Eyes Can Talk Quotes & Sayings

I can't talk religion to a man with bodily hunger in his eyes. — George Bernard Shaw

The thought occurred to me that I was in danger of becoming a slave to a tiger as well. Hah! I'd probably like it too. I rolled my eyes at the thought. I disgust myself. I'm so darn weak! I hated the idea that all he'd have to do was crook his finger at me, beckon me to come to him, and I probably would. The fiercely independent side of me flared up. That's it! No more! I'm going to talk it all out with him when we get back and hope that we can still be friends.
This was pretty much my line of thought for the entire trip home. I'd daydream and then stop, lecture myself, and repeat my stubborn mantra. I tried to read, but I kept rereading the same paragraph over and over. Eventually, I gave up and napped a little. — Colleen Houck

I said, I know why you're afraid to fight with me."
"And why is that?" If he flexed again, I'd have to implement emergency measures. Maybe I could kick some sand at him or something. Hard to look hot brushing sand out of your eyes.
"You want me."
Oh boy.
"You can't resist my subtle charm, so you're afraid you're going to make a spectacle out of yourself."
"You know what? Don't talk to me. — Ilona Andrews

Do youmind?" she clipped out suddenly with a fine, cultured accent like frosted glass.
His gaze flicked up from her chest to her blazing eyes. "So, you can talk."
"Obviously."
"Too bad," he drawled. "I thought I just found the perfect woman. — Gaelen Foley

For a moment she could have sworn she was standing in one of those history-comes-alive museums
the kind that feature animatronic robots, the narration stylings of James Earl Jones, and the sort of exhibits that invade children's nightmares for years to come. But instead of a cyborgish John Wilkes Booth discharging his deadly bullet into the back of a plastic Lincoln's head, a very real version of the assassin was engaged in a furious arm-wrestling match with Elvis Presley.
Lincoln was watching the tussle, amused. "Come on, John," he said. "You can do better than that."
"He's all talk," Elvis whispered back.
"Silence!" roared Booth. "I'm trying to concentrate!"
Lincoln rolled his eyes. — Gina Damico

You'll come to my grave? To tell me your problems?"
My problems?
"Yes.'
And you'll give me answers?
"I'll give you what I can. Don't I always?"
I picture his grave, on the hill, overlooking the pond, some little nine foot piece of earth where they will place him, cover him with dirt, put a stone on top. Maybe in a few weeks? Maybe in a few days? I see myself sitting there alone, arms across my knees, staring into space.
It won't be the same, I say, not being able to hear you talk.
"Ah, talk ... "
He closes his eyes and smiles.
"Tell you what. After I'm dead, you talk. And I'll listen. — Mitch Albom

But how can you be Peter Pan? You? The Boy Who Never Grew Up? That's not you. You have egg on your collar. You can't fly. You're not Alice. Alice was a blond little girl, I know it. You're lying to me.' And then they remember. What growing up really is: when they learned that boys can't fly and mermaids don't exist and White Rabbits don't talk and all boys grow old, even Peter Pan, as you've grown old. They've been deceived. As if you've somehow been lying to them. So following hard on the smile of remembrance is the pain in the eyes, which you've caused, everytime you meet someone. — John Logan

I order six shots.
I drink the first shot with lemon and salt and talk about Isha for 120 seconds.
I drink the second shot with lemon and salt and talk about Isha and our love for 90 seconds.
I drink the third shot with lemon and talk about future plans with wedding for 60 seconds.
I drink the fourth and blabber for 30 seconds.
I drink the fifth, I speak in a language no one can understand for ten seconds or less. I fall down.
When I open my eyes, I see Diwa helping me sit in the car and put on the seat belt. I am knocked out. — Saravana Kumar Murugan

I dream of you. And I don't like it when I can't talk to you or see you or touch you." His eyes found mine again. "That's love. — Amber L. Johnson

I wish I had all day to watch this show but I got things to do," Darius put in. "You gonna call this in?" he asked Eddie.
"Yeah." Eddie's eyes moved to Lee. Eddie had taken off his shades and slid an arm in the collar of his tee so they were hanging at his throat. "We gotta talk. Do you think Betty and Veronica here can keep an eye on these two?"
"I get to be Veronica," Ally said instantly.
I turned to her. "Why do you get to be Veronica?"
I didn't want to be Betty, Betty was a doormat. Veronica had attitude.
"I'm so Veronica," Ally said in answer.
"Unh," the hit man groaned.
"Jesus," Darius said. — Kristen Ashley

Newsflash: it's not the guy who determines whether you're a sports fisher or a keeper-it's you. (Don't hate the player, hate the game.) When a man approaches you you're the one with total control over the situation-whether he can talk to you, buy you a drink, dance with you, get your number, take you home, see you again, all of that. We certainly want these things from you; that's why we talked to you in the first place. But it's you who decides if you're going to give us any of the things we want, and how, exactly, we're going to get them. Where you stand in our eyes is dictated by YOUR control over the situation. Every word you say, every move you make, every signal you give to a man will help him determine whether he should try to play you, be straight with you, or move on to the next woman to do a little more sport fishing. — Steve Harvey

I was lucky to meet you, yes.'
'Me too ... ' she said, looking me in the eyes. 'I was lucky too. The men I know are a disaster, not one of them believes in love; so they give you this big spiel about friendship, affection, a whole load of stuff that doesn't commit them to anything. I've got to the point where I can't stand the word 'friendship' any more, it makes me physically sick. Or there's the other lot, the ones who get married, who get hitched as early as possible and think about nothing but their careers afterwards. You obviously weren't one of those; but I also immediately sensed that you would never talk to me about friendship, that you would never be that vulgar. From the very beginning I hoped we would sleep together, that something important would happen; but it was possible that nothing would happen, in fact it was more than likely.' She stopped and sighed in irritation. — Michel Houellebecq

