Quotes & Sayings About Feeling Down And Giving Up

There are three forces
of the body, mind and feeling. Unless these are together, equally developed and harmonized, a steady connection cannot be made with a higher force. Everything in the Work is a preparation for that connection. That is the aim of the work. The higher energy wishes to but cannot come down to the level of the body unless one works. Only by working can you fulfill your purpose and participate in the life of the cosmos. This is what can give meaning and significance to your life. — Jeanne De Salzmann

Pity is when I'm feeling sorry for someone but I'm looking down on them, I'm patronizing them, feeling like I'm giving them a gift. Compassion and empathy is when I feel bad for them, but I'm on the same level. That I've felt what they are feeling too, that I have experienced pain and sorrow like they have. I am with them, not above them. Same goes for self-pity. — Stu Jenks

She feels so contented in giving birth to a child, in helping the child to grow; and that's why she does not need any other kind of creativity. Her creative urge is fulfilled. But man is in trouble: he cannot give birth to a child, he cannot have the child in his womb. He has to find a substitute, otherwise he will always feel inferior to the woman. And deep down he does feel that he is inferior. Because of that feeling of inferiority man tries to create paintings, statues, dramas, he writes poetry, novels, explores the whole scientific world of creativity. — Rajneesh

What is meant to be, will always find its way. And when your down and feeling alone, just wanna run away, trust yourself and don't give up. You know you better than anyone else. — Hilary Duff

When Lillian left work in the early evening the streets were slick and shiny with rain and the lamps flared yellow giving her the melancholy feeling that always came with the rain and the dark. She'd just struggled to push up her umbrella when the farmer from Saskatchewan came out of the shadows and tipped his hat again, very politely, and said could he escort her home? She put her small hand on his broad arm and held the umbrella over both their heads (he was very tall) and he walked her all the way back to her lodging-house where the landlady, Mrs Raicevic, looked after Edmund after school. By then, Lillian had learned the farmer's name and she said, 'Edmund, this is Mr Donner,' and Pete Donner squatted right down and said, 'Hello there, Edmund, you can call me Pete.' Although he never did, preferring to call him 'Pop' almost from the day his mother married him. — Kate Atkinson

No, he wasn't giving her credit: Elphaba had a good voice. It was controlled and feeling and not histrionic. He listened through to the end, and the song faded into the hush of a respectful pub. Later, he thought: The melody faded like a rainbow after a storm, or like winds calming down at last; and what was left was calm, and possibility, and relief. — Gregory MacGuire

Practicing love often means feeling through fear: intentionally opening yourself when you would rather close down, giving yourself when you would rather hide. Love means recognizing yourself as the open fullness of this moment regardless of its contents
trenchant thoughts, enchanting pleasures, heavy emotions, or gnawing pains
and surrendering all hold on the familiar act you call 'me'. — David Deida

Assumptions can blind you; hypotheses can guide you. Good negotiators expect surprises; great negotiators reveal the surprises. Negotiation should be seen as a process of discovery. If you think you're too smart to discover anything new, then you will be a terrible negotiator. Until you know who or what you are dealing with, you are actually in the dark and should proceed with caution. Listening well does not come easily to most. By truly listening, you will disarm your opponent, giving them a sense of calm and a feeling of safety. Talking about wants gives us an illusion of control; needs are required to survive and make us feel vulnerable. The biggest mistake a negotiator can make is to rush things. By slowing down the process, you are able to calm down the situation. A soothing but confident voice helps in confrontational situations. Mirroring relies on the fact that we fear what's different and are drawn to what's similar. — Book Summary

We're meant to stay connected to our hearts, you see. Feeling our feelings, present in the moments we're given. But we don't do that. And that's when we get in trouble ...
We mature and take responsibility for ourselves and others, and that's a good thing. But we're never meant to lose that alive quality, to get cut off from our true hearts. Growing up isn't the same thing as shutting down ...
We can fight it. We have to fight it. Because when our hearts shut down, we become mere shells of who we once were. We don't laugh - not honestly, not from the heart. We don't dream. We don't feel our feelings or use our gifts. We end up trying to just survive instead of live. It's like we've handed our hearts over to the enemy of our souls and said, 'Here you can have it. I'm giving up. — Denise Hildreth Jones

Any kind of self-concern, including a self-concern that leads one to shut down and give up (as, for example, a fear to fail) is itself a kind of pride. Feeling depressed that I am worse than others is as much an act of pride as feeling myself better. Both are acts of self-concern. — James E. Ferrell

One stood behind me and ran her hands down my chest, her breasts rubbing against my back. The next stood in front of me holding onto my shirt and pulling me close to her as she ground into me seductively. The third danced slowly and seductively with the second girl, giving the girl-on-girl effect. I knew I was going to burst at any moment, so I had to close my eyes and take repeated deep breaths to calm down.
"What's the matter Aid-man, you feeling a little frustrated?" Dixon boasted from under his lap dancer.
"Shut up Dixon." Though I didn't really want him to shut up, his teasing was distracting me pretty well. "I'm going to kill you for this."
"Oh no little man!" He laughed loudly. "Thank your future wife! That one is on her!" he howled. — Sadie Grubor

