Eye Reader Quotes & Sayings

There is an underlying rhythm to all text. Sentences crashing fall like the waves of the sea, and work unconsciously on the reader. Punctuation is the music of language. As a conductor can influence the experience of the song by manipulating its rhythm, so can punctuation influence the reading experience, bring out the best (or worst) in a text. By controlling the speed of a text, punctuation dictates how it should be read. A delicate world of punctuation lives just beneath the surface of your work, like a world of microorganisms living in a pond. They are missed by the naked eye, but if you use a microscope you will find a exist, and that the pond is, in fact, teeming with life. This book will teach you to become sensitive to this habitat. The more you do, the greater the likelihood of your crafting a finer work in every respect. Conversely the more you turn a blind eye, the greater the likelihood of your creating a cacophonous text and of your being misread. — Noah Lukeman

I love almost everything about my work except conferences. I am too shy in front of an audience. But I love signings and having eye contact with a reader who already knows my soul. — Paulo Coelho

Studying the world's oldest writing for the first time compels you to wonder about what writing is and how it came about more than five thousand years ago and what the world might have looked like without it.

Writing as I would define it serves to record language by means of an agreed set of symbols that enable a message to be played back like a wax cylinder recording.

The reader's eye runs over the signs and tells the brain how each is pronounced and the inner message springs into life. — Irving Finkel

The best introduction by far to representation of the human figure in art. The Nude is a beautifully written work of sophisticated connoisseurship that analyzes art in its own terms rather than imposing strident, politicized categories on it. It outlines the major body types, male and female, in Western art and, via a wealth of illustrations, trains the reader's eye to detect and evaluate proportion. This book reveres art — Camille Paglia

The book which the reader has under his eye at this moment is, from one end to the other, as a whole and in detail, whatever may be its intermittences, exceptions and faults, the march from evil to good, from the unjust to the just, from night to day, from appetite to conscience, from rottenness to life, from hell to heaven, from nothingness to God. Point of departure: matter; point of arrival: the soul. The hydra at the beginning, the angel at the end. — Victor Hugo

Haiku are meant to evoke an emotional response from the reader ... to light the spark that triggers creative rumination ... They act as literary manifestations ... visions of nature's seasonal modulations ... They're emotionally tinged words, barely perceptible sensory flickers ... literary etchings of lucid visions transposed into the minds of its readers ... They're meant to act as sensory catalysts ... like the passing of a penciled baton laid out upon a piece of paper that a reader might grasp for in their mind's eye ... all of which prompts the reader to continue exploring the sensory experience elicited from the writers pen ... This is how the literary sketching of poets are intended to function ... as creative muses with which readers can draw from and viscerally apply to their own artistic idioms ... from that lucid space within their heads ... where their minds eye can spark their own creative visions"

Bukusai Ashagawa — Bukusai Ashagawa

The ear is the only true writer and the only true reader. I know people who read without hearing the sentence sounds and they were the fastest readers. Eye readers we call them. They get the meaning by glances. But they are bad readers because they miss the best part of what a good writer puts into his work. — Robert Frost

A book is one of the most patient of all man's inventions. Centuries mean nothing to a well-made book. It awaits its destined reader, come when he may, with eager hand and seeing eye. Then occurs one of the great examples of union, that of a man with a book, pleasurable, sometimes fruitful, potentially world-changing, simple; and in a library ... witho ut cost to the reader. — Lawrence Clark Powell

Alice in Lapland. Any undue interest in or physical contact with children will set off alarms. If you do not want your reader to think he is reading about a pedophile, dandling of children on knees should be kept to a minimum by fathers, and even more so by uncles. If your character is in any way associated with organized religion, whether he is a bishop, a minister, or the kindly old church caretaker with a twinkle in his eye, he should not even pull a child from a burning building. — Howard Mittelmark

To impress your offer on the mind of the reader or listener, it is necessary to put it into brief, simple language ... No farfetched or obscure statement will stop them. You have got to hit them where they live in the heart or in the head. You have got to catch their eyes or ears with something simple, something direct, something they want. — John Caples

I don't think there's a less elitist thing on earth to do than to try and reach out and connect with another human being . . . And that's what the best writing does, that's what art does. It looks a reader in the eye, and it proceeds honestly with that reader, and nakedly. There is a compact there, a bond, a relationship, a union, a symbiosis . . . It's not about you. Whether you're a genius or an idiot savant. It's about the work. The work is more important than you. So it's not about back-claps and plaudits and "isn't that author smart." It's about, "this book really connected with me. And even though you, my friend, are very different from me, I'm lending it to you, because I think it will connect with you as well." Community. Across the eras. Between people who have never met, who will never meet, who are nonetheless bound in something together, in different ways. — Colin Fleming

