Eye Design Quotes & Sayings

A Porsche will always look like a Porsche. My grandfather took these shapes from nature, so the head lamps of the 911 maybe look a little like the eyes of a frog, but it comes from nature, and the best shapes are from nature, so why change? — Ferdinand Alexander Porsche

Learning to design is, first of all, learning to see. Designers see more, and more precisely. This is a blessing and a curse - once we have learned to see design, both good and bad, we cannot un-see. The downside is that the more you learn to see, the more you lose your 'common' eye, the eye you design for. This can be frustrating for us designers when we work for a customer with a bad eye and strong opinions. But this is no justification for designer arrogance or eye-rolling. Part of our job is to make the invisible visible, to clearly express what we see, feel and do. You can't expect to sell what you can't explain. — Oliver Reichenstein

I Dolci Libri

Rizzoli, the famed Italian purveyor of art tomes has over the years produced an entire library of gorgeous coffee table books. With the additional Universe imprint and partnerships with Flammarion and Skira the company has upped the ante on modernism in hardcover with a stack of architecture and design books that are as much nourishment for the mind as cannoli for the eye. Rizzoli's editors have their fingers on the pulse of what's happening right now and next in design in the United States and abroad. — Metropolitan Home

Where the average person appreciates the beauty of surf and waves, Gus, an engineer, sees only practical design. Gravity, plus ocean current, plus wind. Poetry to the common man is a unicorn viewed from the corner of an eye - an unexpected glimpse of the intangible. To an engineer, only the ingenuity of pragmatic solutions is poetic. Function over form. It's not a question of optimism or pessimism, a glass half full or half empty. To an engineer, the glass is simply too big. — Noah Hawley

Graphic design is a visual language uniting harmony and balance, color and light, scale and tension, form and content. But it is also an idiomatic language, a language of cues and puns and symbols and allusions, of cultural references and perceptual inferences that challenge both the intellect and the eye. — Jessica Helfand

Every child is a one of a kind mini-masterpiece. No known duplicates exist. They each have distinctive fingerprints, heart rhythms, eye patterns, and blood constitution. Even identical twins can be physically alike and yet light years apart in how they are mentally wired and gifted. Our children do not just grow up different; they show up different. Though circumstances and training will greatly affect their lives, the originality that is already ingrained into each of our children reflects brilliant preplanning. Every birthmark is a trademark. Every special feature is a signature of divine design. — Stephen Kendrick

How came the bodies of animals to be contrived with so much art, and for what ends were their several parts?
Was the eye contrived without skill in Opticks, and the ear without knowledge of sounds? ... and these things being rightly dispatch'd, does it not appear from phaenomena that there is a Being incorporeal, living, intelligent ... ? — Isaac Newton

Don't worry, it's very clear that the painting was done by a human, most likely a human with one eye removed and a feverent if incorrect understanding of design and anatomy. — Ryan North

Not without design does God write the music of our lives. Be it ours to learn the tune, and not be dismayed at the 'rests.' They are not to be slurred over, not to be omitted, not to destroy the melody, not to change the keynote. If we look up, God Himself will beat the time for us. With the eye on Him, we shall strike the next note full and clear. If we sadly say to ourselves, "There is no music in a 'rest,'" let us not forget '"there is the making of music in it." The making of music is often a slow and painful process in this life. How patiently God works to teach us! How long He waits for us to learn the lesson! - Ruskin — Leslie Ludy

We see buildings in Britain mostly as freestanding objects. They are not meant to have a dialogue with anything around them, or with history, or with ideas of any kind beyond the self-referential. What we call 'regeneration' is largely an excuse for building for maximum profit with a bit of sculptural design thrown in to catch the eye of the media. — David Chipperfield

Those great and glorious actions that dazzle our eyes with their luster are represented by statesmen as the result of great wisdomand excellent design; whereas, in truth, they are commonly the effects of the humors and passions. — Francois De La Rochefoucauld

