Feel Out Song Quotes & Sayings

You've been so long in the rain, you feel like a dirty dish rag. But despite the misery of your water soaked body, you look around to see verdant leaves dripping with water. The air entering your lungs smells vibrantly clean. To experience adventure, you must be willing to be uncomfortable at times and enjoy the loneliness by being happy with your own singing. A song pops out of your mouth ... "It rained all night the day I left, the weather it was fine ... " — Frosty Wooldridge

For me songwriting is very ... it's almost like an accident. 'Oh I accidentally wrote about that.' I sit down with the urge to write a song and then afterward it turns out being really personal. I get really overwhelmed by how I feel a lot and sometimes - I feel like my body and my brain can't deal with all the different emotions and I feel like I'm just going to explode. — Jessica Lea Mayfield

People change and their bodies change and their hair grows gray and falls out and their bodies decay and die ... but there is something that doesn't change about love and about the feelings we have for people. Marianne, the woman of So Long, Marianne, when I hear her voice on the telephone, I know something is completely intact even though our lives have separated and we've gone our very different paths. I feel that love never dies, and that when there is an emotion strong enough to gather a song around it, that there is something about that emotion that is indestructible ... — Leonard Cohen

I want to give you something, or I want to take something from you. But I want to feel the exchange, the warm hand on the shoulder, the song coming out and the ear holding onto it. — Ada Limon

You were playing the song we like..."
"That was the song?" A smile lit his face.
"Yes. What was it?" I asked
"Bob Dylan."
"What?!" I wailed. "I thought it was going to be Beethoven or something. Now I know I'm white trash."
Wilson bopped me on the head with his bow. "It's called 'Make You Feel my Love.' It's one of my favorite songs. I embellish it a bit, but it's all Dylan, definitely not Mozart. The lyrics are brilliant. Listen." Wilson sang softly as he played. His voice was as rich as the moaning cello .
"Of course," I said sourly.
"What?" Wilson stopped, startled.
"You can sing. You have a beautiful voice. I can't even pretend that you suck. Why can't you suck at something? It's so unfair."
"You clearly haven't seen me try to carve something intricate and beautiful out of a tree stump," Wilson said dryly, and started playing again. — Amy Harmon

But singing isn't just about belting it out, is it? It's not just who has the most wobble or the highest note, no, it's about phrasing, and being delicate, and getting just the right feeling from a song, the soul of it, so that something real happens inside you when a man opens his mouth to sing, and don't you want to feel something real rather than just having your poor earholes bashed in? — Zadie Smith

I get an audience personally involved in a song - because I'm involved myself. It's not something I do deliberately: I can't help myself. If the song is a lament at the loss of love, I get an ache in my gut. I feel the loss myself and I cry out the loneliness, the hurt and the pain that I feel. — Frank Sinatra

It's always a blast playing the new stuff. But I feel like songs, in a way, are never finished. You get to a point where you're comfortable enough to put a stamp on it and send it out there, but even after recording it, when you're playing it live, you hear different harmonies, you hear different notes, you hear different tempos or peaks and valleys in the song. — Chuck Ragan

She sat at the window of the train ... The window frame trembled with the speed of the motion, the pane hung over empty darkness, and dots of light slashed across the glass as luminous streaks, once in a while ... She sat listening to the music. It was a symphony of triumph. The notes flowed up ... It was a sunburst of sound, breaking out of hiding and spreading open. It had the freedom of release and the tension of purpose. It swept space clean, and left nothing but the joy of an unobstructed effort. Only a faint echo within the sounds spoke of that from which the music had escaped, but spoke in laughing astonishment at the discovery that there was no ugliness or pain, and there never had had to be. It was the song of an immense deliverance. She thought: For just a few moments
while this lasts
it is all right to surrender completely
to forget everything and just permit yourself to feel. She thought: Let go
drop the controls
this is it. — Ayn Rand

Hey, what is it with you? Why are you so spaced out? You still haven't answered me."
I probably still haven't completely adapted to the world," I said after giving it some thought. "I don't know, I feel like this isn't the real world. The people, the scene: they just don't seem real to me."
Midori rested an elbow on the bar and looked at me. "There was something like that in a Jim Morrison song, I'm pretty sure."
People are strange when you're a stranger. — Haruki Murakami

