Quotes & Sayings About Fantasy Literature

Life itself has lost its plane reality: it is projected, not along the old fixed points, but along the dynamic coordinates of Einstein, of revolution. In this new projection, the best-known formulas and objects become displaced, fantastic, familiar-unfamiliar. This is why it is so logical for literature today to be drawn to the fantastic plot, or to the amalgam of reality and fantasy. ("The New Russian Prose") — Yevgeny Zamyatin

The qualities that make for excellence in children's literature can be summed up in a single word: imagination. And imagination as it relates to the child is, to my mind, synonymous with fantasy. Contrary to most of the propaganda in books for the young, childhood is only partly a time of innocence. It is, in my opinion, a time of seriousness, bewilderment, and a good deal of suffering. It's also possibly the best of all times. Imagination for the child is the miraculous, freewheeling device he uses to course his way through the problems of every day ... It's through fantasy that children achieve catharsis. — Maurice Sendak

What is literature but the expression of moods by the vehicle of symbol and incident? And are there not moods which need heaven, hell, purgatory, and faeryland for their expression, no less than this dilapidated earth? Nay, are there not moods which shall find no expression unless there be men who dare to mix heaven, hell, purgatory, and faeryland together, or even to set the heads of beasts to the bodies of men, or to thrust the souls of men into the heart of rocks? Let us go forth, the tellers of tales, and seize whatever prey the heart long for, and have no fear. Everything exists, everything is true, and the earth is only a little dust under our feet.
(A Teller of Tales) — W.B.Yeats

You know, I don't think your brother dislikes you as much as you think. After all, he gave up a kingdom to stay with his family. — C.J. Milbrandt

Fantastic literature has been especially prominent in times of unrest, when the older values have been overthrown to make way for the new; it has often accompanied or predicted change, and served to shake up rational Complacency, challenging reason and reminding man of his darker nature. Its popularity has had its ups and downs, and it has always been the preserve of a small literary minority. As a natural challenger of classical values, it is rarely part of a culture's literary mainstream, expressing the spirit of the age; but it is an important dissenting voice, a reminder of the vast mysteries of existence, sometimes truly metaphysical in scope, but more often merely riddling. — Franz Rottensteiner

The fantastic in literature doesn't exist as a challenge to what is probable, but only there where it can be increased to a challenge of reason itself: the fantastic in literature consists, when all has been said, essentially in showing the world as opaque, as inaccessible to reason on principle. This happens when Piranesi in his imagined prisons depicts a world peopled by other beings than those for which it was created. ("On the Fantastic in Literature") — Lars Gustafsson

But when the wizard is onstage as the main character, you have to adopt what I call the Jack Vance Rule. I call it this because Jack Vance is the first author successfully and adroitly to have applied this rule in his The Dying Earth. The Jack Vance Rule is: (1) The wizard has to be able to do something unusual, or else he is not a wizard, (2) he cannot do everything, or else there is no drama; therefore (3) the story teller has to communicate to the reader whatever the dividing line is that separates what the wizard can do from what he cannot do, so that the reader can have a reasonable expectation of knowing what the wizard can and cannot do. — John C. Wright

I think sometimes in literature we kind of police ourselves. I know a lot of people talked about Twilight, and they would say, oh, but the heroine, she lets this man make her decisions. And I thought, that may not be the particular fantasy or trope that works for me.
But listen man, I read Wuthering Heights. I wanted me a little Heathcliff action. I mean, why can't we indulge that fantasy and also be like, And now I would like the ERA passed, please. Also, this lipstick is fuckin' killer. — Libba Bray

I'm going to go out on a limb here. I've thought a lot about this one, as a feminist, and as an author. How should traditional roles be portrayed? In fantasy literature there is a school of thought that holds that women must be treated precisely like men. Only the traditional male sphere of power and means of wielding power count. If a woman is shown in a traditionally female role, then she must be being shown as inferior.
After a lot of thought, and some real-life stabs at those traditional roles, I've come to firmly disagree with this idea. For an author to show that only traditional male power and place matter is to discount and belittle the hard and complex lives of our peers and our ancestresses. — Sarah Zettel

