Faces The Song Quotes & Sayings

If I know a song of Africa, of the giraffe and the African new moon lying on her back, of the plows in the fields and the sweaty faces of the coffee pickers, does Africa know a song of me? Will the air over the plain quiver with a color that I have had on, or the children invent a game in which my name is, or the full moon throw a shadow over the gravel of the drive that was like me, or will the eagles of the Ngong Hills look out for me? — Karen Blixen

One of my favorite "deep thoughts" on the topic occurred when one of my other bands, Loaded, was opening for Alice Cooper a number of years back. After one particularly successful show, we got to talking about Bon Jovi. In the song "Wanted Dead Or Alive," the claim is made that "I've seen a million faces, and I've rocked them all." All? Let's ponder.
I have no doubt that Bon Jovi had played to a million people by the time "Dead or Alive" was released on Slippery When Wet in 1986. But did they rock them all? Couldn't it be that some dudes brought their girlfriends to the show and weren't necessarily into their music? What about some parents? Or maybe some people just didn't get rocked? Hey, it's happened to me. I've gone to gigs properly prepared to get rocked and it just didn't happen. — Duff McKagan

Last night I heard a robin singing in the rain,
And the raindrop's patter made a sweet refrain,
Making all the sweeter the music of the strain.
So, I thought, when trouble comes, as trouble will,
Why should I stop singing? Just beyond the hill
It may be that sunshine floods the green world still.
He who faces the trouble with a heart of cheer
Makes the burden lighter. If there falls a tear,
Sweeter is the cadence in the song we hear.
I have learned your lesson, bird with dappled wing,
Listening to your music with its lilt of spring
When the storm-cloud darkens, then's the TIME to sing. — Eben E. Rexford

Jason Mraz, and the new James Blunt song is the worst thing that has ever been created on the face of the earth. — Kathleen Hanna

It had been some time since Magnus was last in love, and he was beginning to feel the effects. He remembered the glow of love as brighter and the pain of loss as gentler than they had actually been. He found himself looking into many faces for potential love, and seeing many people as shining vessels of possibility. Perhaps this time there would be that indefinable something that sent hungry hearts roving, longing and searching for something, they knew not what, and yet could not give up the quest. Every time a face or a look or a gesture caught Magnus's eye these days, it woke to life a refrain in Magnus's breast, a song in persistent rhythm with his heartbeat. Perhaps this time, perhaps this one. — Cassandra Clare

On the stage Tristen bent over the piano, his fingers swift and sure, his blond hair gleaming under the spotlight. I glanced around at the audience, watching their faces, gratified that they were as captivated as I was by the dark, thunderous song that Tristen conjured. — Beth Fantaskey

And there were other rocks that were like animals, creeping, horrible animals, putting out their tongues, and others were like words I could not say, and others like dead people lying on the grass. I went on among them, though they frightened me, and my heart was full of wicked song they put into it; and I wanted to make faces and twist myself about the way they did, and I went on and on a long way till at last I liked the rocks and they didn't frighten me any more — Arthur Machen

Gather the stars if you wish it so Gather the songs and keep them. Gather the faces of women. Gather for keeping years and years. And then ... Loosen your hands, let go and say good-bye. Let the stars and songs go. Let the faces and years go. Loosen your hands and say good-bye. — Carl Sandburg

If I know a song of Africa, - I thought, - of the Giraffe, and the African new moon lying on her back, of the ploughs in the fields, and the sweaty faces of the coffee-pickers, does Africa know a song of me? Would the air over the plain quiver with a colour that I had had on, or the children invent a game in which my name was, or the full moon throw a shadow over the gravel of the drive that was like me, or would the eagles of Ngong look out for me? I — Karen Blixen

It takes me about twenty seconds to forget about the staring faces and all that shiny, pulled-back hair and which of the girls on the bleachers may or may not be a better dancer than I am and the fact that I'm twice as big as anyone in this room. After that first thirty seconds, I disappear into the song. I become one with the music, one with the dance. — Jennifer Niven

There was something new in his expression, something Vaelin had never seen before and couldn't name. In later years he would see it in the faces of a thousand men and know it as an old friend: fear. — Anthony Ryan

Sometimes I'll get to the end of a song, open my eyes and there's all these faces peering at me. It's quite horrifying. — Robert Smith