This song goes out to anyone whose ever been told that how you think or feel is wrong. It goes out to everyone who's ever felt alone. It goes out to anybody who's fucking sick and tired of being told what to do. You are, the most important person in the world. Every single one of you. Don't let anybody tell you differently, okay? — Alex Gaskarth

The problem is I'm a perfectionist, so the producer might say he's happy with my vocal take but I'll say, 'No, it can be better.' I'll do it again and again until I feel I've got the truth out of a song. — Nicole Scherzinger

When I started out playing guitar and singing, I was about twelve, going on thirteen. The role models for me back then were the folk singers. They all had these high, really nice voices and ranges, like Judy Collins and Joan Baez, and then later, of course, Joni Mitchell and Linda Ronstadt. I decided early on that I was going to learn how to write songs really, really well, because I didn't want to have to compete as a singer. I didn't feel that it was my strong point. — Lucinda Williams

I know what I want to hear. I want to hear the "Believe it or Not" song. I want to play that shit loud. Really belt out the "Should have been somebody eeeeeelse" part, with a little bit of Zack de la Rocha venom. That would be pretty awesome right about now.

But the other part of me, the part that wanted to be cool, knew that it was a much better idea to say, "Let's play the fucking Misfits." Because that's what you say to the cool guy in the combat boots who wants to smoke in your house. Because he's going to snarl-smile at you and say, "Fuck yeah!" And you're feel cool by association.

"Let's play the fucking Misfits," I said.

John snarl-smiled and saluted me with rock horns. "Fuck yeah."

Told you. — Eric Spitznagel

My first experience of that was with my first movie which I did in India. And it was so different from other people. I find that "Oh my God." Every time the music is slow I feel that people are going to get up and go out. You get this nervousness. But, to my surprise, people starting singing the song even before it came in. They started singing along a week later, after release, which was very cool. — A.R. Rahman

If I come across an issue, or something I feel strongly about, and I happen to think of a song that would go in that direction, then I do it. But that's not what I start out, necessarily, to do. Sometimes I may have an idea for a song - Well, I'm going to write about a thing. — Charlie Daniels

Everything is super personal. Basically all of the songs are 'this is my life and what I feel about it.' That's how my brain works and thinks about things. It's really strange because I never really think about what I want to write about - it sort of just comes out. I literally say whatever is in my brain. — Elena Tonra

Dream Song 55
Peter's not friendly. He gives me sideways looks.
The architecture is far from reassuring.
I feel uneasy.
A pity, - the interview began so well:
I mentioned fiendish things, he waved them away
and sloshed out a martini
strangely needed. We spoke of indifferent matters
God's health, the vague hell of the Congo,
John's energy,
anti-matter matter. I felt fine.
Then a change came backward. A chill fell.
Talk slackened,
died, and began to give me sideways looks.
'Chirst,' I thought 'what now?' and would have askt for another
but didn't dare.
I feel my application failing. It's growing dark,
some other sound is overcoming. His last words are:
'We betrayed me. — John Berryman

The song writing is different because with this stuff, I write it on my own and with Hot Water, we're more of a collective and I love both sides of that. Honestly, it's two different animals but I love and respect them both and feel really honored to be blessed with people who care about it and come out and support both sides of it. — Chuck Ragan

Well, I'm sorry you couldn't make it either. I'm sorry I had to sit there in that church--which, by the way, had a broken air conditioner--sweating, watching all those people march down the aisle to look in my mother's casket and whisper to themselves all this mess about how much she looked like herself, even though she didn't. I'm sorry you weren't there to hear the lame choir drag out, song after song. I'm sorry you weren't there to see my dad try his best to be upbeat, cracking bad jokes in his speech, choking on his words. I'm sorry you weren't there to watch me totally lose it and explode into tears. I'm sorry you weren't there for me, but it doesn't matter, because even if you were, you wouldn't be able to feel what I feel. Nobody can. Even the preacher said so. — Jason Reynolds

