Early Edition Quotes & Sayings

He brought his great hand to rest on an early edition of Bram Stoker's novel and smiled, but said nothing. Then he moved quietly away into another section. — Elizabeth Kostova

Editions made sense when people worked with engravings where the plate wore down as prints were made. An early number of the edition had slightly better quality. But that's not the case with photography. To me, it's a false way of creating value. — Jerry Uelsmann

Across the broken apses and shattered naves of a hundred ruined Byzantine churches, the same smooth, cold, neo-classical faces of the saints and apostles stare down like a gallery of deaf mutes; and through this thundering silence the everyday reality of life in the Byzantine provinces remains persistently difficult to visualise. The sacred and aristocratic nature of Byzantine art means that we have very little idea of what the early Byzantine peasant or shopkeeper looked like; we have even less idea of what he thought, what he longed for, what he loved or what he hated.
Yet through the pages of The Spiritual Meadow one can come closer to the ordinary Byzantine than is possible through virtually any other single source.

Dalrymple, William (2012-06-21). From the Holy Mountain: A Journey in the Shadow of Byzantium (Text Only) (Kindle Location 248). HarperCollins Publishers. Kindle Edition. — William Dalrymple

N MY early boyhood I was enraptured by the great fairytale illustrators of the period: Arthur Rackham, Edmond Dulac, Kay Nielsen. As a schoolboy, I was to discover Aubrey Beardsley, and I was extremely fond of an edition of A Midsummer Night's Dream with most imaginative drawings by Heath Robinson, — John Gielgud

In the quiet of an early morning, honesty finds me. It calls to me through a crack in my soul and invites the real me to come out, come out, wherever you are. Not the carefully edited edition of the me I am this year. No, honesty wants to speak to the least tidy version of the woman I've become. The one I can't make look more alive with a few swipes of mascara and a little color on my lips. — Lysa TerKeurst

This is called My Youth in Vienna. It's a very nice edition
an association copy, Schnitzler to his Latin master, one Johann Auer, 'with thanks for the Auerisms.' [ ... ] Here he apologizes for writing so much on 'the so-called Jewish question.' But he says that no Jew, no matter how assimilated, was allowed to forget the fact of his birth. [ ... ] 'Even if you managed to conduct yourself so that nothing showed, it was impossible to remain completely untouched; as for instance a person may not remain unconcerned whose skin has been anesthetized but who has to watch, with his eyes open, how it is scratched by an unclean knife, even cut until the blood flows.' [ ... ] He wrote that in the early 1900s. The imagery is very chilling, is it not, in the light of what followed ... — Geraldine Brooks

Am I early? Human time so bores me. Besides, surprises are a better way to assure you are helping instead of sabotaging me, said the woman who - let's take a wild leap here and call this sex bomb, Aphrodite.
A & E Kirk (2014-05-26). Drop Dead Demons: The Divinicus Nex Chronicles: Book 2 (Divinicus Nex Chronicles series) (p. 484). A&E Kirk. Kindle Edition. — A&E Kirk

The reason I took Early Edition - besides the fact that I liked it - was that it enabled me to start a production company in New York City. It's a low-budget film company to produce and direct movies. — Fisher Stevens

Actually, he hadn't just complained; she'd come home from school one afternoon and found him stabbing his paperback edition with a steak knife, the tip of the blade penetrating the cover and sinking far enough down into the early chapters that he sometimes had trouble pulling it out. When she asked him what he was doing, he explained in a calm and serious voice that he was trying to kill the book before it killed him. — Tom Perrotta

That to the adolescent is the authentic poetic note and whoever is the first in his life to strike it, whether Tennyson, Keats, Swinburne, Housman or another, awakens a passion of imitation and an affectation which no subsequent refinement or sophistication of his taste can entirely destroy. In my own case it was Hardy in the summer of 1923; for more than a year I read no one else and I do not think that I was ever without one volume or another or the beautifully produced Wessex edition in my hands: I smuggled them into class, carried them about on Sunday walks, and took them up to the dormitory to read in the early morning, though they were far too unwieldy to be read in bed with comfort. In the autumn of 1924 there was a palace revolution after which he had to share his kingdom with Edward Thomas, until finally they were both defeated by Elliot at the battle of Oxford in 1926. — W. H. Auden

Found him stabbing his paperback edition with a steak knife, the tip of the blade penetrating the cover and sinking far enough down into the early chapters — Tom Perrotta

In reprinting this story for a new edition I am reminded that it was in the chapters of "Far from the Madding Crowd," as they appeared month by month in a popular magazine, that I first ventured to adopt the word "Wessex" from the pages of early English history, and give it a fictitious significance as the existing name of the district once included in that extinct kingdom. The series of novels I projected being mainly of the kind called local, they seemed to require a territorial definition of some sort to lend unity to their scene. — Thomas Hardy

Someone told me that there's a connection to Superman, that in an early edition of the Green Lantern comics, Tomar Re was the envoy to Krypton. That was fascinating to me. — Geoffrey Rush