There are two novels that can change a bookish fourteen-year old's life: The Lord of the Rings and Atlas Shrugged. One is a childish fantasy that often engenders a lifelong obsession with its unbelievable heroes, leading to an emotionally stunted, socially crippled adulthood, unable to deal with the real world. The other, of course, involves orcs.
[Kung Fu Monkey
Ephemera, blog post, March 19, 2009] — John Rogers

I really feel that we're not giving children enough credit for distinguishing what's right and what's wrong. I, for one, devoured fairy tales as a little girl. I certainly didn't believe that kissing frogs would lead me to a prince, or that eating a mysterious apple would poison me, or that with the magical "Bibbity-Bobbity-Boo" I would get a beautiful dress and a pumpkin carriage. I also don't believe that looking in a mirror and saying "Candyman, Candyman, Candyman" will make some awful serial killer come after me. I believe that many children recognize Harry Potter for what it is, fantasy literature. I'm sure there will always be some that take it too far, but that's the case with everything. I believe it's much better to engage in dialog with children to explain the difference between fantasy and reality. Then they are better equipped to deal with people who might have taken it too far. — J.K. Rowling

No matter how strong you are, you cannot hold open the jaws of a great-white shark with your bare hands ... that can do your brain. — Ivan Stoikov

Beyond that, I seem to be compelled to write science fiction, rather than fantasy or mysteries or some other genre more likely to climb onto bestseller lists even though I enjoy reading a wide variety of literature, both fiction and nonfiction. — Joan D. Vinge

What is life but a fucked-up factory fabricating fuckups? — Jorge Enrique Ponce

I think people should take mythology much more seriously, because it tells us an awful lot about the history of the human race. We tend to dismiss it as 'fairy tales,' when it isn't. Fairy tales in themselves are about fundamentals of human nature. And they keep being reinvented in different ways. Fantasy acknowledges that, whereas a lot of modern literature is trying to distance itself from 'story,' never mind anything else. Which is why a lot of books are read by the critics, then people buy them, put them on their shelves, and don't really read them much, because they're not very interesting! — Jan Siegel

The divorced Indian lady combines every fantasy about the liberated, wicked Western woman with the safety net of basic submissive familiarity. — Bharati Mukherjee

Science fiction is the ugly stepchild of mainstream literature, and fantasy is the ugly stepchild of science fiction, and tie-in novels are the ugly stepchild of fantasy ... and on and on and on. — R.A. Salvatore

I never, as a reader, have been particularly interested in dystopian literature or science fiction or, in fact, fantasy. — Lois Lowry

The tall, thin serious man strode in, his dark cloak billowing so dramatically it threatened to extinguish the lamp flame with its draught. He advanced like a malevolent shadow consuming the dim orange light, filling the room with a presence almost more than human. — Gregory Figg

Big writers become a kind of shared climate. — Adam Gopnik

J. R. R. Tolkien, undisputedly a most fluent speaker of this language, was criticized in his day for indulging his juvenile whim of writing fantasy, which was then considered - as it still is in many quarters - an inferior form of literature and disdained as mere "escapism." "Of course it is escapist," he cried. "That is its glory! When a soldier is a prisoner of war it is his duty to escape - and take as many with him as he can." He went on to explain, "The moneylenders, the knownothings, the authoritarians have us all in prison; if we value the freedom of the mind and soul, if we're partisans of liberty, then it's our plain duty to escape, and to take as many people with us as possible. — Stephen R. Lawhead

It is humiliating to have to confess that this conceit of Peter was one of his most fascinating qualities. To put it with brutal frankness, there never was a cockier boy. — J.M. Barrie