I just want the songs to have the staying power as my favorite songs. If you listen to any Hank Williams song, when you're in a good mood, it's going to put you in a better mood. If you happen to be bummed-out, you're going to feel maybe a little more bummed-out and better at the same time. At any time in my life, his music has had meaning and value to me. If a song can shape-shift in that way, that's a sign of success. — M. Ward

For some reason I can articulate my feelings better in song. I wish it would come out better in regular life too though. The issue is that I struggle with is that I'm worried about what people think, or how they'll react to whatever it is I have to say, and obviously that's not a good thing. — Brett Dennen

I used to listen to music from the frosting down. As a word nerd, lyrics are really important to me, and then the melody. Playing in the Rock*A*Teens was the first time I ever heard music from the bottom up. I was hearing songs I'd heard a million times on oldies radio, and I'd be like, "Wow, listen to what the bass is doing!" When I was first singing in bands, I'd just get out there with my machete, wildly whacking away at the foliage. But you learn how to listen. When I feel I'm doing it right, it's 90% listening and 10% output. It's not "look what I can do!" — Kelly Hogan

Johnny made me feel like I was clever without trying to be. And pretty. And valued. He made everything about me seem more special.
Like, say I was a song. Well, Johnny made me feel as though I'd been remixed. The melody didn't change, but it wasn't just the same one-dimensional sequence of notes anymore. Instead, he brought out all these harmonies - these low and high notes - that made the music fuller. No more discord or dissonance. Around Johnny, I was the best possible rendition of myself. — Kristin Walker

Lyrics are what I tend to tear hair out over and they're where I tend to feel weak musically, if I'm being very honest. It is not something I feel like I know anything about; I would not consider myself a writer. I just want to sing, I just want to sing a melody, I just want to feel a melody, and be part of the song, and everything else is not so important. — Zach Condon

I must launch out my boat. The languid hours pass by on the shore
Alas for me!
The spring has done its flowering and taken leave. And now with the burden of faded futile flowers I wait and linger.
The waves have become clamorous, and upon the bank in the shady lane the yellow leaves flutter and fall.
What emptiness do you gaze upon! Do you not feel a thrill passing through the air with the notes of the far-away song floating from the other shore? — Rabindranath Tagore

The sound of the universe is also spectacular around here. In the evenings there is a cricket orchestra with frogs providing the bass line. In the dead of the night dogs howl about how misunderstood they are. Before dawn the roosters for miles around announce how freaking cool it is to be roosters. Every morning around sunrise there is a tropical bird song competition, and it is always a ten way tie for the championship. When the sun comes out the butterflies get to work. The whole house is covered with vines; I feel like any day it will disappear into the foliage complete and I will disappear with it and become a jungle flower myself. The rent is less than what I use to pay in New York City for taxi fare every month. The word paradise, by the way, which comes to us from the Persian, means literally a walled garden. — Elizabeth Gilbert

At the next song switch, I hang back. I want to see this as well as be a part of it. I want to remember it for what it is. I am amazed by the love I feel for so many people. I am amazed at the randomness, the comedy, and the faith that brings us all together and makes us hold on. I open myself wide to take it all in. The scene plays out like a rhapsody. — David Levithan

Daniel Nahmod's music is addictive and contagious ... and is equally comfortable addressing your spirituality, your co-dependence and anger, your hungry stomach or your loving heart. His songs run the gamut from meditative to wise-ass to joyful to everything in between, and he is particularly wonderful working with children (and the young-at-heart). When CDs 4 and 5 come out, you can feel totally comfortable buying them unheard and unseen
all of Daniel's music is amazing. — Mel White

Sometimes there is a seed in your heart. It might feel like a stone, or like a bud ready to blossom. It might feel like a heavy little egg, and you have no idea what's inside. It might feel like a hard, burning ember. No seed is the same. But if you let that seed, that feeling-sound, take root, then it will grow. Sometimes it grows quickly, or sometimes very slowly, especially if you don't tend it. It could take months or even years to grow up through your throat and out your mouth. But when you do finally speak it, the birds call that a heart-song. — Katherine Catmull

The music you make is shaped by what you play it on ... if you feel that you're not getting enough out of a song, change the instrument - go from an acoustic to an electric or vice versa, or try an open tuning ... do something to shake it up ... — Mark Knopfler

