Eyes Never Age Quotes & Sayings

It's your world, but I make my way in it. At fifteen, no, I couldn't stand up to you. The age of illusions, when we know nothing, we hope for everything; we're wandering in a mist ... And the half of the world that's never had any use for us, suddenly is besieging us. You need us, you adore us, you're suffering for us. You want everything--except to know what we think. You look deep in our eyes--and put your hand up our dress. You call us, "Pretty thing." That confuses us. The most beautiful woman, the highest ranked, lives half dazzled by constant attention, half stifled by obvious contempt. We think all we're good for is pleasing you--till one day, long acquaintance with you dispels the last mist. In a clear light, we suddenly see you as you are--and generally we start preferring ourselves. At thirty, I could finally say no--or really say yes. That's when you begin backing away from us. Now I'm full-grown. I pursue my happiness the same as any man. — Pierre-Augustin Caron De Beaumarchais

I was nineteen years five months old when I fell in love for the first time. This seemed to me a profound, advanced age; never can we anticipate being older than we are, or wiser; if we're exhausted, it's impossible to anticipate being strong; as, in the grip of a dream, we rarely understand that we're dreaming, and will escape by the simplest of methods, opening our eyes. — Joyce Carol Oates

It never was anything very splendid at the best," said he. He lifted the lamp from the table with a sort of abstraction, not remarking even my offer to take it from him, and led the way. He was on the verge of seventy, and looked his age; but it was a vigorous age, with no symptom of giving way. The circle of light from the lamp lit up his white hair and keen blue eyes and clear complexion; his forehead was like old ivory, his cheek warmly colored; an old man, yet a man in full strength. He was taller than I was, and still almost as strong. As he stood for a moment with the lamp in his hand, he looked like a tower in his great height and bulk. I reflected as I looked at him that I knew him intimately, more intimately than any other creature in the world, - I was familiar with every detail of his outward life; could it be that in reality I did not know him at all? * — Mrs. Oliphant

This is the queasy shadowland, and they don't even work hard at that because they have never learned to work at anything. They turn sloppy, and when the youngness is gone, there isn't much left. Just the dead eyes and the small meaty skills and the feeling their luck went bad sometime, when they weren't watching. Fifteen to twenty-five is the span, and they age quickly and badly. These are the bunnies who never find a burrow. — John D. MacDonald

The Gems did not nag or complain, did not get periods or PMT, did not get pregnant, did not get body odour or hair, did not have discharge or bad breath, no shit or urine, did not get spots, did not suffer from diseases or headaches, did not have annoying bad habits, never farted, belched, vomited or picked their noses, did not need drugs or alcohol, did not need gifts such as jewellery, flowers, chocolate and money, did not need to shop, did not have piercings or tattoos, had no capacity to willingly lie or be fake, were never disloyal, were always eager to do any task required by their owner, sexual or non-sexual, did all the housework and cooking without complaint, were produced in the form of the perfect woman in the eyes of each client, did not constantly require their man to tell them they loved them, but most of all they did not age. — Robert Black

At his age, it can be overwhelming and painful to harbor a thought accompanied by too much nostalgia. Not that he wanted to. Mabel, in her final years, had stopped listening to music. The songs of her teenage years brought her back to people and feelings of that time - people she could never see again and sensations that were no longer coming. It was too much for her. There are people who can manage such things. There are those of us who can no longer walk, but can close our eyes and remember a summer hike through a field, or the feeling of cool grass beneath our feet, and smile. Who still have the courage to embrace the past, and give it life and a voice in the present. But Mabel was not one of those people. Maybe she lacked that very form of courage. Or maybe her humanity was so complete, so expansive, that she would be crushed by her capacity to imagine the love that was gone. — Derek B. Miller

