Face Pictures With Quotes & Sayings

It was actually a very nice little book done by a gift book company. They illustrated it with pictures from 1920s football, before there were face guards. — Gregg Easterbrook

I never thought I'd land in pictures with a face like mine. — Audrey Hepburn

If we scrutinize 100,000 pictures, it's not surprising that occasionally we'll come upon something like a face. With our brains programmed for this from infancy, it would be amazing if we couldn't find one here and there. — Carl Sagan

Last night I dreamed that I came face to face with a picture I had done and forgotten, a forest done in simple movement, just forms of trees moving in space. That is the third time I have seen pictures in my dreams, a glint of what I am striving to attain. — Emily Carr

Having Simultanagnosia (object blindness), Prosopagnosia (face blindness) and Semantic Agnosia (meaning blindness) goes in my favour with regards to abstract art living in world full of fragmented pieces when I draw it is in real time no visual memory means no "pre-formatted" picture in my mind so I go where my hand takes it's like journey that is happening in the moment, hence why I drew these without my lenses on. When I was younger I would draw pictures by "route" which made it a appear that I had a visual memory (cobbling together things out of context and making a contextual image) — Paul Isaacs

A Klee painting named 'Angelus Novus' shows an angel looking as though he is about to move away from something he is fixedly contemplating. His eyes are staring, his mouth is open, his wings are spread. This is how one pictures the angel of history. His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. This storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. This storm is what we call progress. — Walter Benjamin

I need to remember what they look like. I try to hold them still behind my eyes, their faces, like pictures in an album. But they won't stay still for me, they move, there's a smile and it's gone, their features curl and bend as if the paper's burning, blackness eats them. A glimpse, a pale shimmer on the air; a glow, aurora, dance of electrons, then a face again, faces. But they fade, though I stretch out my arms towards them, they slip away from me, ghosts at daybreak. Back to wherever they are. Stay with me, I want to say. But they won't. — Margaret Atwood

I wanna get a piece of bread and draw a smiley face on it with condiments then take pictures just because I'm young and I can - y o l o — Myself

Rain is the subject of prayer, the kind gesture of saints. Dear City, explain your irreverence: in you, rain is a visitor with nowhere to go. Where is the ground that knows only the love of water? What are the passageways to your heart? Pity the water that stays and rises on the streets, pity the water that floods into houses, so dark and filthy and heavy with rats and dead leaves and plastic. How ashamed water is to be what you have made it. What have you done to its beauty, its graceful body in pictures of oceans, its clear face in a glass? — Conchitina Cruz

Zac dangled his legs off the edge of the building, hanging onto every word I said as though I were some old time bard telling an epic war tale. I tried to be as detailed as possible, and I knew that I was doing a good job when he'd lean back and shut his eyes. He'd breathe slowly and watch the pictures that I painted for him with my words. He'd smile, not a cunning toothy one, but a sincere smile that comes only from being truly happy. I'd sit across from him and just watch his reactions. We could be up there for hours. I would see the sunset across his face and be as captivated with his skin's changing colours as he was with my everyday stories. That's when I learned to dislike winters. — Ashley Newell

Engagement pictures made me want to vomit - especially when they were taken on railroad tracks. I always pictured Thomas the Train rolling over them, his smiley blue face beaded with their blood. — Tarryn Fisher

I sighed, sinking back, head filling with pleasant images; pictures Pietr floated to the surface. Kisses scorched along my face and neck. "Pietr ... "
There was a growl, and I felt fingers at the waistband of my jeans. The button opened and a hand traced along the top of my underpants.
"No," I said. The kissing resumed, harder. "Jessica." The word rumbled in someone's throat. Not Pietr's. To him, I was Jess.
"No," I insisted, trying to pry my eyes open. Something was wrong ... Not Pietr ... I pushed at the chest above me, my eyelids stinging as I willed them apart.
"Relax ... " a voice said, lips dragging along the cornerof my jaw, filling my head with honey, sticky and sweet ... — Shannon Delany