There are three things, after all, that a poem must reach: the eye, the ear, and what we may call the heart or the mind. It is the most important of all to reach the heart of the reader. — Robert Frost

I am a spinner of yarns; hopefully to transport the reader or listener to places I see in my minds eye. — Barry Tyrrell

Works of imagination excel by their allurement and delight; by their power of attracting and detaining the attention. That book is good in vain which the reader throws away. He only is the master who keeps the mind in pleasing captivity; whose pages are perused with eagerness, and in hope of new pleasure are perused again; and whose conclusion is perceived with an eye of sorrow, such as the traveller casts upon departing day. — Samuel Johnson

Most readers look at the photograph first. If you put it in the middle of the page, the reader will start by looking in the middle. Then her eye must go up to read the headline; this doesn't work, because people have a habit of scanning downwards. However, suppose a few readers do read the headline after seeing the photograph below it. After that, you require them to jump down past the photograph which they have already seen. Not bloody likely. — David Ogilvy

Writing is eternal, For therein the dead heart liveth, the clay-cold tongue is eloquent, And the quick eye of the reader is cleared by the reed of the scribe. As a fossil in the rock, or a coin in the mortar of a ruin, So the symbolled thoughts tell of a departed soul: The plastic hand hath its witness in a statue, and exactitude of vision in a picture, And so, the mind, that was among us, in its writings is embalmed. — F Scott Fitzgerald

We love books because they are the greatest escape. That is because our own minds eye is the purest form of virtual reality. — M.R. Mathias

I could tell you were a reader when I first saw you," David said. "You have that dreamy look in your eye, like you're wishing yourself onto a page. It's easy to see in the way you hesitate before answering my questions, before asking any of your own. You're not used to talking to us flesh-and-blood types — Bethany Hagen

It skims in through the eye, and by means of the utterly delicate retina hurls shadows like insect legs inward for translation. Then an immense space opens up in silence and an endlessly fecund sub-universe the writer descends, and asks the reader to descend after him, not merely to gain instructions but also to experience delight, the delight of mind freed from matter and exultant in the strength it has stolen from matter. — John Updike

It was written all in O, or nearly so, and all the O's are gone," said Andrea. "When coat is cat, and boat is bat, and goatherd looks like gathered, and booth is both, since both are bth, the reader's eye is bothered."
"And power is power, and zero zer, and, worst of all, a hero's her." The old man sighed as he said it.
"Anoon is ann, and moan is man." Andrea smiled as she said it.
"And shoe," Andreus said, "is she."
"Ah, woe," the old man said, "is we. — James Thurber

O Reader! hast thou eer stood to see The Holly-tree? The eye that contemplates it well perceies Its glossy leaes Ordered by an Intelligence so wise As might confound the Atheist's sophistries. — Robert Southey

Jane, I never meant to wound you thus. If the man who had but one little ewe lamb that was dear to him as a daughter, that ate of his bread and drank of his cup, and lay in his bosom, had by some mistake slaughtered it at the shambles, he would not have rued his bloody blunder more than I now rue mine. Will you ever forgive me?" Reader, I forgave him at the moment and on the spot. There was such deep remorse in his eye, such true pity in his tone, such manly energy in his manner; and besides, there was such unchanged love in his whole look and mien - I forgave him all: yet not in words, not outwardly; only at my heart's core. — Charlotte Bronte

Barry Gifford, Author of Wild at Heart, says:
Marisa Lankester's unique chronicle of high crimes and low company is as wild a ride as any reader is likely to be taken on. She was the lone woman in the eye of a predatory hurricane that blew across continents and devastated countless lives. That she survived is testament to her brains and bravery. The old-timers who invented violence as a second language contended that nothing is deadlier than the female, to cross her was to buck dangerous odds, and this book tells you why. — Barry Gifford

From a tale one expects a bit of wildness, of exaggeration and dramatic effect. The tale has no inherent concern with decorum, balance or harmony ... A tale may not display a great deal of structural, psychological, or narrative sophistication, though it might possess all three, but it seldom takes its eye off its primary goal, the creation of a particular emotional state in its reader. Depending on the tale, that state could be wonder, amazement, shock, terror, anger, anxiety, melancholia, or the momentary frisson of horror. — Peter Straub

Movie or no, you should never put pictures of the book's characters on the cover. That only cramps the reader's fantasy. You force him to keep seeing the faces of the actors in the movie. For someone who has seen the movie first and then, out of curiosity, goes on to read the whole book, that might not be so bad. But anyone who reads the book first is faced with a dilemma. During the reading he sees the faces of all the characters in his mind's eye. Faces he wants to assemble with his own fantasy. No matter how those faces may be described. Despite your superfluous descriptions of noses, eyes, ears, and hair color, each reader constructs his own faces in his own imagination. Three hundred thousand readers; that's three hundred thousand different faces for each character. Three hundred thousand faces that are destroyed at one fell swoop by that one face in the movie. As a reader, it's pretty tough to remember that imaginary face after seeing the actor on the screen. Two — Herman Koch