You know something has really stuck in Tim's head when he's drawn what the character looks like. Weird Girl and Elsa actually switched places, at one point. I may be mis-remembering it, but the original design for Weird Girl was actually Elsa, but then it became Winona Ryder's character, and the new Weird Girl was just fantastic with those giant wide eyes. — John August

People believe in God because the world is very complicated and they think it is very unlikely that anything as complicated as a flying squirrel or the human eye or a brain could happen by chance. — Mark Haddon

Never forget that all these people are primarily a visual people. They are designers, window dressers, models, photographers, graphic artists. They design the windows at Saks. Do you understand? They are a visual people, and they value the eye, and their sins, as Saint Augustine said, are the sins of the eye. And being people who live on the surface of the eye, they cannot be expected to have minds or hearts. It sounds absurd but it's that simple. Everything is beautiful here, and that is all it is: beautiful. Do not expect anything else, do not expect nourishment for anything but your eye - and you will handle it all beautifully. You will know exactly what you are dealing with. — Andrew Holleran

The genius is a genius by the first look he casts on any object. Is his eye creative? Does he not rest in angles and colors, but beholds the design,
he will presently undervalue the actual object. — Ralph Waldo Emerson

Let's say you're walking around and you find a watch on the ground. As you examine it, you marvel at the intricately complex interweaving of its parts, a means to an end. Surely you wouldn't think this marvel would have come about by itself. The watch must have a maker. Just as the watch has such complex means to an end, so does nature to a much greater extent. Just look at the complexity of the human eye. Thus we must conclude that nature has a maker too. — William Paley

It seems that most the world is driven by the eye, right? They design cities to look great but they always sound horrible, ... They design telephones to look great, but they sound horrible. I think it was about time that the other senses were celebrated. — Bjork

Billy tried to imagine the birth of Cyril's wife's baby. It would happen in grim lights violently. A dripping thing trying to clutch to its hole. Dredged up and beaten. Blood and drool and womb mud. How cute, this neon shrieker made to plunge upward, odd-headed blob, this marginal electric glow-thing. Dressed and powdered now. Engineered to abstract design. Cling, suck and cry. Follow with the eye. Gloom and drought of unprotected sleep. Had there been a light in her belly, dim briny light in that pillowing womb, dusk enough to light a page, bacterial smear of light, an amniotic gleam that I could taste, old, deep, wet and warm? Return, return to negative unity. — Don DeLillo

I've generally got a good eye for design and proportion. — Bruce Oldfield

I understand that, today, some developers are asking architects to design eye-catching, iconic buildings. Fortunately, I've not had that kind of client so far. — Fumihiko Maki

Modern design becomes the eye catcher because it's out of context, it is something newborn and fresh, something people have never seen before. I mean, that in itself is the way we should sort of stimulate the senses of society, this urban condition. — Ross Lovegrove

The Poet
His teeth splayed in a way he'd notice and pity
in his closest enemies or friends.
Youth held his eye; he blinked at passing beauties,
birds of passage that could not close the gap.
His wife was high-blooded, he counted on her living
she lived, past sixty, then lived on in him,
and often when he plotted lines, she breathed
her acrid sweetness past his imaginings.
She was still a magnificent handle of a woman
did she have her lover as a novelist wished her?
No
hating someone nearer, she found her voice
no wife so loved; though Hardy, home from cycling,
was glad to climb unnoticed to his study
by a circling outside staircase, his own design. — Robert Lowell

