Either Black Or White Quotes & Sayings

I believe I live in a black and white. I think things are like either black or white. I don't really believe that much in the gray. I think that there's gray for a lot of people, but I don't live in the gray. I realize whatever action I have or take, it's going to have a consequence
either good or bad. So I live my life in a way where I don't have bad consequences. I just notice there's a lot people around me just live in the gray. I don't know, for me, I'm just really straightforward. — Venus Williams

Below the mill the rivers merge. First they flow close beside each other, undecided, overawed by their longed-for intimacy, and then they fall into each other and get lost in one another. The river that flows out of this melting pot by the mill is no longer either the White or the Black, but it is powerful and effortlessly drives the mill wheel that grinds the grain for bread.
Primeval lies on both the White and Black rivers and also on the third one, formed out of their mutual desire. The river arising from their confluence below the mill is called The River, and it flows on calm and contented. — Olga Tokarczuk

And my point was one I think that you'd agree with, which is there's no room in America for a black racist, a Latino racist, or a white racist, or an Asian racist, or a Native American racist. Now, we're either color blind or we're not color blind. — Newt Gingrich

In the business world, there is no gray. Either you are black, or you are white-washed. — Sameer Kamat

It's not hard to get your way when it's your way or the highway. People either follow suit or they're not around. I don't really like the sound of that, 'cause that sounds like a temper tantrum. I'm just very black and white when it comes to my business. There's really no gray area. — Nicki Minaj

The demagogic propagandist must therefore be consistently dogmatic. All his statements are made without qualification. There are no grays in his picture of the world; everything is either diabolically black or celestially white. In Hitler's words, the propagandist should adopt "a systematically one-sided attitude towards every problem that has to be dealt with." He must never admit that he might be wrong or that people with a different point of view might be even partially right. Opponents should not be argued with; they should be attacked, shouted down, or, if they become too much of a nuisance, liquidated. The morally squeamish intellectual may be shocked by this kind of thing. But the masses are always convinced that "right is on the side of the active aggressor. — Aldous Huxley

The majority of Latin actresses in Hollywood were always playing either spitfires or maids. Now here is a woman who comes in and does leads opposite white people and black people and other Spanish people, and she's comfortable in her skin? Gasp! How dare she? — Rosie Perez

I'm not ideological. I think sometimes when people are ideological, the world's a lot easier. Because it falls into either right or wrong, or black or white, or whatever. To me, I'm still trying to figure out a lot of things. — John O. Brennan

In a perfect world everything would be either black or white, right or wrong, and everyone would know the difference. But this isn't a perfect world. The problem is people who think it is. — Neal Shusterman

What's interesting about books that take place in the future, even twenty years in the future, is that many of them are black or white: It's either a utopia or it's misery. The real truth is that there's going to be both things in any future, just like there is now. — Albert Brooks

So many assume the truth is either black or white ... It's all evolution or it's totally creation, for example. Reality creates consciousness; consciousness creates reality. Actually truth is inclusive, neither black nor white, nor a shade of grey. Indeed, truth is a multicolored spectrum, a beautiful hologram! — Peter Shepherd

Characters tend to be either for or against the quest. If they assist it, they are idealized as simply gallant or pure; if they obstruct it, they are characterized as simply villainous or cowardly. Hence every typical character ... tends to have his moral opposite confronting him, like black and white pieces in a chess game. — Northrop Frye

When Pope Pius XII died, LIFE magazine carried a picture of him in his private study kneeling before a black Christ. What was the source of their information? All white people who have studied history and geography know that Christ was a black man. Only the poor, brainwashed American Negro has been made to believe that Christ was white, to maneuver him into worshiping the white man. After becoming a Muslim in prison, I read almost everything I could put my hands on in the prison library. I began to think back on everything I had read and especially with the histories, I realized that nearly all of them read by the general public have been made into white histories. I found out that the history-whitening process either had left out great things that black men had done, or some of the great black men had gotten whitened. — Malcolm X

The realization that he is white in a black country, and respected for it, is the turning point in the expatriate's career. He can either forget it, or capitalize on it. Most choose the latter. — Paul Theroux

I don't want to pretend that everything is black and white, that people are either all good or all bad, and that I'm the one best qualified to tell the difference. — C.J. Redwine

What helped me get the part was that I turned it down. When I read the script, Venus was just a black guy who came in wearing a big coat and a hat and making jive talk. I'd been up for so many of those! I'd had enough of caricatures, what white writers conceive blacks to be. I told the producer I wasn't interested in doing anything like that for three or four years. He said that it was just a pilot, that Venus would be given a human dimension and would be quiet off-the-air. I wanted that input. I thought that side was as important as the comic side. For 'WKRP,' too much of either would be bad. — Tim Reid