Foes I sniff, when I have less to shout
or murmur. Pals alone enormous sounds
downward & up bring real.
Loss, deaths, terror. Over & out,
beloved: thanks for cabbage on my wounds:
I'll feed you how I feel:--

of avocado moist with lemon, yea
formaldehyde & rotting sardines O
in our appointed time
I would I could a touch more fully say
my countless mind. The senses are below,
which in this air sublime

do I repudiate. But foes I sniff!
My nose in all directions! I be so brave
I creep into an Arctic cave
for the rectal temperature of the biggest bear,
hibernating -- in my left hand sugar.
I totter to the lip of the cliff. — John Berryman

If it's worth remembering, I'll remember it. If something keeps coming back, if I keep thinking of that phrase, if I see manifestations of it at different times and different places, then I feel it's worth making a song out of. — Mose Allison

The most important ingredient to making a song work is the magic. You've got a melody, you've got words, but on the more successful songs, there's a sort of magic glow that just happens and you can feel it happening. It just makes the songs sort of roll out. — Paul McCartney

When we're falling in love or out of it, that's when we most need a song that says how we feel. Yeah, I write a lot of songs about boys. And I'm very happy to do that. — Taylor Swift

But now, everything is so quiet. Not just the pool, but my mind, too. I don't even feel the urge to swim to the beat of a song. I'm mentally spent. Out of words. Out of thoughts. It feels so good to be this empty. It's so peaceful. -Sam — Tamara Ireland Stone

She twisted a piece of his T-shirt, then let it go and laid her palm flat against his chest, right over his heart, and he could suddenly feel it again: the steady thump of it drowning out all his other thoughts. It was more drumbeat than countdown, more metronome than ticking clock, and he felt himself carried forward with each muffled beat, as if hope were a rhythm, a song he'd only just discovered. — Jennifer E. Smith

When you're really bummed out, the last thing you want to hear is up-tempo and positive. And it lets you know that you're not alone, that somebody has hurt before. It works the same way with chick songs as it does with political songs. When you hear somebody singing about these things, you know that you're not alone, that somebody else is suspicious of what's going on around us in the world. So you don't feel like you're crazy, and you feel like you might be able to make a difference. — Steve Earle

We went for the best overall feel on each song. There are no musical overdubs at all. It's a true live record; it's one of the few true live records out there. — Ben Harper

With my solo music, I really try to step out of the box and do stuff I don't get to do with the boys. I wanted it to be fun, rock-infused and try some new things while going back to my roots. "All American" the song is one of my favorites from the album, which is why I chose to title the album after it. To me, it's the perfect song to represent the feel of the album. — Nick Carter

I had been wanting to give guitar lessons to girls because I feel like women tend to use their voice as the starting point for a song and learn a few chords, and then it ends there because then they just use their voice to flesh out a song. — Marnie Stern

To reach the highest level you have to not just have a dream and focus but you also have to make sure you are writing great songs, and if you feel they're what you want to represent you, that is key. But getting out on the road is key. And get your music out there. Maybe something catches, maybe it gets picked up and used on television, you just never know. — Joan Jett

I thought that you would be frozen in awe when you found the sequence, when you heard a bird's song repeating my Morse code, my cry for help, my S.O.S, when you saw the same numbers in the petals of a flower and the structure of a pine cone, when you saw with your own eyes the interconnectedness of all things.
But I was wrong.
You searched for a male god, a creator, an intelligent designer, or you banished the beauty and mystery of the world beneath the cold concrete grave of closed-eye skepticism. The few of you who could still hear my music felt tortured and misunderstood; you reached out for any conspiracy theory large enough to explain your alienated despair, your sense that the Earth was dying and no one cared.
But listen to me -- you are not alone. Run your fingers through the grass and grab it in your fists, feel my pulse echoing through your blood. You. Are. Not. Alone. And I -- I am not dead yet. — Sarah Warden

When she asked him to play a song while she finished, he had to strum chords for a while and pretend to be tuning up until he settled down. He didn't want her to see how unsettled he'd been by the whole thing. How unsettled he still was. He had thought he was the fisherman, but he saw now - She had pronged him, with a single stroke, pronged him through the heart and he was caught. Just like with Melody, caught. But this wasn't Melody, Dicey wasn't. And besides, he didn't feel pronged, he felt - overwhelmed, out of breath, breathless. — Cynthia Voigt

