Empty Tin Quotes & Sayings

I think everyone must have a first memory of some house, some room, a vivid picture that will remain deep down in one forever. — Sister Parish

Oh, I see;" said the Tin Woodman. "But, after all, brains are not the best things in the world."
Have you any?" enquired the Scarecrow.
No, my head is quite empty," answered the Woodman; "but once I had brains, and a heart also; so, having tried them both, I should much rather have a heart. — L. Frank Baum

Wilder went into his sons' bedroom. Glad to see Wilder, they banged their empty feeding-bowls with their plastic machine-pistols. They were dressed in miniature paratroopers' camouflage suits and tin helmets
the wrong outfit, Wilder reflected, in light of what had been taking place in the high-rise. The correct combat costume was stockbrokers' pin-stripe, briefcase and homburg. — J.G. Ballard

Wimsey stooped for an empty sardine-tin which lay, horribly battered, at his feet, and slung it idly into the quag. It struck the surface with a noice like a wet kiss, and vanished instantly. With that instinct which prompts one, when depressed, to wallow in every circumstance of gloom, Peter leaned sadly against the hurdles and abandoned himself to a variety of shallow considerations upon (1) The vanity of human wishes; (2) Mutability; (3) First love; (4) The decay of idealism; (5) The aftermath of the Great war; (6) Birth-control; and (7) The fallacy of free-will. — Dorothy L. Sayers

Meg lit the gas burner, above which a pan sat in readiness. "The soup is all homemade." "Meg, it's Heinz tomato." Sanne held up the empty tin she'd spotted in the recycling pile. "To which I have added extra pepper and a spoonful of Bovril, thus rendering it homemade. — Cari Hunter

He's just jealous. You know what they say. Empty tin cans make the most noise, and he's an empty tin can. This game is between the Bears and the Eagles, not Ditka and Ryan. We all know who would win that one. Ditka, hands down. — Mike Ditka

Even when we get what we wish, it is not ours. — Publilius Syrus

here he dug in his pockets and produced a thimble, a root, two empty tin cans, three Indian arrowheads, an apple peeler, a dried-up boll weevil, and a bent pocketknife. — James McBride

The nice thing about a series is you can end on cliffhangers all the time. You can be like, 'You know what? Here we go, this person just died, end of book.' And with the end of the series, you're very conscious of all the plotlines that were left hanging. There's a balance there to wrap those up but still leave it exciting. — Richelle Mead

Once in camp I put a log on a fire and it was full of ants. As it commenced to burn, the ants swarmed out and went first toward the center where the fire was; then turned back and ran toward the end. When there were enough on the end they fell off into the fire. Some got out, their bodies burnt and flattened, and went off not knowing where they were going. But most of them went toward the fire and then back toward the end and swarmed on the cool end and finally fell off into the fire. I remember thinking at the time that it was the end of the world and a splendid chance to be a messiah and lift the log off the fire and throw it out where the ants could get off onto the ground. But I did not do anything but throw a tin cup of water on the log, so that I would have the cup empty to put whiskey in before I added water to it. I think the cup of water on the burning log only steamed the ants. — Ernest Hemingway,

I by not doing, not by doing, lost — Dante Alighieri

Tin Win sat at an open window, his head buried in his hands. She called his name, but he did not react. With a shrill whistle blast, the engine started to move. Su Kyi walked along beside the window. The train picked up speed. The wheezing grew louder and stronger. She started to run. Stumbled. Bowled into a man, jumped over a basket of fruit. Then the platform came to an end. The two rear lights shone like tiger's eyes in the night. Slowly they vanished behind a gentle curve. When Su Kyi turned around the platform was empty. — Jan-Philipp Sendker

Soul mates, they come into your life just to reveal another layer of yourself to you, and then they leave. And thank God for it. Your problem is, you just can't let this one go. It's over, Groceries. David's purpose was to shake you up, drive you out of that marriage that you needed to leave, tear apart your ego a little bit, show you your obstacles and addictions, break your heart open so new light could get in, make you so desperate and out of control that you had to transform your life, then introduce you to your spiritual master and beat it. That was his job, and he did great, but now it's over. Problem is, you can't accept that this relationship had a real short shelf life. You're like a dog at the dump, baby - you're just lickin' at an empty tin can, trying to get more nutrition out of it. And if you're not careful, that can's gonna get stuck on your snout forever and make your life miserable. So drop it. — Elizabeth Gilbert

Weir heard something different in the sounds. Once, during a period of calm, he sat on the firestep waiting for Stephen to return from an inspection and listened to the music of the tins. The empty ones were sonorous, the fuller ones provided an ascending scale. Those filled to the brim produced only a fat percussive beat unless they overbalanced, when the cascade would give a loud variation. Within earshot there were scores of tins in different states of fullness and with varying resonance. Then he heard the wire moving in the wind. It set up a moaning background noise that would occasionally gust into prominence, then lapse again to mere accompaniment. He had to work hard to discern, or perhaps imagine, a melody in this tin music, but it was better in his ears than the awful sound of shellfire. — Sebastian Faulks

Get your little sticky note pad and get a new note, Kace. Write this on it. I'm coming, Kace. I'm coming for your heart, — Scott Hildreth

He sees dilapidated three- and four-story concrete blocks, their walls painted in peeling pastel colors and streaked with graffiti, and because of the corrugated tin roofs, he again thinks of the reserve, which he also doesn't know. Sunlight. Black people staring at him. Tropical greenery. Tough dusty roots and grasses, leaves and vines. Gutted buildings. Ta, ta-da DA, ta, ta-da DA, ta, ta-da DA. Cement walls give onto gapingly empty ideas of rooms. — Nancy Huston