That down feeling, quitting, was far worse than suffering it out to the end, because that decision to quit haunts you and bleeds over into your outlook on everything else, just as not quitting buoys you for all else. — Diana Nyad

Although many successful givers start from the default of trusting others' intentions, they're also careful to scan their environments to screen for potential takers, always ready to shift from feeling a taker's emotions to analyzing a taker's thoughts, and flex from giving unconditionally to a more measured approach of generous tit for tat. And when they feel inclined to back down, successful givers are prepared to draw reserves of assertiveness from their commitments to the people who matter to them. — Adam M. Grant

You never want to give a man a present when he's feeling good. You want to do it when he's down. — Lyndon B. Johnson

When he told F. of his disgust at the eyelid's movement, he must have been sixteen. When he decided to study medicine, he must have been nineteen; by then, having already signed on to the contract to forget, he no longer remembered what he had said to F. three years before. Too bad for him. The memory might have alerted him, might have helped him see that his choice of medicine was wholly theoretical, made without the slightest self- knowledge.
Thus he studied medicine for three years before giving up with a sense of shipwreck. What to choose after those lost years? What to attach to, if his inner self should keep as silent as it had before? He walked down the broad outside staircase of the medical school for the last time, with the feeling that he was about to find himself alone on a platform all the trains had left. — Milan Kundera

Before your breaths pick up pace and our bodies are aching because everything we're feeling is just making us want more and more and more of each other ... until I'm afraid I'll beg you not to ask me to slow down. So instead, I regrettably tear my mouth from yours and force myself away from your bed and you life up unto your elbows and look at me, disappointed, because you kind of wished I would have kept going, but at the same time you're relieved I didn't, because you know you would have given in. So instead of giving in, we just stare. We watch each other silently as my heart rate begins to slow down and your breaths are easier to catch and the insatiable need is still there, but our minds are clearer now that I'm not pressed against you anymore. I turn around and walk to your window and leave without even saying goodbye, because we both know if either of us speaks ... it'll be the collective demise of our willpower and we'll cave. We'll cave so hard. — Colleen Hoover

Vulgarized knowledge characteristically gives birth to a feeling that everything is understandable and explained. It is like a system of bridges built over chasms. One can travel boldly ahead over these bridges, ignoring the chasms. It is forbidden to look down into them; but that, alas, does not alter the fact that they exist. — Czeslaw Milosz

I let myself feel good for no reason. I let joy happen right there and then, and it's inside me and around me, it's the lights on the road ahead, the clean black of the night, the cold air coming through the window. It's like hearing a song for the first time and being struck by it, haunted by it, wanting to hunt it down and catch it, because the song sums up something you didn't know you wanted to say, giving you chills and goose bumps. But even as you find out what it's called, and you're thinking you'll download it, you've already lost. Because the feeling was right then and there and it's already fading like a dream.
You just have to see those times for what they are: a chance to look down at your life. And when you do, you see it's a skin made up of shiny little moments. — Kirsty Eagar

Do you ever get the feeling that when you show someone your affection for them, you are assaulting them? Like you should probably leave them alone? Your affection, no matter how sincere, does not necessarily mean a damn thing to the person you are giving it to. Love can corner you. When you intrude on someone with your affection, you might find yourself trying to knock a strong door down with your shoulder. Either you break the door or you break yourself. Something almost always gets broken. In my mind it runs like this:
I'm going to like you, whether you like it or not. I'll wear you down until you relent and swallow this big lie I have for you. Don't move. Don't live. I love you. — Henry Rollins

But Moominpappa wasn't listening, because just at that moment he had got the right grip on a big round boulder, and with a great thud it rolled down the slope. It made two very clear sparks and left a faint but enchanting smell of gunpowder behind. Now it was lying at the bottom, just where it should lie. It was wonderful to roll stones, first pushing with all one's might, then feeling them beginning to move just a little at first
then a little more
and then giving way and rolling into the sea with a colossal splash, leaving one standing there trembling with effort and pride. — Tove Jansson

Just as before, Cale moved swiftly into his next hold. His arm shot out like a whip, giving her no time to react. Powerful hands wrapped around her small throat, and he squeezed with a gentle pressure, enough to be uncomfortable, but not enough to really hurt her. He meant to prove a point, but Analia knew this hold well, had been on the receiving end of it many times. This was a hold that could easily render her unconscious. She kept steady, oddly feeling safe even though her pulse spiked wildly.
'How should you counter?' Cale asked.
'I could kick you in your bollocks.'
He smiled at her candor. 'Aye, you could, but a man of any brains would expect a move like that in this position. A better move would be to raise your arm up and bring your elbow down across my arms. If you learn to do it right, you will break my hold, and will be able to get yourself in a more suitable position for a counterattack. Then you go for the bollocks.'"

-Cale & Analia — Kiersten Fay

Maybe it was just the after glow talking. Maybe it was the glow giving me my River blues..but it felt real. And my feeling, pure or not, were the only thing I had to go on. River had manipulated people. And Murdered people. He was wicked. Not as wicked as Brodie, but.. Still wicked. It was better that he was gone. Better he was out of my life. I knew that, logically. What I felt though, deep, deep down in the darkest of my heart, was that I didn't give a damn if River was Evil. I still liked him. Maybe i even kind of love him. And Maybe that made me Wicked too. — April Genevieve Tucholke