I took no position on just where they stand on the scale of horrors relative to Auschwitz, the bombing of Chungking, Lidice, and so on. — Noam Chomsky

I'm open to reading almost anything - fiction, nonfiction - as long as I know from the first sentence or two that this is a voice I want to listen to for a good long while. It has much to do with imagery and language, a particular perspective, the assured knowledge of the particular universe the writer has created. — Amy Tan

Um. Ways in which a sentence beginning with the word "missiles" could be a good thing... Nope. I got nuthin'. — Dennis E. Taylor

The best sentences orient us, like stars in the sky, like landmarks on a trail. They remain the test, whether or not to read something. The most compelling narrative, expressed in sentences with which I have no chemical reaction, or an adverse one, leaves me cold. In fiction, plenty do the job of conveying information, rousing suspense, painting characters, enabling them to speak. But only certain sentences breathe and shift about, like live matter in soil. The first sentence of a book is a handshake, perhaps an embrace. Style and personality are irrelevant. They can be formal or casual. They can be tall or short or fat or thin. They can obey the rules or break them. But they need to contain a charge. A live current, which shocks and illuminates. — Jhumpa Lahiri

They have not always elected the best leaders, particularly after a long period in which they have not used this facility of free election. You tend to lose the habit. — Chinua Achebe

Instead, I read books in the library, huddling on a bean bag in a corner and getting lost in somebody else's victories and troubles. I never had much time for fiction before. I preferred real life. Mathematics. Solutions. Things that actually have a bearing on my life. But I can understand now why people read, why they like to get lost in somebody else's life. Sometimes I'll read a sentence and it will make me sit up, jolt me, because it is something that I have recently felt but never said out loud. I want to reach into the page and tell the characters that I understand them, that they are not alone, that I'm not alone, that it's okay to feel like this. And then the lunch bell rings the book closes and I'm plunged back into reality. — Cecelia Ahern

I know it's crooked, but it's the only game in town. — Neil Gaiman

To mistreat God's creation is to offend the Creator. — Suzanne Woods Fisher

If you want vampires and werewolves, faeries, fallen angels or zombies, you won't find them here. I know a real-life monster. — Stephanie Lawton

If I had simply wanted to trade on an insult to Islam, I could have done it in a sentence rather than writing a 250,000-word novel, a work of fiction. — Salman Rushdie

All I was trying to do when they caught me was bury my mother in an unmarked grave. — S.L. Viehl

Read non-fiction. History, biology, entomology, mineralogy, paleontology. Get a bodyguard and do fieldwork. Find your inner fish. Don't publish too soon. Not before you have read Thomas Mann in any case. Learn by copying, sentence by sentence some of the masters. Copy Coetzee's or Sebald's sentences and see what happens to your story. Consider creative non-fiction if you want to stay in South Africa. It might be the way to go. Never neglect back and hamstring exercises, otherwise you won't be able to write your novel. One needs one's buttocks to think. — Marlene Van Niekerk

American farmers, by making the commitment to grow more corn for ethanol, are at the top of the spear on the war against terrorism. — James Woolsey

How do you get the happy ending? John Irving ought to know. One of my favorite authors, Irving writes these multigenerational epics of fiction that somehow work out in the end. How does he do it? He says, 'I always begin with the last sentence ; then I work my way backwards, through the plot, to where the story should begin.' Thst sounds like a lot of work, especially compared to the fantasy that great writers sit down and just go where the story takes them. Irving lets us know that good stories and happy endings are more intentional than that.
Most 20 something's can't write the last sentence of their lives. But when pressed, they usually can identify things they want in their 30s or 40s or 60s -or things they don't want- and work backward from there. This is how you have your own multigenerational epic with a happy ending. This is how you live your life in real time. — Meg Jay