Quotes & Sayings About Face Features

All I could remember was her smile. Unable to picture the loved face, however strenuously I tried to make myself remember it, I was for ever irritated to find that my memory had retained exact replicas of the striking and futile faces of the roundabout man and the barley-sugar woman, just as the bereaved, who each night search their dreams in vain for the lost beloved, will find their sleep is peopled by all manner of exasperating and unbearable intruders, whom they have always found, even in the waking world, more than dislikable. Faced with the impossibility of seeing clearly the object of their grief, they come close to accusing themselves of not grieving, just as I was tempted to believe that my inability to remember the features of Gilberte's face meant that I had forgotten her and had stopped loving her. — Marcel Proust

They laughed together then until the woman's features turned somber. "Thank you for not lying about what you thought of my appearance. You might have a face to turn my hair white, but your honesty is handsome. — Grace Draven

So, as Lymond strode out and stopped, rigid and white by the doorpost, Sybilla set eyes on Francis, the son of her heart; and so Francis Crawford, after four years of unharnessed power, came face to face at last with his mother.

And Kate, falling upon the door and looking up at her self-contained relative by marriage, saw his face torn apart and left, raw as a wound without features; only pain and shock and despair and appalled recognition, all the more terrible for being perfectly voiceless. — Dorothy Dunnett

Relying on the face might be human nature - even babies prefer to look at attractive people. But, of course, judging someone based on the geometry of his features is, from a moral and legal standpoint, no better than judging him based on the color of his skin. — Paul Bloom

The photograph showed a young couple smiling at the camera. The man didn't look much older than seventeen or eighteen, with light-coloured hair and delicate, aristocratic features. The woman may have been a bit younger, one or two years at the most. She had pale skin and a finely chiselled face framed by
short black hair. She looked drunk with happiness. The man had his arm round her waist, and she seemed to be whispering something to him in a teasing way. The image conveyed a warmth that drew a smile from me, as if I had recognized two old friends in those strangers. — Carlos Ruiz Zafon

Pleasure eased the edges of Tiern-Cope's face, and with his mouth curved in a smile he resembled his brother more than ever. But the eyes gave him away. They were cold, a lifeless, icy blue. He grasped the woman's hips, and this woman who had Olivia's copper hair and even her features, cried out in a low, guttural moan of pleasure incapable of containment. "I am coming," he said. He opened his eyes again, looking at her, and she wanted to weep from the heartbreak.
His hips came up, and he gasped and said, "My heart. My love. I'm coming."
She slid away, down and away, and into the safety of Sebastian's embrace. His arms enfolded her, warm and tight. Hurry, she thought. — Carolyn Jewel

Yet, love, mere love, is beautiful indeed
And worthy of acceptation. Fire is bright,
Let temple burn, or flax; an equal light
Leaps in the flame from cedar-plank or weed:
And love is fire. And when I say at need
I love thee ... mark! ... I love thee
in thy sight
I stand transfigured, glorified aright,
With conscience of the new rays that proceed
Out of my face toward thine. There's nothing low
In love, when love the lowest: meanest creatures
Who love God, God accepts while loving so.
And what I feel, across the inferior features
Of what I am, doth flash itself, and show
How that great work of Love enhances Nature's. — Elizabeth Barrett Browning

The collision was impending and electric, but the moment was soft and sweet: She positively glowed as she looked up at him.
"What," she whispered, palming his face.
Vin took a moment to memorize her features and the way she felt beneath him, seeing her not just through his eyes, but feeling her with his skin and his heart. "Hello, lovely lady ... hello. — J.R. Ward

O stars, isn't it from you that the lover's desire for the face of his beloved arises? Doesn't his secret insight into her pure features come from the pure constellations? - from "The Third Elegy" by Rainer Maria Rilke Fine — Philip Pullman

The faces you clutch at desperately slip away; it's when you're not thinking about them that their features flash past. It can happen on a street corner, at the turn of a staircase, because somebody said a word, because some image, an image has passed. Then the face is there for a split second, very fragile. One mustn't grasp at it, or it whisks away. One might as well try and catch a cloud. It was a cloud. — Francois Maspero

She was about twenty-four, Rosemary guessed - her face could have been described in terms of conventional prettiness, but the effect was that it had been made first on the heroic scale with strong structure and marking, as if the features and vividness of brow and coloring, everything we associate with temperament and character had been molded with a Rodinesque intention, and then chiseled away in the direction of prettiness to a point where a single slip would have irreparably diminished its force and quality. With the mouth the sculptor had taken desperate chances - it was the cupid's bow of a magazine cover, yet it shared the distinction of the rest. — F Scott Fitzgerald

As a final test, I tried to look Arthur in the eyes. But no, this time-honoured process didn't work. Here were no windows to the soul. They were merely part of his face, light-blue jellies, like naked shell-fish in the cervices of a rock. There was nothing to hold the attention; no sparkle, no inward gleam. Try as I would, my glance wandered way to more interesting features; the soft, snout-like nose, the concertina chin. After three or four attempts, I gave it up. It was no good. There was nothing for it but to take Arthur at his word. — Christopher Isherwood