Each day Marda gets closer. The sub circles coral reefs off the coasts, where mermaids are said to like the colors of the schools of fishes, and train them to swim around their necks like jewelry or live behind their ears, beneath their long hair. Sometimes mermaids like shallow places, but mostly they like the dark and the beautiful, uncharted, abandoned, soulless parts of the undiscovered world. — Holly Walrath

Baseball was rooted not just in the past but in the culture of the country; it was celebrated in the nation's literature and songs. When a poor American boy dreamed of escaping his grim life, his fantasy probably involved becoming a professional baseball player. It was not so much the national sport as the binding national myth. — David Halberstam

Fairies have to be one thing or the other, because being so small they unfortunately have room for one feeling only at a time. — J.M. Barrie

Reading lets our mind visit new exciting worlds"

~Vianka Van Bokkem — Vianka Van Bokkem

Let your boys test their wings. They may not be eagles, but that doesn't mean they shouldn't soar free. — C.J. Milbrandt

Fantasy is the oldest form of literature and science fiction is just a new twist on it. — Katharine Kerr

Realism is a very sophisticated form of literature, a very grown-up one. And that may be its weakness. But fantasy seems to be eternal and omnipresent and always attractive to kids. — Ursula K. Le Guin

They seek neither truth nor likelihood; they seek astonishment. They think metaphysics is a branch of the literature of fantasy — Jorge Luis Borges

We are all one. Everything is meaningless, and yet at the same time meaningful. Everything matters and doesn't matter just as much, Wisdom said and looked beyond time.(Nakoma, by Gala.J) — Gala.J

To me, steampunk and urban fantasy are naturally hinged together. And I think that's because I love the early gothic Victorian literature, and both things spring from that movement. — Gail Carriger

A bad conscience makes a very good ghost. — Hope Mirrlees

I get most of my inspiration from two places: my own life, and reading. I read widely - in my genre (romance), and in all sorts of different genres, from urban fantasy to literature. Then there's your own life. Romance is a fantasy genre, but if the rock core of your characters doesn't come from your own life, from emotions you know intimately, the book won't fly. I don't mean you have to be married to Casanova - I mean that a heroine will feel genuine to readers if she shares some of your fears or triumphs. Craft the emotional part of the plot from truths you learned from your own life, from watching your friends' lives, or from reading books. — Eloisa James

If there is a single person at the nexus of fantasy literature, it is Terri Windling
as editor, as writer, as painter, as muse. — Jane Yolen

When asked to "define the difference between fantasy and science fiction," I mouth and mumble and always end up talking about the spectrum, that very useful spectrum, along which one thing shades into another. Definitions are for grammar, not literature, I say, and boxes are for bones. But of course fantasy and science fiction are different, just as red and blue are different; they have different frequencies; if you mix them (on paper - I work on paper) you get purple, something else again. — Ursula K. Le Guin

Fantasy is a literature particularly useful for embodying and examining the real difference between good and evil. In an America where our reality may seem degraded to posturing patriotism and self-righteous brutality, imaginative literature continues to question what heroism is, to examine the roots of power, and to offer moral alternatives. Imagination is the instrument of ethics. There are many metaphors besides battle, many choices besides war, and most ways of doing good do not, in fact, involve killing anybody. Fanstasy is good at thinking about those other ways. — Ursula K. Le Guin

Psychic change, as Todorov has recognized, subverted the genre in another way, by revoking the cultural taboos, the social censorship, that had prohibited the overt treatment of psychosexual themes, which then found covert expression in the supernatural tale. 'There is no need today to resort to the devil [or to posthumous reverie] in order to speak of excessive sexual desire, and none to resort to vampires in order to designate the attraction exerted by corpses: psychoanalysis, and the literature which is directly or indirectly inspired by it, deal with these matters in undisguised terms. The themes of fantastic literature have become, literally, the very themes of the psychological investigations of the last fifty years. — Howard Kerr

