Elektrony Audi Quotes & Sayings

We were the only three people awake in a world half asleep and the air felt heavy with maybe. — Cath Crowley

The Child is the Alpha and the Omega of a parent's happiness. — Amit Abraham

I mean, I'm happy to see you, but why aren't you home?"
"Wherever my wife sleeps is my home. — Olivia Parker

The photograph ... is not a picture of something, but is an object about something. — Robert Heinecken

There's a kind of immediacy that comes with being constantly connected that I don't really relate to in my generation. — Adam Driver

Of the Seven Deadly Sins, anger is possibly the most fun. To lick your wounds, to smack your lips over grievances long past, to roll over your tongue the prospect of bitter confrontations still to come, to savor to the last toothsome morsel both the pain you are given and the pain you are giving back
in many ways it is a feast fit for a king. The chief drawback is that what you are wolfing down is yourself. The skeleton at the feast is you. — Frederick Buechner

If you can put fear aside, you're unstoppable. — Janet Hagberg

How can we truly understand who we are unless we know who we were and what we have the power to become? — Neal A. Maxwell

A man should not employ all his capacity and power at once and on every occasion. Even in knowledge there should be a rearguard, so that your resources are doubled. One must always have something to resort to when there is fear of a defeat. The reserve is of more importance than the attacking force: for it is distinguished for valour and reputation. — Baltasar Gracian

The subjunctive mood is in its death throes, and the best thing to do is to put it out of its misery as soon as possible. — W. Somerset Maugham

Painting is a lot harder than pickin' cotton. Cotton's right there for you to pull off the stalk, but to paint, you got to sweat your mind. — Clementine Hunter

We've come here to totally individualize, and yet, we're totally connected to everyone else. How does that work? — Art Hochberg

It was progressively more difficult to find work in the theatre, as well. — Andrzej Wajda

When Nietzsche made his famous definition of tragic pleasure he fixed his eyes, like all the other philosophers in like case, not on the Muse herself but on a single tragedian. His "reaffirmation of the will to live in the face of death, and the joy of its inexhaustibility when so reaffirmed" is not the tragedy of Sophocles nor the tragedy of Euripides, but it is the very essence of the tragedy of Aeschylus. The strange power tragedy has to present suffering and death in such a way as to exalt and not depress is to be felt in Aeschylus' plays as in those of no other tragic poet. He was the first tragedian; tragedy was his creation, and he set upon it the stamp of his own spirit. It was a soldier-spirit. Aeschylus was a Marathon-warrior, the title given to each of the little band who had beaten back the earlier tremendous Persian onslaught. — Edith Hamilton