All around her it was like that: a fast crack on the head if you let the hunger show so she decided then and there at the age of twelve in Baltimore never to be broken in the hands of any man. Whatever it took
knife blades or screaming teeth
Never. And yes, she would tap dance, and yes, she would skate, but she would do it with a frown, pugnacious lips and scary eyes, because Never. And anybody who wanted nice from this little colored girl would have to get it with pliers and chloroform, because Never. When her mother died and she went to Philadelphia and then away to school, she was so quick to learn, but no touchee, teacher, and no, I do not smile, because Never. It smoothed out a little as she grew older. The pugnacious lips became a seductive pout
eyes more heated than scary. But beneath the easy manners was a claw always ready to rein in the dogs, because Never. — Toni Morrison

Never say you are too old. You do not say it now, perhaps; but by and by, when the hair grows gray and the eyes grow dim and the young despair comes to curse the old age, you will say, "It is too late for me." Never too late! Never too old! How old are you
thirty, fifty, eighty? What is that in immortality? We are but children. — Lyman Abbott

She had a woman's swagger at twelve-and-a-half. Hair: strawberry-blonde, and I vaguely recall a daisy in the crook of her ear. She was an inch taller than me, two with the ponytail; smooth cheeks and darling brown eyes that marbled in luscious contrast with her magnolia skin; cream, melting to peach, melting to pink. She beamed like a cherub without the baby fat; a tender neck; pristine lips that would never part for a dirty word. Her body
of no interest to me at the time
was wrapped from neck to toes with home-made footie pajamas, the kind they make for toddlers, but I didn't laugh; the girl filled that silly one-piece ensemble as if it were couture. — Jake Vander Ark

Oh! might I kiss those eyes of fire, A million scarce would quench desire; Still would I steep my lips in bliss, And dwell an age on every kiss; Nor then my soul should sated be, Still would I kiss and cling to thee: Nought should my kiss from thine dissever, Still would we kiss and kiss for ever; E'en though the numbers did exceed The yellow harvest's countless seed; To part would be a vain endeavour: Could I desist? -ah! never-never. — Lord Byron

I matched my grey eyes against his brown ones for guile, my young golf-and-tennis heart-beats against his, which must be slowing a little after years of over-work. And I planned and I contrived and I plotted - any woman can tell you - but it never came to anything, as you will see. I still like to think that if he'd been a poor boy and nearer my age I could manage it, but of course the real truth was that I had nothing to offer that he didn't have. — F Scott Fitzgerald

My mother told me I said to her, at age three, 'I'm going to go to Italy and get my father in a tractor.' 'You've never seen quite so fierce a little boy as you were,' she told me. She tried to explain that I couldn't get my father in a tractor. Apparently I looked at her and narrowed my eyes and said 'In that case, I'm going in a double-decker bus,' and stomped off. Which is kind of funny, but it's very sad, as well. — Roger Waters

You are plain, Coraline,' I said to myself; 'unmistakably plain. You have tolerable eyes, and good teeth; but your nose is a failure, your complexion is pallid, and your mouth is just twice too large for prettiness. Never forget that you are plain, my dear Coralie, and then perhaps other people won't remember quite so often. Shake hands with Fate, accept your thick nose and your pallid complexion as the stern necessities of your existence, and make the most of your eyes and teeth, and your average head of hair.' That is the gist of what I said to myself, in less sophisticated language, perhaps, before I was fifteen, and from that line of conduct I have never departed. So, if I have come to nineteen years of age without being admired, I have at least escaped being laughed at! — Mary Elizabeth Braddon

A boy was staring at me.
I was quite sure I'd never seen him befroe. Long and leanly muscular, he dwarfed and the molded plastic elementary school chair he was sitting in. Mahogany hair, straight and short. He looked my age, maybe a year older, and he sat with his tailbone against the edge of the chair, his posture aggresively poor, one hand half in a pocket of dark jeans.
I looked away, suddenly conscious of my myriad insufficiencies. I was wearing old jeans, which had once been tight but now sagged in weird places, and a yellow T-shirt advertising a band I didn't even like anymore. Also my hair: I had this pageboy haircut, and I hadn't even bothered to, like, brush it. Furthermore, I had ridiculously fat chipmunked cheeks, a side effect of treatment. I looked like a normally proportioned person with a balloon for a head. This was not even to mention the canckle situation. And yet-I cut a glance to him, and his eyes were still on me. — John Green