I don't want to marry you. I don't want to want you," he added fiercely, taking one measured step toward her, then another. "And I sure as hell don't want to love you. But, God help me, I just can't stop myself." Closing the rest of the distance between them in a single stride, he snatched her up by the shoulders, his burning gaze searching her face as if to sear her features into his memory. "I don't want to marry you because I love you too much to ask you to spend the rest of your life hiding in the shadows. — Teresa Medeiros

All my life, you've been my Almost." He softened slightly, his gaze touching over the features of her face as if memorizing her. "I want you, Leah. I've always wanted you. But wanting isn't enough. You have to fight for it too, and you're not going to. — Jill Shalvis

He stands in the doorway like a dark angel. His hair curls a little around his face, softening the hard perfection of his features. His eyes are trained on my face, and his lips are curved in a slight smile. He's stunning. And utterly terrifying. My instincts had been right--this man is capable of anything. — Anna Zaires

She grabbed her briefcase and took a step toward him. "You don't have a last name?"
"Everyone has a last name." His hand hovered in the air, waiting. He was forcing her to cross the marble floor to meet him, and like a Luna moth drawn to a midnight moon, she drifted toward him.
When she reached him, she took his hand and looked up into his face. "Is it Jones? Smith? Or Brown?"
His lips twitched. "None of the above."
"And you won't tell me?"
"It's not necessary information."
She tilted her head, studying his angular features. "You don't look like an Adrian."
His smile broadened. "Imagine that."
"More like a Carlos, or a Juan, or a Diego."
"Those are Hispanic names."
"Aren't you Hispanic?"
"I'm anything you want me to be. — Shelby Reed

People don't tend to employ me. I'm the wrong personality type. Or rather, people do tend to employ me for a short time and then they sack me. A film broker once told me, as she terminated my contract, that I have a misleading sort of face.
"You're pretty", she complained. "Your features are symmetrical and there was an article in Grazia that says human beings are programmed to find those with symmetrical features more pleasing to they eye. So this isn't my fault, I was simply responding to a biological imperative. You've even teeth, so when you smile, you look ... sweet, I suppose. But you're not, are you?"
"I hope not," I said.
"You see, there you go again. You're a smart-arse and you've no ability to filter your thoughts
"
"And my thoughts are often abrasive."
"Exactly."
"I'll just get my brushes and sponges and leave."
"If you would. — Marian Keyes

Edmund jumped and somersaulted in midair, vaulting neatly onto the roof of the carriage. As he did so, he drew weapons from the concealing folds of his garments: the two whips he had spoken of before, arcs of sizzling light against the night sky. He wielded them with cutting precision, their light waking golden fire in his tousled hair and casting a glow on his carved features, and by that light Magnus saw his face changed from a laughing boy's to the stern countenance of an an angel. — Cassandra Clare

Michael had taken over the Apollo cabin after Lee Fletcher died in battle last summer. Michael stood four-foot-six with another two feet of attitude. He reminded me of a ferret, with a pointy nose and scrunched-up features - either because he scowled so much or because he spent too much time looking down the shaft of an arrow. "It's our loot!" he yelled, standing on his tiptoes so he could get in Clarisse's face. "If you don't like it, you can kiss my quiver!" Around the table, people were trying not to laugh - the Stoll brothers, Pollux from the Dionysus cabin, Katie Gardner from Demeter. Even Jake Mason, the hastily appointed new counselor from Hephaestus, managed a faint smile. Only Silena Beauregard didn't pay any attention. — Rick Riordan

I gazed at his face in the rapidly fading light of day, admiring his five o-clock stubble and ruggedly handsome features. If you were being technical about it you could say I was fawning. Like a fan girl at Comic Con who's just spotted Loki - Logan Blake — Jules Deplume

And David and Goliath I have done before, but this time there is a difference. David holds the head at arm's length and looks disgusted. And onto Goliath's severed head, I put my own features. The head hangs in darkness so that the black hair and beard framing the face blend off into the shadows, and there are four thin ropes of dark blood trailing down into space from the neck. And in one eye of the freshly severed head, there is still the faint glimmer of life.
That's me and that's the last painting I ever did.
Spectator, viewer, audience, however you care to call yourself; I address you here, with this, my final picture.
Cast a cold eye on it all, and on my work. I am still alive. — Christopher Peachment

Once in the shower, I let the water run over my face, keeping my eyes closed. The delicate outlines of Abby's features were burned behind my eyelids. It wasn't the first time; I saw her every time my eyes closed. Now that she was gone, it was like being stuck in a nightmare. — Jamie McGuire

Dantes had entered the Chateau d'If with the round, open, smiling face of a young and happy man, with whom the early
paths of life have been smooth. and who anticipates a future corresponding with his past. This was now all changed. The oval face was lengthened, his smiling mouth had assumed the firm and marked
lines which betoken resolution; his eyebrows were arched beneath a brow furrowed with thought; his eyes were full of melancholy, and from their depths occasionally sparkled gloomy fires of misanthropy and hatred; his complexion, so long kept from the sun, had now that pale color which produces, when the features are encircled with black hair, the aristocratic beauty of the man of the north; the profound learning he had acquired had besides diffused over his features a refined intellectual expression; and he had also acquired, being naturally of a goodly stature, that vigor which a frame possesses which has so long concentrated all its force within itself. — Alexandre Dumas

