Famous R&b Artist Quotes & Sayings

I always wrote, you know, but it was just this thing I did; what I intended was to become a terribly famous artist, perhaps with a stopover as a singer. — Holly Lisle

I grew up a fat kid in a small town in Minnesota who was a tomboy and happened to play a mean violin. My goal was to be a famous concert artist some day. — Gretchen Carlson

Fame was never something I was seeking in my artistic journey. It's to be used as a tool for an artist to break open doors and keep creating. That's how I enjoyed fame in '74; it was not just for the emptiness of being famous. — Philippe Petit

A lot of people thought I got famous as a studio artist, then decided to cash in on it. But it actually was just a matter of survival for many years, and I felt it was really important for me to be able to say whatever I wanted with my street art and fine art. — Shepard Fairey

Picasso wasn't in conflict, you can bet your bottom dollar on that. He said, Scram! I need to work, and his mistresses and their spawn ran for the hills. Dickens wasn't in conflict. He had ten children and wrote as many novels in almost as many years, because it was both understood and appreciated that he was gifted, famous, and rich. The male artist has always been respected. — Kate Mulgrew

It has been my personal experience that as I allow the painting to speak I become lost, it is delicious and at the same time frightening. The best ones, to me, have a life of their own. — Luther E. Vann

I sat down and looked at the menu and thought how ironic it was that back then starving artists came to cafes like these because they lived on wine and street pigeons to survive, and now the same cafes are famous because of them and no starving artist can afford to eat there. It's hard to have an existential crisis when a glass of wine costs more than nine dollars. — Josefina Lopez

I remember being so young I thought all artists were famous. — Mary Ruefle

Please welcome our hometown girl, a Winsor Cougar, a world-famous recording artist. Please welcome Chanin Anne. — Tim Mettey

You're going to be a famous artist." His voice is deep velvet - soothing and sure. "You'll live in one of those artsy, upscale apartments in Paris with your rich husband. Oh, who just happens to be a world-renowned exterminator. How's that for a twist of fate? You won't even have to catch your own bugs anymore. That'll give you more time to spend with your five brilliant kids. And I'll come visit every summer. Show up on the doorstep with a bottle of Texas BBQ sauce and a French baguette. I'll be weird Uncle Jeb. — A.G. Howard

The function of the overwhelming majority of your artwork is simply to teach you how to make the small fraction of your artwork that soars. One of the basic and difficult lessons every artist must learn is that even the failed pieces are essential. X-rays of famous paintings reveal that even master artists sometimes made basic mid-course corrections (or deleted really dumb mistakes) by overpainting the still-wet canvas. The point is that you learn how to make your work by making your work, and a great many of the pieces you make along the way will never stand out as finished art. The best you can do is make art you care about - and lots of it! — David Bayles

When I was young, anywhere I would go in Germany, I would see my father's posters. Everyone knew about him. And he had many friends who were artists who were also quite famous. So, for me, it seemed very natural to be an artist and be known. — Ruth Bernhard

I am a famous artist. I make millions. But I frequently see debut shows of unknown artists with prices that are double of mine ... what they're really doing is barely getting by and helping me sell 1,000 paintings a year effortlessly, because they make my paintings look like such a bargain. Thank you to all the egotistical art students! — Mark Kostabi

The difference between famous creators and struggling artists is that the creators know that improving the lives of others deserves the highest reward. — Alan Cohen

Chanu went on."This artist, Abedin- he painted the famine which came to our country in 1942 and '43. These famous paintings hang now in a museum in Dhaka. I will take you to see them. In the famine, there was life and there was death. The people of Bangladesh died and the crows and the vultures lived. Abedin shows it all: the child who is too weak to walk or even to crawl, and the fat, black crows- how patiently they wait by the child for their next feast.
" This is how it was. Three million people died because of starvation. Can you imagine that? You cannot. Can you imagine something else? While the crows and vultures stripped our bones, the British, our rulers, exported grain from the country. This is something you cannot imagine, but now that you know it, you will never forget."
Chanu breathed deeply but his face remained still. "That's it," he said. "It will be time to go very soon. — Rohinton Mistry