In the music industry it's just you're either Black or white, and this is the box you get put in. — India.Arie

As a rule, white abolitionists either defended the industrial capitalists or expressed no conscious class loyalty at all. This unquestioning acceptance of the capitalist economic system was evident in the program of the women's rights movement as well. If most abolitionists viewed slavery as a nasty blemish which needed to be eliminated, most women's righters viewed male supremacy in a similar manner - as an immoral flaw in their otherwise acceptable society. The leaders of the women's rights movement did not suspect that the enslavement of Black people in the South, the economic exploitation of Northern workers and the social oppression of women might be systematically related. Within — Angela Y. Davis

The North American situation, while different from the Brazilian one, reflects a similar complexity and ambiguity in the relationship between race and ethnicity. Whereas Brazilians have a great number of terms used to designate people of varying pigmentation, the 'one-drop principle' prevalent in the USA entails that people are either black or white, and that 'a single drop of black blood' (sic) contaminates an otherwise pale person and makes him or her black. Conversely, ethnic identity in the USA is, as mentioned above, not necessarily correlated with 'race'. At the same time, African- American identities are associated — Thomas Hylland Eriksen

Blind obedience was never what I wanted. Yet, you seem determined to keep us in the past, where every act, every response, is either black or white, when you know damned good and well our lives never existed on such a plane. — Lora Leigh

There are two kinds of people in the world - only two kinds. Not black or white, rich or poor, but those either dead in sin or dead to sin. — Leonard Ravenhill

There is no good and evil, only black and white. But either black or white on its own is boring, Jenny. If you mix them you get so many colors - so many colors ... — L.J.Smith

Human thoughts are digital. Most people see things as 0 or 1, as black or white. They see nothing in between. All chemicals are dangerous. You are either friend or foe. If you aren't left-wing, you're right. If you aren't conservative, you're liberal. Everything that great man says must be true. Everyone who thinks differently from us is evil. Everyone in that country - even the babies - is evil. — Hiroshi Yamamoto

Years later Nixon aide John Ehrlichman seemed to offer up a smoking gun when he told a reporter: The Nixon campaign in 1968, and the Nixon White House after that, had two enemies: the antiwar left and black people. You understand what I'm saying? We knew we couldn't make it illegal to be either against the war or black, but by getting the public to associate the hippies with marijuana and blacks with heroin, and then criminalizing both heavily, we could disrupt those communities. We could arrest their leaders, raid their homes, break up their meetings, and vilify them night after night on the evening news. Did we know we were lying about the drugs? Of course we did. — Chris Hayes

It's one way or another, Summer. For me, it's black and white. You're either in the friend zone or the lover zone. And with you ... Gosh, Summer, you're in my danger zone. My rip-my-heart-out and change-me-forever zone. I have to tread lightly with you. Because if I don't, I may never be able to find my way back. — Kailin Gow

Where history concerns mainly personalities, the drawings become either black or white according to the interests of the writer. — Isaac Asimov

Brent Berlin and Paul Kay in Basic Color Terms demonstrate exhaustively and empirically, the very simple thesis that anywhere in the world, as a language develops and acquires names for color, the colors always enter in the same order. The most primitive are black and white. Then red. Then either green or yellow. — Alexander Theroux

The Americans at heart are a pure and noble people; things to them are in black and white. It's either 'rawk' or it's not. We Brits putter around in the grey area. — David Bowie

White undershirt. Dark-framed glasses. Sneak peeks at black boxers. Really? How much more was a girl supposed to be able to take before she either spontaneously combusted or found a shower with a removable showerhead? — Laura Kaye

I gravitate towards monochromes. I always sort of either wear white or black or cream. I really like wearing colorful things as well, but I'm a sucker for cream-colored. — Margot Robbie

I think it's easier, I really do, because of not having that similar history, so that's why I think two-thirds of these mixed congregations are either white with Asian and Hispanic, or black with Asian and Hispanic. — Michael Emerson

In my conscious life, though, I cannot honestly say I feel proud to be white and ashamed to be black or proud to be black and ashamed to be white. I find it impossible to experience either pride or shame over accidents of genetics in which I had no active part. I understand how those words got into the racial discourse, but I can't sign up to them. I'm not proud to be female either. I am not even proud to be human - I only love to be so. As I love to be female and I love to be black, and I love that I had a white father. It — Zadie Smith

