Dying Without Her Quotes & Sayings

Abandoned.
The word alone sends shudders down a sensitive spine, troubling the thoughts of pained souls as their hurt swells in ripples. It is a sentence of undesired solitude often pronounced on the innocent, the trusting - administered without warning or satisfactory cause.
One day the moon is yours, or so you believe. The next, his countenance transforms from Jekyll to Hyde with no intention of ever turning back, and you are left trampled upon in a deserted street, concealed by dirty fog that squelches all illumination or any hope for future rays of light.
It is the worst of mysteries why a beast considered noble would forsake his duty, exhibiting a heart of stone. And all who once looked on him, now turn down their eyes and suffer, beguiled.
Some poisons have no antidote, but are slow, silent, torturous ends that curl up the broken body swept into a cold, dark corner. There she is left to drown in her tears - a dying heart.
Abandoned. — Richelle E. Goodrich

- My friend is dying. Can you cure him or not?
Her voice caught on the word friend. Percy was a lot more than that. Even boyfriend really didn't cover it. They'd been through so much together, at this point Percy was part of her - sometimes a annoying part, sure, but definitely a part she could not live without. — Rick Riordan

I couldn't imagine her leaving this world without ripping its fabric. — Zadie Smith

This was the boy who now kissed her without reservation, as if he were dying and she was air itself. — Morgan Rhodes

I wanted to come home, but I was embarrassed. There are things worse than embarrassment like my little sister thinking I didn't care about her. You needed me and I'd been dying without you. Turns out, I'm not likable enough to make friends who aren't my sister. — Bijou Hunter

Sissie could see it all. In her uncertain eyes, on her restless hands and on her lips, which she kept biting all the time.
But oh, her skin. It seemed as if according to the motion of her emotions Marija's skin kept switching on and switching off like a two-colour neon sign. So that watching her against the light of the dying summer sun, Sissie could not help thinking that it must be a pretty dangerous matter, being white. It made you feel awfully exposed, rendered you terribly vulnerable. Like being born without your skin or something. As though the Maker had fashioned the body of a human, stuffed it into a polythene bag instead of the regular protective covering, and turned it loose into the world.
Lord, she wondered, is that why, on the whole, they have had to be extra ferocious? Is it so they could feel safe here on the earth, under the sun, the moon and the stars? — Ama Ata Aidoo

She smiled. She knew she was dying. But it did not matter any longer. She had known something which no human words could ever tell and she knew it now. She had been awaiting it and she felt it, as if it had been, as if she had lived it. Life had been, if only because she had known it could be, and she felt it now as a hymn without sound, deep under the little whole that dripped red drops into the snow, deeper than that from which the red drops came. A moment or an eternity- did it matter? Life, undefeated, existed and could exist. She smiled, her last smile, to so much that had been possible. — Ayn Rand

But what he's forgetting," she says. "What he's forgotting is that me and Todd, we ran halfway across this planet together, by ourselves. We beat his craziest preacher. We outran an entire army and survived being shot and beaten and chased and we bloody well stayed alive this whole time without being blown up or tortured to death or dying in battle or anything."
She takes her hand of Lee so she's balancing just against me.
"Me and Todd? Together against the Mayor?" She smiles. "He doesn't stand a chance. — Patrick Ness

Imagine the terrestrial timespan as an outstretched arm: a single swipe of an emery-board, across the nail of the third finger, erases human history. We haven't been around for very long. And we've turned the earth's hair white. Sh e seemed to have eternal youth but now she's ageing awful fast, like an addict, like a waxless candle. Jesus, have you seen her recently? we used to live and die without any sense of the planet getting older, of mother earth getting older, living and dying. We used to live outside history. But now we're all coterminous. We're inside history now all right, on its leading edge, with the wind ripping past our ears. Hard to love, when you're bracing yourself for impact. And maybe love can't bear it either, and flees all planets when they reach this condition, when they get to the end of their twentieth centuries. — Martin Amis

When Mother and I learned that Father was dying, Father asked me to sing for him," she said. "Mother insisted that I only sing songs from their youthful days together. She wanted me to take her mind off Father's pain, But when she stepped away, Father asked me to sing songs about pain. About loss. About the world without him. When I played those songs, he would cry. It was the only way he could cry. And now it's the only way I know to cry."

"We need you to lead us in crying, Lesyl, or we'll drown in unshed tears." [King Cal-Raven replied] — Jeffrey Overstreet

It's been forty years of terrible waste,' she said, 'a whole country of wasted lives. It's a country of big children, people being naughty behind the teacher's back, people tattling on each other, people getting their dumb certificates for being good little socialists. People submitting to the system because they're German and because it's a system. The whole thing was stupid and a lie. But they're not arrogant, not know-it-alls. They give what they have and they take me the way I am.'

