Don't Like Me Don't Look At Me Quotes & Sayings

Taking Beatrix's gloved hand in his, Christopher lifted it and pressed a kiss to the back of her wrist. He wanted to carry her away from the crowded drawing room and have her all to himself.
"Soon," Beatrix whispered, as if she had read his thoughts, and he let his gaze caress her. "And don't look at me like that," she added. "It makes my knees wobbly."
"Then I won't tell you what I'd like to do with you right now. Because you'd topple over like a ninepin. — Lisa Kleypas

Hadrian dismounted and began unloading Dancer. "How long were we on the road?" He paused to look up at the moon.
"What? Five, six hours? Not a damn word. Getting chilly out, don't you think, Hadrian? The moon looks like a fingernail, ain't that right, Hadrian? The tree looks like a goddamn bear, don't it, Hadrian? Nothing. By the way, in case you haven't noticed, I was attacked by a goshawk and a pig-riding dwarf that shot eggs at me with a sling. I was knocked from my horse and wrestled with the dwarf, the hawk, and the pig for what had to be half an hour. The dwarf kept smashing eggs in my face, and the ruddy pig pinned me down, licking them off. I only got away because the dwarf ran out of eggs. Then the hawk turned into a moth that became distracted by the light of the moon."
Royce shifted to his side, hood up.
"Yeah, well ... thank Maribor and Novron I didn't need your help THAT time. — Michael J. Sullivan

My favorite part about you though is when I catch you staring at me. I love that you don't look away and you stare unapologetically, like you aren't ashamed that you can't stop watching me. It's all you want to do because you think I'm the most amazing thing you've ever laid eyes on. I love how much you love me. — Colleen Hoover

I'm the original hunter-down-of-fabulous-things. Twenty years ago I sat down and decided that I would create a really wonderful image, an unforgettable image. And now I'm kind of stuck with it. It's like when I don't wear my fringy, gypsy stuff, people kind of look at me like, 'What's wrong? — Stevie Nicks

He looked at the mud. "If I pull you free, will you promise to bed me for my pains?"

"Here's what I'll promise, Logan MacKenzie. If you don't get me free, I will come back from the grave and haunt you. Relentlessly."

"For a timid English bluestocking, you can be quite fierce when you choose to be. I rather like it."

She hugged herself to keep her hands out of the creeping mud. "Logan, please. I be you, stop teasing and get me out of this. I'm cold. And I'm frightened."

"Look at me."
She looked at him.
His gaze held hers, blue and unwavering.

All teasing went out his voice. "I'm not leaving. Ten years in the British Army, and I've never left a man behind. I'm not leaving you. I'll have you out of this. Understand? — Tessa Dare

I don't know who I am. I look at myself and I see Stephen Herondale, but I act like a Lightwood and talk like my father - like Valentine. So I see who I am in your eyes, and I try to be that person, because you have faith in that person and I think faith might be enough to make me what you want. — Cassandra Clare

Please tell me you did something good."

"No," Romeo said bleakly. "I did something terrible."

Wait, Paris said silently. You can't tell him about that.

Don't we have to? said Romeo.

We don't know anything about him! How do we know he won't sell us out to the City Guard?

He leads a gang, said Romeo. He's probably not on speaking terms with the Guard. And do we have a choice?

"Does it have anything to do with the marks you have on your hands, which look strangely similar to the marks worn by the Juliet and her Guardian, and the way you stare at each other silently like you're talking mind to mind?" Vai asked innocently. — Rosamund Hodge

Why you?" I asked. "Why are you the one
here with me? Why isn't it him?"
Grayson's smile was sad and full of sympathy. "I don't know, Aves, but maybe it's for the best. You guys are almost seventeen. If it hasn't happened by now, maybe it's not supposed to."
"I can't accept that."
"Denial isn't good for you."
"It isn't denial."
"Now you're denying your denial."
"But look at you," I said. "You always thought I was like a sister too. If you can change your mind, then he can too. He just needs a wake up call."
"Hey now, you can't just go jumping in the shower with every guy you know. That's totally our thing. — Kelly Oram

When I think of New York City, I think of all the girls, the Jewish girls, the Italian girls, the Irish, Polack, Chinese, German, Negro, Spanish, Russian girls, all on parade in the city. I don't know whether it's something special with me or whether every man in the city walks around with the same feeling inside him, but I feel as though I'm at a picnic in this city. I like to sit near the women in the theaters, the famous beauties who've taken six hours to get ready and look it. And the young girls at the football games, with the red cheeks, and when the warm weather comes, the girls in their summer dresses ... — Irwin Shaw

We said we'd be friends.'
He looks confused. 'Yeah.'
I don't want to be.'
There's space between us, and in that space there's darkness. I take another step, so close that we share a breath. The same one. In and out.
Tess,' he says. I know it's a warning, but I don't care.
What's the worst thing that can happen?'
It'll hurt,' he says.
It already hurts.'
He nods very slowly. And it's like there's a hole in time, as if everything stops and in this one minute, where we look at each other so close, is spread out between us. As he leans towards me, I feel a strange warmth filtering through me. I forget that my brain is full of every sad face at every window I've ever passed. — Jenny Downham