When two people talk, they don't just fall into physical and aural harmony. They also engage in what is called motor mimicry. If you show people pictures of a smiling face or a frowning face, they'll smile or frown back, although perhaps only in muscular changes so fleeting that they can only be captured with electronic sensors. If I hit my thumb with a hammer, most people watching will grimace: they'll mimic my emotional state. This is what is meant, in the technical sense, by empathy. We imitate each other's emotions as a way of expressing support and caring and, even more basically, as a way of communicating with each other. — Malcolm Gladwell

Oh! why was I born with a different face? why was I not born like the rest of my race? when
I look,each one starts! when I speak, I offend; then Im silent & passive & lose every friend. Then
my verse I dishonour, my pictures despise, my person degrade & my temper chastise; and the pen is my terror, the pencil my shame; all my talents I bury, and dead is my fame. Im either too low or too highly prized; when elate I m envy'd, when meek Im despis'd — William Blake

when i was little i used to save my baths for later. id come back to them before bed and sit in the old cold bathwater and run cool water out of the shower and pretend i was hiding in vietnam and it was raining. i was young when i did this and am not sure why i was thinking about vietnam or what i knew about it. i did this when i was older too. im thinking about doing it again tonight.

you are running out of time to get everything you want exactly the way you want it. (this is a joke.) most things are going to be left unsaid. (this is not a joke.) a few weeks ago my mom sent me an email with pictures of eagles that said "how about these eagles." she visits my cousin in jail once a month. that seems like a lot for an aunt. he is in jail because he shot his girlfriend in the face but they are still together. she told me once that she knew in her heart that he is guilty but now she claims she never said that. — Heiko Julien

Hidden in a toolbox, in the rafters of his four-car garage, was an envelope full of pictures taken by a private detective...They were pictures of a scrawny, boyish looking nine year old with a wide mouth and a tangle of brown hair...Her eyes were oblong and deep set, their color hidden from the camera by the slant of the sun. The angles and planes of her face were oddly beautiful just then, in that moment, frozen on Kodak paper. A hint of the woman she would someday become. — Shirley A. Martin

Her learning to sew (from a book Yankel brought back from Lvov) coincided with her refusal to wear any clothes that she did not make for herself, and when he bought her a book about animal physiology, she held the pictures to his face and said, "Don't you think it's strange, Yankel, how we eat them?"
"I've never eaten a picture."
"The animals. Don't you find that strange? I can't believe I never found it strange before. It's like your name, how you don't notice it for so long, but when you finally do, you can't help but say it over and over, and wonder why you never thought it was strange that you should have that name, and that everyone has been calling you that name for your whole life."
"Yankel. Yankel. Yankel. Nothing so strange for me."
"I won't eat them, at least not until it doesn't seem strange to me. — Jonathan Safran Foer

There are certain pictures I can never take. We turn on the TV and are smothered with cruelty and suffering and I don't need to add to it. So I just photograph peaceful things. A vase of flowers, a beautiful girl. Sometimes, through a peaceful face, I can bring something important into the world. — Edouard Boubat

The architecture student from number eleven presses his face to the glass and looks at the way the light falls through the water, he thinks about a place where he worked in the spring, an office where they had a stack of empty watercooler bottles against the window, and how he would sit and watch the sun mazing its way through the layers of refraction, the beauty of it, he called it spontaneous maths and he wanted to build architecture like he that, he looks at the row of houses opposite and he pictures them built entirely of plastic and glass, he imagines how people's lives might change if their dwellings shook with endless reflections of light, he does not know if it's possible but he thinks it's a nice idea — Jon McGregor

Kiera blushes deeply as she continues tearfully, "Jeff, our life has been crazy since the moment we met. Yet, with each challenge we face, we grow stronger. You told me before we even had our first formal date that you'd like to prove to me that you'd love me until the stars fall from the sky. Although at first, I was scared to believe, you have demonstrated in big ways and small that you love me. So, for me this ring is a tangible sign of my love for you."
Gabriel walks over to Kiera and hands her a ring, which she slides on my finger as she asks, "Jeffery Charles Whitaker, will you take this ring as a symbol of my love and faithfulness until the stars fall from the sky?"
To my shock, it is the simple gold band that I've seen my dad wear in countless pictures before he died. My eyes tear up as I breathe, "Oh Pip, this is perfect. I wanted him to be here." In a much louder voice, I reply, "Of course I will. — Mary Crawford