What in the seven levels of hell did my son see in this place?" Horace asks.
We're standing on the street on Thursday morning, staring up at the house, after taking inventory of the place. From here, I can see five different spots where the brick needs to be repaired and pick out where shingles are missing on the sloped roof. The porch sags, and the windows are dingy. But if I let my eyes go out of focus and ignore all that, I can kinda picture what the place might look like after a little - never mind - a lot of TLC.
"It has good bones?" I suggest.
"It's got old bones," he mutters.
I smirk. "Yeah? So do you. Doesn't mean they're all bad."
He smacks my arm, but he's grinning. "Just wait till you get to be my age, and then tell me how good old bones are. — Erica Cameron

Take up citizenship and the conversion it entailed, send a couple of your sons to the levy when they were of age, pay taxes calculated not to drive you and your family into penury or the mountains and the life of a bandit. Oh, and while you're at it, steer clear of debt and disease. Chances were - mostly - if you did all that, you'd never starve, never have your home burned down and your children raped before your eyes, never have to wear a slave collar. — Richard K. Morgan

Feelings that would not have disgraced a leader who, now that the snow has begun to fall and the mountain-top is covered in mist, knows that he must lay himself down and die before morning comes, stole upon him, paling the colour of his eyes, giving him, even in the two minutes of his turn on the terrace, the bleached look of withered old age. Yet he would not die lying down; he would find some crag of rock, and there, his eyes fixed on the storm, trying to the end to pierce the darkness, he would die standing. He would never reach R. — Virginia Woolf

You're very good at the flirting thing. Very confident for your age."
"I don't know about that. I've never really had to wor - "
"Work at it," I finished for him, quirking my eyebrow at him. "Confident or arrogant ... "
His laughing eyes narrowed on me. "You think you're pretty smart."
"No. I know I'm pretty smart."
"Now who's arrogant?"
I chuckled but shrugged. "Well, I have reason to be. I'm awesome. — Samantha Young

And in the silence what followed, I reckon our eyes had some long conversation our mouths could've never talked through. Some long, looking talk about things gone and long since said. About cries out in the night and some long ago tangling of limbs. And about them betrayals done time and time again - by both of us - what led to me pointing the Green Man's rifle at the man what once loved me under the Green Man's stars. — J.D. Jordan

Eyes the broad-shouldered faceless character that symbolizes Men's Room, does Sternberg, and struggles with himself. He's needed a bowel movement for hours, and since the LordAloft 7:10 lifted things have gotten critical. He tried, back at O'Hare. But he was unable to, because he was afraid to, afraid that Mark, who has the look of someone who never just has to, might enter the rest room and see Sternberg's shoes under a stall door and know that he, Sternberg, was having a bowel movement in that stall, infer that Sternberg had bowels, and thus organs, and thus a body. Like many Americans of his generation in this awkwardest of post-Imperial decades, an age suspended between exhaustion and replenishment, between input too ordinary to process and input too intense to bear, Sternberg is deeply ambivalent about being embodied; an informing fear that, were he really just an organism, he'd be nothing more than an ism of his organs. — David Foster Wallace

The signature of our eyes, in other words, the way we look never changes even at the age of hundred! — Mehmet Murat Ildan

Li Gui called out, "Sir, if you kill me you will kill two persons."

"How do you make that out?" asked Li Kui, staying the blow.

"At home I support my mother who is ninety years of age, and this is my only means of helping her in her old age," said Li Gui. "I never injure people, but only make them afraid. If you kill me, my old mother will die of starvation."

Li Kui who never twinkled his eyes in chopping off people's heads, paused and thought when he heard this. "Here am I trying to succour my old mother, and yet killing a man who supports his old mother. Heaven will not allow me to live if I do this. No! No! I will forgive this man.