Our enemies had a tendency to take one look at Charlotte, with her short, slim figure and her pretty, delicate Asian features, and assume she was weak. A low level threat.
Ten seconds later, the look of surprise on his face as he lay on his back, winded, eyes rolled up and watching her support Kate towards the stairs, said he'd possibly learnt his lesson. Never judge a book by it's cover. — Violet Cross

There is no such thing as beauty, especially in the human face ... what we call the physiognomy. It's all a mathematical and imagined alignment of features. Like, if the nose doesn't stick out too much, the sides are in fashion, if the earlobes aren't too large, if the hair is long ... It's kind of a mirage of generalization. People think of certain faces as beautiful, but, truly, in the final measure, they are not. It's a mathematical equation of zero. "True beauty" comes, of course, of character. Not through how the eyebrows are shaped. So many women that I'm told are beautiful ... hell, it's like looking into a soup bowl. — Charles Bukowski

With his fingers, he followed the shape of her chin, her jaw, and learned her features, committing them to memory. Her face was small, her bones fragile. Exquisite. — Sofia Grey

Yes," Nicholas replied, in a bored voice. "The name is Dutch. Dragonwyck, meaning place of the dragon. It derives from an Indian legend about a flying serpent whose eyes were fire and whose flaming breath withered the corn."
"Heavens!" With a light laugh, Miranda asked her new employer if the red men had sent forth a champion to do battle with the dragon.
The patroon's face was dark, unsmiling. "To appease him the wise men of the tribe sacrificed a pure maiden on the rocky bluff you see above you."
Miranda's laughter died. Something in Nicholas Van Ryn's cruel, handsome features made her imagine herself in the Indian maiden's place. — Anya Seton

The tiny body was slippery, and he held her tightly, afraid she'd slither out of his grip. He rotated the infant face-up, holding her about ten inches away from his face. The top of her head had a slight cone shape. Her blue-tinged hands pinked. The baby's eyes were open, alert and seemingly amazed.
They connected with his.
A jolt of intense feeling, of recognition, flowed between them. As he gazed on the scrunched features of the infant, love surged through him. He'd never felt such a feeling before, and his chest ached with the joyful pressure. Caleb wanted to curl her to his chest and keep her safe. He pressed a kiss to her forehead, inhaling a scent that surprised him with its sweetness.
"My baby?" Maggie asked.
The infant broke eye contact with Caleb and turned her face toward the sound of her mother's voice. He blinked back moisture from his eyes and grinned. "You have a beautiful daughter. — Debra Holland

His features, shaping into something resembling dumbfounded astonishment, were cast in a warm glow from a shaded nearby lamp.
He looked earnestly surprised and a little boyish. Smash, smash, smash.
His mesmerizing eyes narrowed as they looked over my now completely covered form, the only skin showing was that of my face and hands. If I'd been thinking clearly and sober I might have felt ridiculous; instead, as I was most definitely not thinking clearly and was most definitely not sober, I was cursing myself for leaving my gloves in Chicago and I was looking for my glasses.
He shifted on his feet, stuffed his hands in his pockets, and studied me with open and growing amusement; Are you going somewhere? — Penny Reid

A look which reveals inward stress adds more beauty to the face, no matter how much tragedy and pain it bespeaks; but the face which, in silence, does not announce hidden mysteries is not beautiful, regardless of the symmetry of its features. — Khalil Gibran

THE NECESSITY OF APPEARING IN YOUR OWN FACE
There are days when that is the last place
in the world that you want to be but you
have to be there, like a movie, because it
features you. — Richard Brautigan

Anything approaching the change that came over his features I have never seen before, and hope never to see again. Oh, I wasn't touched. I was fascinated. It was as though a veil had been rent. I saw on that ivory face the expression of sombre pride, of ruthless power, of craven terror
of an intense and hopeless despair. Did he live his life again in every detail of desire, temptation, and surrender during that supreme moment of complete knowledge? He cried in a whisper at some image, at some vision
he cried out twice, a cry that was no more than a breath:
The horror! The horror! — Joseph Conrad

His features had the fine precision of sculpture. His hair was black and straight, swept back. The suntan of his skin intensified the startling color of his eyes: they were a pure, clear blue. His face was open, its rapid changes of expression reflecting whatever he felt, as if he had nothing to hide. The blue eyes were still and changeless, never giving a hint of what he thought. — Ayn Rand

His features were smudged and indistinct, as though a thumb had smeared itself across an ink drawing of a face. His — John Connolly

I try to congure, to raise my own spirits, from wherever they are. I need to remember what they look like. I try to hold them still behind my eyes, their faces, like pictures in an album. But they won't stay still for me, they move, there's a smile and it's gone, their features curl and bend as if the paper's burning, blackness eats them. A glimpse, a pale shimmer on the air; a glow, aurora, dance of electrons, then a face again, faces. But they fade, though I stretch out my arms towards them, they slip away from me, ghosts at daybreak. Back to wherever they are. Stay with me, I want to say. But they won't.
It's my fault. I am forgetting too much. — Margaret Atwood

He let the curtain drop and the terrible light that had played on his features went off to play somewhere more healthy. — Douglas Adams