There are many challenges I face while working on a book. Working within deadlines and schedules is certainly one of the bigger ones for me. I want to create the best possible book I can for my readers with words and pictures - and that takes time to get it just right. — Tony DiTerlizzi

Movie or no, you should never put pictures of the book's characters on the cover. That only cramps the reader's fantasy. You force him to keep seeing the faces of the actors in the movie. For someone who has seen the movie first and then, out of curiosity, goes on to read the whole book, that might not be so bad. But anyone who reads the book first is faced with a dilemma. During the reading he sees the faces of all the characters in his mind's eye. Faces he wants to assemble with his own fantasy. No matter how those faces may be described. Despite your superfluous descriptions of noses, eyes, ears, and hair color, each reader constructs his own faces in his own imagination. Three hundred thousand readers; that's three hundred thousand different faces for each character. Three hundred thousand faces that are destroyed at one fell swoop by that one face in the movie. As a reader, it's pretty tough to remember that imaginary face after seeing the actor on the screen. Two — Herman Koch

It's even more awkward when we're face to face with people. It used to be exciting to make plans with friends because you could sit and catch up and talk about what's been going on in your lives. Now when you see someone there's nothing left to say. You've already seen the pictures from their trip to Rio on Facebook. You've read their tweets about the latest diet they're on. And they already texted you about the pregnancy scare. So you end up just sitting and staring at each other until you both start texting other people. — Ellen DeGeneres

I'd see him do things that didn't fit with his face or hands, things like painting a picture at OT with real paints on a blank paper with no lines or numbers anywhere on it to tell him where to paint, or like writing letters to somebody in a beautiful flowing hand. How could a man who looked like him paint pictures or write letters to people, or be upset and worried like I saw him once when he got a letter back? — Ken Kesey

I blinked and wiped my hand over my face. My fingers came back damp. I glanced across the room and saw my reflection in the mirror, hair snarled, mascara running, face streaked with tears.
"Yep, you look like shit," Adam said. "And I took plenty of pictures, which I will keep until an appropriate opportunity for blackmail arises. — Kelley Armstrong

Mourning Ruby is not a flat landscape: it is more like a box with pictures painted on every face. And each face is also a door which opens, I hope, to take the reader deep into the book. — Helen Dunmore

Sure, the guys in the pictures may have been lisping their ABCs while receiving their blow jobs, but here's the thing: If anyone cornered them in the hallway of their high school and called them, oh, I don't know, "Tinkerbell Tim," these dudes looked like they could and would punch back. Or whack them in the face with their rock-hard cocks, whichever. — Anonymous

So all I'm saying is take that tiara back out, place it on your head, and prance around like a goddess. Paint your face, paint those pictures, paint the entire world if that's what you
want. Leave your colorful mark in this school, and together, we'll wear our hearts on our sleeves and make the area explode with spouts of laughter. — Ayla Starr

There is something strikingly different about the quality of photographs of that time. It has nothing to do with age or colour, or the feel of paper ... In modern family photographs the camera pretends to circulate like a friend, clicking its shutters at those moments when its subjects have disarranged themselves to present to it those postures which they would like to think of as informal. But in pictures of that time, the camera is still a public and alien eye, faced with which people feel bound either to challenge the intrusion by striking postures of defiant hilarity, or else to compose their faces, and straighten their shoulders, not always formally, but usually with just that hint of stiffness which suggests a public face. — Amitav Ghosh

Or perhaps a widow found him and took him in: brought him an easy chair, changed his sweater every morning, shaved his face until the hair stopped growing, took him faithfully to bed with her every night, whispered sweet nothings into what was left of his ear, laughed with him over black coffee, cried with him over yellowing pictures, talked greenly about having kids of her own, began to miss him before she became sick, left him everything in her will, thought of only him as she died, always knew he was fiction but believed in him anyway. — Jonathan Safran Foer