Who will believe my verse in time to come,
If it were fill'd with your most high deserts?
Though yet, heaven knows, it is but as a tomb
Which hides your life and shows not half your parts.
If I could write the beauty of your eyes
And in fresh numbers number all your graces,
The age to come would say 'This poet lies:
Such heavenly touches ne'er touch'd earthly faces.'
So should my papers yellow'd with their age
Be scorn'd like old men of less truth than tongue,
And your true rights be term'd a poet's rage
And stretched metre of an antique song:
But were some child of yours alive that time,
You should live twice; in it and in my rhyme. — William Shakespeare

Dream Song 90: Op. posth. no. 13

In the night-reaches dreamed he of better graces,
of liberations, and beloved faces,
such as now ere dawn he sings.
It would not be easy, accustomed to these things,
to give up the old world, but he could try;
let it all rest, have a good cry.

Let Randall rest, whom your self-torturing
cannot restore one instant's good to, rest:
he's left us now.
The panic died and in the panic's dying
so did my old friend. I am headed west
also, also, somehow.

In the chambers of the end we'll meet again
I will say Randall, he'll say Pussycat
and all will be as before
whenas we sought, among the beloved faces,
eminence and were dissatisfied with that
and needed more. — John Berryman

Well, I think home spat me out, the blackouts and curfews like tongue against loose tooth. God, do you know how difficult it is, to talk about the day your own city dragged you by the hair, past the old prison, past the school gates, past the burning torsos erected on poles like flags? When I meet others like me I recognise the longing, the missing, the memory of ash on their faces. No one leaves home unless home is the mouth of a shark. I've been carrying the old anthem in my mouth for so long that there's no space for another song, another tongue or another language. I know a shame that shrouds, totally engulfs. I tore up and ate my own passport in an airport hotel. I'm bloated with language I can't afford to forget. — Warsan Shire

JAMIE'S SONG 'August and November':

They say it was a beautiful summer.
I say I felt so cold the whole short while.
I heard that it rained for days,
Between August and November.
Well I didn't see it rain on the enslaved river.

I am the river no more (x2)
And the rain is just acid water from their cloudy black smoke.

And now I'm at a standstill on the streets,
That are lit up like a funfair from some forgotten dream.
Yet faces, headlights, and the whole world passes by me.
Without taking a step, I'm down in the hole too.
And if it rains this coming
Dark and lonely December,
I will never watch it fall on the entrapped river.

I am the river no more (x2)
And the rain is acid water from their cloudy black smoke. — Neha Yazmin

From the deep and the near South the sons and daughters of newly freed African slaves wander into the city. Isolated, cut off from memory, having forgotten the names of the gods and only guessing at their faces, they arrive dazed and stunned, their heart kicking in their chest with a song worth singing. — August Wilson

The church is a place where you can walk in and close your eyes and all the complex and inscrutable troubles of adult life are gone for a time. But you have to be careful to keep your eyes closed, because if you open them, what you'll see all around you are sad, middle-aged people with brittle hair and long faces, faces as old as your own, looking weary from that crooked road that God keeps promising will someday be made straight and trying to wish the world away with a children's song. Of course, if they all wish together, the wish comes true for a while. — Matt Taibbi

There is something elegantly sinister about the Rolling Stones. They sit before you at a press conference like five unfolding switchblades; their faces set in rehearsed snarls; their hair studiously unkempt and matted; their clothes part of some private conceit; and the way they walk and talk and the songs they sing all become part of some long mean reach for the jugular. — Pete Hamill

Lighter and lighter, until at last the sun touched the tops of the still trees, a poured the radiance over the hill. in the glow, the water of the chateau fountain seem to turn to blood, and the stone faces crimsond. the coral of the birds was loud and high, and, on the weather-beaten sill of the great window of the bed-chamber of monsieur the morquis, one little bird sang its sweetest song with all its might. at this,the nearest stone face seemed to stare amazed, and, with open mouthand dropped under-jaw, looked awe- stricken. — Charles Dickens

There was a sudden flash of lightning which brightly illuminated our faces. I squinted against the harsh light. It was soon followed by the crack of thunder. The strong wind whipped our hair around our faces, and the younger girls squealed as they quickly ran across the grass to get inside the school.
Rose and I sat up, smiles on our faces as we listened to the weather's dangerous melody. The third flash of lightning finally ripped open the sky's belly. Freezing rain cascaded out, drenching us in a matter of seconds, the flower garlands drooping and lying limp on our matted hair. — Erica Sehyun Song