It is not productive to see things in simple black and white, and talk in either anti-nuclear or pro-nuclear terms. — Yoshihiko Noda

One of the most notorious slogans of ultra-nationalism in Turkey has been 'Either love it or leave it!' It is meant to block all kinds of fault-finding from within. The implication is that if you criticize your country or your state, you are showing disrespect, not to mention a lack of patriotism, in which case you had better take your leave. If you do stay, however, the implication is that you love your homeland, in which case you had better not voice any critical opinions. This black-and-white mentality is an obstacle to social progress. But it is not only Turkish ultra- nationalism that is fuelled by a dualistic mentality. All kinds of extremist, exclusivist discourses are similarly reductionist and sheathed in tautology. Either/or approaches ask us to make a choice, all the while spreading the fallacy that it is not possible to have multiple belongings, multiple roots, multiple loves. — Elif Shafak

I began dividing life in absolutes ... Things and people were either perfectly bad, or perfectly good, and when life didn't obey this black-and-white rule, when things or people were complex or contradictory, I pretended otherwise. I turned every defeat into a disaster, every success into an epic triumph, and separated all people into heroes or villains. Unable to bear ambiguity, I built a barricade of delusions against it. — J.R. Moehringer

The pretense that the "abolition of slavery" was either a motive or justification for the war, is a fraud of the same character with that of "maintaining the national honor." Who, but such usurpers, robbers, and murderers as they, ever established slavery? Or what government, except one resting upon the sword, like the one we now have, was ever capable of maintaining slavery? And why did these men abolish slavery? Not from any love of liberty in general - not as an act of justice to the black man himself, but only "as a war measure," and because they wanted his assistance, and that of his friends, in carrying on the war they had undertaken for maintaining and intensifying that political, commercial, and industrial slavery, to which they have subjected the great body of the people, both black and white. — Lysander Spooner

Imagine the world as a crayon box, and it took every colour to draw each of us. Adding a shade lighter and darker with each interaction. None would be black or white, either purely absorbing all, or reflecting each. #ColourMeSpotless — Nikhil Sharda

Even when black youth gangs target white strangers on the streets and spew out racial hatred as they batter them and rob them, mayors, police chiefs and the media tiptoe around their racism and many in the media either don't cover these stories or leave out the race and racism involved. — Thomas Sowell

What's happening is that Asian and Latino and other groups without that history are more likely to end up in either black churches or white churches and then make them multiracial churches. I talk about that in the US we have two cultures. — Michael Emerson

Today, we've got what seems to me to be binary-choice politics: black and white, ones and zeros, either you are with me or against me. How did we get here? — David E. Hoffman

My go-to shoes for everyday would probably have to be either my white Converse that I've had since high school or my black Alexander McQueen flats with the skull on the top. It depends on my day. — Katherine Schwarzenegger

I like men. I like the sound of their voices, the way they think. They're more sensitive than women. With a woman, everything is either this or that, black or white. But a man can see shades of gray. That's what I call being sensitive. — Carolyn Jones

Some people never learn the art of compromise. Everything is either black or white. They do no recognize, or will not concede, that the equally important color gray is a mixture of black and white. — Waite Phillips

CPUs. Cayce Pollard Units. That's what Damien calls the clothing she wears. CPUs are either black, white, or gray, and ideally seem to have come into this world without human intervention.
What people take for relentless minimalism is a side effect of too much exposure to the reactor-cores of fashion. This has resulted in a remorseless paring-down of what she can and will wear. She is, literally, allergic to fashion. She can only tolerate things that could have been worn, to a general lack of comment, during any year between 1945 and 2000. She's a design-free zone, a one-woman school of anti whose very austerity periodically threatens to spawn its own cult. — William Gibson

Nothing's black or white in our country - you're either brilliant or you're hopeless — Alan Shearer

To see something as either black or white is easy. To see the entirety in something that has blending colors takes time. To see something that's not there, takes one who is a visionary. — Wes Adamson

In movies we tend make things black and white: you're either this, or you're that. — Bill Skarsgard

I had seen the world as either white or black.
It is only when I read the pages of her diary that I understood why the sky looked so grey. — Sanhita Baruah

I feel like decades ago it was either you're black, white, Asian or Hispanic, or whatever, but today we see more of an acceptance for people with multi-nationalities. — Annie Ilonzeh