I'd looked around my room at the ribbons and sashes and rosettes hanging from the walls, at the photos of my ponies clearing the highest fences with me crouched in the saddle, a look of utter determination on my face. I'd made myself look hard at the pictures, at my legs swinging backwards over the fences, at my body lying low over my pony's neck, my hands grasping at the reins as I turned them in mid-air. At the way that Teddy's eyes were bulging as I pulled him around a tight turn, at the way the veins popped out on Buck's lathered neck, at Springbok's open mouth, dripping with foam.
I'd looked hard at them all, and I hadn't liked what I'd seen. — Kate Lattey

As an actor you want people to know you and there are times you want your pictures taken, but it's unnerving to walk out of a venue with friends and there are 20 people flashing lights in your face. Do you know how bright those lights are? — Ashley Greene

I see the President almost every day. I see very plainly Abraham Lincoln's dark brown face with its deep-cut lines, the eyes always to me with a deep latent sadness in the expression. None of the artists or pictures has caught the deep, though subtle and indirect expression of this man's face. There is something else there. One of the great portrait painters of two or three centuries ago is needed. — Walt Whitman

Her hair was hidden under a white headdress, like some kind of wimple; she wore a long white tunic and trousers, and her skin had the pale golden hue associated in our world with Orientals. The lines of her cheekbone and jaw reminded him of pictures he had seen of the head of Nefertiti, thought her neck was longer, slightly too long for an ordinary human, and as she turned toward him he realized the planes of her face were subtly different, though it would have been hard to explain in what way. A fraction of an inch here, a fraction of an inch there, and the whole visage was somehow distorted, though its beauty remained undiminished. — Amanda Hemingway

In the center of the sofa were two oblong companion pillows, shouldered so closely together that they looked like the Decalogue tablets. They were white, or had been white, and painfully stitched upon them with blue thread were companion mottoes, companion pictures. In the left pillow lies a girl, her long blue hair asprawl about her face, her eyes innocently shut, asleep. The motto: I SLEPT AND DREAMED THAT LIFE WAS BEAUTY. But the story continued, and on the next pillow her innocence is all torn away: there she stands, gripping a round broom; her hair now is pinned up severely and behind her sits a disheartening barrel churn. I WOKE AND FOUND THAT LIFE WAS DUTY. The pillows sat, stuffed and stiff as disapproving bishops; they could, he thought, serve as twin tombstones for whole gray generations. — Fred Chappell

I'm helped by a gentle notion from Buddhist psychology, that there are "near enemies" to every great virtue - reactions that come from a place of care in us, and which feel right and good, but which subtly take us down an ineffectual path. Sorrow is a near enemy to compassion and to love. It is borne of sensitivity and feels like empathy. But it can paralyze and turn us back inside with a sense that we can't possibly make a difference. The wise Buddhist anthropologist and teacher Roshi Joan Halifax calls this a "pathological empathy" of our age. In the face of magnitudes of pain in the world that come to us in pictures immediate and raw, many of us care too much and see no evident place for our care to go. But compassion goes about finding the work that can be done. Love can't help but stay present — Krista Tippett

I have no little insight into the feelings of furniture, and treat books and prints with a reasonable consideration. How some people use their pictures, for instance, is a mystery to me; very revolting all the same
portraits obliged to face each other for ever
prints put together in portfolios. — Robert Browning

While she was saying this, I was thinking, We just finished the freakin' Egypt project, now we have to start a whole new thing? And then in my head I was going, Oh noooooo! like that kid in Home Alone with his mouth hanging open and his hands on his face. That was the face I was making on the inside. And then I thought of those pictures of melting ghost faces I've seen somewhere, where the mouths are open wide and they're screaming. — R.J. Palacio

