Quotes & Sayings About Dried Flowers

Dried the flowers myself. Belladonna, oleander, and mistletoe. Three of my favorites. All of them poisonous ... but such lovely colors. — Anthony Horowitz

There was a four-place table with only three chairs. There were what Reacher's mother had called "touches." Dried flowers, bottles of virgin olive oil that would never be used, antique spoons. Reacher's mother had said such things gave a room personality. Reacher himself had been unsure how anything except a person could have personality. He had been a painfully literal child. But over the years he had come to see what his mother had meant. And Vaughan's kitchen had personality. — Lee Child

Why cry over dried flowers?
They're meant to be straw.
Why cry over miniature roses?
They're meant to be small. — Marilyn Chin

But ... it's a nice day today, the birds is singing, there's stuff like ... kittens and stuff, and the sun is shining off the snow, bringin' the promise of spring to come, with flowers, and fresh grass, and more kittens and hot summer days an' the gentle kiss of the rain and wonderful clean things which you won't ever see if you don't give us what's in that drawer 'cos you'll burn like a torch you double-dealing twisty dried-up cheating son of a bitch! — Terry Pratchett

The author O. Henry taught me about the value of the unexpected. He once wrote about the noise of flowers and the smell of birds - the birds were chickens and the flowers dried sunflowers rattling against a wall. — Chuck Jones

The whole place smells of dried flowers and burnt egg, and there isn't a nail or picture hook in the entire hotel that doesn't have a few dusty sprigs of old Christmas tinsel caught on it all year round. — Emerald Fennell

Plover's words were like dried flowers, stiff and crumbling, crushed flat between pages, when we'd had the living, blooming blossoms all around — Lev Grossman

Body bomb,' he said. All stopped. It was impossible to know who the man was or what brought him to that place, and it was hard to fathom because a moment is never long enough to account for tragedy when you are in it. Grief is a practical mechanism, and we only grieved for those we knew. All others who died in Al Tafar were part of the landscape, as if something had sown seeds in that city that made bodies rise from the earth, in the dirt or up through the pavement like flowers after a frost, dried and withering under a cold, bright sun. — Kevin Powers

I find things hidden in books: dried flowers, locks of hair, tickets, labels, receipt, invoices, photographs, postcards, all manner of cards. I find letters, unpublished works by the ordinary, the anguished, the illiterate. Clumsily written or eloquent, they are love letters, everyday letters, secret letters and mundane letters talking about fruit and babies and tennis matches, from people signing themselves as Majorie or Jean....I can't bring myself to dispose of these snippets and snapshots of lives that once meant (or still do mean) so much. — Louise Walters

No, we don't accomplish our love in a single year as the flowers do; an immemorial sap flows up through our arms when we love. Dear girl, this: that we loved, inside us, not One who would someday appear, but seething multitudes; not just a single child, but also the fathers lying in our depths like fallen mountains; also the dried-up riverbeds of ancient mothers-;also the whole soundless landscape under the clouded or clear sky of its destiny -; all this, my dear, preceded you. — Rainer Maria Rilke

Humans are so cute. When we say goodbye, we put our arms around each other and to show we love someone, we bring them flowers. We say hello by holding each other's hands and sometimes tiny little dewdrops form in our eyes. For pleasure, we listen to arrangements of sounds, press our lips together, smoke dried leaves, get drunk off of old fruit. We're all just little animals falling in love and having breakfast beneath billions of stars. — Unknown

French toast? Frittata?
Definitely frittata.
Leaving the table again, she transferred a small packet from freezer to fridge. It was salmon, home-smoked on the island and more delicious than any she had ever found elsewhere. Smoked salmon wasn't Cecily's doing, but the dried basil and thyme she took from the herb rack were. Taking a vacuum-sealed package of sun-dried tomatoes from the cupboard, she set it on the counter beside the herbs. Frittata, hot biscuits, and fruit salad. With mimosas. And coffee. That sounded right. Eaten out on the deck maybe?
No, not on the deck, unless the prevailing winds turned suddenly warm.
They would eat here in the kitchen, with whatever flowers the morning produced. Surely more lavender. A woman could never have enough lavender- or daylilies or astilbe, neither of which should bloom this early, but both of which had looked further along than the lavender, yesterday morning, so you never knew. — Barbara Delinsky

Correspondence, which bears much the same relation to personal intercourse that the books of dried plats I sometimes see do to the living and fresh flowers in the lanes and meadows. — Elizabeth Gaskell

BLOOM: I take it that a successful therapy is an oxymoron.
INTERVIEWER: It's always interminable?
BLOOM: I do not know anyone who has ever benefited from Freudian or any other mode of analysis, except by being, to use the popular trope for it, so badly shrunk, that they become quite dried out. That is to say, all passion spent. Perhaps they become better people, but they also become stale and uninteresting people with very few exceptions. Like dried-out cheese, or wilted flowers. — Harold Bloom