However, I'm here to tell you dear reader that there is always more than meets the eye. — Isabella Kruger

How solemn is this fact: nothing can be concealed from God! "For I know the things that come into your mind, every one of them" (Ezek. 11:5). Though he be invisible to us, we are not so to him. Neither the darkness of night, the closest curtains, nor the deepest dungeon can hide any sinner from the eyes of Omniscience. The trees of the garden were not able to conceal our first parents. No human eye beheld Cain murder his brother, but his Maker witnessed his crime. Sarah might laugh derisively in the seclusion of her tent, yet was it heard by Jehovah. Achan stole a wedge of gold and carefully hid it in the earth, but God brought it to light. David was at much pains to cover up his wickedness, but ere long the all-seeing God sent one of his servants to say to him, "Thou art the man!" And to writer and reader is also said, "Be sure your sin will find you out" (Num. 32:23). — Arthur W. Pink

Getting inside your character's head and letting the reader see the world through not just their eyes but their sensibility creates an intimacy that can't be duplicated in any other medium. — Stewart O'Nan

And the bubbles of light again rose and fell, and in their disordered, irregular, turbulent maze, mingled with the wan moonlight. And now from these globules themselves as from the shell of an egg, monstrous things burst out; the air grew filled with them; larvae so bloodless and so hideous that I can in no way describe them except to remind the reader of the swarming life which the solar microscope brings before his eyes in a drop of water - things transparent, supple, agile, chasing each other, devouring each other - forms like nought ever beheld by the naked eye. As the shapes were without symmetry, so their movements were without order. In their very vagrancies there was no sport; they came round me and round, thicker and faster and swifter, swarming over my head, crawling over my right arm, which was outstretched in involuntary command against all evil beings. ("The House And The Brain") — Edward Bulwer-Lytton

When describing nature, a writer should seize upon small details, arranging them so that the reader will see an image in his mind after he closes his eyes. For instance: you will capture the truth of a moonlit night if you'll write that a gleam like starlight shone from the pieces of a broken bottle, and then the dark, plump shadow of a dog or wolf appeared. You will bring life to nature only if you don't shrink from similes that liken its activities to those of humankind. — Anton Chekhov

I don't have a great eye for detail. I leave blanks in all of my stories. I leave out all detail, which leaves the reader to fill in something better. — Garrison Keillor

A good writer refuses to be socialized. He insists on his own version of things, his own consciousness. And by doing so he draws the reader's eye from its usual groove into a new way of seeing things. — Bill Barich

Only a reader can become a writer. Develop a lively intellect and the ability to become interested in anything, no matter how mundane it might seem at first. Look for the story. Develop an eye for detail. Feed your mind and your brain: learn as much as you can about everything you can. — Susan Campbell Bartoletti

As a writer you must keep a tight rein on your subjective self - the traveler touched by new sights and sounds and smells - and keep an objective eye on the reader. — William Zinsser

[L]et my reader who is puzzled by my awkward explanations close his eyes for no more than two minutes, and see if he does not find himself suddenly not a compact human being at all, but only a consciousness on a sea of sound and touch ... — Shirley Jackson

Mysteries include so many things: the noir novel, espionage novel, private eye novels, thrillers, police procedurals. But the pure detective story is where there's a detective and a criminal who's committed a murder and leaves clues for the detective and the careful reader to find. — Otto Penzler

3 people get stranded on a remote Island
A Banker, a Daily Mail reader & an Asylum seeker
All they have to eat is a box of 10 Mars bars
The Banker says "Because of my expertise in asset management, I'll look after our resources"
The other 2 agree
So the Banker opens the box, gobbles down 9 of the Mars bars and hands the last one to the Daily Mail reader
He then says " I'd keep an eye on that Asylum seeker, he's after your Mars Bar — Christopher Brookmyre

The photographs are not illustrative. They, and the text, are coequal, mutually independent, and fully collaborative. By their fewness, and by the importance of the reader's eye, this will be misunderstood by most of that minority which does not wholly ignore it. In the interests, however, of the history and future of photography, that risk seems irrelevant, and this flat statement necessary. — Walker Evans

What are the hallmarks of a competent writer of fiction? The first, it seems to me, is that he should be immensely interested in human beings, and have an eye sharp enough to see into them, and a hand clever enough to draw them as they are. The second is that he should be able to set them in imaginary situations which display the contents of their psyches effectively, and so carry his reader swiftly and pleasantly from point to point of what is called a good story. — H.L. Mencken