I try to congure, to raise my own spirits, from wherever they are. I need to remember what they look like. I try to hold them still behind my eyes, their faces, like pictures in an album. But they won't stay still for me, they move, there's a smile and it's gone, their features curl and bend as if the paper's burning, blackness eats them. A glimpse, a pale shimmer on the air; a glow, aurora, dance of electrons, then a face again, faces. But they fade, though I stretch out my arms towards them, they slip away from me, ghosts at daybreak. Back to wherever they are. Stay with me, I want to say. But they won't.
It's my fault. I am forgetting too much. — Margaret Atwood

In all my old school pictures I was always the one standing alone in the back with my hair in my face. — Rachel Hawkins

The truth was I knew, after all those flat January days, that I deserved better. I deserved I love yous and kiwi fruits and warriors coming to my door, besotted with love. I deserved pictures of my face in a thousand expressions, and the warmth of a baby's kick beneath my hand. I deserved to grow, and to change, to become all the girls I could be over the course of my life, each one better than the last. — Sarah Dessen

I have a horrid scar right under my left knee from you. Well, the absence of you. Seems appropriate. But I still miss you. My pillowcase smells like you, so I bury my face in it and breathe it in. Things feel empty. My couch, my living room, my heart. I see pictures of things. Silly things, beautiful things, and I want to share them with you. But alas, I cannot, I do not, I press the red button when you call. — Elizabeth Brooks

And yes, even in the poor lighting, I could see that she was beautiful - in a deadly way - and that struck me too. Her pictures hadn't done her justice. Long, dark hair framed a face filled with the sort of hard-edged beauty a man might easily dash his heart against. — Richelle Mead

If so, it is inaccurate to say that the majority 'enjoy bad pictures'. They enjoy the ideas suggested to them by bad pictures. They do not really see the pictures as they are. If they did, they could not live with them. There is a sense in which bad work never is nor can be enjoyed by anyone. The people do not like the bad picture because the faces in them are like those of puppets and there is no real mobility in the lines that are meant to be moving and no energy or grace in the whole design. These faults are simply invisible to them; as the actual face of the Teddy-bear is invisible to an imaginative and warm-hearted child when it is absorbed in its play. It no longer notices that the eyes are only beads. — C.S. Lewis

I saw it from that hidden, silent place
Where the old wood half shuts the meadow in.
It shone through all the sunset's glories - thin
At first, but with a slowly brightening face.
Night came, and that lone beacon, amber-hued,
Beat on my sight as never it did of old;
The evening star - but grown a thousandfold
More haunting in this hush and solitude.
It traced strange pictures on the quivering air -
Half-memories that had always filled my eyes -
Vast towers and gardens; curious seas and skies
Of some dim life - I never could tell where.
But I knew that through the cosmic dome
Those rays were calling from my far, lost home. — H.P. Lovecraft

The door closed behind her, and Ed just stood there - unable to connect with the present reality. It was as though he had been zapped by a stun gun of words, and the effect had made him momentarily immobile. A few minutes passed, and he broke free from the paralyzing shock. He walked into the bedroom that he and Laura had once shared. Now, like him, it was missing her presence. Pictures had been taken off of the dresser, the scented candles were gone, and her pillow was not on the bed. He walked over to the closet, opened it up, and found that her clothes, and shoes were also gone. He looked around the half empty room, and found himself venturing into a tormenting cycle of confusion. A livid syrup had just been poured out onto a panicked waffle that had been setting on a perturbed plate for several daunting months, and Ed suddenly found himself acquiring an unhealthy appetite for destruction. Tears began to fall down his face, and an inward storm began to rage. — Calvin W. Allison

If I wanted to punish myself, I'd keep looking at your face."
"Isn't my face in half the pictures taped to your bunk wall?"
"Maybe I keep them there to scare away the devil."
"Just show him your feet," he said, going for her weak spot. She had adorable toes, but she hated that her second one was longer than the first. "He'll run screaming back to hell with his forked tail between his legs."
"Keep talking and I'll send you there to meet him."
"I'll say hello to your demon-spawn mother while I'm there."
"Try not to wet yourself like you did at the palace."
"Hey!" He drew back an inch. That was hitting below the belt. "I was only four when that happened, and your mom was legitimately scary. — Melissa Landers