She told a story of being so fixated on the beautiful features of a playmate that she collided with a tree and skinned her own face. — Jean Nathan

I'm in love with you, Trip. I love you. I always have."
It looked as though he'd been slapped in the face by my words. Pain drifted across his features as he dropped his head and shook it. "I know."
Not the words I was imagining, and the unexpectedness made me laugh.
"You know? Oh my God. Did you just Han Solo me?"
...
"I know you love me. I know, and it's incredible." He looked down at me, his eyes a shifting pool of blue, the corner of his lip quirked into a lopsided smile as he gently swiped my hair behind my ear. He buried his face against my neck, his breath tickling against my skin as he whispered softly, "Because I am completely in love with you right back. — T. Torrest

Disbelief flickered across his face a second before his features settled into their typical grumpy position, but I'd seen it. Mother-freaking bingo. I'd seen it. "I don't know what ya - "
"Yes, you do, — Jennifer L. Armentrout

For a moment, I tried to see myself through the eyes of the girl with the black hair, or even the boy in the cowboy hat, studying my features for a vibration under the skin. The effort was visible in my face, and I felt ashamed. No wonder the boy had seemed disgusted: He must have seen the longing in me. Seen how my face was blatant with need, like an orphan's empty dish. And that was the difference between me and the black-haired girl- her face answered all it's own questions. — Emma Cline

The tongue is more easily controlled than the features of the face; and though the heart may be secret, the face is transparent. — Helen Hunt

Anny hasn't changed her letter paper, I wonder if she still buys it at the little stationer's in Piccadilly. I think that she has also kept her coiffure, her heavy blonde locks she didn't want to cut. She must struggle patiently in front of mirrors to save her face: it isn't vanity or fear of growing old; she wants to stay as she is, just as she is. Perhaps this is what I liked best in her, this austere loyalty to her most insignificant features. — Jean-Paul Sartre

The face that looked back was narrow, and although it was not beautiful, it was not ugly. I am nondescript, she thought. Nondescript features with shoulder-length dark hair. Hmm. She opened the robe and looked critically at her body. Lots of adjectives beginning with the letter S are appropriate here, she thought grimly. Short. Scrawny. Small breasts. Skinned knees (although presumably those were only temporary). — Daniel O'Malley

No, you look like the beauty you are, and you know it. You have that gift, which our mother had, of growing older and becoming more lovely. Your features have changed from being merely those of a pretty girl to being those of a beautiful woman with a face like a carving. When you are laughing and dancing with Edward, you could pass for twenty, but when you are still and thoughtful, you are as lovely as the statues they are carving in Italy. No wonder women loathe you. — Philippa Gregory

A woman stood on the sidewalk, her arms outstretched and her face turned to the sky. Sheer enjoyment splashed across her features, its intensity tugging at his heart. It was a raw emotion he rarely witnessed. — Cheryl Sterling

The statesman received us with that old-fashioned courtesy for which he is remarkable, and seated us on the two luxuriant lounges on either side of the fireplace. Standing on the rug between us, with his slight, tall figure, his sharp features, thoughtful face, and curling hair prematurely tinged with gray, he seemed to represent that not too common type, a nobleman who is in truth noble. — Arthur Conan Doyle

Well, good-bye for now," he said, rolling his neck as if we hadn't been talking about anything important at all. He bowed at the waist, those wings vanishing entirely, and had begun to fade into the nearest shadow when he went rigid.
His eyes locked on mine wide and wild, and his nostrils flared. Shock - pure shock flashed across his features at whatever he saw on my face, and he stumbled back a step. Actually stumbled.
"What is - " I began.
He disappeared - simply disappeared, not a shadow in sight - into the crisp air. — Sarah J. Maas

What bitter slavishness, that of my face, that of one of my former faces. This odious fate reserved for my features must perforce make me odious too, but I no longer care. — Jorge Luis Borges

There was something very taking in her face which owed nothing to the excellence of her features: an expression of sweetness, a sparkle of irrepressible fun, an unusually open look, quite devoid of self-consciousness. — Georgette Heyer

Annabel was, like the writer, of mixed parentage: half-English, half-Dutch, in her case. I remember her features far less distinctly today than I did a few years ago, before I knew Lolita. There are two kinds of visual memory: one when you skillfully recreate an image in the laboratory of your mind, with your eyes open (and then I see Annabel in such general terms as: "honey-colored skin," "thin arms," "brown bobbed hair," "long lashes," "big bright mouth"); and the other when you instantly evoke, with shut eyes, on the dark innerside of your eyelids, the objective, absolutely optical replica of a beloved face, a little ghost in natural colors (and this is how I see Lolita). — Vladimir Nabokov

Her face crumpled and he felt her pain as if it was his own. He wanted to take it back, but just like that memory, it was always going to be there.
She worked to get control over her features, then said, "I'm sorry I didn't defend you. I'm sorry I didn't tell them you were my guest."
Jem hadn't thought he cared anymore, not really, but her words were tugging loose the hard, painful knot in his chest. "It's okay."
She shook her head. "It's not. It wasn't."
He reached out and cupped her cheek in his hand. He didn't know what else to say and all he wanted was to touch her skin, let her know that he wasn't that boy anymore and that she wasn't that girl. — Mary Jane Hathaway