We'd never seen anything as green as these rice paddies. It was not just the paddies themselves: the surrounding vegetation - foliage so dense the trees lost track of whose leaves were whose - was a rainbow coalition of one colour: green. There was an infinity of greens, rendered all the greener by splashes of red hibiscus and the herons floating past, so white and big it seemed as if sheets hung out to dry had suddenly taken wing. All other colours - even purple and black - were shades of green. Light and shade were degrees of green. Greenness, here, was less a colour than a colonising impulse. Everything was either already green - like a snake, bright as a blade of grass, sidling across the footpath - or in the process of becoming so. Statues of the Buddha were mossy, furred with green. — Geoff Dyer

Not all black women have silently acquiesced in sexism and misogyny within the African-American community. Indeed, many writers, activists, and other women have voiced their opposition and paid the price: they have been ostracized and branded as either man- haters or pawns of white feminists, two of the more predictable modes of disciplining and discrediting black feminists. — Kimberle Williams Crenshaw

People usually consider walking on water or in thin air a miracle. But I think the real miracle is not to walk either on water or in thin air, but to walk on earth. Every day we are engaged in a miracle which we don't even recognize: a blue sky, white clouds, green leaves, the black, curious eyes of a child
our own two eyes. All is a miracle. — Thich Nhat Hanh

Indians are the second largest population in the world, but we're invisible on TV - everything is either black or white. — Russell Peters

We like things to be black or white, tall or short, here or there. We like to consider two sides to every story. Unfortunately, there aren't always two sides. Sometimes there's only one; more often, there are multitudes. Many facets on the stone. Nooks and crannies in abundance. Things are usually not either black or white, but multicolored. — Barry Leiba

Culture is a powerful force that influences our perceptions, our mindsets and even our domestic and foreign policies. The rich, messy complexity of 1,400 years of Islamic civilization and 1.6 billion Muslims has been reduced to token stereotypes. We are either avatars of destruction or the good Muslim who helps the national security narrative. But the overwhelming majority of us live in the giant middle - the grey zone - where impressions exist in more colors than just black and white." * — Rabia Chaudry

This the American Black man knows: his fight is a fight to the finish. Either he dies or he wins. He will enter modern civilization in America as a Black man on terms of perfect and unlimited equality with any white man, or he will enter not at all. Either extermination root and branch or absolute equality. There can be no compromise. This is the last great battle of the west. — W.E.B. Du Bois

Antiheroes
Aren't just black and white; they exploit the mystery and allure of shadow, of shades of grey. For the writer, they offer more story possibilities than heroes. They could tip either way, either supporting or fighting him. Reformed antiheroes could revert to bad ways, and even on the side of good, but they cab still use methods that would make a true hero blush or flinch. The only problem is that the characteristics that make them antiheroes can, if use for good, transform them into heroes; and then life tends to be much less entertaining. — Helen McCarthy

Socially, hip-hop has done more for racial camaraderie in this country than any one thing. 'Cause guys like me, my kids - everyone under 45 either grew up loving hip-hop or hating hip-hop, but everyone under 45 grew up very aware of hip-hop. So when you're a white kid and you're listening to this music and you're being exposed to it every day on MTV, black people become less frightening. This is just a reality. What hip-hop has done bringing people together is enormous. — Michael Rapaport

I'm kind of in a middle space, being marketed as a biracial actor. Roles are written either stereotypically black, or they're written 'normal,' which is just code for white. — Jesse Williams

I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit. — Malcolm X

Commitments present themselves in delineations of black and white. You either honor your commitments or you don't. Success is the result of making and keeping commitments to your self and others, while all failed or unfinished goals, projects and relationships are the direct result of broken commitments. It's that simple, that profound, and that important. — Gary Ryan

Teenage girls are extremists who see the world in black-and- white terms, missing shades of gray. Life is either marvelous or notworth living. School is either pure torment or is going fantastically. Other people are either great or horrible, and they themselves are wonderful or pathetic failures. One day a girl will refer to herself as "the goddess of social life" and the next day she'll regret that she's the "ultimate in nerdosity. — Mary Pipher

All the public inscriptions in the town were painted alike, in severe characters of black and white. The jail might have been the infirmary, the infirmary might have been the jail, the town-hall might have been either, or both, or anything else, for anything that appeared to the contrary in the graces of their construction. Fact, fact, fact, everywhere in the material aspect of the town; fact, fact, fact, everywhere in the immaterial. The M'Choakumchild school was all fact, and the school of design was all fact, and the relations between master and man were all fact, and everything was fact between the lying-in hospital and the cemetery, and what you couldn't state in figures, or show to be purchaseable in the cheapest market and saleable in the dearest, was not, and never should be, world without end, Amen. A — Charles Dickens