Today, fantasy is, for better or for worse, just another genre, a place in a bookshop to find books that, too often, remind one of far too many other books; it is an irony, and not entirely a pleasant one, that what should be, by definition, the most imaginative of all types of literature has become so staid, and, too often, downright unimaginative. — Neil Gaiman

Life is very full of sex, or should be. As much as I admire Tolkien - and I do, he was a giant of fantasy and a giant of literature, and I think he wrote a great book that will be read for many years - you do have to wonder where all those Hobbits came from, since you can't imagine Hobbits having sex, can you? Well, sex is an important part of who we are. It drives us, it motivates us, it makes us do sometimes very noble things and it makes us do sometimes incredibly stupid things. Leave it out, and you've got an incomplete world. — George R R Martin

This, since junior school, had been virtually my only experience of women - as fantasy figures. Reading about women in fantasy novels had set me an even more unrealistic point of view. The Lord of the Rings doesn't help, with its sexless visions of elf maidens who may as well be speaking paintings, and neither does other fantasy literature, where women seem to exist solely to be rescued or slept with. The men they want are sorcerer-kings, doomed warriors or deadly assassins. I think the idea that women might fancy good-looking, well-adjusted men who are nice to them is too much for the average fantasy-head to bear. — Mark Barrowcliffe

Fantasy is my genre and my home in the writing world. I consider it the biggest writing room in all literature, where there are literally no boundaries at all. — Robin Hobb

In fantasy stories we learn to understand the differences of others, we learn compassion for those things we cannot fathom, we learn the importance of keeping our sense of wonder. The strange worlds that exist in the pages of fantastic literature teach us a tolerance of other people and places and engender an openness toward new experience. Fantasy puts the world into perspective in a way that 'realistic' literature rarely does. It is not so much an escape from the here-and-now as an expansion of each reader's horizons. — Jane Yolen

[There are] games children must conjure up to combat an awful fact of childhood: the fact of their vulnerability to fear, anger, hate and frustration - all the emotions that are an ordinary part of their lives and that they can perceive only as as ungovernable and dangerous forces. To master these forces, children turn to fantasy: that imagined world where disturbing emotional situations are solved to their satisfaction. — Maurice Sendak

As Hagrid had said, what would come would come and he would have to meet it when it did. — J.K. Rowling

[T]he only means I have to stop ignorant snobs from behaving towards genre fiction with snobbish ignorance is to not reinforce their ignorance and snobbery by lying and saying that when I write SF it isn't SF, but to tell them more or less patiently for forty or fifty years that they are wrong to exclude SF and fantasy from literature, and proving my arguments by writing well. — Ursula K. Le Guin

It will begin with the six who now tread the streets of a city where the stone pinnacle erects like a reed amongst long grass. Where a bridge expands across a gorge, drifts a cloud buzzing with a million stings. There, these six shall bleed. There, these six shall die, and like a plague shall spread the wings that carry the cloud till they consume the city, and with it, the strength that fuels all of your lives. Farewell, children of the new world, and may your deaths be swift. — Najeev Raj Nadarajah

Let mental suffering be intense enough, and it becomes a sort of carminative. — Hope Mirrlees

Interestingly, this speech by Prospero does not contrast the unreality of the stage with the solid, flesh-and-blood existence of real men and women. On the contrary, it seizes on the flimsiness of dramatic characters as a metaphor for the fleeting, fantasy-ridden quality of actual human lives. It is we who are made of dreams, not just such figments of Shakespeare's imagination as Ariel and Caliban. The cloud-capped towers and gorgeous palaces of this earth are mere stage scenery after all. — Terry Eagleton

The odd was the ordinary at Alistair Grim's. The people who lived there were odd. The things they did there were odd. Even the there itself there was odd. — Gregory Funaro