When we face a choice between adding features and resolving security issues, we need to choose security. — Bill Gates

If the artist only reproduces superficial features as photography does, if he copies the lineaments of a face exactly, without reference to character, he deserves no admiration. The resemblance which he ought to obtain is that of the soul. — Auguste Rodin

You, Bedouin of Libya who saved our lives, though you will dwell forever in my memory yet I shall never be able to recapture your features. You are Humanity and your face comes into my mind simply as man incarnate. You, our beloved fellowman, did not know who we might be, and yet you recognized us without fail. And I, in my turn, shall recognize you in the faces of all mankind. You came towards me in an aureole of charity and magnanimity bearing the gift of water. All my friends and all my enemies marched towards me in your person. It did not seem to me that you were rescuing me: rather did it seem that you were forgiving me. And I felt I had no enemy left in all the world. — Antoine De Saint-Exupery

Her features were thin and her skin was pale and she was certainly not pretty. But it was an exciting face. It was terribly exciting because it radiated something that a man couldn't see with his eyes but could definitely feel in his bloodstream. — David Goodis

His face - what would it have become? While calling him back in memory I have been haunted by the idea of the unalterable features of those who have died in youth. Borne away from them by the years, we - with our time-troubled looks and diminished alertness - have submitted to many a gradual detriment of change. But the young poet of twenty-five years ago remains his world-discovering self. His futureless eyes encounter ours from the faintly smiling portrait, unconscious of the privilege and deprivation of never growing old, unconscious of the dramatic illusion of completeness that he is destined to create. — Siegfried Sassoon

She raised the shovel, ready to plunge it into the soft soil. "I am not afraid. I am not."
"You should be." A sinister, accented voice pierced her consciousness.
The shovel fell from her nerveless fingers, thudding onto the cold ground.
Cassandra knew that voice; it had the rich, dark cadence that had haunted her dreams since the night she'd first met him. She spun around, the hood of her cloak falling to her shoulders.
Rafael Villar stepped out from behind a mausoleum. The shadows embraced his bronze skin, obscuring the scars on the left side of his face while moonlight highlighted his exotic Mediterranean features on the right....
"You! You've been the one disturbing my people? — Brooklyn Ann

wonder?" Brandubh asked as he perched atop Taran. He tucked his wings behind his back, studying the faol's features as he faded in and out of consciousness. Gripping Taran's chin, he whispered resentfully, "Was it your handsome face?" He slashed open his cheeks, smiling when Taran's eyes snapped open in response to the pain. Hatred burned brightly in his gaze as he stared up at him, — Alisha Ashton

Scarlet O'Hara was not beautiful, but men seldom realized it when caught by her charm as the Tarleton twins were. In her face were too sharply blended the delicate features of her mother, a Coast aristocrat of French descent, and the heavy ones of her florid Irish father. But it was an arresting face, pointed of chin, square of jaw. Her eyes were pale green without a touch of hazel, starred with bristly black lashes and slightly tilted at the ends. Above them, her thick black brows slanted upward, cutting a startling oblique line in her magnolia-white skin-that skin so prized by Southern women and so carefully guarded with bonnets, veils and mittens against hot Georgia suns. — Margaret Mitchell

When he is away from her, he tries to conjure up her face. He closes his eyes, but the magic eludes him. When they are together he watches, learning her features, her gestures. Still, afterwards, he cannot make it happen. It is as though when she does she takes everything of herself with her. — Aminatta Forna

One of the worst features about worrying is that it destroys our ability to concentrate. When we worry, our minds jump here and there and everywhere, and we lose all power of decision. However, when we force ourselves to face the worst and accept it mentally, we then eliminate all those vague imaginings and put ourselves in a position in which we are able to concentrate on our problem. — Dale Carnegie

You think a few features scattered on your face make you plain? I am ugly to the core. All England knows it. And after reading through my papers, you must know it. You sifted through a mountain of my misdeeds. Of course you'd build a wall around your heart. You're a clever girl. How could you love this? How could anyone?"
~Ransom — Tessa Dare

If one has given oneself utterly, watching the beloved sleep can be a vile experience. Perhaps some of you have known that paralysis, staring down at features closed to your enquiry, locked away from you where you can never, ever go, into the other's mind. As I say, for us who have given ourselves, that is a horror. One knows, in those moments, that one does not exist, except in relation to that face, that personality. Therefore, when that face is closed down, that personality is lost in its own unknowable world, one feels completely without purpose. A planet without a sun, revolving in darkness. — Clive Barker

He suddenly leaned in, and his fingers brushed my cheek. Warmth flooded my skin, and I frozen, waiting for him to pull back.
He didnt. The tips of his fingers lingered on my cheek for a moment. Then, very slowly, his hand slipped forward, the palm brushing my skin. Frozen, I stared at him, watching his face as his fingers moved from my cheek to my forehead to my chin, like a blind man tracing someone's features to see them in his mind.
"What are you doing to me?" he whispered. — Julie Kagawa