I want to be really special, I want to be really good. It's not enough to be famous for me. Famous is empty so quickly, it's not what people think it is. It's wonderful, but if you're famous and you feel that you're an artist inside and everyone thinks you're just a celebrity, it's really painful. — Cher

I want to be famous but unknown! — Edgar Degas

When we put his kippah into the museum, everyone was talking about how much money it was worth and the embroidery by some famous artist and how it was a national relic, and all this -- but I was just thinking of Shabbat, and seders, and -- and it didn't mean any of those things to me. It meant lighting candles. It meant he'd hid the afikomen in the palace for me and joking with his advisors as he waited around for me to find it so he could give me a new book. National treasure? I--' She blinked away new tears, but this time the look on her face was one of indignation. — Shira Glassman

The poet, the artist, the sleuth - whoever sharpens our perception tends to be antisocial; rarely "well-adjusted", he cannot go along with currents and trends. A strange bond often exists between antisocial types in their power to see environments as they really are. This need to interface, to confront environments with a certain antisocial power is manifest in the famous story "The Emperor's New Clothes". — Marshall McLuhan

A detailed
analysis of the most famous novels would show, in different perspectives each time, that the essence of
the novel lies in this perpetual alteration, always directed toward the same ends, that the artist makes in
his own experience. Far from being moral or even purely formal, this alteration aims, primarily, at unity
and thereby expresses a metaphysical need. The novel, on this level, is primarily an exercise of the
intelligence in the service of nostalgic or rebellious sensibilities. It would be possible to study
this quest for unity in the French analytical novel and in Melville, Balzac, Dostoievsky, or Tolstoy — Albert Camus

Van Gogh was so under appreciated in his time, he sold only one of his 900 paintings while alive. Posthumously, he became one of the most famous artists of all time and his work is now considered priceless. Oh the irony. — Vincent Van Gogh

There's a myth among amateurs, optimists and fools that beyond a certain level of achievement, famous artists retire to some kind of Elysium where criticism no longer wounds and work materializes without their effort. — Mark Matousek

A lot of people found themselves working at the Factory and some even in his bed as a result of random occurrences like your call. Most famous artists have never been all that interested in meeting strangers. That was not the case with Andy Warhol at all. — Bob Colacello

I should like to be famous and unknown. — Edgar Degas

Strauss's, for instance, which begins in the heavens. The artist doesn't ascend to glory, he appears in it, he already has it and the world is prepared to recognize him. Meteoric, like a comet - those are the phrases we apply, and it's true, it is a kind of burning. It makes them highly visible, and at the same time it consumes them, and it's only afterwards, when the brilliance is gone, when their bones are lying alongside those of lesser men, that one can really judge. I mean, there are famous works, renowned in antiquity, and today absolutely forgotten: books, buildings, works of art. — James Salter

It wasn't not being famous any more, or even not being a recording artist. It was having nobody who needed me, no phones ringing, nothing to do. Because I'm still too young to do nothing. I was only 24 when all that happened. Now, at 40, I feel I've got more to give than I ever have. — Gary Barlow

Anybody auditions for X-Factor it's because they want to be famous, not because they are artists. — Bruce Dickinson

Artists shouldn't be made famous. They have this huge aura of almost god-like quality about them, just because their craft makes a lot of money. And at the same time it is a forced importance ... It is man-made so the press can feed off it. — Kate Bush

It seems obvious, looking back, that the artists of Weimar Germany and Leninist Russia lived in a much more attenuated landscape of media than ours, and their reward was that they could still believe, in good faith and without bombast, that art could morally influence the world. Today, the idea has largely been dismissed, as it must in a mass media society where art's principal social role is to be investment capital, or, in the simplest way, bullion. We still have political art, but we have no effective political art. An artist must be famous to be heard, but as he acquires fame, so his work accumulates 'value' and becomes, ipso-facto, harmless. As far as today's politics is concerned, most art aspires to the condition of Muzak. It provides the background hum for power. — Robert Hughes

On the corner of 57th and 7th Avenue sits the most famous concert hall in the world. No less a figure than when Tchaikovsky led the first performances in 1891. Virtually every major artist has performed there. There is simply no place like it. The first time I stepped foot in Carnegie Hall was in 1964. — Leonard Slatkin