(J.H. Jackson translation) — Shi Nai'an

We dream - it is good we are dreaming - It would hurt us - were we awake - But since it is playing - kill us, And we are playing - shriek - What harm? Men die - externally - It is a truth - of Blood - But we - are dying in Drama - And Drama - is never dead - Cautious - We jar each other - And either - open the eyes - Lest the Phantasm - prove the Mistake - And the livid Surprise Cool us to Shafts of Granite - With just an Age - and Name - And perhaps a phrase in Egyptian - It's prudenter - to dream - — Emily Dickinson

The wind and the grass and something in the sky, sun, or moon, shining on our backs as we run: They are gifts that humans toss away like socks on Christmas morning, because we see them every day and don't think of them as gifts anymore. But new socks are always better than old socks. And the wind and grass and sky, I think, are better seen with new eyes than jaded ones. I hope my eyes will never grow old. — Kevin Hearne

At the round earth's imagined corners blow
Your trumpets, angels, and arise, arise
From death, you numberless infinities
Of souls, and to your scattered bodies go ;
All whom the flood did, and fire shall o'erthrow,
All whom war, dea[r]th, age, agues, tyrannies,
Despair, law, chance hath slain, and you, whose eyes
Shall behold God, and never taste death's woe.
But let them sleep, Lord, and me mourn a space ;
For, if above all these my sins abound,
'Tis late to ask abundance of Thy grace,
When we are there. Here on this lowly ground,
Teach me how to repent, for that's as good
As if Thou hadst seal'd my pardon with Thy blood.
— John Donne

Oh yes", said the old woman, "but I've heard these so-called stoves are by no means all they are supposed to be. I never saw a stove in my day, and yet never ailed a thing, at least as long as I could really be called alive, except for nettle rash one night when I was in my fifteenth year.. It was caused by some fresh fish that the boys used to catch in the lakes thereabouts."
The man did not answer for a while, but lay pondering the medical history of this incredible old creature who, without ever setting eyes on a stove, had suffered almost no ailments in the past sixty-five years. — Halldor Laxness

We must learn to see the full picture, and not just the treats before our eyes. Our trendy gadgets, such as smartphones and tablets, have given us new access to the world. We regularly communicate with people we would never even have been aware of before the networked age. We can find information about almost anything at any time. But we have learned how much our gadgets and out idealistically motivated digital networks are being used to spy on us by ultrapowerful, remote organizations. We are being dissected more than we dissect. — Jaron Lanier

was not death for which she grieved, but life, life which had carved his mouth into such sorrow and had set hollows underneath his eyes, which had given him dreams of love in his youth and then had robbed him, had given him dreams in his age of free islands in a blue and tropic sea and had held him locked in a drab house in a little town. And as cruel as anything was death, which revealed him like this, when he was helpless any longer to hide that which alive he had hidden. She went away crying most passionately to her heart, "We ought all to be free. Everybody ought to be free for himself, somehow. No one ought to come to death and never have known what freedom is." When — Pearl S. Buck

Even though people are shallow and lots of people prefer scripted fictional heroes to real human beings, they can still be shaken out of it in the presence of someone who is REAL. Your problem is not that you haven't mastered the conversational skills necessary to maintain someone's interest. Your problem is that you've never forced yourself to define exactly who you are and what you love and how you want to live. You've never had to talk about these things passionately. You've never dared to lay yourself bare, without apology. Once you can look someone in the eyes and say, "Here's what really matters to me"? That's what people find attractive, trust me. They want to be with someone who knows himself and gives a shit. That's what's alluring and attractive and irreplaceable, even in this age of smooth make-believe. — Heather Havrilesky

We live in an age of reproduction. Most of what makes up our personal picture of the world we have never seen with our own eyes
or rather, we've seen it with our own eyes, but not on the spot: our knowledge comes to us from a distance, we are televiewers, telehearers, teleknowers. — Max Frisch