I think all Christians would agree with me if I said that though Christianity seems at first to be all about morality, all about duties and rules and guilt and virtue, yet it leads you on, out of all that, into something beyond. One has a glimpse of a country where they do not talk of those things, except perhaps as a joke. Everyone there is filled full with what we should call goodness as a mirror is filled with light. But they do not call it goodness. They do not call it anything. They are not thinking of it. They are too busy looking at the source from which it comes. But this is near the stage where the road passes over the rim of our world. No one's eyes can see very far beyond that: lots of people's eyes can see further than mine. — C.S. Lewis

I can't promise you anything beyond this, Shannon. Hell, maybe nothing will happen. My body isn't like it used to be. But I can make sure you're taken care of." She gave him the sweetest, sexiest smile and looped her arms up around his neck. "John, I'm sure you'll take care of me. I have no doubt. And don't worry about promises. I'm here, number one, because I am your friend. I want the best for you. If I can help you over this hurdle, so to speak, I will." His throat tightened with emotion, and his eyes burned. He buried his face in her hair to keep her from seeing. He had to clear his throat several times before he could talk though. "Thank you, Shannon. We're friends with benefits, now, huh?" She giggled beneath him, and nipped his neck. "I guess so." He — J.M. Madden

If you don't believe in God, it may help to remember this great line of Geneen Roth's: that awareness is learning to keep yourself company. And then learn to be more compassionate company, as if you were somebody you are fond of and wish to encourage. I doubt that you would read a close friend's early efforts and, in his or her presence, roll your eyes and snicker. I doubt that you would pantomime sticking your finger down your throat. I think you might say something along the lines of, 'Good for you. We can work out some of the problems later, but for now, full steam ahead! — Anne Lamott

Tim, I'd chew you up and spit you out." She slants forward, yanks the straps of her bikini behind her neck, ties them, and settles back. God. I almost can't breathe.
But I can talk.
I can always talk.
"We could progress to that, Alice. But maybe we start with some gentle nibbling?"
Alice shuts her eyes, opens them again, and gives me an indecipherable look.
"Why don't I scare you?" she asks.
"You do. You're scary as hell," I assure her. "But that works for me. Completely. — Huntley Fitzpatrick

I love you, Susie."
"She rolled her eyes. "Save it."
"I haven't given you much reason to believe it, but it's true. I love you. I've loved you for so long I can't imagine ever not loving you. When I saw you struggling to breathe yesterday, I was reminded again that a life without you is no life at all. So you don't have to be civil.
You don't even have to talk to me, but I'm going to talk to you. I hope you'll listen. — Marie Force

...and he suddenly opened his eyes and stared straight ahead into an empty space till slowly we returned into view. I can make small talk, he said slowly, I can do that but out of the corner of my eye I can see the dark approaching. — Dermot Healy

You can talk the talk but you can't walk the walk."
His eyes narrowed in challenge. "Oh, I can walk the walk. I can walk the walk so hard that you'll be sore for days. — Karina Halle

I hear talk of that slippery slope, and my heart catches for a beat. But there is the musky truth I'm standing in that I can't deny, and it tastes of so much holy. That old way, the narrow line, I see now that was a slippery, saccharine surface where my soul could gain no purchase. For the first time, my feet feel sure beneath me, and that sense is twining its way up from my ankles, racing toward my knees, my thighs, my secret places, my heart. It's in my blood now, and I can't deny it. I can't deny it.

I open my eyes, because I could see even through my clutched-closed lids that the darkness is light, that the blindness has given way to searing vision.

I can't deny it. — Beth Morey

You have two choices," Vance said.
I stopped in the doorway to the hall and put my hands on my hips.
"And those would be?" I asked.
"We can talk or we can f**k."
My eyes rounded. Then they narrowed. I didn't answer.
"Though," he went on, "I should tell you even if you pick talking, after we're done, we're still gonna f**k."
I frowned at him and leaned in. "You are too much," I snapped.
He ignored my threatening posture. "You don't chose, I will, and I'll pick f**king. We can talk after. — Kristen Ashley

I drag my eyes away from his sexy hands and my gaze collides with his. His penetrating blue gaze holds mine. He knows. He knows what I am thinking.
He knows that I would rather have him fucking me senseless than sitting in the midst of everyone trying to make small talk, pretending that his mere presence hasn't almost driven me to my wits' end. Feeling overwhelmingly aroused, heat creeps up my neck and into my cheeks. My pulse is racing. My heart is pounding so hard.
Awareness crackles between us. His eyes hold mine with a frightening intensity like he can devour me with one touch. — E.R. Wade

Do you ever think of moving back?"
"To Coldwater? Heck, no. England suits me fine. These Brits love my accent. The first time Gavin asked me out it was just to hear me talk. Lucky for him, it's one of the things I do best." All teasing left her eyes. "Too many memories back home. Can't drive down the street without thinking I see Scott in the crowd. — Becca Fitzpatrick

I sleep through the next day. Each time I go to the bathroom, I try not to look in the mirror. Once, I catch my reflection: it looks like I've been punched in both eyes.
I can't talk about the day that follows that. — Nina LaCour

I'm crying for the little girl whose mother divorced her father, the girl who wanted to fall in love for the first time but wasn't ready for sex, the girl who dated a boy just because he wasn't the first one, the girl who fell hard for the guy with the easy smile and the green eyes, the girl who needed to prove she could hook up on a class trip, the girl who rand for student council just to impress a guy, the girl who lost her best friend, the girl whose father doesn't care anymore, the girl who doesn't have the money for college, the girl who just wants her grandma to fix everything, the girl who doesn't talk to anyone about anything, the girl who just can't fall in love again - even if a sweet guy folds a thousand paper cranes. Just for her. — Sydney Salter