I took the liberty of designing your pennant," said Rhy, resting his elbows on the gallery's marble banister. "I hope you don't mind."
Kell cringed. "Do I even want to know what's on it?"
Rhy tugged the folded piece of fabric from his pocket, and handed it over. The cloth was red, and when he unfolded it, he saw the image of a rose in black and white. The rose had been mirrored, folded along the center axis and reflected, so the design was actually two flowers, surrounded by a coil of thorns.
"How subtle," said Kell tonelessly.
"You could at least pretend to be grateful."
"And you couldn't have picked something a little more ... I don't know ... imposing? A serpent? A great beast? A bird of prey?"
"A bloody handprint?" retorted Rhy. "Oh, what about a glowing black eye?"
Kell glowered.
"You're right," continued Rhy, "I should have just drawn a frowning face. But then everyone would know it's you. I thought this was rather fitting. — Victoria Schwab

I'd take you home with me, see, but two of us in the same Behold? Just wouldn't work, ends up in all sorts of squabbles over interior design; and the human, well, one faery in the Behold of the Eye, that just gives them a little twinkle of imagination, but more than one and it's like a bloody fireworks display. They get all unstable and artistic, blinded by the glamour of everything, real or imagined, concrete or abstract. They get confused between beauty and truth and meaning, you see, start thinking every butterfly-brained idea must be true; before you know it they've gone schizo on you and you're in a three-way firefight with all the angels and the demons, them and their bloody ideologies. — Hal Duncan

Looking through a child's eyes and knowing this was another planet, we decided to design the machines with eyes and bodies like animals, we also decided that this planet has two moons, and we decided that anything else we wanted to do was allowed. It was a new perspective to make the film. — Alex Abreu

Humans are often credited with having real foresight, in distinction to the rest of biology which does not. For example, Dawkins compares the 'blind watchmaker' of natural selection with the real human one. 'A true watchmaker has foresight: he designs his cogs and springs, and plans their interconnections, with a future purpose in his mind's eye. Natural selection ... has no purpose in mind'.
I think this distinction is wrong. There is no denying that the human watchmaker is different from the natural one. We humans, by virtue of having memes, can think about cogs, and wheels, and keeping time, in a way that animals cannot. Memes are the mind tools with which we do it. But what memetics shows us is that the processes underlying the two kinds of design are essentially the same. They are both evolutionary processes that give rise to design through selection, and in the process they produce what looks like foresight. — Susan Blackmore

know," Maris sighed. "I'm disgusting." "No. You're very beautiful like this." Stunned, Maris looked up, unsure of what to expect. But he saw truth in Ture's eyes, not horror. Ture cupped Maris's cheek as he stared in awe of the man's current appearance. He'd never seen anything like this. Mari's skin reminded him of a sleek, silvery fish's. Only it wasn't scaled and it was as soft was warm velvet. Even his eyes were now an eerie glowing silver color. Not their normal dark chocolate. The neatest part was the beautiful design that was now visible around his eyes. Like someone had used dark gray and black eye shadow and liner to draw an intricate flowing scroll pattern. He — Sherrilyn Kenyon

Whoso desireth to govern well and securely, it behoveth him to have a vigilant eye to the proceedings of great princes, and to consider seriously of their designs. — Walter Raleigh

Design is more than just a few tricks to the eye. It's a few tricks to the brain. — Neville Brody

Whatever I design, it has to please my eye. If I go to work on an office block, I'll draw the office that I want to walk into. If it's a piece of crystal, it must feel the way I want it to feel in my hand. If it's women's wear, it must be something I'd like to see my wife dressed in. — John Rocha

Man is constituted as a speculative being; he contemplates the world, and the objects around him, not with a passive indifferent eye, but as a system disposed with order and design. — John Herschel

Aerial spirits, by great Jove design'd To be on earth the guardians of mankind: Invisible to mortal eyes they go, And mark our actions, good or bad, below: The immortal spies with watchful care preside, And thrice ten thousand round their charges glide: They can reward with glory or with gold, A power they by Divine permission hold. — Hesiod

The legislator should keep two things constantly before his eyes: 1. The pure theory developed to its minutest details; 2. The particular condition of actual things which he designs to reform. — Wilhelm Von Humboldt