The closer she came to dying, the more sure of herself she became. She'd concluded that the meaning of a life was in the form of it. There was no answering the question of why she'd been born, she could only take what she'd been given and try to make it end well. She intended to die in her mother's bedroom, in the company of her brother and her only offspring, without the indignity of a colostomy bag. — Jonathan Franzen

At first it had been a torrent; now it was a tide, with a flow and ebb. During its flood she could almost fool them both. It was as if out of her knowledge that it was just a flow that must presently react was born a wilder fury, a fierce denial that could flag itself and him into physical experimentation that transcended imagining, carried them as though by momentum alone, bearing them without volition or plan. It was as if she knew somehow that time was short, that autumn was almost upon her, without knowing yet the exact significance of autumn. It seemed to be instinct alone: instinct physical and instinctive denial of the wasted years. Then the tide would ebb. Then they would be stranded as behind a dying mistral, upon a spent and satiate beach, looking at one another like strangers, with hopeless and reproachful (on his part with weary: on hers with despairing) eyes. — William Faulkner

For the next two weeks, the world and all other issues would be omitted. We were two people alone in a hospital room. We allowed no visitors. We had two weeks of near-silence with each other and my increasing helplessness. I tended to tangle the IV and misplace the oxygen tube. As I started to say earlier, I could feel no sensible interest in the future. The moments became extraordinarily dimensionless - not without value but flat and a great deal emptier. When you learn you're fatally ill, time becomes very confusing, perhaps uninteresting, pedestrian. But my not caring if I lived or died hurt Ellen. And I was grateful that I could indulge my cowardice toward death in terms of living for her. — Harold Brodkey

What she liked the most about drinking was not being present, that feeling of self-evasion, of disconnection, of liberation, of escape. Alcohol offered her an excellent alternative to being herself without actually dying. — Laura Esquivel

You may claim no affiliation with them, but perhaps some have crossed your path.And perhaps you'd like to help us find them."
"Oh,sure.You killed my mother. You can imagine I'm dying to help you out."
Thomas manages to ignore me again. He glances at the first photo projected on the wall. "Know this person?"
I shake my head. "Never seen him before."
Thomas clicks the remote. Another photo pops up. "How about this one?"
"Nope."
Another photo. "How about this?"
"Nope."
Yet another stranger pops up on the wall. "Seen this girl before?"
"Never seen her in my life."
More unfamiliar faces. Thomas goes through them without blinking an eye or questioning my responses. What a stupid puppet of the state. I watch him as we continue, wishing I weren't chained so I could beat this man to the ground. — Marie Lu

Charlotte is a prism for my life. Without her, my existence looks pale and bleak and somewhere near the middle of the suck-meter. But around her, I see clearly that my life isn't made up of anything mediocre, but instead is some combination of the amazing and the dreadful - my brother who adores me, my parents who want what's best for me, my brother who's dying, my parents who won't understand me. It's not gray at all; it's too painfully colorful and fantastic and awful for me to see without her help. — Hannah Moskowitz

Imaginings and resonances and pain and small longings and prejudices. They mean nothing against the resolute hardness of the sea. They meant less than the marl and the mud and the dry clay of the cliff that were eaten away by the weather, washed away by the sea. It was not just that they would fade: they hardly existed, they did not matter, they would have no impact on this cold dawn, this deserted remote seascape where the water shone in the early light and shocked her with its sullen beauty. It might have been better, she felt, if there had never been people, if this turning of the world, and the glistening sea, and the morning breeze happened without witnesses, without anyone feeling, or remembering, or dying, or trying to love. She stood at the edge of the cliff until the sun came out from behind the black rainclouds, — Colm Toibin

Weary with my weariness, white last moon, sole regret, not even. To be dead, before her, on her, with her, and turn, dead on dead, about poor mankind, and never have to die anymore, from among the living. Not even, not even that. My moon was here below, far below, the little I was able to desire. And one day, soon, soon, one earthlit night, beneath the earth, a dying being will say, like me, in the earthlight, Not even, not even that, and die, without having been able to find regret. — Samuel Beckett

When my grandmother - may she attain the Kingdom of Heaven - was dying, my mother, as was then the custom, took me to her bedside and, as I kissed her right hand, my dear grandmother placed her dying left hand on my head and said in a whisper, yet very distinctly: "Eldest of my grandsons! Listen and always remember my strict injunction to you: In life never do as others do." Having said this, she gazed at the bridge of my nose and, evidently noticing my perplexity and my obscure understanding of what she had said, added somewhat angrily and imperiously: "Either do nothing - just go to school - or do something nobody else does Whereupon she immediately, without hesitation and with a perceptible impulse of disdain for all around her, and with commendable self-cognizance, gave up her soul directly into the hands of His Faithfulness, the Archangel Gabriel. — G.I. Gurdjieff

What do you think of when you think of mourning?' Jenny asks.
The question snaps me back to attention. I answer without really thinking. "I guess 'Funeral Blues' by W.H. Auden. I think it was Auden. I suppose that's not very original.'
'I don't know it.'
'It's a poem.'
'I gathered.'
'I'm just clarifying. It's not a blues album.'
Jenny ignores my swipe at her intelligence.
'Does your response need to be original? Isn't that what poetry is for, for the poet to express something so personal that it ultimately is universal?'
I shrug. Who is Jenny, even new Jenny, to say what poetry is for? Who am I for that matter?
'Why do you thin of that poem in particular?'
"Stop all the clocks, cut off the telephone, / Prevent the dog from barking with a juicy bone, / Silence the pianos and with muffled drum / Bring out the coffin, let the mourners come.'
I learned the poem in college and it stuck. — Steven Rowley