Rooms, corridors, bookcases, shelves, filing cards, and computerized catalogues assume that the subjects on which our thoughts dwell are actual entities, and through this assumption a certain book may be lent a particular tone and value. Filed under Fiction, Jonathon Swift's Gulliver's Travels is a humorous novel of adventure; under Sociology, a satirical study of England in the eighteenth century; under Children's Literature, an entertaining fable about dwarfs and giants and talking horses; under Fantasy, a precursor of science fiction; under Travel, an imaginary voyage; under Classics, a part of the Western literary canon. Categories are exclusive; reading is not--or should not be. Whatever classifications have been chosen, every library tyrannizes the act of reading, and forces the reader--the curious reader, the alert reader--to rescue the book from the category to which it has been condemned. — Alberto Manguel

Amie frowned. 'That's what I can't figure out. I mean everyone wants their happy ending, right? No one cares about reading actual literature anymore anyway. All they want is vampires and supernatural mumbo-jumbo. It's sick, really. — Jennifer Silverwood

every fictional world was a work of fantasy, and whenever writers introduce a threat or a conflict into their story, they create the possibility of horror. He had been drawn to horror fiction, he said, because it took the most basic elements of literature and pushed them to their extremes. All fiction was make-believe, which made fantasy more valid (and honest) than realism. He — Joe Hill

There have been a number of us working very, very hard to bring myth and fairy tales into public consciousness, through fantasy literature and other media. I hope we're succeeding in some small way. — Terri Windling

Our sexual fantasies are often redundant and intense, like many other ideas involving ourselves. Most people approach sexuality limited to the idea that they should imitate other people, art (e.g., romantic literature) or movies (e.g., pornography). In this way, vicarious events and even fictions become a point of reference that we can actually feel. We judge actual people in our real lives against fictional events and unrealistic concepts. As such, real lovers seem inferior as a result. — Todd Vickers

Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus. Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. — Terry Pratchett

Maybe at the very bottom of it ... I really don't like God. You know, it's silly to say I don't like God because I don't believe in God, but in the same sense that I don't like Iago, or the Reverend Slope or any of the other villains of literature, the god of traditional Judaism and Christianity and Islam seems to me a terrible character. He's a god who will ... who obsessed the degree to which people worship him and anxious to punish with the most awful torments those who don't worship him in the right way. Now I realise that many people don't believe in that any more who call themselves Muslims or Jews or Christians, but that is the traditional God and he's a terrible character. I don't like him. — Steven Weinberg

I've been an avid consumer of young adult literature since I was one, and I think some people leave that stuff behind when they become old adults, but I never did. I was always interested in the fantasy world created in those novels. — Diablo Cody

Fantasy stories will always be popular, as there are always readers who are willing to escape, freely, to the worlds that the authors create, and spend time with the characters we give life to. — Jason Ellis

Literature for me isn't a workaday job, but something which involves desires, dreams and fantasy. — Antonio Tabucchi

To be a good writer, become a good listener. — Cynthia Briggs

Reading the book now means that one can, if one wants, play Fantasy Literature
match writers off against each other and see who won over the long haul. Faulkner or Henry Green? I reckon the surprise champ was P.G. Wodehouse, as elegant and resourceful a prose stylist as anyone held up for our inspection here ... he has turned out to be as enduring as anyone apart from Orwell. Jokes, you see. People do like jokes.
(Hornby's thoughts after reading "Enemies of Promise" by Cyril Connolly) — Nick Hornby

This is surely the most significant of the elements that Tolkien brought to fantasy ... his arranged marriage between the Elder Edda and "The Wind in the Willows"
big Icelandic romance and small-scale, cozy English children's book. The story told by "The Lord of the Rings" is essentially what would happen if Mole and Ratty got drafted into the Nibelungenlied. — Adam Gopnik

Have a little faith in your sons. This journey will be the making of them. — C.J. Milbrandt

We would learn as much as we could, be as honourable as we could, be as courageous as we could, and be as happy as we could. — S.L. Mills