I think nobody would claim that random genetic drift is capable of producing adaptation, that is to say the illusion of design. Random genetic drift can't produce wings that are good at flying, or eyes that are good at seeing, or legs that are good at running. But random genetic drift probably is very important in driving evolution at the molecular genetic level. — Richard Dawkins

I love to accent movement. The eye goes to where the white is - you know, the glove. And the feet, if you're dancing, you can put an exclamation point on your movement if it has a bit of light on it. So I wore the white socks. And for the design of the jacket, I would sit with the people who made the clothes and tell them where I wanted a button or a buckle or a design. — Michael Jackson

When all the words have been written, and all the phrases have been spoken, the great mystery of life will still remain. We may map the terrains of our lives, measure the farthest reaches of the universe, but no amount of searching will ever reveal for certain whether we are all children of chance or part of a great design. And who among us would have it otherwise? Who would wish to take the mystery out of the experience of looking into a newborn infant's eyes? — Kent Nerburn

I had these made special. The design is raised instead of carved in. Can you feel it?" Dillon asked.
Hunter ran his fingertip over the outside of the ring. He nodded as a tear formed in the corner of his eye.
"Can you tell me what it is?" Dillon asked quietly.
Hunter nodded and his voice choked. "Two people ... "
"Two men," Dillon corrected.
"Two men," Hunter said, "pulling each other into the center of a circle."
Dillon watched his single tear slip and start sliding down his cheek. "Would you step into that circle with me, Hunter?"
Hunter nodded, a small sound escaping him. "Yes. — Brandon Shire

Apple should pull the plug on the iPhone ... What Apple risks here is its reputation as a hot company that can do no wrong. If it's smart it will call the iPhone a 'reference design' and pass it to some suckers to build with someone else's marketing budget. Then it can wash its hands of any marketplace failures ... Otherwise I'd advise people to cover their eyes. You are not going to like what you'll see. — John C. Dvorak

Design is more than meets the eye. Design is about communicating benefits. Design is not about designers. Design is not an ocean it's a fishbowl. Design is creating something you believe in. — Chuck Green

Jess pushed herself up to sit next to him. "In case you didn't get the memo, it' s my turn to take care of you right now." Ike dropped his face into his hands on a groan, and Jess's cool hand massages his neck. "Oh, my God. You're so hot."
He chuffed out a small laugh. "Why, thank you."
Jess Chuckled. "You realize you don't have to fish for compliments, right? Not from me. Because I will straight-up tell you that the sight of your Ravens tat stretched over all these muscles gives me a lady boner." Her fingers traced the design across his shoulder blades - a spread-winged raven perches on the hilt of a dagger sunk into the eye socket of a skull. The block letters of the club's name arched over the menacing black bird.
He threw her some major side-eye. "I know I'm sick because the perverted part of my brain just heard you say my ink gives you a lady boner. — Laura Kaye

Learn to look not just with your eyes but with your heart. The truth is that style and taste are all relative. It is not a question whether or not someone has good taste. It is how something feels to the individual ... Open your heart and mind to the world, and find the things that connect with you. How else will you know how to design your home? — Kelly Hoppen

Lettering should be invisible. You shouldn't notice it, unless it is a determined piece of storytelling in graphic design. Whether handmade or digital, the lettering should be easy on the eye and well placed. It should help tell the story and do nothing to get in the way of it. — Brian Michael Bendis

Christ had the good of souls in his eye ... When you preach, let this be your design, to seek to recover lost sheep ... to get some converted, and brought in to your Master. — J.I. Packer

The design of the gum is expressed in the flow of it trunk and limbs, and the design of the European tree mainly in its foliage. In Europe great masses of foliage first attract the eye, here the limbs and trunk, which, on account of their proportion and colour, make themselves felt first, and one thinks of the foliage as a secondary matter. — Hans Heysen

Training the eye is the most important way to gain an appreciation and understanding of good design in busienss management. — Van Day Truex