Quotes & Sayings About Experience And Character

It is the color closest to light. In its utmost purity it always implies the nature of brightness and has a cheerful, serene, gently stimulating character. Hence, experience teaches us that yellow makes a thoroughly warm and comforting impression. — Johann Wolfgang Von Goethe

For me, it's important that I experience and feel what the characters are feeling. So I put myself in those moments, in their thoughts, and let it happen naturally. I write what I feel. — Chevy Stevens

I feel like we're looked at as either completely nonsexual characters or overly sexual characters, and I feel like that affects how we're treated in the public space by men. I believe that women of color experience street harassment in a very hyper way. So I wanted to draw these women in their very normal, regular states and put those images out there in the public for people to see, instead of these other, very sexualized, images of women. — Tatyana Fazlalizadeh

In adopting these attitudes and practices, a parent will accomplish a large part of educating a child for responsibility. And yet, example alone is not enough. A sense of responsibility is attained by each child through his or her own efforts and experience. While the parents' example creates the favorable attitude and climate for learning, specific experiences consolidate the learning to make it part of the child's character. Therefore, it is important to give specific responsibilities to children matched to their different levels of maturity. In most homes children present problems, but parents find the solutions. If children are to mature, they must be given the opportunity to solve their own problems. — Haim G. Ginott

What we need in appointive positions is men of knowledge and experience who have sufficient character to resist temptations. — Calvin Coolidge

The mind-stuff of the world is, of course, something more general than our individual conscious minds ... It is difficult for the matter-of-fact physicist to accept the view that the substratum of everything is of mental character. But no one can deny that mind is the first and most direct thing in our experience, and all else is remote inference. — Arthur Stanley Eddington

Normally, I love to go to the movies and when I see a character portrayed by different actors at different ages, it kind of pops a little bit for me. It brings me out of the movie experience. Now we have the technology to cure that. — Jeff Bridges

He is a dull observer whose experience has not taught him the reality and force of magic, as well as of chemistry. — Ralph Waldo Emerson

It takes extraordinary mental discipline to transmit human experience without perversion. Truth telling is unnatural. Lying is an important aspect of humanity. We lie to other people to prevent hurt feelings and we deceive ourselves in order to protect our noble sense of being a good person. Dishonesty and inaccuracy preserves our quest seeking uninterrupted personal pleasure. I shall eschew pleasure seeking and cultivate precision of mind and moral character that precious truth telling necessitates. Reading and writing, along with observing nature and studious reflection on vivid personal experiences is the process methodology that will bring me closest to discovering inviolate verity of existence and becoming a doyen for all the immaculate truth, beauty, and goodness in this world. — Kilroy J. Oldster

Anybody may blame me who likes, when I add further, that, now and then, when I took a walk by myself in the grounds; when I went down to the gates and looked through them along the road; or when, while Adele played with her nurse, and Mrs. Fairfax made jellies in the storeroom, I climbed the three staircases, raised the trap-door of the attic, and having reached the leads, looked out afar over sequestered field and hill, and along dim sky-line - that then I longed for a power of vision which might overpass that limit; which might reach the busy world, towns, regions full of life I had heard of but never seen - that then I desired more of practical experience than I possessed; more of intercourse with my kind, of acquaintance with variety of character, than was here within my reach. — Charlotte Bronte

I was treated once more to a novelist's valuable lesson, however - in apprehending that one's perception of plot and character are influenced entirely by one's own experience. To hear Mary tell the story of our Christmas at The Vyne, one would have thought that she was hounded by violence from first to last - perceived more than anybody of the nature of the probable murderer - and barely escaped with her life. It was a lesson in writerly humility. We are each the heroines of our own lives. — Stephanie Barron

Every single experience, every single thing that's happened in my life, struggle, obstacle, trials and tribulations, I think they've all molded me to become the character and the person who I am. — Apolo Ohno

The further truth that the undivided mind is aware of experience as a unity, of the world as itself, and that the whole nature of mind and awareness is to be one with what it knows, suggests a state that would usually be called love. For the love that expresses itself in creative action is something much more than an emotion. It is not something which you can "feel" and "know," remember and define. Love is the organizing and unifying principle which makes the world a universe and the disintegrated mass a community. It is the very essence and character of mind, and becomes manifest in action when the mind is whole. — Alan W. Watts