Is it really worth dying for the person you love?"
[Maureen] thinks about this for a moment. "That's not the real question, Oliver. What you should be asking is, Can you live without her? — Jodi Picoult

Moments is about a girl dying and her boyfriend committing suicide because he can't live without her — Ed Sheeran

I SIT and look out upon all the sorrows of the world, and upon all oppression and shame;
I hear secret convulsive sobs from young men, at anguish with themselves, remorseful after deeds done;
I see, in low life, the mother misused by her children, dying, neglected, gaunt, desperate;
I see the wife misused by her husband - I see the treacherous seducer of young women;
I mark the ranklings of jealousy and unrequited love, attempted to be hid - I see these sights on the earth; 5
I see the workings of battle, pestilence, tyranny - I see martyrs and prisoners;
I observe a famine at sea - I observe the sailors casting lots who shall be kill'd, to preserve the lives of the rest;
I observe the slights and degradations cast by arrogant persons upon laborers, the poor, and upon negroes, and the like;
All these - All the meanness and agony without end, I sitting, look out upon,
See, hear, and am silent. — Walt Whitman

I'm not too chicken," she said. "I know exactly what I want. I honestly thought I could do this with you, the whole friends-with-benefits thing." She slowly shook her head, her eyes suspiciously shiny. "But as it turns out, I can't. Now with you, Adam. With you, I want it all."
( ... )
"It's not that simple for me," he heard himself say.
"Of course it is. Life is as simple as you make it, Adam. You're born. You live. You die. I don't plan on dying without doing the living part, though. — Jill Shalvis

Her strategy for honoring the dead had always been to take action - solve the mystery, punish the criminal. But what did you do when there was no one to punish? When there were no answers to find? How do you assimilate that kind of loss without losing your mind? — Rob Thomas

He recognized her despite the uproar, through his tears of unrepeatable sorrow at dying without her, and he looked at her for the last and final time with eyes more luminous, more grief-stricken, more grateful than she had ever seen them in half a century of a shared life, and he managed to say to her with his last breath: Only God knows how much I loved you — Gabriel Garcia Marquez

I tried to go to sleep with my headphones still on, but then after a while my mom and dad came in, and my mom grabbed Bluie from the shelf and hugged him to her stomach, and my dad sat down in my desk chair, and without crying he said, 'You are not a grenade, not to us. Thinking about you dying makes us sad, Hazel, but you are not a grenade. You are amazing. You can't know, sweetie, because you've never had a baby become a brilliant young reader with a side interest in horrible television shows, but the joy you bring us is so much greater than the sadness we feel about your illness.'
'Okay,' I said.
'Really,' my dad said. 'I wouldn't bullshit you about this. If you were more trouble than you're worth, we'd just toss you out on the streets.'
'We're not sentimental people,' Mom added, deadpan. 'We'd leave you at an orphanage with a note pinned to your pajamas. — John Green

A dying old soldier rebuffed a nun every time she showed any kindness toward him. Finally, as he weakened, her perseverance caused him to show some civility. Realizing he was in danger of dying, the sister spoke to him of baptism. The old soldier was immediately displeased and told her he was too old to be plagued in that manner. During the next two weeks, at every possible occasion, the nun mentioned baptism. Each time he rejected her.
On the last evening of his life, the sister was ready to leave him. With her rosary in hand, she removed the medal of Mary she wore and slipped it quietly under his pillow without the old soldier seeing her. As she left him, she prayed, "I can do no more for this man; I leave him to you."
The next morning the nun returned, and he asked her for a drink. Then he said, "Sister, I want no breakfast today, but I wish to be baptized. — George Sheldon

An angel lay dying in the mist. Once upon a time.
And the devil should have finished him off without a second thought.
But she hadn't. And if she had? Karou had wondered it a hundred different ways. She'd even wished for it, in her blackest grief at the Kasbah, when all she could see was the death that had come of her mercy.
If she'd killed Akiva that day, or even just let him die, the war would have ground on unbroken. Another thousand years? Maybe. But she hadn't, and it hadn't. "The age of wars is over," Akiva had just said, and even as Karou saw what she saw and no possibility of mistake, and even as her whole being gathered itself into a scream, her heart defied it. The age of wars was over, and Akiva would not die like this.
The blade entered his heart. — Laini Taylor

The bait's got a theory; the bait's finding a practice, working it out; the bait's going to write it down and she don't have to use words, she'll make signs, in blood, she's good at bleeding, boys, the vein's open, boys, the bait's got plenty, each month more and more without dying for a certain long period of her life, she can lose it or use it, she works in broad strokes, she makes big gestures, big signs; oh and honey there's so much bait around that there's going to be a bloodbath in the old town tonight, when the new art gets its start. — Andrea Dworkin