The idea of beauty which man creates for himself imprints itself on his whole attire, crumples or stiffens his dress, rounds off or squares his gesture, and in the long run even ends by subtly penetrating the very features of his face. Man ends by looking like his ideal self. These engravings can be translated either into beauty or ugliness; in one direction, they become caricatures, in the other, antique statues. — Charles Baudelaire

Jean-Yves looked up at his mother's face, her greying chignon, her harsh features: it was difficult to feel a rush of tenderness, of affection for this woman; as far back as he could remember, she had never really been one for hugs; it was equally difficult to imagine her in the role of a sensual lover, a slut. He suddenly realised that his father must have been bored shitless his whole life. He felt terribly shocked by this, his hands tensed on the edge of the table: this time it was irreparable, it was definitive. In despair, he tried to recall a moment when he had seen his father beaming, happy, genuinely glad to be alive. — Michel Houellebecq

Prince Bolkonsky was of medium height, a rather handsome young man with well-defined and dry features. Everything in his figure, from his weary, bored gaze to his quiet, measured gait, presented the sharpest contrast with his small, lively wife. Obviously, he not only knew everyone in the drawing room, but was also so sick of them that it was very boring for him to look at them and listen to them. Of all the faces he found so boring, the face of his pretty wife seemed to be the one he was most sick of. With a grimace that spoiled his handsome face, he turned away from her. He kissed Anna Pavlovna's hand and, narrowing his eyes, looked around at the whole company. — Leo Tolstoy

The neurotic youth of to-day renews no ante-existent type. You will look in vain for a face like Amos's amongst the busts of the recovered past. The same weakness of outline you may point to - the sheep-like features falling to a blunt prow; the lax jaw and pinched temples - but not to that which expresses a consciousness that combative effort in a world of fruitless results is a lost desire.
("The Accursed Cordonnier") — Bernard Capes

The portrait painter ... If he insults his sitters his occupation is gone. Whether he paints the should instead of the features, or the latter with all its natural blemishes, he is as presumptuous as if he shouted, 'What a face. Hide it.' which would never do, although it is analogous to what landscape painters are doing every day. — Walter J. Phillips

We break our huddle and Eight immediately transforms into one of his massive avatars. His handsome features melt away, replaced by the snarling face and golden mane of a lion. He grows to about twelve feet, ten arms sprouting out of his sides, each of them tipped with razor-sharp claws. Nine whistles through his teeth.
'Now we're talking,' Nine says. 'One of your parents must've been a chimaera. Probably your mom. — Pittacus Lore

She had thought, instinctively, that Victoria had a remarkably beautiful face. The face showed an alert awareness of life: her lips- full, overblown like clown-lips liable to laugh at the slightest provocation. She thought that her features were not chiseled but almost rugged, handsome, like a colloquial swear-word or a Vermeer peasant-girl, and a knock out at that. An overdone face, like one having two chins, two noses, that was big and abundantly cheerful but at the same time, there was a peculiarly puffy look about those eyes.'
('Left from Dhakeshwari') — Kunal Sen

I'll never forget the day when a woman came up to me and said, 'No, you could never be on a magazine cover. Your face features don't work; your eyes are small, you have a small face but a big nose.' I was only 14 and I had never noticed any of that stuff, you know? — Gisele Bundchen

I open the orangutan's door and set a pan of fruits, vegetables, and nuts on the floor. As I close it, her long arm reaches through the bars. She points at an orange in another pan.
'That? You want that?'
She continues to point, blinking at me with close-set eyes. Her features are concave, her face a wide platter fringed with red hair. She's the most outrageous and beautiful thing I've ever seen.
'Here,' I say, handing her the orange. 'You can have it.'
She takes it and sets it on the floor. Then she reaches out again. After several seconds of serious misgivings, I hold out my hand. She wraps her long fingers around it, then lets go. She sits on her haunches and peels her orange.
I stare in amazement. She was thanking me. — Sara Gruen

And you're okay with this? ... " I studied his calm expression, my own features anything but calm.
"Noooo ... " Aeron drew the word out lazily with a slow, deliberate shake of his head. His face remained strangely composed.
"Then can I please have some of whatever sedative you took ... because this," I waved my hand, motioning from his head to his feet, "is way too cool under pressure. — M.A. George

When she had delight in her heart, her face transcended all her suffering, whereupon the scars and the deformed features and the mottled skin became the remarkable face of a hero and the cherished face of a friend. — Dean Koontz

He was not as she remembered. His features were the same, but his face was hard. Blue ice made his eyes. The bloody rips in his coat and breeches, the blood on his face, seemed to suit that face. — Robert Jordan

I try to conjure, to raise my own spirits, from wherever they are. I need to remember what they look like. I try to hold them still behind my eyes, their faces, like pictures in an album. But they won't stay still for me, they move, there's a smile and it's gone, their features curl and bend as if the paper's burning, blackness eats them. A glimpse, a pale shimmer on the air; a glow, aurora, dance of electrons, then a face again, faces. But they fade, though I stretch out my arms towards them, they slip away from me, ghosts at daybreak. Back to wherever they are. — Margaret Atwood

He does not wear a twitching, mobile, human face, but rather a mask, as it were, with its features in dignified equilibrium; he does not shout, nor does he even change his tone of voice. If a veritable storm-cloud empties itself on his head, he wraps himself in his cloak and slowly walks away from under it. — Friedrich Nietzsche