For it is not what happens to us that determines our character, our experience, our karma, and our destiny - but how we relate to what happens. — Lama Surya Das

Most of us spend our time seeking happiness and security without acknowledging the underlying purpose of our search. Each of us is looking for a path back to the present: We are trying to find good enough reasons to be satisfied now. Acknowledging that this is the structure of the game we are playing allows us to play it differently. How we pay attention to the present moment largely determines the character of our experience and, therefore, the quality of our lives. Mystics and contemplatives have made this claim for ages - but a growing body of scientific research now bears it out. — Sam Harris

I believe one of the important differences between creating literature and just telling a story around the campfire is that in literature you're recreating the experience of life, not just relaying a 'this happened, then that happened' kind of narrative. The specific details and layers of depth that make the world of the story - and what the character is experiencing in that world - as real as possible are elements I love as a reader and, consequently, elements I strive to use effectively as a writer. — Lara Campbell McGehee

The fact that God can bring character development and personal growth out of any situation is conditional on people's willingness to submit to God's will. God is sovereign over every life, but those who yield their will to him will be shaped according to his purposes. When God directs a life for his purposes, all of life is a school. No experience, good or bad, is ever wasted (Rom. 8:28). God doesn't squander people's time. He doesn't ignore their pain. He brings not only healing but growth out of even the worst experiences. Every relationship can be God's instrument to mature a person's character. — Henry T. Blackaby

While my work is usually about the Igbo woman experience, there are many aspects of my female characters that women everywhere can and do relate to. — Chika Anadu

To some extent, emotions are universal and can be treated that way; no matter what the participants' orientation or preference, they have sex for the same reasons and can experience the same array of emotions in the process. But there are three important distinctions to be made: 1. The logistics of physiology 2. The basics of sexual attraction 3. Cultural impact on character and situation — Diana Gabaldon

But the same thing was true in the army. You slept in a barracks with all kinds of people of every nationality, every trade, every character and quality you can imagine, and that was a good experience. — Shelby Foote

Patriotism depends as much on mutual suffering as on mutual success; and it is by that experience of all fortunes and all feelings that a great national character is created. — Benjamin Disraeli

The next sentence is one of the most important spiritual truths you will ever learn: God develops the fruit of the Spirit in your life by allowing you to experience circumstances in which you're tempted to express the exact opposite quality. Character development always involves a choice, and temptation provides that opportunity. — Rick Warren

Whatever your present circumstances, my sincere prayer is that this book may help you to do the following: Believe and experience daily God's infinite love for you. Hear when God is speaking to you. Identify God's unmistakable activity in your life. Believe Him to be and to do everything He promises. Adjust your beliefs, character, and behavior to Him and His ways. Identify a direction He is taking in your life, and recognize what He wants to do through you. Know clearly how to respond to what He shows you. Experience God doing through you what only He can do. — Henry T. Blackaby

Men have external genitalia, while women have internal genitalia. This simple difference makes a lot of difference in how they write about themselves - and how you might write about your characters. Male writers don't often address internal sensation in a character, because they don't experience it (and probably often don't realize consciously that it's there). This accounts for a lot of Really Terrible sex scenes written by men (if you look at the "Bad Sex-Scene Awards" in any given year, you'll see that the vast majority are done by male writers). — Diana Gabaldon

In Madame Bovary Flaubert never allows anything to go on too long; he can suggest years of boredom in a paragraph, capture the essence of a character in a single conversational exchange, or show us the gulf between his soulful heroine and her dull-witted husband in a sentence (and one that, moreover, presages all Emma's later experience of men). ( ... ) This is one of the summits of prose art, and not to know such a masterpiece is to live a diminished life. — Michael Dirda

Both Cohen and Fierst told me that many parents at Riverdale, while pushing their children to excel, inadvertently shield them from exactly the kind of experience that can lead to character growth. As Fierst put it, "Our kids don't put up with a lot of suffering. They don't have a threshold for it. They're protected against it quite a bit. And when they do get uncomfortable, we hear from their parents. We try to talk to parents about having to sort of make it okay for there to be challenge, because that's where learning happens. — Paul Tough

Michael Bohn provides a rare opportunity to experience the American sporting scene in the Roaring Twenties. A constant stream of legendary characters marches across these pages. You'll meet them all: The Babe, The Four Horsemen, The Manassa Manassas Mauler, The Wheaton Iceman, Bill Tilden, Gertrude Ederle, and Grantland Rice, the sportswriter whose purple prose made them all come alive. — Peter Golenbock