I find it relatively easy to keep my clothes on because I don't really feel like taking them off. It's not an urge I have. For me, 'risky' is revealing what really happened in my life through music. Risky is writing confessional songs and telling the true story about a person with enough details so everyone knows who that person is. That's putting myself out there, maybe even more than taking my shirt off. — Taylor Swift

I sing the best when I'm really in my voice. It's kind of like I'm meditating but I sort of imagine my voice as a physical thing. I see colours, I feel it moving out of me and I try to tap into images that I was tapping into when I was writing the song. — Brett Dennen

I thought if I could touch this place or feel it
this brokenness inside me might start healing.
Out here its like I'm someone else,
I thought that maybe I could find myself
if I could just come in I swear I'll leave.
Won't take nothing but a memory
from the house that built me. — Miranda Lambert

I've started getting acclimated to writing on the road and on the spot. I just let whatever I feel at the time come out, instead of really sitting there and taking days to write just one song. — Action Bronson

Whenever I hang out with my female friends, I feel like context is never needed. They can just say two words about something, it's like hearing the first two notes of a song and you can always identify the song. They can just say a word and I know exactly what they're talking about. — Heidi Julavits

I think a "song" is, like, just play it on the guitar and sing it. You look out and see thousands of covers of "Animal" for example, so you think, "That was probably a pretty good song, because people feel like it's satisfying to just play it with one instrument accompanying it." — Andrew Wyatt

It's really hard for me to sometimes put myself out there, like 'Hey, how do you feel about making music together?' because maybe I'm afraid of rejection or I don't want to put anybody out. It's the Southerner in me, like, 'I don't mean to bother you but do you mind making a song?' — Beth Ditto

Every improv must be song specific. It has to grow organically out of the particular elements involved or it's just glib self-expression. I hate when I feel like I'm the lead guitarist in a rock band. We all gotta be going somewhere strong together, you know? — David First

I hate the thought that someone had picked up one of my song records and was really excited about it, and walks [out of] a record shop with On Land and is disappointed because it isn't what they wanted. So, I try to make signs, graphically and visually, to say to people "Okay, this is this department of my work and this is this other department of my work." And of course I'm very pleased if people like all of them, but I don't want them to feel deceived at any point. — Brian Eno

We always feel there are 3 parts to the song. The most important part is the reason it should exist. Our process usually consists of me sitting at the piano & Bob hovering over it. We throw ideas out ... I start to play something ... he'll hum something to make it better. He'll throw a line to me, I'll twist it to make it better and we scramble around like that for sometimes hours and days, 'til we both agree we've got something to show! That's how it works! — Richard Sherman

I don't like to go into the studio with all the songs worked out and planned before hand ... you've got to give the band something to use its imagination on as well. That can make a very ordinary song come alive into something totally different ... the X-factor - so important in rock and roll - which is the feel.. — Keith Richards

To feel strong, to walk amongst humans with a tremendous feeling of confidence and superiority is not at all wrong. The sense of superiority in bodily strength is borne out by the long history of mankind paying homage in folklore, song and poetry to strong men — Fredrick Hatfield

Tam's shadow fell over hers, and he shadow-whispered, "I'm trusting you. I don't care about me, but if something happens to Linh ... "
'I promise, we're only trying to help,' Sophie transmitted.
Keefe let out a sigh that sounded more like a groan. "And I thought secret Telepath conversations were the worst. Just so we're clear," he told Tam. "I'M the president of the Foster fan club. And we're closed to new members."
Tam's cheeks flushed. "Uh ... not sure what that's about but ... no worries there
no offense!" he told Sophie.
She noticed he stole a quick glance at Biana after he said it.
Sophie couldn't decide if she should feel relieved or insulted. — Shannon Messenger