The faces of the others looked like aggregates of interchangeable features, every face oozing to blend into the anonymity of resembling all, and all looking as if they were melting. Rearden's face, with the sharp planes, the pale blue eyes, the ash-blond hair, had the firmness of ice; the uncompromising clarity of its lines made it look, among the others, as if he were moving through a fog, hit by a ray of light. — Ayn Rand

I brought the newspaper close up to my eyes to get a better view of George Pollucci's face, spotlighted like a three-quarter moon against a vague background of brick and black sky. I felt he had something important to tell me, and that whatever it was might just be written on his face.
But the smudgy crags of George Pollucci's features melted away as I peered at them, and resolved themselves into a regular pattern of dark and light and medium gray dots.
The inky black newspaper paragraph didn't tell why Mr Pollucci was on the ledge, or what Sgt Kilmartin did to him when he finally got him in through the window. — Sylvia Plath

A face stared up at her from the mirror beside her hand. Was that really what she looked like? Was that really what she looked like, all sharp lines and huge silver-grey eyes? Certainly, no one would ever call those features beautiful, Jame thought ruefully; but were they really enough like a boy's to have fooled that old man the alley? Well, maybe with that long black hair out of sight under a cap. It was a very young face and a defiant one, she thought with a odd sense of detachment, but frightened, too. And those extraordinary eyes ... what memories lived in them that she could not share? Stranger, where have you been she asked silently. What have you seen? The thin lips locked in their secrets.
"Ahhh!" Jame said in sudden disgust, tossing away the mirror. Fool, to be obsessed with a past she couldn't even remember. But it was all behind her now. — P.C. Hodgell

When he came down, he was slower, and clutching something his hand. He leapt down the last 5 feet or so and came over to me, uncurling his fingers. In his palm was something trembling and silky and the bright, delicious pale gold of apples; in the gloom of the jungle it looked like light itself. Uva nudged the thing with a finger and it turned over, and I could see it was a monkey of some sort, though no monkey I had ever seen before; it was only a few inches larger than one of the mice I had once been tasked with killing, and his face was a wrinkled black heart, its features pinched together but its eyes large and as blankly blue as a blind kitten's. It had tiny, perfectly formed hands, one of which was gripping its tail, which it had wrapped around itself and which was flamboyantly furred, its hair hanging like a fringe. — Hanya Yanagihara

He looked nearly inconspicuous, a handsome man in faded Levi's and tennis shoes. A Yankees baseball cap covered his dark hair, the bill shadowing his features. Casual. Beautiful. A day's growth of beard on his jaw did little to detract from his excruciating attractiveness.
"She's eight months old, but she knows how to flirt," the baby's mother said. "Let go of the nice man's shirt, Gabbi." She dislodged the child's hand, then told Adrian, "I'm sorry. She must like the colors on your T-shirt."
Eight-month-old Gabbi's big blue eyes were fixed on Adrian's face, not on his T-shirt. Billie released a shaky breath. Good God. Even babies weren't immune. — Shelby Reed

Very well." In a voice as cool and detached as if he were critiquing a work of art, he said, "Starting at the top: your brow is marked with intelligence, your gaze is direct, your features are delicate, your skin is fair, your voice is refined, your speech reflects education ... " He paused. "Even the way you hold your head is elegant." I was suddenly, excruciatingly self-conscious. I dropped my gaze, my face on fire. "Ah, yes," he said softly. "And then there is your modesty. No milkmaid could have blushed like that." To my mortification, I felt my blush deepen until the tips of my ears were tingling with the heat. "Shall I continue?" he asked with a hint of a laugh in his voice. "No, that is quite enough, thank you. — Julianne Donaldson

Two hundred years from now, she had - I will? she thought wildly - stood in front of this portrait in the National Portrait Gallery, furiously denying the truth that it showed. Ellen MacKenzie looked out at her now as she had then; long-necked and regal, slanted eyes showing a humor that did not quite touch the tender mouth. It wasn't a mirror image, by any means; Ellen's forehead was high, narrower than Brianna's, and the chin was round, not pointed, her whole face somewhat softer and less bold in its features. But the resemblance was there, and pronounced enough to be startling; the wide cheekbones and lush red hair were the same. And around her neck was the string of pearls, gold roundels bright in the soft spring sun. — Diana Gabaldon

I've seen people who don't have deals get features from people that labels can't even get features from, because you gotta show face and be in-tune with these guys who still have that independent mind set as far how you hustle yourself. Because they only really care at the end of the day about the dollas. — Kid Ink

Art is the child of nature in whom we trace the features of the mothers face. — Henry Wadsworth Longfellow

His manner was polite; his accent, in speaking, struck me as being somewhat unusual, - not precisely foreign, but still not altogether English: his age might be about Mr. Rochester's, - between thirty and forty; his complexion was singularly sallow: otherwise he was a fine-looking man, at first sight especially. On closer examination, you detected something in his face that displeased, or rather that failed to please. His features were regular, but too relaxed: his eye was large and well cut, but the life looking out of it was a tame, vacant life - at least so I thought. — Charlotte Bronte