A man who has cured himself of all ridiculous prepossessions, and is fully, sincerely, and steadily convinced, from experience as well as philosophy, that the difference of fortune makes less difference in happiness than is vulgarly imagined; such a one does not measure out degrees of esteem according to the rent-rolls of his acquaintance. He may, indeed, externally pay a superior deference to the great lord above the vassal; because riches are the most convenient, being the most fixed and determinate, source of distinction. But his internal sentiments are more regulated by the personal characters of men, than by the accidental and capricious favours of fortune. — David Hume

You are the main character in the story of your life, but other people are the main characters of their own lives. And sometimes you can find healing just by playing a supporting role in someone else's experience. — Timothy Kurek

This was a type of war that we'd had no experience with before. Some of our policies were kind of trial and error in character. — William Westmoreland

Financial crashes happen precisely because the people who remember the last one have either died or retired and thus are no longer around, with memories and character formed by that previous experience, to warn people not to be irresponsible. — N. T. Wright

Setting aside the vast herd which shows no definable character at all, it seems to me that the minority distinguished by what is commonly regarded as an excess of sin is very much more admirable than the minority distinguished by an excess of virtue. My experience of the world has taught me that the average wine-bibbler is a far better fellow than the average prohibitionist, and that the average rogue is better company than the average poor drudge, and that the worst white-slave trader of my acquaintance is a decenter man than the best vice crusader. — H.L. Mencken

Few of us make any serious effort to remember what we read. When I read a book, what do I hope will stay with me a year later? If it's a work of nonfiction, the thesis, maybe, if the book has one. A few savory details, perhaps. If it's fiction, the broadest outline of the plot, something about the main characters (at least their names), and an overall critical judgment about the book. Even these are likely to fade. Looking up at my shelves, at the books that have drained so many of my waking hours, is always a dispiriting experience. One Hundred Years of Solitude: I remember magical realism and that I enjoyed it. But that's about it. I don't even recall when I read it. About Wuthering Heights I remember exactly two things: that I read it in a high school English class and that there was a character named Heathcliff. I couldn't say whether I liked the book or not. — Joshua Foer

People grow through experience if they meet life honestly and courageously. This is how character is built. — Eleanor Roosevelt

Temporal experience is neither completely recurrent (in which case it would be wholly knowable) nor completely variable (in which case it would be wholly inscrutable). In effect, it is more like a piece of complex music, a Bach fugue heard for the first time. In one sense, we are excited and surprised by the novel disposition of tones and rhythms and by the uncanny variety of the treatment. In another sense, we realize that recurring ideas and cycles are what give the work its native character, and that the variations, however stunning, have significance only in terms of their relationship to these underlying themes. Conversely, the recurrent themes are realizable in their fullest sense only through the variations upon them. The careful student of time is thus as sure that certain things will recur as he is sure that they will recur in dazzling new forms. — Robert Grudin

The flimsy little protestations that mark the front gate of every novel, the solemn statements that any resemblance to real persons living or dead is entirely coincidental, are fraudulent every time. A writer has no other material to make his people from than the people of his experience ... The only thing the writer can do is to recombine parts, suppress some characterisitics and emphasize others, put two or three people into one fictional character, and pray the real-life prototypes won't sue. — Wallace Stegner

I think the only reason I wanted to do modeling, really, was because I knew I wasn't ready to act; I knew I didn't have enough life experience, and I knew that doing photo shoots was a way of acting. Playing a character each shoot and being able to just emerge yourself in these awkward experiences - it was amazing. — Dree Hemingway

Character is the spiritual body of the person, and represents the individualization of vital experience, the conversion of unconscious things into self-conscious men. — Edwin Percy Whipple

The character ethic, which I believe to be the foundation of success, teaches that there are basic principles of effective living, and that people can only experience true success and enduring happiness as they learn and integrate these principles into their basic character. — Stephen Covey

I've never been turned down for a role because I'm gay. I'm a character actor, and that's probably why. I don't find Hollywood, in my own experience, to be homophobic ... But I do think the straight folks will continue to play the straight roles. — Jane Lynch

Luckily, I am writing a memoir and not a work of fiction, and therefore I do not have to account for my grandmother's unpleasing character and look for the Oedipal fixation or the traumatic experience which would give her that clinical authenticity that is nowadays so desirable in portraiture. — Mary McCarthy