Fantasy is escapist, and that is its glory. If a soldier is imprisioned by the enemy, don't we consider it his duty to escape? ... If we value the freedom of mind and soul, if we're partisans of liberty, then it's our plain duty to escape, and to take as many people with us as we can! — J.R.R. Tolkien

Life itself today has lost its plane reality: it is projected, not along the old fixed points, but along the dynamic coordinates of Einstein, of revolution. In this new projection, the best-known formulas and objects become displaced, fantastic, familiar-unfamiliar. This is why it is so logical for literature today to be drawn to the fantastic plot, or to an amalgam of reality and fantasy. — Yevgeny Zamyatin

What exists is real; therefore it is tragic, since whatever lives must die. Only fantasy, the vapors rising from sheer nonsense, can now excite my laughter. — Jack Vance

A fantasy is a journey. It is a journey into the subconscious mind, just as psychoanalysis is. Like psychoanalysis, it can be dangerous; and it will change you. — Ursula K. Le Guin

I set out to write a series of grand stories starring queer people. My vision has always been to let that "queerness" exist organically without it being the focus of the story. Growing up, I got sick of "tragedy porn" slice of life novels being the only LGBT literature in existence. Here I hope that I captured the idea that queer people can own a high fantasy adventure without the story being reliant solely on the characters' "queerness" alone. — Hazel Blackthorn

For me, fantasy must be about something, otherwise it's foolishness... ultimately it must be about human beings, it must be about the human condition, it must be another look at infinity, it must be another way of seeing the paradox of existence. — George Clayton Johnson

After reading Edgar Allan Poe. Something the critics have not noticed: a new literary world pointing to the literature of the 20th Century. Scientific miracles, fables on the pattern A+ B, a clear-sighted, sickly literature. No more poetry but analytic fantasy. Something monomaniacal. Things playing a more important part than people; love giving away to deductions and other forms of ideas, style, subject and interest. The basis of the novel transferred from the heart to the head, from the passion to the idea, from the drama to the denouement. — Jules De Goncourt

The exercise of imagination is dangerous to those who profit from the way things are because it has the power to show that the way things are is not permanent, not universal, not necessary. Having that real though limited power to put established institutions into question, imaginative literature has also the responsibility of power. The storyteller is the truthteller. — Ursula K. Le Guin

It is said, once a wise man from the far North told me; it is said that there are in certain parts of Scandinavia cities within cities like there are circles within circles; existent yet invisible. And those cities are inhabited by creatures more terrible than imagination can create : man-shaped but man-devouring, as black and as silent as the night they prowl in. — Johanna Sinisalo

They came generally from people writing theses on fantasy or on the Dark Is Rising books. They were full of questions I'd never thought about and false assumptions that I didn't want to think about. They would ask me in great detail for, say, the specific local and mythical derivations of my Greenwitch, a leaf-figure thrown over a Cornish cliff as a fertility sacrifice, and I would have to write back and say, "I'm terribly sorry; I made it all up." They told me I echoed Hassidic myth, which I hadn't read, and the Mormon suprastructure, which I'd never even heard of. They saw symbols and buried meanings and allegories everywhere. I'd thought I was making a clear soup, but for them it was a thick mysterious stew.

from "In Defense of the the Artist" in Signposts to Criticism of Children's Literature (1983) — Susan Cooper

The enduring rapture with magic and fable has always struck me as latently childish and somehow sexless (and thus also related to childlessness). — Christopher Hitchens

She asked where he lived.
Second to the right,' said Peter, 'and then straight on till morning. — J.M. Barrie

I don't really deal with the attention I receive to be honest. I build up a fantasy world around me that I inhabit. I cherry pick elements of literature, music, film, history and art, then weave them together to construct a fantasy reality to live in. It doesn't always work out though, I got evicted from my own fantasy once, which was quite embarrassing. — Pete Doherty