Enough girl talk. There are enemy cabins full of dastardly old ladies that we must infiltrate." "Unbelievable," Evrial murmured. "What is?" "That you can say things like that and still get those men to rally behind you." "Sometimes I also have to gaze into their eyes with youthful exuberance that they find impossible to resist." Evrial could imagine — Lindsay Buroker

Mark this one thing my boy: never, never, never can a man make himself ridiculous in the eyes of a woman by anything he may do on her account. Not even by the most childish performances. Do anything you like, stand on your head, talk the most utter twaddle, swank like a peacock, sing under her window - anything at all but one thing: don't be matter of fact, don't be sensible. — Erich Maria Remarque

The Priestess
Her skin was pale, and her eyes were dark, and her hair was dyed black. She went on a daytime talk show and proclaimed herself a vampire queen. She showed the cameras her dentally crafted fangs, and brought on ex-lovers who, in various stages of embarrassment, admitted that she had drawn their blood, and that she drank it.
"You can be seen in a mirror, though?" asked the talk show hostess. She was the richest woman in America, and had got that way by bringing the freaks and the hurt and the lost out in front of her cameras and showing their pain to the world.
The studio audience laughed.
The woman seemed slightly affronted. "Yes. Contrary to what people may think, vampires can be seen in mirrors and on television cameras."
"Well, that's one thing you finally got right, honey," said the hostess of the daytime talk show. But she put her hand over her microphone as she said it, and it was never broadcast. — Neil Gaiman

Because it was the right thing?"
"Oh shit, I hope not."
"Afraid of becoming noble?" he asked, his eyes twinkling.
"That too. But basically, that's the worst reason I can think of for killing. 'That its the right thing to do'. You kill out of outrage or fury or to keep from dying or something like it, that's fine. Hell, kill them rather than bother with them - or be bothered by them. But if you're killing them because 'its the right thing to do', its only the right thing because you've done so many wrong things up until then to make that spot. It's not the right thing to do. It's the best of the last of your choices."
"That's the longest I've ever heard you talk at one time."
"That's because you never ask me about my hair. — John Steakley

Civilized people can talk about anything. For them no subject is taboo ... In civilized societies there will be no intellectual bogeys at sight of which great grownup babies are expected to hide their eyes. — Clive Bell

Very soon she'll join all the others who know the secret and will not tell it. Or cannot. Or try and fail because they do not know enough. They can be recognized. White faces, dazed eyes, aimless gestures, high-pitched laughter. The way they walk and talk and scream or try to kill (themselves or you) if you laugh back at them. Yes, they've got to be watched. For the time comes when they try to kill, then disappear. But others are waiting to take their places, it's a long, long line. She's one of them. I too can wait - for the day when she is only a memory to be avoided, locked away, and like all memories a legend. Or a lie ... — Jean Rhys

Thia pulled Darice away from Hauk. "Son, we need to talk about your inability to sense near-death experiences." "What are you talking about?" Thia glanced back to Hauk, who still hadn't moved. He hadn't even blinked. "Can you not see how pissed off he is?" "So?" Rolling her eyes, Thia sighed. "You're an idiot, Darice. I seriously hope you have no intention of entering any kind of military service." He lifted his chin defiantly. "Of course, I am. I'm Andarion. I'm going to be a fighter pilot like my parents." "No, punkin'." She patted him on the cheek. "With those well-honed survival instincts, you're going to be a bright stain on someone's blast shield." Darice — Sherrilyn Kenyon

Would you believe I was in the neighborhood?"
"No."
"Well, how about that I needed to see you."
"Why? Did one of my neighbors call and say my cat's been stalking their bunny?"
One corner of his mouth went up. "You know, that sounds like a euphemism. A kind of salacious one"
"Ooh, big words for Mr. Average Joe street cop," she said, knowing she sounded bitchy but unable to help it.
"Can you take out the angry eyes, Mrs. Potato Head, and just let me talk to you? — Leslie Parrish

No, I don't believe it," Joseph said. "From listening to my father and grandfather talk about El Shaddai, I think he's different from the gods of Egypt. I think that none of us could ever be good enough for God. I think of Him as being so good that a human can't even enter His presence. A man would die if he did. I think God's merciful, Rashidi. I think he forgives us because he loves us, just as we forgive our children because we love them.
"Rashidi's eyes brightened. "A God that loves people! Now there's a new thought! — Gilbert Morris

He's planted dirty bombs all over the place, but he won't tell anyone where they are. He has all of us held hostage by fear. If he dies and can't reset the timers every few hours at random intervals that he alone knows the schedule to, they'll go off, and we all go bye-bye in a nasty way. No one knows how he has them wired or timed or anything. He has lost his mind. Completely. Totally. Fully. I can't even talk to him anymore. He just stares at me with these beady, creepy eyes through that garish mask that gives me the jumping heebies." Caillen — Sherrilyn Kenyon

Are we just going to keep having sex so we can avoid talking about what we need to talk about?"
Prophet pulled back and looked between Tom's legs.
"What?"
"Just checking to make sure you still have a dick."
"Same one that fucked you through the wall while you begged for it," Tom pointed out, and Prophet eyes grew heavy lidded with lust again. "You're so easy, Proph."
"For you. — S.E. Jakes

My wife Ciera and I can stand face-to-face in our kitchen and stare into each other's eyes and talk for three hours without noticing that any time has passed. She is the kind of gal I spent a lifetime daydreaming about. She is an actor and a creative companion. — Jim Parrack

You say you can be honest with me?" Hadley asks after a moment, addressing Oliver's rounded shoulders, and he twists to look at her. "Fine. Then talk to me. Be honest."
"About what?"
"Anything you want.
To her surprise, he kisses her then. Not like the kiss at the airport, which was soft and sweet and full of farewell. This kiss is something more urgent, something more desperate; he presses his lips hard against hers, and Hadley closes her eyes and leans in, kissing him back until, just as suddenly, he breaks away again, and they sit staring at each other.
"That's not what I meant," Hadley says, and Oliver gives her a crooked smile.
"You said to be honest. That was the most honest thing I've done all day. — Jennifer E. Smith

