Essential Maps For The Lost Quotes & Sayings

I've always had a special relationship with the U.K. fans, because even when I wasn't working they were very supportive. — David Cassidy

Dill said striking a match under a turtle was hateful.
"Ain't hateful, just persuades him- 's not like you'd chunk him in the fire," Jem growled.
"How do you know a match don't hurt him?"
"Turtles can't feel , stupid," said Jem.
"Were you ever a turtle, huh? — Harper Lee

When I'm composing a scene for the first time, I try to imitate my character. The less critical distance the better - particularly when they're acting badly. — Jonathan Dee

When the story gets sad and terrible, when there are too many mistakes to count, hang on for the beautiful parts. Wait for them. Have some faith they'll arrive. This is also precisely the point: the hanging on. The waiting, the faith. — Deb Caletti

To empathize with someone means to care about and understand him. That's why the trick to keeping the audience's interest in a character, even when the character is not likable or is taking immoral actions, is to show the audience the hero's motive. — John Truby

I think that my music is really empowering. I just want people to know - especially young people, but really everyone - that you don't have to be so caught up in what everyone else is thinking. You don't have to be the coolest, most popular person. You can just be you and be vulnerable. — Alessia Cara

Against the sky, she is exquisitely elsewhere. — Deb Caletti

It's the sketch Edward did of me before he went away, the one he said was fine but didn't want to keep. It's as if he's drawn me not once but twice. In the main drawing I have my head turned to the right. It's so detailed, you can see the tautness of my neck muscles and the arch of my clavicle. But underneath or over that there's a second drawing, barely more than a few jagged, suggestive lines, done with a surprising energy and violence: my head turned the other way, my mouth open in a kind of snarl. The two heads pointing in opposite directions give the drawing a disturbing sense of movement.

Which one's the pentimento, and which the finished thing? And why did Edward say there was nothing wrong with it? Did he not want me to see this double image for some reason? — J.P. Delaney

AND NOW I KNOW THAT YOUR MORAL COMPASS IS PERFECTLY ALIGNED, THAT YOU SEE CLEARLY WHEN THINGS ARE WRONG, AND YOU DO EVERYTHING YOU CAN TO STOP IT. — Kiera Cass

Who's crazier, anyway: people who struggle honestly, or the people who act like they never do? — Deb Caletti

It is not my intention to give away the plot; but I think I die at the end. — Margaret Edson

Courage, traveler. Weird. It's coming from inside her. Hold your little map and shout to the darkness, it says. Shout this: You are nothing, darkness, against something as old as love. Shout: I will walk right through you, darkness, because I am, and I will be. This boldness-she's felt it before. In the truck, when she first saw Billy. No, before that, when she was brave, so brave, and brought Anna to the shore. This is how you save yourself? This small voice inside? This microscopic cell of belief, allowed to divide? Yep. Uh-huh. The voice is your own personal sword and shield-remember that. Remember that every hard day. — Deb Caletti

If this is where you ask me to run around in my birthday suit, I'm not entirely comfortable with that, I said, smirking. — Laura Kreitzer