It feels good, you know. It feels like you're out there, you know, doin' your own thing, know what I'm sayin'? It's like, people can't really compare it to anything, and that kinda feels good. It opens me up to a lot of different arenas, a lot of different type of situations, you know like Tony Hawk will call. You know what I'm sayin'? I can just image if my songs was about shootin' up, and like sellin' cocaine, I doubt Tony Hawk would be callin' you know? — Lupe Fiasco

At the end of the day, if I do a set at a festival and I only have an hour, which is kind of short for a DJ set, I know that I have to play at least six of my songs. Then the whole challenge is what do I weave around that. How do I stand out? Because at a festival there's probably fifteen songs every DJ's going to play every hour, for the whole day. That to me is more interesting, because I still feel like an outsider in this world. — A-Trak

Because as much as I love figuring out other people's puzzles, and love putting words together in ways that feel good to sing and sound good together and suit the melody, I think most of the best songs in the world are fairly clear about what they mean to say. — J. Robbins

You've got a song you're singing from your gut, you want that audience to feel it in their gut. And you've got to make them think that you're one of them sitting out there with them too. They've got to be able to relate to what you're doing. — Johnny Cash

Reggie made him feel like he was nine years old and out for dinner with his family at the Ponderosa Steak House and he had run into his French teacher and his mother invited her to dine with him.
Reggie made him feel like he was sitting in a public bathroom stall and someone had come into the bathroom and began singing a song about what a stinky bastard he was while he was in there sweating it out.
Reggie made him feel like someone had taken the red Tonka fire engine he had always wanted and painfully corkscrewed it down the front of his jeans.
Reggie made him feel like the ice cream man had just rolled by and all his dead grandparents were mooning him out the truck window. — Jonathan Goldstein

As a consumer, if I heard someone who said, "I've written this song," and then I found out it wasn't by them, it's a bit disappointing. A lot of the guys that do that are really talented and they've made some incredible music, but they get addicted to having success and feel too much pressure, so they get other people to make sure that their next song makes money. — Howard Lawrence

I'm one of the undeserving poor: that's what I am. Think of what that means to a man. It means that he's up agen middle class morality all the time. If there's anything going, and I put in for a bit of it, it's always the same story: "You're undeserving; so you can't have it." Buy my needs is as great as the most deserving widow's that ever got money out of six different charities in one week for the death of the same husband. I don't need less than a deserving man: I need more. I don't eat less hearty than him; and I drink a lot more. I want a bit of amusement, cause I'm a thinking man. I want cheerfulness and a song and a band when I feel low. Well, they charge me just the same for everything as they charge the deserving. What is middle class morality? Just an excuse for never giving me anything. — George Bernard Shaw

I definitely like to go out and dance. I'm a big vibe person when it comes to music so a song really has to make me feel a certain way in order for me to fall in love with it. — Britney Spears

Talk show host Charlie Rose asked folk rocker Neil Young about following his own muse. "So if you get an idea at, say, a dinner party, if you hear a tune or a lyric, do you excuse yourself from the party?" Charlie inquired. "Of course. You never know when she'll [the muse] come again. I'm responsible to her." Sometimes, Neil would hide out in a bathroom to scratch out a song that was coming to him and return to his dinner guests after he felt he'd captured it. When you feel an idea comin' on, excuse yourself. Pull over to the side of the road. Get lost in the creative flow. Be late. Barge in. — Danielle LaPorte

I guess I don't really know any other way to do it, it just feels like the natural way to do things for me. Like - if I'm writing a song - it has to have some sort of value. Or it only has some kind of value to me, if it's something really personal. It has to mean something to me. I guess it is a little uncomfortable, or it's a little embarrassing sometimes, to know that stuff that honest is out there. But, when I hand off the thing, when it's totally done and mastered and sent, I kinda feel like it doesn't belong to me anymore. — Panda Bear

That's why I hate to take credit for the songs I've written. I feel that somewhere, someplace, it's been done and I'm just a courier bringing it out into the world. — Michael Jackson

My faith, I mean, that's such a personal aspect that a lot of times, of course it's going to come out through the song. But at the same time, I'm not a religious salesman. I feel like God doesn't really need a salesman, and what these songs are are simply my interactions with this life and learning. I guess the bottom line is the songs are really honest, you know what I mean. That faith is going to come through. If the listener is looking for it, that's definitely a part of it. — Jon Foreman