I feel like any experience you can have which adds to your repertoire of things you've done and can add to your character - I'm willing to try. — Christa B. Allen

True worship is not merely an emotional reaction to external circumstances; true worship leads us beyond the emotion and experience into a deeper realization of the nature and character of God. — Teri Lynne Underwood

My purpose in beginning the John Wimber biography project was to honor his rich legacy of teaching, his extraordinary character, and the positive & beneficial impact his life has had on my journey as a 'follower of Christ'. I esteem John Wimber's teachings, writing, and impact upon the Body of Christ to be equal with that of C.S. Lewis, Dorothy Sayers, John F. Banks, D.L. Moody, and Leanne Payne. — R. Alan Woods

All observers not laboring under hallucinations of the senses are agreed, or can be made to agree, about facts of sensible experience, through evidence toward which the intellect is merely passive, and over which the individual will and character have no control. — Chauncey Wright

The profoundly 'atomic' character of the universe is visible in everyday experience, in raindrops and grains of sand, in the hosts of the living, and the multitude of stars; even in the ashes of the dead. — Pierre Teilhard De Chardin

I don't theorize too much. I sort of let the experience sink in, and I have to discover what the character is by doing it, and having those thoughts that she's thinking. — Jill Clayburgh

It is a law woven into the nature of man, attested by history, by science, by literature and art, and by dally experience, that strength of mind and force of character are the supreme rulers of human affairs. — Lucius Quintus Cincinnatus Lamar II

The habits of a vigorous mind are formed in contending with difficulties. All history will convince you of this, and that wisdom and penetration are the fruit of experience, not the lessons of retirement and leisure. Great necessities call out great virtues. When a mind is raised and animated by scenes that engage the heart, then those qualities which would otherwise lie dormant wake into life and form the character of the hero and the statesman ... ' - Abigail Adams to her son John Quincy Adams, p. 379 — Irving Stone

[J]udges, therefore, should be always men of learning and experience in the laws, of exemplary morals, great patience, calmness, coolness, and attention. Their minds should not be distracted with jarring interests; they should not be dependent upon any man, or body of men. — John Adams

Perhaps too much is said in universities about how "exciting" it is to think. Thinking undoubtedly has its excitements and satisfactions, but these feelings do not disclose its general character, and there is something very much wrong with the idea they should. We do not think in order to have fun but because life is troubling and problematic. We think because we are compelled to. And while thinking occasionally brings exciting discoveries, the periods in between these discoveries are likely to place heavy demands not only on the thinker's energies but on his patience as well. When thinking, we should not need to tell ourselves that it is an exhilarating experience; it should be enough to realize that we are behaving with the seriousness, the rationality, and the self-discipline that the human situation requires of us. — Glenn Tinder

We also have a piece about the Mayflower, but it's just a very different, very gritty, very character-driven version of why those people were on that boat and what the experience was like for them, emotionally, physically and spiritually, and also the Native Americans and what the state of Native American society was at that time. — John Landgraf

When you're doing a movie, you're in and out of there in three months. If you hated the experience, it's all good because you can take the paycheck and leave. But, on a television show, you have to love your character and you have to love the experience because you could be there for awhile, fingers crossed. — Jordana Brewster

I think theatre is by far the most rewarding experience for an actor. You get 4 weeks to rehearse your character and then at 7:30 pm you start acting and nobody stops you, acting with your entire soul. — Christopher Eccleston

The point is not merely to succeed but to become a deeper, more complex, more mature person through your struggle. You allow the alchemy of your challenging journey to etch itself into your character, making you into a rich personality. Then whatever work you do will have the quality of your experience and your capacity to be ripened by it. Doing — Thomas Moore

People are mystified by it and so they kind of think, the acting community thinks they're gonna be replaced by CG characters and animators think they're gonna be replaced by performance capture (and) a lot of directors, particularly European directors, who have no experience of it. — Andy Serkis

A book is maybe about 350 pages, and the prose allows for readers to get a glimpse into the internal lives of the characters. A screenplay is 120 pages, and it's all dialogue and action. The pacing of films is different, the structure is often different, and the internal lives of the characters must come across through the acting. Movies are just a different experience than reading - so it just depends on what an individual prefers. — Nicholas Sparks