Don't go to a museum with a destination. Museums are wormholes to other worlds. There are ecstasy machines. Follow your eyes to wherever they lead you, stop, get very quiet, and the world should begin to change for you. And if you see me, say something! We can talk about it together. — Jerry Saltz

No one wants to say they hate their own body. Many are scared that if they confide in others then people will look down on them. This is wrong. It's not weak to talk about it. On the contrary. It's the same with alcoholics and drug addicts - you have to be honest with yourself first. When you have accepted the negatives you can then focus on the positives, like, I have nice hair, nice eyes, great cheekbones. — Crystal Renn

I just had to hope you'd find me, he says.
Then he can't talk any more because I'm kissing him, and I don't think I'll ever stop. But I do. I lean back and stare into his eyes, and it's not until I see the light within them that I realize the truth of it.
He's back.
Beth Revis (Shades of Earth pg. 440) — Beth Revis

Will there ever come a day when you put yourself first?"
"No, that day will never come."
"You're crazy, my old man."
"It will never come because I've finally realized that I want you by my side, now and forever. That I can no longer be just myself, standing alone. I need more."
Angelica's eyes filled with tears. She looked like she was fighting to hold them back.
"You really are crazy."

-Conversation between Mathias Munster and Angelica Zanon — Riccardo Bruni

I desecrated my own house?" Chance snorted in disbelief. "Then swam out to Fort Sumter and played paint-by-numbers on the walls, all to make Benjamin Blue like me? Don't flatter yourself, kid."
Ben's eyes cut like diamonds. "You act like such a big shot. But you don't fool me. Do you have any friends, Chance? Is there a single person who cares where you are right now?"
"Ben!" I blurted, horrified. "That's not - "
"You're one to talk." Chance stepped closer to Ben and matched him glare for glare. "I've never betrayed my friends. Not like you, eh, Benjamin?"
Ben's whole body went still. "What did you say?"
"Guys, guys!" Hi half rose, palms up. "There's no need for anyone to get upset. I've got Go-Gurt in the mini-fridge. I know when I get hungry, my manners can - "
"Shut up, Hi." Ben and Chance, in unison. — Kathy Reichs

Join with those who sing, tell stories, talk pleasure in life, and have joy in their eyes, because joy is contagious, and can prevent others from becoming paralysed by depression, loneliness and difficulties. — Paulo Coelho

He can be..." Heat started to flow across my cheeks. "He can be very...protective."
Jayden's eyes widened as his mouth opened slightly. The flush in my cheeks deepened as I pressed my lips together.
"Huh. That's the first time I've heard you talk." He pushed off the locker, falling in step beside me. Shorter than his brother and Rider, he was still a couple of inches taller than me, so my neck appreciated not having to look up to see him. "Cool. I'm quiet, too."
I arched a brow.
He laughed. "Okay. I'm not quiet. I'm sure if you Wikipedia'd my ass, I would show up as the opposite of quiet. But that's okay. You and I would get along like lime and tequila. You can make up for my nonstop talkin' and I can make up for your lack of talkin'." He nudged my arm with his. "We're a perfect team! — Jennifer L. Armentrout

Iz," Alec said tiredly. "It's not like it's one big bad thing. It's a lot of little invisible things. When Magnus and I were traveling, and I'd call from the road, Dad never asked how he was. When I get up to talk in Clave meetings, no one listens, and I don't know if that's because I'm young or if it's because of something else. I saw Mom talking to a friend about her grandchildren and the second I walked into the room they shut up. Irina Cartwright told me it was a pity no one would ever inherit my blue eyes now." He shrugged and looked toward Magnus, who took a hand off the wheel for a moment to place it on Alec's. "It's not like a stab wound you can protect me from. It's a million little paper cuts every day. — Cassandra Clare

I know you're not here, I can see it in your eyes when we talk. Where ever you are, come back soon — Iain Thomas

I need to think about this."

"I know."

Then I closed my eyes and realized that I had to say no. It didn't matter how I felt about the trip or the chance to get back into space. The launch date he was talking about meant I'd have to go into training now. "I can't." I opened my eyes and stared at the wall where the publicity still of me and Nathaniel hung. "I have to turn it down."

"Talk to Nathaniel."

I grimaced. He would tell me to take it. "I can't. — Mary Robinette Kowal

When a person starts to talk about their dreams, it's as if something bubbles up from within. Their eyes brighten, their face glows, and you can feel the excitement in their words. — John C. Maxwell

Always trust your instinct! If you just close your eyes, talk to God and listen you can always hear the truth — Tammy Johnson

There is a pain you can't think your way out of. You can't talk it away. If there was someone to talk to. You can walk. One foot the other foot. Breathe in breathe out. Drink from the stream. Piss. Eat the venison strips. And. You can't metabolize the loss. It is in the cells of your face, your chest, behind the eyes, in the twists of the gut. Muscles, sinew, bone. It is all of you.
When you walk you propel it forward. When you let the sled and sit on a fallen log and. You imagine him curling in the one patch of sun maybe lying over your feet. Then it sits with you, the Pain puts its arm over your shoulders. It is your closest friend. Steadfast. And at night you can't bear to hear your own breath unaccompanied by another and underneath the big stillness like a score is the roaring of the cataract of everything being and being torn away. Then. The Pain is lying beside your side, close. Does not bother you with sound even of breathing. — Peter Heller

