Estudantes Portugal Quotes & Sayings

but seeing as I ain't so flush right now, I'm afraid your quids'll have to come pro quo. — Alexis Hall

Every paragraph should accomplish two goals: advance the story, and develop your characters as complex human beings. — Nancy Kress

The dictates of the heart are the voice of fate. — Friedrich Schiller

I won't go," I whispered against his shoulder. "I'm not leaving you when you're sick."
"You're not leaving me." He peeled out of my embrace and faced the edge of the canopy. "I'm leaving you."
"Wait," I gasped, reaching for him. I wasn't ready to lose him to the night and the chaos of the zoo. But when Rafe glanced back at me, my hand froze. His eyes were now as luminous as a predator's. — Kat Falls

I get sensationalism, I get gossip, I understand that. If I'm at the dentist, I'll flip through those magazines as well. But it's especially annoying when it's something that is too much. — Kylie Minogue

Man follows only phantoms. — Pierre-Simon Laplace

Ah, gods, hope. Our savior and our tormentor, the price and ferry pass for the dreams that carry us to the future. — Amy Lane

And if you did this, if you saved your mother from this vicious killer, would you be doing the wrong thing or the right thing?"
"The right thing," I said just as swiftly.
"No, Lin, I'm afraid not," he frowned. "We have just seen that in the terms of this new, objective definition of good and evil, killing is always wrong because, if everyone did it, we would not move toward God, the ultimate complexity, with the rest of the universe. So it is wrong to kill. But your reasons were good. So therefore, the truth of this decision is that you did the wrong thing, for the right reasons ... — Gregory David Roberts

The historian must be a poet; not to find, but to find again; not to breathe life into beings, into imaginary deeds, but in order to re-animate and revive that which has been; to represent what time and space have placed at a distance from us. — Philibert Joseph Roux

Life ... we understand it differently at different stages. It's what is interesting about getting older, you realize your relationship with the past is always negotiable. There is a lot of freedom in that, because you realize you can go back to what you did such a long time ago. You can talk with the dead, talk with your lost self, your disappeared self, and you can visit those places again, and understand it differently. That makes a huge difference. — Jeanette Winterson

If you reduce sculpture to the flat plane of the photograph, you're passing on only a residue of your concerns ... You're not only reducing the sculpture to a different scale for the purposes of consumption, but you're denying the real content of the work. — Richard Serra

The central opposition between magic and science is the opposition between power and knowledge. — Jacob Bronowski

Dahling, they've always hated me, but this has to be the final nail in the coffee. They're jealous because their mother gave me her diamond pendulum on my wedding day. Now they're demanding it back. They hound me day and night. My God, it's like they have channel vision. — Delora Dennis

Stephen and the others at the table broke the bread in the baskets before them, and one of the others then prayed about a broken vessel, a perfect sacrifice. Words Linux knew he should have understood, because Stephen had spent their last two sessions explaining what would happen during the communion service. How they followed a pattern that had been set in place at their last meal with the Messiah during the Passover feast, the night before he had been taken from them. Linux knew all these things, yet he was unprepared for what was happening. Not there at the front table, as next the wine was poured and blessed and shared. No, what was happening inside him. — Janette Oke

The characters act for reasons that they can't control and, as readers, we have to believe in their motivations, their sense of choice and in the reality of their suffering, even though, deep down, we know it's all just puppetry on the part of the writer. — Johnny Rich