Until the late 1970s there'd either be only black or white in the paintings or if there were colours it would be a small amount, not a large area, and with the color separated from other colors by black or white (which is formula for Damien Hirst's successful dot paintings, incidentally). — Matthew Collings

In our twenties we have conflicts. We think everything is either-or, black or white: we are caught between them and we lose all our energy in the conflicts. My answer, later on in maturity, was to do them all. Not to exclude any, not to make a choice. I wanted to be everything. And I took everything in, and the more you take in, the more strength you find waiting to accomplish things and to expand your life, instead of the other (which is what we have been taught to do) which is to look for structure and to fear change, above all to fear change. Now I didn't fear change. — Anais Nin

Woman, I'm not Roland's sister, or his daughter, either! You maybe didn't notice a small but basic difference in the color of our hides, namely his being white and mine being black. — Stephen King

Neither black/red/yellow nor woman but poet or writer. For many of us, the question of priorities remains a crucial issue. Being merely "a writer" without a doubt ensures one a status of far greater weight than being "a woman of color who writes" ever does. Imputing race or sex to the creative act has long been a means by which the literary establishment cheapens and discredits the achievements of non-mainstream women writers. She who "happens to be" a (non-white) Third World member, a woman, and a writer is bound to go through the ordeal of exposing her work to the abuse and praises and criticisms that either ignore, dispense with, or overemphasize her racial and sexual attributes. Yet the time has passed when she can confidently identify herself with a profession or artistic vocation without questioning and relating it to her color-woman condition. — Trinh T. Minh-ha

Love is like a game of chess. You're white. He's black. You wait for him to make a move, while staring into his handsome, melting-you-on-the-inside eyes, then realize what a dummy he is to not tell you straight out to go first. The beginning is the crush stage. You begin to realize how much you want to defeat him, or make him fall in love with you. By the time you get to the heat of the game, you both moved and are hopefully dating. If you haven't forfeit then because you don't want to be cheated on, you make another move- head on shoulder, hand holding, etc. Black makes another move-he gives you his jacket on a freezing night. By the endgame, he either realizes how stupid he was to play with you and forfeits, or he realizes how smart you are and lets you defeat him (and love you). By the time you win, you're married to him. A happily ever after game of chess. — Amrita Ramanathan

In white neighborhoods, only 1 in 41 properties that could have received a nuisance citation actually did receive one. In black neighborhoods, 1 in 16 eligible properties received a citation. A woman reporting domestic violence was far more likely to land her landlord a nuisance citation if she lived in the inner city.

In the vast majority of cases (83 percent), landlords who received a nuisance citation for domestic violence responded by either evicting the tenants or by threatening to evict them for future police calls. Sometimes, this meant evicting a couple, but most of the time landlords evicted women abused by men who did not live with them. — Matthew Desmond

I am tired of people saying that poor character is the only reason people do wrong things. Actually, circumstances cause people to act a certain way. It's from those circumstances that a person's attitude is affected followed by weakening of character. Not the reverse. If we had no faults of our own, we should not take so much pleasure in noticing those in others and judging their lives as either black or white, good or bad. We all live our lives in shades of gray. — Shannon L. Alder

I know you kids are angry, because the world isn't fair. Well, get over it, because it's never going to be fair. The white boys have all the money and all the power and that's the way it is. And they aren't going to give it up - to you or to me. And you can't blame them for it because if you had it, you wouldn't give it to them, either. But fighting each other isn't going to fix anything. All it's going to do is let everybody go on insisting that black and Hispanic kids are ignorant and violent. That's perfect. It's easy. If you're ignorant and violent, people who don't like you can kick you out of school or put you in jail. And it's you own fault. — LouAnne Johnson

Under Hudgins, Virginia law presumed blacks were slaves, denoting their status as objects even when, in fact, they were free.84 Judge Tucker undercut even the provisions in the statute that contemplated some mixed-race individuals as free, because they descended from either a white woman or a free black or mulatto female. Judges throughout the 19th century followed Judge Tucker's lead, creating presumptions of enslavement and other devices for limiting black freedom. These cases reinforced a subordinate role for blacks in American society, and in so doing, created a superior role for whites. This social construct of white privilege is unmistakably seen in the words of one South Carolina judge in 1836: "A — F. Michael Higginbotham

I think the end is endless. It's either a big black hole or a big white light or both together. But it's totally meaningless, because even if someone would explain it, I wouldn't understand it. — Yehuda Amichai