Google is so strange. It promises everything, but everything isn't there. You type in the words for what you need, and what you need becomes superfluous in an instant, shadowed instantaneously by the things you really need, and none of them answerable by Google....Sure, there's a certain charm to being able to look up and watch Eartha Kitt singing Old Fashioned Millionaire in 1957 at three in the morning or Hayley Mills singing a song about femininity from an old Disney film. But the charm is a kind of deception about a whole new way of feeling lonely, a semblance of plenitude but really a new level of Dante's inferno, a zombie-filled cemetery of spurious clues, beauty, pathos, pain, the faces of puppies, women and men from all over the world tied up and wanked over in site after site, a great sea of hidden shallows. More and more, the pressing human dilemma: how to walk a clean path between obscenities. — Ali Smith

They lifted their faces to the astonishing warmth. The sky arched over them, a pale, clear blue. Lina felt as though a lid that had been on her all her life had been lifted off. Light and air rushed though her, making a song, like the songs of Ember, only it was a song of joy. She looked at Doon and saw that he was smiling and crying at the same time, and she realized that she was, too. — Jeanne DuPrau

Darkis pointed toward the dwarf sitting btween them on the ground. "Uh, don't you think that's a bit much?"
Turi and Ethis each held separate ropes around the bound hands and feet of the dwarf. A gag was tied tightly over hi mouth.
Ethis considered the prisoner for a moment before replying. "No, it seems a resonable precaution." "Why? What did he do?" Darkis said. The chimera looked at each other, thier blank faces considering for a moment. "He kept promising not to escape," Thuri answerd at last. "He promised not to escape," Darkis asked, his brow furrowed with the puzzle, "and so you tied him up?"
"He wouldn't shut up about it," Ethis replied, his large eyes blinking indignantly. "He kept going on and on about how we could trust him and how he had nowhere to run and how he was glad it was us who took him as a slave captive of war."
"It was unnerving," Thuri finished. — Tracy Hickman

We are all treading the vanishing road of a song in the air, the vanishing road of the spring flowers and the winter snows, the vanishing roads of the winds and the streams, the vanishing road of beloved faces. — Richard Le Gallienne

Though the wind is rough and blowing in their faces, those girls there, striding hand in hand, shouting out a song, seem to feel neither cold nor shame. They are hatless. They triumph. — Virginia Woolf

Ghosts can haunt damned near anything. I have heard them in the breathy voice of a song and seen them between the covers of a book. They have hidden in trees so that their faces peer out of the bark, and hovered beneath the silver surface of water. They disguise themselves as cracks in concrete or come calling in a delirium of fever. On summer days they keep pace like the shadow of our shadow. They lurk in the breath of young girls who give us our first kiss. I've seen men who were haunted to the point of madness by things that never were and things that should have been. I've seen ghosts in the lines on a woman's face and heard them in the jangling of keys. The ghosts in fire freeze and the ghosts in ice burn. Some died long ago; some were never born. Some ride the blood in my veins until it reaches my brain. Sometimes I even mistake myself for one. Sometimes I am one. — Damien Echols

Pale eyes, and a pointy nose. A gingham bonnet covered her hair. "Hello," she said to Cora. Both the man and the woman crouched low, their faces level with hers. Cora could not cough or pretend to be slow: one of the agents was right there, watching. The man asked her name, and she told him. He asked her age, and she said she didn't know, but that she'd just lost her first tooth. Both the man and the woman laughed as if Cora had said something terribly funny, as if she were one of the children singing the Jesus song, trying hard to be cute. She gave them a hard look, but they continued to smile. The man looked at the woman. The — Laura Moriarty

The best tunes are songs with a face. You recognize them. You know them. It's like a person. They have a face that's outstanding. Other songs don't have a face. You just hear them, that's all. The really good ones are few and far between. — Cindy Walker

Folk songs are evasive-the truth about life, and life is more or less a lie, but then again that's exactly the way we want it to be. We wouldn't be comfortable with it any other way. A folk song has over a thousand faces and you must meet them all if you want to play this stuff. A folk song might vary in meaning and it might not appear the same from one moment to the next. It depends on who's playing and who's listening. — Bob Dylan

If all the skies were sunshine Our faces would be fain To feel once more upon them The cooling splash of rain. If all the world were music, Our hearts would often long For one sweet strain of silence, To break the endless song If life were always merry, Our souls would seek relief, And rest from weary laughter In the quiet arms of grief. — Henry Van Dyke