Men and women make their own beauty or their own ugliness. Sir Edward Bulwer Lytton speaks in one of his novels of a man "who was uglier than he had any business to be;" and, if we could but read it, every human being carries his life in his face, and is good-looking or the reverse as that life has been good or evil. On our features the fine chisels of thought and emotion are eternally at work. — Alexander Smith

Her hair was the brightest living gold, and despite the poverty of her clothing, seemed to set a crown of distinction on her head. Her brow was clear and ample, her blue eyes cloudless, and her lips and the moulding of her face so expressive of sensibility and sweetness, that none could behold her without looking on her as of a distinct species, a being heaven-sent, and bearing a celestial stamp in all her features. — Mary Shelley

She was like that, excited and delighted by little things, crossing her fingers before any remotely unpredictable event, like tasting a new flavor of ice cream, or dropping a letter in a mailbox. It was a quality he did not understand. It made him feel stupid, as if the world contained hidden wonders he could not anticipate, or see. He looked at her face, which, it occurred to him, had not grown out of its girlhood, the eyes untroubled, the pleasing features unfirm, as if they still had to settle into some sort of permanent expression. Nicknamed after a nursery rhyme, she had yet to shed a childhood endearment. — Jhumpa Lahiri

On consideration, it is not surprising that Darwin's finches should recognize their own kind primarily by beak characters. The beak is the only prominent specific distinction, and it features conspicuously both in attacking behaviour, when the birds face each other and grip beaks, and also in courtship, when food is passed from the beak of the male to the beak of the female. Hence though the beak differences are primarily correlated with differences in food, secondarily they serve as specific recognition marks, and the birds have evolved behaviour patterns to this end. — David Lack

She looked for any sign of the boy who'd taught her to whistle a hornpipe, who could palm an ace of hearts and make it reappear from her sleeve, but failed to find even a glimmer of him. Instead she saw Ida taking on a second life in the features of her only son, and for a quick heartbeat Jo was almost grateful for the scar tissue dimpled across her cheek, forehead, and chin. No one would ever be able to invade her face, she realized. She would always simply be herself, whether she liked it or not. — Tiffany Baker

Close up gave me a nice view of Mychael, and as always, he was damned good to look at. His eyes were that mix of blue and pale green found only in warm, tropical seas. His hair was short and auburn. His handsome features were strong, and his face scruffy with stubble. Very nice. Sexy nice. I guess having demons on your island didn't give you time to shave. Mychael was an elf, and the tips of his ears were elegantly pointed. I'd felt the urge to nibble those tips on more than one occasion, but I didn't think now was the time or place. — Lisa Shearin

For hours after Andrew had died on his way into life, she felt powerfully that he had come from unreachable realms with knowledge she needed urgently to learn. Yet there he lay, swaddled in her arms, looking entirely at peace and not at all like a failed emissary. His face was closed; she could read nothing in his blank, perfect features except her own loss. She had given birth to death, and she felt its claim on her. She held Andrew until he was cold and his chill entered her body and heart. — Kate Maloy

she must, Anna thought, need to sleep with some kind of pads over them to keep her eyeballs moist. Whatever nose had once sat in the middle of her face had melted into a small, pug-like muzzle, while oversized cheek implants added an almost whimsical touch of chipmunk. Lips too lush for even a twenty-year-old were the finishing touch, ballooning out from her face, turning up at the ends, and making a normal chin look weak and recessive atop a tight, corded neck. The Joker, Anna thought. The thick curls of a platinum wig tumbled about this hodgepodge of readjusted features, undoubtedly hiding a hairline a good five — Suzanne Munshower

I stooped under the rude lintel, and there he sat upon a stone outside, his gray eyes dancing with amusement as they fell upon my astonished features. He was thin and worn, but clear and alert, his keen face bronzed by the sun and roughened by the wind. In his tweed suit and cloth cap he looked like any other tourist upon the moor, and he had contrived, with that catlike love of personal cleanliness which was one of his characteristics, that his chin should be as smooth and his linen as perfect as if he were in Baker Street. — Arthur Conan Doyle

The faces we wear at the wheel could be used to make our driving safer. BMW has announced a three-year project with Loughborough University to determine your state of mind from the look on your face. Anger and disgust, for instance, can be read by computer software linked to embedded cameras. These expressions of "emotional stress" indicate your driving is compromised. The vehicle's computer could then decide to take action. It could limit your speed or stop the car altogether. It could activate passive safety features or maybe a stern verbal warning: "Get a grip, you dick! — Anonymous

And even if these scenes from our youth were given back to us we would hardly know what to do. The tender, secret influence that passed from them into us could not rise again. We might be amongst them and move in them; we might remember and love them and be stirred by the sight of them. But it would be like gazing at the photograph of a dead comrade; those are his features, it is his face, and the days we spent together take on a mournful life in the memory; but the man himself it is not. — Erich Maria Remarque

Michael [Jackson] reconstructed his face and deconstructed the African features into a spooky European geography of fleshly possibilities, and yet what we couldn't deny, that even as his face got whiter and whiter his music got Blacker and Blacker. His soul got more deeply rooted in the existential agony and the profound social grief that Black people are heir to. — Michael Eric Dyson