What's wrong?"
"It's nothing. It's just-" I met his searching gaze, "I'm not sure what I'm allowed to tell you."
His eyes narrowed at me, "What do you mean?"
"I'm not supposed to talk about what I do with anyone."
He blinked at me, "What?"
"I signed the non-disclosure agreement last week." I gave him an apologetic grimace.
He set his sandwich down and looked at me with something resembling disbelief. He opened his mouth to speak but then closed it and half laughed, "Janie, trust me. You can talk to me. It's my company. — Penny Reid

Dragos said in her head, Pia,
what are you doing?
She closed her eyes. It had been too much to hope that the sentinels would keep quiet about their outing. What she wouldn't give for a little privacy right now.
Don't talk to me, she said to Dragos.
You left the Tower. His mental voice was so quiet and controlled it sent a chill down her spine.
You promised you wouldn't.
She snarled, I said don't talk to me, you son of a bitch.
A heartbeat, and then, his calm quite
stripped away, he demanded, What's
happened?
Shut up. Get out of my head.
Pia, goddammit. When she didn't answer
he roared, WHAT THE FUCK DID I DO
NOW?
His telepathic shout reverberated in her skull. She clapped a hand to her forehead.
Don't yell at me like that. I can't think! Give me a minute. — Thea Harrison

Have you been infected with the toxin of denial? Here are the top five signs to help you find out: If you think you are above certain things happening to you, you are in denial. Pride goes before destruction, and haughtiness before a fall. PROVERBS 16:18 If you think you have the power to plan your own future, you are in denial. We can make our own plans, but the LORD gives the right answer. PROVERBS 16:1 If you think you are the only one who can get it right, you are in denial. People may be pure in their own eyes, but the LORD examines their motives. PROVERBS 16:2 If you think you are never wrong and it's always someone else's fault, you are in denial. Pride ends in humiliation, while humility brings honor. PROVERBS 29:23 If you have a rebuttal to anyone and everything, you are in denial. Too much talk leads to sin. — Kasey Van Norman

What do you want to talk about until the flight is called?"
"Cold wind. Sleet. The ugly doorman at Club 39. Porridge."
I burst out laughing. "You mean anything that won't give you an erection?"
He smiled at me, his eyes roaming my face lovingly. "Maybe we should just stop talking altogether. And put a bag over your head. And cover your legs."
"Just don't look at me."
"I can still smell you."
"I could move."
"Dare move away from me and I'll put you over my knee, Wife."
"That doesn't sound so bad. — Samantha Young

No bitter complaints about society whatever from this grand and ideal man who really loves me moreover as if I deserve it, but I'm bursting to explain everything to him, not even Big Sur but the past several years, but there's no chance with everybody yakking
And in fact I can see in Cody's eyes that he can see in my own eyes the regret we both feel that recently we haven't had chances to talk whatever, like we used to do driving across America and back in the old road days, too many people now want to talk to us and tell us their stories, we've been hemmed in and surrounded and outnumbered
The circle's closed in on the old heroes of the night
— Jack Kerouac

The most important thing in the face is the eyes, and if you can make the eyes talk, you're halfway there. — Ian Holm

She eyes me. 'What is this all about?'
It's my turn to shrug, upsetting the rocks on my back. 'I don't know. Girl talk. I mean, you can have any guy you want, so why don't you just pick one?'
Priscilla doesn't answer at first. I'm glad I chose this moment: she's actually pinned down and cannot run away. Finally, she says, 'If I can have any guy I want, I'd like to have every guy I want.'
'What do you mean?
She gives me an exasperated look. 'I'm only seventeen, Skye. I'm not looking to settle down just yet.' She probably misunderstands my shocked expression, because she adds, 'I mean, I'm not saying you're wrong or anything, but it's just not me, you know? — Fabio Bueno

What I find about wedding plans is that everyone wants to talk about when I don't. As soon as I do feel like talking about my wedding plans, their eyes glaze over and I can see them wishing they were dead — Suzanne Finnamore

You are a ghost, like you were a ghost before because you were never here, but everywhere at once, i wish i could talk like my eyes can see, word you with what i smell, knock your socks off with aromas of a tiny metropolis tourists only catch glimpses of at the Wharf. A thousand LSD trips and middle-aged folks remembering Timothy Leary playing like a Pied Piper leading them all off to jump off the pier. — Ana Castillo

The door jerked open and he glowered at her. "What do you want?"
"Hey! Why are you mad at me? I just want to talk to you."
"I don't want to talk," he said, pushing the door closed.
With inexplicable courage, she put her booted food in it's path. "Then maybe you can listen."
"No!" he bellowed.
"You're not going to scare me!" she shouted at him.
Then he roared like a wild animal. He bared his teeth, his eyes lit like there were gold flames in them, and the sound that came out of him was otherworldly.
She jumped back, her eyes as wide as hubcaps. "Okay," she said, putting up her hands, palms toward him. "Maybe you do scare me. A little."
-Ian and Marcie — Robyn Carr

Some children can tell you why they're frightened, angry, or unhappy. For many, however, the question "Why?" only adds to their problem. In addition to their original distress, they must now analyze the cause and come up with a reasonable explanation. Very often children don't know why they feel as they do. At other times they're reluctant to tell because they fear that in the adult's eyes their reason won't seem good enough. ("For that you're crying?") It's much more helpful for an unhappy youngster to hear, "I see something is making you sad," rather than to be interrogated with "What happened?" or "Why do you feel that way?" It's easier to talk to a grown-up who accepts what you're feeling rather than one who presses you for explanations. — Adele Faber

No matter how poor my eyes are I can still talk. — Marjory Stoneman Douglas

Hastings is going to go to a half-wit," the duke moaned. "All those years of praying for an heir, and now it's all for ruin. I should have let the title go to my cousin." He turned back to his son, who was sniffling and wiping his eyes, trying to appear strong for his father. "I can't even look at him," he gasped. "I can't even bear to look at him." And with that, the duke stalked out of the room.
Nurse Hopkins hugged the boy close. "You're not an idiot," she whispered fiercely. "You're the smartest little boy I know. And if anyone can learn to talk properly, I know it's you."
Simon turned into her warm embrace and sobbed.
"We'll show him," Nurse vowed. "He'll eat his words if it's the last thing I do. — Julia Quinn