Unfortunately, there's still a market for rubbish. I picked up a recently written fantasy book at the weekend, and one character said of another: "He will grow wroth." Oh, my God. And the phrase was in a page of similar jaw-breaking, mock-archaic narrative. Belike, i'faith ... this is the language we use to turn high fantasy into third-rate romantic literature. "Yonder lies the palace of my fodder, the king." That's not fantasy - that's just Tolkien reheated until the magic boils away. — Terry Pratchett

I was pregnable once," Merill thought to contribute. She remembered how troublesome it made getting around, having a ripe belly. Couldn't roll properly, couldn't hop properly, couldn't romp or flop properly. There were the cravings for roasted cabbage - she loathed cabbage, with its leaves and growing in rows. And labor! Merill passed out during childbirth. She'd endured burns, lacerations, rips, serrated teeth, nails, hooks and a trove of unmentionable harm-inflictors. Labor trounced them all and wriggled gleefully in the spray of blood and gore. "Being pregnable is no good. No good at all. Like growing a bitter melon in your belly. — Darrell Drake

But just as we can all agree on what is red, even if we will never know if we each see it in the same way, so we can all agree - can't we? - that no matter how confident we may appear to others, inside we are all sobbing, scared and uncertain for much of the time. Or perhaps it's just me.
Oh God, perhaps it really is just me.
Actually it doesn't really matter, when you come to think of it. If it is just me, then you are reading the story of some weird freak. You are free to treat this book like science fiction, fantasy or exotic travel literature. Are there really men like Stephen Fry on this planet? Goodness, how alien some people are. And if I am not alone, then neither are you, and hand in hand we can marvel together at the strangeness of the human condition. — Stephen Fry

At this point, a few words on this term 'horror' are perhaps called for. Some amateurs of this kind of literature engage in endless hairsplitting disputes, centered around this word and its close companion 'terror', as to which' stories may so be categorized and which may not, and whether or not descriptions such as weird or fantasy or macabre are preferable. The designation 'horror', with its connotations of revulsion, satisfies me no more than it does the purists but I believe that it is the only term which embraces all the stories in this collection and which succinctly suggests to the majority of readers what is in store for them. Horror then, in this instance, covers tales of the Supernatural and of physical terror, of ghosts and necromancy and of inhuman violence and all the dark corners and crevices of human belief and behavior that lie in between. ("An Age In Horror" - introduction) — Michel Parry

You are free to make your own choices, but ultimately your choices make you. — C.D. Sutherland

No one spoke in terms of children's literature, as opposed to adult literature, until around the 1940s. It wasn't categorised much before then. Even Grimm's tales were written for adults. But it is true that ever since 'Harry Potter' there has been a renaissance in fantasy literature. J. K. Rowling opened the door again. — Rick Riordan

This person has hoped and dreamed and now it is really happening and this person can hardly believe it. But believing is not an issue here, the time for faith and fantasy is over, it is really really happening. It involves stepping forward and bowing. Possibly there is some kneeling, such as when one is knighted. One is almost never knighted. But this person may kneel and receive a tap on each shoulder with a sword. Or, more likely, this person will be in a car or a store or under a vinyl canopy when it happens. Or online or on the phone. It could be an e-mail re: your knighthood. Or a long, laughing, rambling phone message in which every person this person has ever known is talking on a speakerphone and they are all saying, You have passed the test, it was all just a test, we were only kidding, real life is so much better than that. — Miranda July

Children's literature must build a bridge between the colorful dream world full of fantasy and illusion, and a tougher real world full of twists and turns. The child armed with the torch of knowledge, awareness and guidance must cross this bridge and set foot to the intense harshness of the bigger world. — Samad Behrangi

In a single lifetime, roughly from 1865 to 1930, one finds the pioneering and patterning works of modern fantasy, science fiction, children's literature and detective fiction, of modern adventure, mystery and romance. — Michael Dirda