When we encounter a friend who's depressed or afraid, we automatically try to take that distress away and to cheer the person up. While we may be operating with the best of intentions, this Band-Aid approach only reinforces the condition. Unless people experience their pain completely and begin to undrstand it, they will not only fail to overcome it, they'll also lose the opportunity of using it to advance their own growth. Pain can get you somewhere, and that somewhere can be a life-enhancing experience. We all tend to forget that pain can signal change. Alleviating the symptoms of pain in someone, without helping them to get at its underlying source, robs them of an important to for self-exploration. It's also a way of placating that reinforces the person'S need to cave in and succumb to another. This attitude undermines healthy character development and contributes to psychospiritual, moral, and ultimately social decay. — Adele Von Rust McCormick

Life is a test. A test of Character and Strength, experience is our study guide ... so remember what you learn and more importantly-apply it. — Sarah Funkhouser

I think what people watch television for is the emotional continuity, from episode to episode, and feeling that the experience that they had, four episodes ago, has actually been building to an episode that comes later, and knowing that the characters are growing, as a result of that, and making mistakes, is really, really important to the way people connect to television. — Alex Kurtzman

I try to make the readers feel they've lived the events of the book. Just as you grieve if a friend is killed, you should grieve if a fictional character is killed. You should care. If somebody dies and you just go get more popcorn, it's a superficial experience isn't it? — George R R Martin

The character of the species, as it is indicated by the experience of all ages and all peoples, is this: that taken collectively (the human race as one whole), it is a multitude of persons, existing successively and side by side, who cannot do without associating peacefully and yet cannot avoid constantly offending one another. — Immanuel Kant

Robert Creeley has forged a signature style in American poetry, an idiosyncratic, highly elliptical, syntactical compression by which the character of his mind's concentrated and stumbling proposals might be expressed ... Reading his poems, we experience the gnash of arriving through feeling at thought and word. — Forrest Gander

The [travel] writer, looking back at the journey from a distance of a year or two (or three), is a different character from the hapless character who undertook the trip: wise after the event, with the leisure to tease out meanings from the experience that the distracted traveler never had, and often impatient with his alter ego's blinkered and unsatisfactory version of things. — Jonathan Raban

I think it's really important, when you're redefining a character [ Spider-Man], for the audience to experience things that they haven't experienced, from the ground up. I wanted to build a character. I feel like point of view is a really crucial thing in the story, and that you need to build up the emotional building blocks, so that you can experience all the other emotions in a very specific way, rather than just experiencing it in an intellectual way. — Marc Webb

Non-fiction, and in particular the literary memoir, the stylised recollection of personal experience, is often as much about character and story and emotion as fiction is. — Chimamanda Ngozi Adichie

Your strength and character grow stronger and deeper while you wait for hope to return. — Alison G. Bailey

Ultimately, we want to provide people with a unique experience, and an unexpected one as well. We'd like people to leave the theater having questions, being intrigued, wanting to know more, and forming their own opinions about the characters and the world we created. We'd like the film and its images to stick around in people's heads, possibly be recalled every time the letter "H" comes up in everyday life. — Rania Attieh

Compassion may be called the fundamental of all good art because it alone can tell you what other beings feel and experience. Only compassion severs the bonds of your personal limitations, and gives you deep access into the inner life of the character you study, without which you cannot properly prepare it for the stage — Michael Chekhov

You see, it's really quite simple. A simile is just a mode of comparison employing 'as' and 'like' to reveal the hidden character or essence of whatever we want to describe, and through the use of fancy, association, contrast, extension, or imagination, to enlarge our understanding or perception of human experience and observation. — Norton Juster

Acting, and the privilege of being able to do it for a living, is so important to me. I don't turn up and just hope for the best. I really fret about it. I do my homework; I prepare myself for the experience of playing a particular character. — Kate Winslet

Character formation cannot be taught. It comes from experience and not from explanation. — Maria Montessori

Tis what marriage is all about, madam," he said. "Have you not realized it? 'Tis about discovering unknown facets of the character and experience and taste of one's spouse and learning to adjust one's life accordingly. 'Tis learning to hope that one's spouse is doing the same thing. — Mary Balogh

Obviously, my life and my job in 2010 is very different from Peggy's experience in the 1960s. I exist in a world that enjoys more equality between men and women. But I don't take any of that into my performance. I just want to play the character as who she is as an individual - scene to scene. — Elisabeth Moss