The Fatigues all talk like that. Big-Picture-speak, Risa calls it. Seeing the whole, and none of the parts. It's not just in their speech but in their eyes as well.
When they look at Risa, she can tell they don't really see her. They seem to see the mob of Unwinds more as a concept rather than a collection of anxious kids, and so they miss all the subtle social tremors that shake things just as powerfully as the jets shake the roof. — Neal Shusterman

Few minds are spacious; few even have an empty place in them or can offer some vacant point. Almost all have narrow capacities and are filled by some knowledge that blocks them up. What a torture to talk to filled heads, that allow nothing from the outside to enter them! A good mind, in order to enjoy itself and allow itself to enjoy others, always keeps itself larger than its own thoughts. And in order to do this, these thoughts must be given a pliant form, must be easily folded and unfolded, so that they are capable, finally, of maintaining a natural flexibility.
All those short-sighted minds see clearly within their little ideas and see nothing in those of others; they are like those bad eyes that see from close range what is obscure and cannot perceive what is clear from afar. Night minds, minds of darkness. — Joseph Joubert

Theologians talk about a prevenient grace that precedes grace itself and allows us to accept it. I think there must also be a prevenient courage that allows us to be brave - that is, to acknowledge that there is more beauty than our eyes can bear, that precious things have been put into our hands and to do nothing to honor them is to do great harm. And therefore, this courage allows us, as the old men said, to make ourselves useful. It allows us to be generous, which is another way of saying exactly the same thing. — Marilynne Robinson

When I talk about my husband, I feel as if people roll their eyes. It's like when you're 16 and order a martini, and the waiter says, 'Do you think I'm stupid?'. They can't grasp that I'm old enough to be married. — Megan Fox

You shot me, Zane."
"Baby, if I'd shot you, you wouldn't be alive complaining about it," Zane said, then leaned sideways to check the backyard.
"Well, someone shot me. It's upsetting."
Zane glared at him before rolling his eyes. "Kelly had the beanbags, you can talk to him about it later."
"It's very upsetting," Ty repeated, pressing his hand to his chest. — Abigail Roux

I'm confused, Beatrice," she says. "What exactly do you want us to do?"
"I didn't come here to ask you for help," I say. "I thought you should know that a lot of people are going to die, very soon. And I know you don't want to stay here doing nothing while that happens, even if some of your faction does."
She looks down, her crooked mouth betraying just how right I am.
"I also wanted to ask you if we can talk to the Erudite you're keeping safe here," I say. "I know they're hidden, but I need access to them."
"And what do you intend to do?" she says.
"Shoot them," I say, rolling my eyes.
"That isn't funny."
I sigh. "Sorry. I need information. That's all. — Veronica Roth

You can't escape an assasin," He leaned forward, shadows swallowing his eyes. "Hangings, bumbling bureaucrats, dishonest crewman, jail - those you can talk your way out of, you try hard enough. But this kind of death is the is the only kind of death. — Cassandra Rose Clarke

Eragon went to see the dragon for the first time since it had spoken to him. He approached apprehensively, aware now that it was an equal.
"Eragon."
"Is that all you can say?" he snapped.
"Yes."
His eyes widened at the unexpected reply, and he sat down roughly.
Now it has a sense of humor. What next? — Christopher Paolini

I feel high on the knowledge that I can talk as much as I want to, as quickly as I want to, in any direction that I want to, without anyone overtly rolling her eyes at me or suggesting I go to speech therapy. I'm not saying this is good pedagogy. I am saying that its pleasures are deep. — Maggie Nelson

When I talk to people about what makes us human, some people say it's our tears. Because we are the only ones who weep, only we can feel true sorrow. When I hear this, I remember Isiro's face, her anguished eyes as she cried for Mikeno, how she screamed at the keepers with her teeth bared and pushed at the poles. How she dashed back to his body and dug her fingers into his chest as if the strength of her grip could bring him back. There is sorrow without tears. Of course there is. — Vanessa Woods

Even though people are shallow and lots of people prefer scripted fictional heroes to real human beings, they can still be shaken out of it in the presence of someone who is REAL. Your problem is not that you haven't mastered the conversational skills necessary to maintain someone's interest. Your problem is that you've never forced yourself to define exactly who you are and what you love and how you want to live. You've never had to talk about these things passionately. You've never dared to lay yourself bare, without apology. Once you can look someone in the eyes and say, "Here's what really matters to me"? That's what people find attractive, trust me. They want to be with someone who knows himself and gives a shit. That's what's alluring and attractive and irreplaceable, even in this age of smooth make-believe. — Heather Havrilesky

Independence is the luxury of all those people who are too confident, and busy, and popular, and attractive to be just plain old lonely. And make no mistake, lonely is absolutely the worst thing to be. Tell someone that you've got a drink problem, or an eating disorder, or your dad died when you were a kid even, and you can almost see their eyes light up with the sheer fascinating drama and pathos of it all, because you've got an issue, something for them to get involved in, to talk about and analyse and discuss and maybe even cure. But tell someone you're lonely and of course they'll seem sympathetic, but look very carefully and you'll see one hand snaking behind their back, groping for the door handle, ready to make a run for it, as if loneliness itself were contagious. Because being lonely is just so banal, so shaming, so plain and dull and ugly. — David Nicholls

One of the things I tried to do is to kind of talk my actors through the scene, but at the same time let them know how I plan to shoot the film and just give them an insight into the way I'm thinking, so that when they're acting out their scene, they can kind of see it in their minds' eyes. — James Wan