Critics and academics have been trying for forty years to bury the greatest work of imaginative fiction in English. They ignore it, they condescend to it, they stand in large groups with their backs to it - because they're afraid of it. They're afraid of dragons. They have Smaugophobia. "Oh those awful Orcs," they bleat, flocking after Edmund Wilson. They know if they acknowledge Tolkien they'll have to admit that fantasy can be literature, and that therefore they'll have to redefine what literature is. And they're too damned lazy to do it. — Ursula K. Le Guin

The fairy or fantastic world replaces the classical Hades (or Hell) in Sir Orfeo, and Sir Gawain and the Green Knight takes this fantasy element to new heights. Sir Gawain is one of the Knights of the Round Table, the followers of King Arthur, who is so much of a presence in English history, myth and literature. — Ronald Carter

The operation would be in a week...I didn't know if I would survive. How I longed to go back to reading! There was nowhere I longed to be more than the university campus. I was preparing for a master's on fantasy literature. I was interested in why the country's literature did not include this distinctive genre. I had this great passion for studying and writing, which they explained in my household with the story of the umbilical cord. When I was born, and at my father's request, my elder sister buried my umbilical cord in the courtyard of her primary school. My father attributed my {brother's} academic failure to the fact that my mother buried his umbilical cord in the garden of our house. — Hassan Blasim

Lastly, she pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman; and how she would keep, through all her riper years, the simple and loving heart of her childhood: and how she would gather about her other little children, and make their eyes bright and eager with many a strange tale, perhaps even with the dream of Wonderland of long ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days. — Lewis Carroll

I want to say to the literature teacher who remains wilfully, even boastfully ignorant of a major element of contemporary fiction: you are incompetent to teach or judge your subject. Readers and students who do know the field, meanwhile, have every right to challenge your ignorant prejudice. Rise, undergraduates of the English departments! You have nothing to lose but your A on the midterm! — Ursula K. Le Guin

It was a well-known fact that keeping track of time was not Parry Pretty's forte ... If time were Parry's pet, it would have died tied to a tree somewhere out back long ago. — S.J. Musgraves

To my fellow writers' I say, 'Write. Build an imaginary world like nobody's watching. — Terry A. O'Neal

Science fiction and fantasy literature has always been defined by tales of heroism. It is meant to represent humanity at our very best, willing to oppose all odds in order to protect the side of good. — Mira Grant

What we've done is make the categories of science fiction and fantasy larger, freer, and more inclusive than any other genre of contemporary literature. We have room for everybody, and we are extraordinarily open to genuine experimentation. — Orson Scott Card

One of the most brilliant Russian writers of the twentieth century, Yevgeny Zamyatin belongs to the tradition in Russian literature represented by Gogol, Leskov, Bely, Remizov, and, in certain aspects of their work, also by Babel and Bulgakov. It is a tradition, paradoxically, of experimenters and innovators. Perhaps the principal quality that unites them is their approach to reality and its uses in art - the refusal to be bound by literal fact, the interweaving of reality and fantasy, the transmutation of fact into poetry, often grotesque, oblique, playful, but always expressive of the writer's unique vision of life in his own, unique terms. — Mirra Ginsburg

Of all the unexpected things in contemporary literature, this is among the oddest: that kids have an inordinate appetite for very long, very tricky, very strange books about places that don't exist. — Adam Gopnik

Happily-ever-after monogamy has been reinforced so steadily in literature that we tend to feel like failures when we don't achieve that in reality. — Colleen Chen

Great. He was a hottie, a good kisser, and a literature buff. God really must have had a sense of humor, because if I had to name my biggest turn-on, it was literature. And he had just recommended a book that I didn't know, that wasn't taught in school. If I were single, there would be no better pick-up line. Suddenly, I found myself thinking back to Atonement - you know, the scene in the book where the two main characters have sex in the library? Even though Chloe said doing it against bookshelves would be really uncomfortable (and she'd probably know), it was still a fantasy of mine. Like, what's more romantic than a quiet place full of books? But I shouldn't have been thinking about my library fantasies. Especially while I was staring at Cash. In the middle of a library. — Kody Keplinger