Experience itself, to our own great loss and bane, affords us sad proof that Satan seizes as many opportunities of deceiving and destroying mankind as there are different moods and affections natural to the human character. Demonolatry, Nicholas Remy — Phillip W. Simpson

When we go to the movies, we identify with the characters we see. That's why we go to the movies; we have a voyeuristic experience; we have an out of the body experience. The screen is more real than our thoughts are at the moment we are looking at the film and we place ourselves in the place of the people on the screen, and when they behave nobly, it makes us feel noble, when they are sad and when they have lost love, we feel sad; we can identify with that. — Roger Ebert

Books took, in her young life, the place of companions and childish games. She read a great deal without guidance or discrimination, and gained all her ideas on life, all her faith, all her ideals and aims and aspirations from books. Books stood between her and reality, and hid from her those deep truths that can never be learnt from even the greatest literary production, but can only be understood after long years of untiring observation and experience. It was in books also that Irene found her ideal of the man she could love. Her hero was an exceedingly complicated character. — Aimee Dostoyevsky

He'd learned pretty early that the illusioned virtuous creatures were no more than that - illusions. Innocence was a community that was used up and consumed fairly quickly. More often than not, innocence was just ignorance, and the true character revealed itself before long - twisted and greedy like the rest. — Camille Oster

We should come home from far, from adventures, and perils, and discoveries every day, with new experience and character. — Henry David Thoreau

We are to copy no human being. There is no human being wise enough to be our criterion. We are to look to the man Christ Jesus, who is complete in the perfection of righteousness and holiness. He is the Author and finisher of our faith. He is the pattern Man. His experience is the measure of the experience that we are to gain. His character is our model. Let us, then, take our minds off the perplexities and the difficulties of this life, and fix them on him, that by beholding we may be changed into his likeness. We may behold Christ to good purpose. We may safely look to him; for he is all-wise. As we look to him and think of him, he will be formed within, the hope of glory. — Ellen G. White

The whole character of Justin and the club life he lives - I have no experience with it. It's really foreign to me, which is annoying, but that's just how it is. — Randy Harrison

Furniture is like that. Used and enjoyed as intended, it absorbs the experience and exudes it back into the atmosphere, but if simply bought for effect and left to languish in a corner, it vibrates with melancholy. Furnishings in museums ... are as unspeakably tragic as the unvisited inmates of old folk's homes. The untuned violins and hardback books used to bring 'character' to postwar suburban pubs crouch uncomfortably in their imposed roles like caged pumas in a zoo. The stately kitchen that is never or rarely used to bring forth lavish feasts for appreciative audiences turns inward and cold. — Will Wiles

A tradition is entrusted to human personalities which it reflects. What a man recalls as a word or an experience of the master is, even against his will and without his knowledge, colored by his own personality and character, by the littleness and the greatness in him, by his hopes, his longing, and his faith. — Leo Baeck

I also realized that in my family drama a very limited number of character traits were available to the players. In my mind, either I could be weak, wimpy, submissive, and pathetic, or I could be a raging tyrant and bully who demanded total compliance from everyone in my realm. The notion of being strong and assertive while staying calm, insisting on appropriate boundraries and on being treated with respect and dignity, were not in my realm of experience. Once I realized that I was much happier with the person I was in the rest of my life, I realized it was foolish not to be that "me" around my family as well. I began to feel liberated and genuinely felt they could take the new me or leave it. So far, they've chosen to leave it, but I feel a sense of integrity and self-respect that I had never experienced before. — Mark Sichel

Research from these new disciplines has revealed that trauma produces actual physiological changes, including a recalibration of the brain's alarm system, an increase in stress hormone activity, and alterations in the system that filters relevant information from irrelevant. We now know that trauma compromises the brain area that communicates the physical, embodied feeling of being alive. These changes explain why traumatized individuals become hypervigilant to threat at the expense of spontaneously engaging in their day-to-day lives. They also help us understand why traumatized people so often keep repeating the same problems and have such trouble learning from experience. We now know that their behaviors are not the result of moral failings or signs of lack of willpower or bad character - they are caused by actual changes in the brain. This — Bessel A. Van Der Kolk

Reading fiction not only develops our imagination and creativity, it gives us the skills to be alone. It gives us the ability to feel empathy for people we've never met, living lives we couldn't possibly experience for ourselves, because the book puts us inside the character's skin.
— Ann Patchett

