Feel Good Pictures And Quotes & Sayings

Things looked funny because my pictures depend on an emotional state ... I know this is true and I thought about this for a long time. Somehow it made me feel very, very good. — Francesca Woodman

Being on that pitcher's mound, it's the one thing I'm really good at. The one thing I haven't fucked up. And when I'm on the field, everything else fades away. You know?" He turned to look at me, his eyes craving understanding.
I smiled and he continued. "It's like my mind is clear when I'm out there. It's not about my mom or my dad or the stupid shit I've done. It's about me, the ball, and the batter. It's the one place in the world where I feel like I'm in control. Like I have a say in what happens around me."
I stopped my head from nodding in agreement once I realized that I was doing it. "I feel that way when I'm taking pictures. Anything that I'm not seeing through my lens fades away in the background. And I get to frame my picture any way I choose. I get to dictate how it looks. What's in it. What isn't. Behind that lens I have complete control in how things are seen."
He smiled, his dimples indenting his cheeks. "You get it. — J. Sterling

I understand the feelings of critics asked to come up with the ten best films of any year, who say, Ten? Ten's a lot! - and those more generous spirits whose thumbs grow as long as Pinocchio's nose from overrating a lot of pictures, because they want the medium to do well, and because they'd like to feel good about it. — Edward Jay Epstein

I have a genuine philosophy. I do not want to make negative pictures about people, and so I do everything I can to help make them feel comfortable in front of the camera. That is what is going to control your picture, because you are alone if your subject is not with you. And that's the simple answer to getting a good picture. — Douglas Kirkland

Working alone on stories, I began to feel the anonymity of motels on interstate highways reached by jet planes and rental cars. It was hard to have a good time, and the only way I could make the loneliness excusable was by taking pictures I thought were very good, even valuable. — John Loengard

We think of photography as pictures. And it is. But I think of photography as ideas. And do the pictures sustain your ideas or are they just good pictures? I want to have an experience in the world that is a deepening experience, that makes me feel alive and awake and conscious. — Joel Meyerowitz

The great enemy of creativity is fear. When we're fearful, we freeze up - like a nine-year-old who won't draw pictures, for fear everybody will laugh. Creativity has a lot to do with a willingness to take risks. Think about how children play. They run around the playground, they trip, they fall, they get up and run some more. They believe everything will be all right. They feel capable; they let go. Good businesspeople behave in a similar way: they lose $15 million, gain $20 million, lose $30 million and earn it back. If that isn't playing, I don't know what is! — Faith Ringgold

By my tenth glass of wine I started to wonder whether there was something wrong with my palate. Everyone else was marking the wine list with notes like "Pleasant finish. Robust spices." Meanwhile, I was doodling pictures of vampiric cougars. Then I noticed people staring at my doodles, and so I started writing notes next to the wine. Things like "Tastes of NyQuil, but in a good way," and "This one will get you all the way fucked up." "I can't feel my feet anymore." "Did I leave the garage door open? I wonder whether the cat is on fire. I should probably stop drinking now." Everyone else there had a sophisticated palate. I had one that needed therapy, and possibly an intervention. — Jenny Lawson

I'm helped by a gentle notion from Buddhist psychology, that there are "near enemies" to every great virtue - reactions that come from a place of care in us, and which feel right and good, but which subtly take us down an ineffectual path. Sorrow is a near enemy to compassion and to love. It is borne of sensitivity and feels like empathy. But it can paralyze and turn us back inside with a sense that we can't possibly make a difference. The wise Buddhist anthropologist and teacher Roshi Joan Halifax calls this a "pathological empathy" of our age. In the face of magnitudes of pain in the world that come to us in pictures immediate and raw, many of us care too much and see no evident place for our care to go. But compassion goes about finding the work that can be done. Love can't help but stay present — Krista Tippett

I rejected any approach which begins with the question 'What do modern children like?' I might be asked, 'Do you equally reject the approach which begins with the question "What do modern children need?"--in other words, with the moral or didactic approach?' I think the answer is Yes. Not because I don't like stories to have a moral: certainly not because I think children dislike a moral. Rather because I feel sure that the question 'What do modern children need?' will not lead you to a good moral. If we ask that question we are assuming too superior an attitude It would be better to ask 'What moral do I need?' for I think we can be sure that what does not concern us deeply will not deeply interest our readers, whatever their age. But it is better not to ask the questions at all. Let the pictures tell you their own moral. — C.S. Lewis

I might be asked, 'Do you equally reject the approach which begins with the question "What do modern children need?" - in other words, with the moral or didactic approach?' I think the answer is Yes. Not because I don't like stories to have a moral: certainly not because I think children dislike a moral. Rather because I feel sure that the question 'What do modern children need?' will not lead you to a good moral. If we ask that question we are assuming too superior an attitude. It would be better to ask 'What moral do I need?' for I think we can be sure that what does not concern us deeply will not deeply interest our readers, whatever their age. But it is better not to ask the question at all. Let the pictures tell you their own moral. For the moral inherent in them will rise from whatever spiritual roots you have succeeded in striking during the whole course of your life. But if they don't show you any moral, don't put one in. — C.S. Lewis

I think the way I feel when I look at Evan comes from her. In pictures taken the day she married my dad, she was reckless, laughing, spinning around in circles. She looked like her whole world was him. She looked a kind of happy I can't even imagine.
I don't want that. I don't want to be like that. I don' want to feel the way she did because I know what happens when you do. You love with your whole heart, with everything, and you wake up one morning and kiss someone good-bye the way you always do except you mean it as good-bye forever. — Elizabeth Scott

Obviously, not everyone in Texas attends church for purely social or nostalgic reasons. There are still plenty of people here who feel the need to advertise their allegiance to God by telling me that they are good Christians, by continuously posting prayer pictures of Jesus on Facebook, or by telling me that no matter how ethically I live, I will surely go to Hell if I don't accept Jesus Christ into my heart. — Gudjon Bergmann

I wouldn't want to put myself up for something that I didn't think I could do a good job on. I wouldn't to direct material I didn't feel I could serve, but I don't have anything against doing bigger pictures. — Kurt Voss

This was all an excuse, I think. I was doing fine. I had a 93 average and I was holding my head above water. I had good friends and a loving family. And because I needed to be the center of attention, because I needed something more, I ended up here, wallowing in myself, trying to convince everybody around me that I have some kind of ... disease. I don't have any disease. I keep pacing. Depression isn't a disease. It's a pretext for being a prima donna. Everybody knows that. My friends know it; my principal knows it. The sweating has started again. I can feel the Cycling roaring up in my brain. I haven't done anything right. What have I done, made a bunch of little pictures? That doesn't count as anything. I'm finished. My principal just called me and I hung up on him and didn't call back. I'm finished. I'm expelled. I'm finished. — Ned Vizzini

I know," she said, "rejection's not easy. But you reject words, whole pages, long impossible stories, and it feels good once it's done. It's no different rejecting pictures, a picture's right to hang on a wall. And most of these have hung here too long; you don't even see them any more. The best stuff you have, you don't see any more. And they kill each other because they're badly hung. Look, here's a thing of mine and here's your drawing, and they clash. We need distance, it's essential. And different periods need distance to set them apart - unless you're just cramming them together for the shock effect! You simply have to feel it ... There should be an element of surprise when people's eyes move across a wall covered with pictures. We don't want to make it too easy for them. Let them catch their breath and look again because they can't help it. Make them think, make them mad, even ... Now we'll give our colleagues here better light. Why did you leave so much space right here? — Tove Jansson