Did Morris put anybody on Coltraine, specifically?"
"Clipper."
"Die-For-Ty? Talk about the sex. How come so many death doctors are wholly iced?"
"A mystery I've pondered throughout my career."
"No, seriously. Clipper's like ummm. He's gay and has a partner, but a yummy treat for the eyes. His partner's an artist. He paints people, literally I mean. Body painting. They've been together about six years."
"How do you know all this stuff?"
"Unlike you, I enjoy hearing about people's personal lives, especially when it involves sex."
"At least since Clipper's not into women, you won't be troubled by sexual fantasies."
Peabody pursed her lips in thought. "I can work with it. Two naked guys, body paints, me. Oh yeah, endless possibilities. — J.D. Robb

As long as I'm between home and the clinic I do all right. But out in the real world, I feel like prey. I slink around and can feel people looking at me. I feel their eyes boring into me. I feel what they're thinking: Watch her, she could go off anytime. But within the walls of my farmhouse, I climb out of the protective shell, my arms slowly rise like a phoenix, and I dance, wail, fly around the room and then collapse, crying, in front of my mirrors. I start to see in the mirror what it is I really look like, instead of what I was trained from the womb to see. I do not write about it. I do not talk about it. I do not know what I am doing. But just like a baby bird, I am blinking once-sealed eyes and unfolding damp wings. I cannot articulate the past. A part of me knows it's there, lurking, just behind what I can acknowledge, but it is not within sight. And I am keeping it that way. — Julie Gregory

There is talk in the village that there is more in these sewers than sewerage. Yes, I say, Yes. But not only these sewers. There is more in your heart than can be spoken. More in your eyes than you will tell. More in the mind of you than anyone can know. More in the night than darkness. More in the river than can be dredged. What more ? The hate, envy, malice, greed, stupidity and evil that lie under the floor of everything.
If I have secrets so do you. — Jeanette Winterson

Life is as precious to us as it is for an animal. An animal is as loving, caring, and kind to her children as we are. She might not be able to tell us but she can express it through her eyes and expressions. She feels joy and happiness. She is helpless in our cruel hands and vulnerable to our vicious greed. Let us be kind to animals. Let us learn to feel their pain. Can we kill a helpless baby to feed our greed? Then how can we kill helpless animal friends that can't talk? Often we kill just for fun. How funny would it be if an animal killed a human just for fun? Let us be kind to animals as much as possible. I know we can. It is easier to love an animal than a human being. If you love an animal, it will rarely hurt you. Let us practice kindness and compassion to animals so that we may create a peaceful world. — Debasish Mridha

Being with a friend in great pain is not easy. It makes us uncomfortable. We do not know what to do or what to say, and we worry about how to respond to what we hear. Our temptation is to say things that come more out of our own fear than out of our care for the person in pain. Sometimes we say things like 'Well, you're doing a lot better than yesterday,' or 'You will soon be your old self again,' or 'I'm sure you will get over this.' But often we know that what we're saying is not true, and our friends know it too.
We do not have to play games with each other. We can simply say: 'I am your friend, I am happy to be with you.' We can say that in words or with touch or with loving silence. Sometimes it is good to say: 'You don't have to talk. Just close your eyes. I am here with you, thinking of you, praying for you, loving you. — Henri J.M. Nouwen

I never thought of it like that. I always thought of you as a part of me, like my own eyes or my own hands. You don't go around thinking 'I love my eyes, I love my hands', do you? But think what it would be like to live without your eyes or your hands. To be mad, or to be blind. I can't talk about it. It's how I feel. — Elizabeth Marie Pope

When I talk to a man, I can always tell what he's thinking by where he is looking. If he is looking at my eyes, he is looking for intelligence. If he is looking at my mouth, he is looking for wisdom. But if he is looking anywhere else except my chest he's looking for another man. — Dolly Parton

Go on, glare your eyes at me, and cry and plead, and talk to
me about money and what it can buy. But it can't buy back a child once he's dead! — V.C. Andrews

It's an irritating reality that many places and events defy description. Angkor Wat and Machu Picchu, for instance, seem to demand silence, like a love affair you can never talk about. For a while after,you fumble for words, trying vainly to assemble a private narrative, an explanation, a comfortable way to frame where you've been and whats happened. In the end, you're just happy you were there- with your eyes open- and lived to see it. — Anthony Bourdain

She knows how to feed her soul with a few quick breaths of outdoor air from the stairwell. She can bide her time till freedom comes. Little fox lady with her bright and determined eyes ... taking her dose of freedom three times a day. Nothing else matters, she never stops to talk. She has better places to be than standing talking to other sick people. She has a fragment of home calling. — Michelle Frost

A man walks fast along the forecourt of the station towards a gate, moving towards a train that's about to leave. I get shivery all over as I watch the back of his head, which is about Yuan's height, with hair and a neckline just like his. My eyes tell me what my mind knows cannot be true. I follow him along seeking the one thing that would confirm him as someone else. The man turns his head slightly to talk to a train official. I can see his nose in profile. My eyes sting. — Dayo Forster

Tell me, Marcus," says Johanna. "Why have you come to visit?"
"I think Beatrice should handle that," he says. "I am merely the transportation."
She shifts her focus to me without question, but I can tell by the wary look in her eyes that she would rather talk to Marcus. She would deny it if I asked her, but I am almost certain Johanna Reyes hates me.
"Um ... " I say. Not my most brilliant opening. I wipe my palms on my skirt. "Things have gotten bad. — Veronica Roth

Sometimes, when I'm teaching, when I interject a comment without anyone calling on me, without caring that I just spoke a moment before, or when I interrupt someone to redirect the conversation away from an eddy I personally find fruitless, I feel high on the knowledge that I can talk as much as I want to, as quickly as I want to, in any direction that I want to, without anyone overtly rolling her eyes at me or suggesting I go to speech therapy. I'm not saying this is good pedagogy. I am saying that its pleasures are deep. It's — Maggie Nelson