I think when you put a new record out, everyone has a song or two that they feel people will be moved by so much that radio will be forced to play it. — Stone Gossard

You can't write a song out of thin air you have to feel and know what you are writing about. — Irving Berlin

If I feel like I've completely drained every ounce of energy out of me for this song, and I can't go any further with it, then I stop, even if the song is unfinished. Most of the time, when it's finished, it's because I've used every ounce of me to write it. — Ella Henderson

Though the wind is rough and blowing in their faces, those girls there, striding hand in hand, shouting out a song, seem to feel neither cold nor shame. They are hatless. They triumph. — Virginia Woolf

If someone is sad, they put on a song, or if someone wants to rock out, and they want to get into a good mood, they put on music. Just being able to be a part of something like that I feel like was my ultimate push to do music. — Adam Hicks

I don't like to feel like I'm in a club when I'm in my car and I turn on the radio. Anything that ceases to be a song and just sounds like house music kind of stresses me out. — Taylor Swift

I feel like once the song is done, you put it out there and if people want to do bizarre remixes, if people want to make strange videos, great. You know, like chaos theory applied to the music business. — Moby

I feel like that for the next album, we're going to know what we're doing for each song even more than what we did for this one, just because we'll have really fleshed them out as a band before recording. — Theresa Wayman

I feel like you have to constantly keep proving yourself, and you have to constantly keep getting out there and showing them you're more than just that one song on the radio that's just playing. And that's what I had to do the first time around; I had to keep going out there and keep performing live. — Bruno Mars

If I have a song that I feel is really one of my best songs, I like it to have a formal studio recording because I believe that something being officially released on a studio record gives it a certain authority that it doesn't quite have if it comes out on a live album or is just a part of your show, you know. — Bruce Springsteen

Marvin Gaye said there's a song inside of me and I can't get it out. And I know it's in there, and I can feel that it's in there, and I can't get it out. There's so much that I want to say, and I haven't been able to figure out how to say it in my art. I can only say it in ham-fisted, clumsy, nonpoetic ways, and I'm trying to figure out how to talk about life and talk about love and talk about pain and trials and tribulation in an artistic form. — Will Smith

JAMIE'S SONG 'HEAVEN':

You hold me so tight that I can't breathe,
You make me feel light that I can't sleep.
Float from our bed, fly away,
Soaring like angels through the heavens and seas.

I wish that we hadn't taken so long,
To realise this is where we belong.
This is the life, that you and I
Have been dying for.

If heaven is this,
This place in your arms,
I'm not afraid of dying,
I want to die tonight.
If heaven is this,
Your lips when we kiss,
I'm not afraid of dying,
Let them kill me tonight.

And I know I'll go to heaven,
Because I made you smile.
Yes, I know I'll go to heaven,
Because you loved our life.
But if they banish me to hell,
You will pull me out again.
You belong in heaven,
And I belong with you. — Neha Yazmin

Straight guys only feel three ways about girls ... First, either they love you, and they show it by writing a song about you, like Gabriel, and asking you out, and everything is nice and fun like it should be. Second, they love you, but they're scared of their passion for you because it's so strong, like your boy Christopher, so they stuff it way, way down and ignore you, or do stupid things like make fun of you because they don't know how to express it any other way, because they're immature little babies and are too shy to, say, write a song about you. Or third, there's something wrong with them, and they start out nice and loving and then turn around and do stupid things like sleep with other girls behind your back, like Justin Bay. But we'll never figure out what went wrong with them, and neither will they, so it's not worth thinking about. Okay? That's it. The end.
Lulu Collins — Meg Cabot

The soundtrack of our time togeter, our short life together, has faded away as the last song on the album ends. All I can hear anymore is the smooth vibration of silence coming from the speakers. I feel like all I want to do us reach out and start it over again, but my hand won't move to press the button. — J.A. Redmerski

He could feel her gaze on his torso, knowing her eyes lingered on his scars, sensing her sorrows. "Nothing I didn't earn, sister", he told her, reaching out for his razor. "All of it, and more besides". — Anthony Ryan