Common to all these types is the anthropomorphic character of their conception of God. In general, only individuals of exceptional endowments, and exceptionally high-minded communities, rise to any considerable extent above this level. But there is a third stage of religious experience which belongs to all of them, even though it is rarely found in a pure form: I shall call it cosmic religious feeling. It is very difficult to elucidate this feeling to anyone who is entirely without it, especially as there is no anthropomorphic conception of God corresponding to it. — Albert Einstein

Part of what my work has always been about is to show that the apocalyptic character of the gospel makes the everyday possible. It gives us the time that lets us care for one another as we are ill, helps us care for one another as we experience broken relationships, and helps us take the time to worship God in a world of such violence. — Stanley Hauerwas

A moth is such a simple machine in the animal world - the go-kart to the modern car - and it takes a lot of glitches to prevent it going. It's this intriguing simplicity, the idea that you could pull it into its constituent parts and put it back together in the same rainy day, that if you pulled back the skin, you could watch the inner workings, that makes a moth such an absorbing creature to study. Moths have a universal character: there are no individuals. Each reacts to a precise condition or stimulus in a predictable and replicable way. They are pre-programmed robots, unable to learn from experience. For instance, we know they will allways react to a smell, a pheromone or a particular spectrum of light in the same way. I can mimic the scent of a flower so that a moth will direct itself towards that scent ... — Poppy Adams

She said, "Your approach is wrong. You're writing an essay rather than creating a literary figure. What a literary character does in ten minutes might be a reflection of ten years' experience. You can't be limited to the plot of a novel - you've got to imagine her entire life, and what actually gets put into words is just the tip of the iceberg." So — Liu Cixin

Being 'Johnny' was almost like an out of body experience. I thought he was just a character that I'd created and could quite easily step away from, but it was much more difficult than that. — Johnny Vegas

I feel that music on the screen can seek out and intensify the inner thoughts of the characters. It can invest a scene with terror, grandeur, gaiety, or misery. It can propel narrative switftly forward, or slow it down. It often lifts mere dialogue into the realm of poetry. Finally, it is the communicating link between the screen and the audience, reaching out and enveloping all into one single experience. — Bernard Herrmann

And one of the things that's interesting about how they're doing the show is that the audience almost knows more than the characters do in some of these scenes, and the extent of that is unique. So it's grown into a different show in a way. It's sort of grown into a different experience watching it. — Alex Graves

I wanted to show how humans can have ugly feelings that they might prefer not to acknowledge; how we're all caught up in our own problems and limited by our own life experience," she says. "To judge somebody else, to declare them substandard, to conclude that their misfortunes are due to inherent character flaws, can be a way of boosting our own self-esteem, because it must follow that our comparative success or happiness is not mere luck or chance, but the reward for superior morals or talent. — J.K. Rowling

Experience serves to prove that the worth and strength of a state depend far less upon the form of its institutions than upon the character of its men; for the nation is only the aggregate of individual conditions, and civilization itself is but a question of personal, improvement. — Samuel Smiles

I think everybody came into it with the understanding that they would go through an experience that is literally not by the book, that is not executing the script and then going home, but living and breathing these characters and being in the moment with each other, and improvising and creating a lot of present-tense intensity between characters. — Oren Moverman

Poetry is related to philosophy as experience is related to empirical science. Experience makes us acquainted with the phenomenon in the particular and by means of examples, science embraces the whole of phenomena by means of general conceptions. So poetry seeks to make us acquainted with the Platonic Ideas through the particular and by means of examples. Philosophy aims at teaching, as a whole and in general, the inner nature of things which expresses itself in these. One sees even here that poetry bears more the character of youth, philosophy that of old age. — Arthur Schopenhauer

Leadership is an active, living process. It is rooted in character, forged by experience, and communicated by example. — John Baldoni

Eragon started as me but ended up evolving into his very own character, .. Even as he has gone through his coming- of- age story, the process of writing and publishing these novels has been my own coming- of- age story. There are parallels between my own experience and Eragon's, but fortunately, I don't have people charging at me with swords. — Christopher Paolini

Cars do not reflect the character of a person. A car is tangible, while a soul is spiritual. How can one represent the other? If cars represent our character, then we should all be driving convertibles. Because people change depending on if things are good or bad, and so are as fickle as the weather. A car can never fulfill someone the way a solid friendship, memorable experience or a good lamb roast can. — Simon Williams