Well, you've got the growling part down pat already. Probaly all those years of practice."
He began to rise, his legs wobbly.
"All right, I'm coming back. I just didn't want to be in your way."
A grunt. Your not. Or that's what I hoped he meant.
"You can understand me, can't you?" I said as I returned to sit on his discarded sweatshirt. "You know what I'm saying."
He tried to nod, then snarled at the awkwardness of it.
"Not easy when you can't talk, is it?" I grinned. "Well, not easy for you. I could get used to it."
He grumbled, but I coulld see the relief in his eyes, like he was glad to see me smile.
"So I was right, wasn't I? It's still you even if wolf form."
He grunted.
"No sudden urges to go kill something?"
He rolled his eyes.
"Hey, you're the one who was worried." I paused. "And I don't smell like dinner, right?"
I got a real good look for that one.
"Just covering my bases. — Kelley Armstrong

It has seemed to me sometimes as though the Lord breathes on this poor gray ember of Creation and it turns to radiance - for a moment or a year or the span of a life. And then it sinks back into itself again, and to look at it no one would know it had anything to do with fire, or light ... Wherever you turn your eyes the world can shine like transfiguration. You don't have to bring a thing to it except a little willingness to see. Only, who could have the courage to see it? ... Theologians talk about a prevenient grace that precedes grace itself and allows us to accept it. I think there must also be a prevenient courage that allows us to be brave - that is, to acknowledge that there is more beauty than our eyes can bear, that precious things have been put into our hands and to do nothing to honor them is to do great harm. — Marilynne Robinson

My entire body shaking, I carefully unstrapped the seat belt and turned around as far as I could to look at the backseat.
Or rather, the dog that sat on it. He was panting, his eyes round, but there was nothing at all odd about him.
Other than the fact that I'd just heard him speak.
"You can't talk," I told him.
"I think I can," he answered. — Katie MacAlister

Travis is a fucking wreck! He won't talk to us, he's trashed the apartment, threw the stereo across the room ... Shep can't talk any sense into him!"
"He took a swing at Shep when he found out we helped you leave. Abby! Please tell me!" she pleaded, her eyes glossing over. "It's scaring me!"
"It's something else, Abby. He's gone fucking nuts! I heard him call your name, and then he stomped all over the apartment looking for you. He barged into Shep's room, demanding to know where you were. Then he tried to call you. Over, and over and over," she sighed. "His face was ... Jesus, Abby. I've never seen him like that. — Jamie McGuire

I can't talk you out of this?" he whispered, his eyes searching mine.
"No."
He swallowed and brushed back a hair from my forehead. His hand lingered on my face, and I let it. His eyes were strangely sad, and I wanted to ask him why, but I didn't dare speak.
"I want you to remember this," he said, his voice low and husky.
"What?" I asked.
"You want me to kiss you."
"I don't," I lied.
"You do. And I want you to remember that."
"Why?"
"Because." Without further explanation, he turned away from me. "If you want to do this, hurry and put some clothes on. You don't want to see the King in your pajamas. — Amanda Hocking

He opened his eyes again, raking his gaze up and down my body before coming to rest on my crotch. "Quite simply," he said, "I'd like to lick your cunt. I'd like to hear you scream my name."

The world seemed to sway. "Don't... don't you have groupies for that sort of thing?" I asked breathlessly.

"I'd rather have you."

I swallowed. "I don't know what to say."

"You can start by saying yes, please, Kent. Eat my pussy."

My skin tingled with his words. I wondered why he wasn't the one singing, front and center. That voice could carry me away, anywhere he wanted me to go...

Oh, this was a problem. This was a huge problem, and I wasn't about to make it any better. My mouth was dry, but the words came out clear enough:

"Yes, please, Kent. Eat my pussy."

"I thought you'd never ask," he said. — Ava Lore

Jared and I need to talk this over alone."

"Why?" Ash asked, his voice unexpected in that hushed room, his eyes fastened on Kami. "Why do you need to be alone?" he asked. "You can read each other's minds."

"Thank you for pointing that out; I wasn't aware," Kami told him. "And yes, it would be fantastic to have a silent conversation with all of you looking on. — Sarah Rees Brennan

Curran strode toward me, eyes blazing. "If I let her go, I'll need a replacement. Want to volunteer for the job."
He looked like he wouldn't be taking no for an anser. I swiped Slayer from its sheath and backed away from the edge of the roof. "And be girlfriend number twenty-three soon to be dumped in favor of girlfriend number twenty-four who has slightly bigger boobs? I don't think so."
He kept coming. "Oh Yeah?"
"Yeah, you get these beautiful women, make them dependent on you, and then you dump them. Well, this time a woman left you first, and your enormous ego can't deal with it. And to think that I hoped we could talk like reasonable adults. If we were the last two people on Earth, I'd find myself a moving island so I could get the hell away from you. — Ilona Andrews

Cassidy is the best girlfriend ever. I've dated her for a full two months longer than anyone else. She's smart and witty and original and can chug a beer faster than most guys I know. On top of that, she is absolutely beautiful. I mean spanktacular. Talk about pure colors. She's high-definition. Scandinavian blond hair, eyes as blue as fiords, skin like vanilla ice cream or flower petals or sugar frosting - or really not like anything else but just her skin. It makes my hair ache. Of course, she does believe in astrology, but I don't even care about that. It's a girl thing. I think of it like she has constellations and fortunes whirling around inside her. — Tim Tharp

You will feel him in the breeze on your cheek when you walk next to the lake. You will see him in J's eyes. He will be here, Elle. You won't be able to see him, but you can always talk to him. — Peggy M. McAloon