I regard singing pretty much like acting. Each song is like playing a different role. I get very involved with my material. I feel a responsibility for the emotion it brings out in the listener. — Peggy Lee

We circle each other, our gazes remaining locked, the white dress fanning out and wrapping around our legs. Neither of us make any attempt to remove it as my free hand drops to her waist, hers on my shoulder. We spin and sway down the aisle in imperfect sync to the beat of the progressing song and eventually I feel my body relax, allowing a small smile to form. — Tegan Anderson

Music to me is a voice, my voice, it's my way of expressing what colours can I bring in, what emotions, what feel. What ideas can I bring out from these instruments that would make this song come alive. — St. Jerome

When somebody asks me "What are your comic books about?" or "What are your songs about?" there is no answer and I feel like an idiot not having an answer, like I don't know what I am making. I really do know what I'm making, but it's not one thing, it's everything I like, and I see no reason to leave out any of that. — Jeffrey Lewis

I'm naturally a personable person. I feel like figuring out ways to have my personality shine through outside of just a three minute song helped. I have layers, there are many different sides to Torae. — Torae

I feel like I always had an ear. I have the ability and the gift to hear a song and really play it in a matter of five to 10 minutes and make my own version out of it. So it's always been easy playing by ear. — Jeremih

The way I feel about music
any song, any style
is that there is no right and wrong, only true and false. If the music and lyrics are conceived out of honesty and if the production of the song goes along with its original message, then what has been expressed is art, regardless of what anyone's opinion is of it. So things are a lots impler if you just tell the truth. — Fiona Apple

Been a long road to follow
Been there and one tomorrow
Without saying goodbye to yesterday
Are the memories I hold
Still valid?
Or have the tears deluded them..
Something somewhere out there
Is calling ...
Zero Gravity,
What's it like?
Is somebody there
Beyond these heavy aching feet?
Am I going home?
Will I hear someone?
Singin solace to the silent moon
Still the road keeps on telling me
To go on ...
Something is pulling me,
I feel the gravity
Of it all. — Maaya Sakamoto

You know, just because you think bubblegum pop on the radio represents all that is wrong with society, that doesn't mean there's not someone out there who needs that shitty pop song. Maybe that shitty pop song makes them feel good, about themselves and the world. And as long as that shitty pop song doesn't infringe upon your rights to rock out to, I don't know, Subway Sect, or Siouxsie and the Banshees, or whichever old-ass band it is you worship, then who cares? — Hannah Harrington

You know, we had problems like any other family, so I'm really similar to a lot of people out there. It's kind of why I feel like if a song is relatable to me, it's most likely gonna be something a lot of other people are gonna relate to. — Aaron Lines

What songwriting does better than almost anything is empathy - it's incredibly empathetic. The reason people sat around in bars when they were bummed out and listened to country songs is because it made them feel better in the long run. — Steve Earle

Of course I can appreciate the musicality of the pieces and sometimes the lyrics are generic enough to be listened to without reference, but I often feel cheated if I don't know what the hell is making this person burst out into song. — Christian Campbell

I always feel like I want to write a song when I'm really upset. And when I'm in an argument with my family, I go straight to the piano and just kind of take it out on the piano and get all emotional. — Pixie Lott

My concept of successful living is escaping the matrix, as we've talked about. It has very little to do with what people think success is. I actually feel successful right now, even though I don't have an album out, or a video or a song on the radio, because I'm trying to be obedient to His will. — Lauryn Hill

I let myself feel good for no reason. I let joy happen right there and then, and it's inside me and around me, it's the lights on the road ahead, the clean black of the night, the cold air coming through the window. It's like hearing a song for the first time and being struck by it, haunted by it, wanting to hunt it down and catch it, because the song sums up something you didn't know you wanted to say, giving you chills and goose bumps. But even as you find out what it's called, and you're thinking you'll download it, you've already lost. Because the feeling was right then and there and it's already fading like a dream.
You just have to see those times for what they are: a chance to look down at your life. And when you do, you see it's a skin made up of shiny little moments. — Kirsty Eagar

The Fun Girl video which was directed by Bijoux Altamarino really came out of her vision. I feel she understood the mystery, danger and power of the song and It really came through in the end. — Nomi Ruiz