Jewels, lies, slips of paper, dried flowers, memories of thing long past, useless quotations, idle hands, beads, buttons, and mischief. — Holly Black

I take my metal canister of tea off the shelf. It is my own mixture of dried lavender blossoms and lemon balm, harvested from my garden and hung in the storeroom to dry. Weed helped me hang these stalks, I think. His hands touched these tender leaves, just as they touch me. — Maryrose Wood

Descending the stairs from her room, I was tempted to go outside and find out if the shivering gut-wrench I'd felt as I came in really meant what I thought it did. But I stayed in the warmth of the house. I felt like I knew something about myself that I hadn't before, a bit of knowledge so new that if I became a wolf now, I might lose it and not remember it whenever I became Cole again.
I wandered down the main stairs, mindful that her father was somewhere in the house's depths while Isabel stayed up in her tower alone.
What would it be like, growing up in a house that looked like this? If I breathed too hard it would knock some decorative bowl off the wall or cause the perfectly arranged dried flowers to weep petals. Sure, my family had been affluent growing up - successful mad scientists generally are - but it never looked like this. Our lives had looked ... lived in. — Maggie Stiefvater

I need to hold on to the faded love 'cause I love to secure the stems of dying flowers — Munia Khan

I imagine I sow cuttings of Anna-Louise's hair, like the fine stems of dried flowers, and watch sunflowers grow from the cuttings. I imagine I bury a pocket calculator with liquid crystals spelling her name, then watch the earth shoot forth lightning bolts. 'We should open up a seafood house together,' Anna-Louise says when she wants to torture me. Now that's love. — Douglas Coupland

Love is like dried flowers sometimes. Even though you watch the petals shrink and change colour, you cannot help treasuring them — Munia Khan

No one noticed Witch Baby as she went back inside the cottage, into the room she and Cherokee shared.
Cherokee's side of the room was filled with feathers, crystals, butterfly wings, rocks, shells and dried flowers. there was a small tepee that Coyote had helped Cherokee make. The walls on Witch Baby's side of the room were covered with newspaper clippings - nuclear accidents, violence, poverty and disease. Every night, before she went to bed, Witch Baby cut out three articles or pictures with a pair of toenail scissors and taped them to the wall. they make Cherokee cry.
"Why do you want to have those up there?" Weetzie asked. "You'll both have nightmares. — Francesca Lia Block

Memory can glean, but can never renew. It brings us joys faint as is the perfume of the flowers, faded and dried, of the summer that is gone. — Henry Ward Beecher

Every time you open a book for the first time, there is something akin to safe-breaking about it. Yes, that's exactly it: the frantic reader is like a burglar who has spent hours digging a tunnel to enter the strongroom of a bank. He emerges face to face with hundreds of strongboxes, all identical, and opens them one by one. And each time a box is opened, it loses its anonymity and becomes unique: one is filled with paintings, another with a bundle of banknotes, a third with jewels or letters tied in ribbon, engravings, objects of no value at all, silverware, photos, gold sovereigns, dried flowers, files of paper, crystal glasses, or children's toys
and so on. There is something intoxicating about opening a new one, finding its contents and feeling overjoyed that in a trice one is no longer in front of a set of boxes, but in the presence of the riches and wretched banalities that make up human existence. — Jacques Bonnet

Much has been said of the aesthetic values of chanoyu- the love of the subdued and austere- most commonly characterized by the term, wabi. Wabi originally suggested an atmosphere of desolation, both in the sense of solitariness and in the sense of the poverty of things. In the long history of various Japanese arts, the sense of wabi gradually came to take on a positive meaning to be recognized for its profound religious sense ... the related term, sabi, ... It was mid-winter, and the water's surface was covered with the withered leaves of the of the lotuses. Suddenly I realized that the flowers had not simply dried up, but that they embodied, in their decomposition, the fullness of life that would emerge again in their natural beauty. — Okakura Kakuzo

It's there. The white rose among the dried flowers in the vase. Shriveled and fragile, but holding on to that unnatural perfection cultivated in Snows greenhouse. I grab the vase, stumble down to the kitchen, and throw its contents into the embers. As the flowers flare up, a burst of blue flame envelops the rose and devours it. Fire beats roses again. — Suzanne Collins

Is - is any of this real?" she asked. "Are you real?"
He lifted a hand to her cheek, his fingers brushing her jaw.
"Even if this is a dream," he whispered, "I'm not."
Isobel's eyes widened, recognizing those words as her own, the same ones she had once uttered to him. She reached for him, her arms twining around his neck, drawing him closer so his scent poured over her, that combination of incense, citrus, and dried leaves overriding the funeral funeral smell of the crowding flowers.
"Don't leave," she breathed.
"I'm here," he whispered. "Right here. Waiting. — Kelly Creagh