It is not I who mix the colors but your own vision,' he answered. 'I only place them next to one another on the wall in their natural state; it is the observer who mixes the colors in his own eye, like porridge. Therein lies the secret. The better the porridge, the better the painting, but you cannot make good porridge from bad buckwheat. Therefore, faith in seeing, listening, and reading is more important than faith in painting, singing, or writing.'
He took blue and red and placed them next to each other, painting the eyes of an angel. And I saw the angel's eyes turn violet.
'I work with something like a dictionary of colors,' Nikon added, 'and from it the observer composes sentences and books, in other words, images. You could do the same with writing. Why shouldn't someone create a dictionary of words that make up one book and let the reader himself assemble the words into a whole? — Milorad Pavic

I suppose anyone who has ever written a travel book has had the experience of being accosted by a reader with blood in his eye and a lawsuit in his voice. — Ilka Chase

Print is predictable and impersonal, conveying information in a mechanical transaction with the reader's eye. Handwriting, by contrast, resists the eye, reveals its meaning slowly, and is as intimate as skin. — Ruth Ozeki

Alejandro Colucci has designed covers for my books that stand out, that catch the eye, and that make me, as a reader and consumer, want to know more about the books behind those covers. — James A. Moore

My objective always is to stay as close as possible and shoot the pictures as if through the eyes of the infantryman, the Marine, or the pilot. I wanted to give the reader something of the visual perspective and feeling of the guy under fire, his apprehensions and sufferings, his tensions and releases, his behavior in the presence of threatening death. — David Douglas Duncan

It is only the basest writer who cannot speak of the sea without talking of "raging waves," "remorseless floods," "ravenous billows," etc.; and it is one of the signs of the highest power in a writer to check all such habits of thought, and to keep his eyes fixed firmly on the pure fact , out of which if any feeling comes to him or his reader, he knows it must be a true one. — John Ruskin

You can lose a reader in a blink of an eye. If a person is an engineer or chemist or an anthropologist or whatever, you spoil the whole book for that person if there's obviously ignorance here. What's wrong with so much science fiction is that the science is so lousy that it isn't worth paying attention to. — Robert Caro

Let the mind contemplate, let the pen scribble, the oeuvre would be eccentric, peculiar to a reader's eye. — Shilpa Sandesh

We shall not attempt to give the reader an idea of that tetrahedron nose-that horse-shoe mouth-that small left eye over-shadowed by a red bushy brow, while the right eye disappeared entirely under an enormous wart-of those straggling teeth with breaches here and there like the battlements of a fortress-of that horny lip, over which one of those teeth projected like the tusk of an elephant-of that forked chin-and, above all, of the expression diffused over the whole-that mixture of malice, astonishment, and melancholy. Let the reader, if he can, figure to himself this combination. — Victor Hugo

The great art in writing advertisements is the finding out of a proper method to catch the reader's eye; without which, a good thing may pass over unobserved, or lost among commissions of bankrupt. — Joseph Addison

The analytical writer observes the reader as he is; accordingly, he makes his calculation, sets his machine to make the appropriate effect on him. The synthetic writer constructs and creates his own reader; he does not imagine him as resting and dead, but lively and advancing toward him. He makes that which he had invented gradually take shape before the reader's eyes, or he tempts him to do the inventing for himself. He does not want to make a particular effect on him, but rather enters into a solemn relationship of innermost symphilosophy or sympoetry. — Karl Wilhelm Friedrich Schlegel

For the speedy reader paragraphs become a country the eye flies over looking for landmarks, reference points, airports, restrooms, passages of sex. — William H Gass

I now warn the reader not to mock me and my mental daze. It is easy for him and me to decipher now a past destiny; but a destiny in the making is, believe me, not one of those honest mystery stories where all you have to do is keep an eye on the clues. In my youth I once read a French detective tale where the clues were actually in italics; but that is not McFate's way - even if one does learn to recognize certain obscure indications. — Vladimir Nabokov

There must be courage; there must be no awe. There must be criticism, for humor, to my mind, is encapsulated in criticism. There must be a disciplined eye and a wild mind ... There must be a magnificent disregard of your reader, for if he cannot follow you, there is nothing you can do about it. — Dorothy Parker

You are Zyon's daughter. You are a soul reader. This trip is more than just a vacation," Jadan said firmly. "You might feel like postponing it now, but we need to look for the medallion while we are in that region. Joe will keep an eye on everything. Plus, your mom will know what to do. I can even call for backup. — Dianne Bright

I wish I could have a little tape-and-loudspeaker arrangement sewn into the binding of this magazine, to be triggered off by the light reflected from the reader's eyes on to this part of the page, and set to bawl out at several bels: MORE WILL MEAN WORSE. — Kingsley Amis

There's still a strange moment with every book when I move from the position of writer to the position of reader and I suddenly see my words with the eyes of the cold public. It gives me a terrible sense of exposure, as if I'd gotten sunburned. — Eudora Welty