But even now, especially now, it seems to me that women have a strength about them that men never had. And I wonder how did men always get portrayed in the movies and such as the strong ones? How did it come to be that women are made to look like the weak ones who need protectin'? Truth is, it's men who need the protectin'. Really they do. Women have the strong thing inside of them and the can get through anything. They just can. They're used to pain of child birthing - pain no man knows - and some women being battered around and not treated right through all the centuries and having to learn at a real young age how to stay alive on the inside when the outside is being hurt real bad. Most all women know that. But men. Those poor men. They just don't have the inside strength the women do. It's harder for men to feel pain. — Sarah Felix Burns

I am very sorry, sir, but I cannot give you the Windsor crown," Rita said calmly. "I do not have it, and even if I did, it is not mine to give away."
"I don't know if you heard me correctly," the sergeant repeated, his words falling like bricks. "I said, hand it over."
Rita smiled serenely and stood, holding her thin hands clasped in front of her. Nora glanced up at her, a worried look in her eyes.
"Quite possibly it was you who did not understand my reply. I said, I am very sorry, but I am afraid I cannot give you the crown. But I can offer you a nice cup of tea, and I just baked a batch of cheddar scones."
A muffled snicker went through the room. I could even see Wesley, who stood by the door, trying not to smile. — Galaxy Craze

I don't want any money."
I put the wallet away.
She said: "What are you going to do about last night?"
"What should I do?"
"Kill that son of a bitch."
"And fry?"
"You're too smart to fry."
"Maybe," I said. "But, lady, I've been drawing the line at murder lately."
She lay against the pillow, watching me. Her skin was dead white and it made the black eyes look big. She wasn't young, but she was still good-looking. Her shoulders were round and firm. As far as I could tell she was naked under the sheet. I sat down on a rocking-chair. It creaked under my weight.
"But you want to get him, don't you?" she asked.
"I wouldn't mind."
"Neither would I," she said.
"He's pretty tough for a gal to tackle."
"He knocked out my teeth."
The way she said it, it sounded like a good reason for bumping off a man. Maybe it was, at that. A girl likes to hold on to her teeth. — Jonathan Latimer

Laughing, I took her hand back in mine. "I don't like seeing someone as hot as you bruised up, but I don't judge you fighting for money. We all do what we can. Look at me and my work. Not exactly a dream job, but I'm big, strong, and don't mind hurting people. Not a lot of jobs for a guy with my skill set. I was never good at school. I hate computers and have no patience with fixing things. I had the choice of being an enforcer or a gigolo."
Raven smacked my hand away. "Stop being charming, you dipshit."
"I'll try, but it just comes so naturally for me."
"Why not a gigolo?"
"I'm too shy."
Raven laughed. "That's too bad. I'd pay to fuck you."
"Of course, you would. I'd totally pay to have you give me a lap dance."
"You couldn't afford me."
"I don't know. I've been saving up for something special. This could be it. — Bijou Hunter

When I look at a sunset as I did the other evening, I don't find myself saying, "Soften the orange a little on the right hand corner, and put a bit more purple along the base, and use a little more pink in the cloud color." I don't do that. I don't try to control a sunset. I watch it with awe as it unfolds. I like myself best when I can appreciate my staff member, my son, my daughter, my grandchildren, in this same way. I believe this is a somewhat Oriental attitude; for me it is a most satisfying one. — Carl R. Rogers

I just hate to see you like this," he says. "Isn't there anything I can do?"

You could murder Vaughn. You could free Gabriel. You could help repair the damage that's been done to our home. By you.

This room is surely being recorded, though, and all I say is, "No."

He tilts my chin, and then he cups his hands around my ear and whispers, "I don't believe that."

I look at him, and I see the same look in his eyes as on the morning when I told him I was going to bring Linden home. Vaughn may be Rowan's benefactor, but I'm his twin sister. Even after this time spent apart, he can read me. — Lauren DeStefano

And me, I've got to start all over. Not only build a new life, but construct a new person. I call my old self "that other guy," for I share nothing but his memories, and everything he ever liked I've had to discover all over again, one by one, so that I've held on to, for example, reading, motorcycling, and birdwatching, but I'm not yet sure about art or music (I can look at it or listen to it, but not with the same "engagement" I used to), and I have no interest in work, charity, world events, or anybody I don't know. In my present gypsy life, I encounter a lot of people every day, and some of them I instinctively like and respond to in a brief encounter at a gas station or small-town diner, but for the most part I look around at ugly and mean-spirited people and think, "Why are you alive? — Neil Peart

Another time, I was at the bar getting a drink and this geezer is stood at the bar with a ciggie in his mouth, trying his best to look rock hard. He takes a drag and points his finger in my face and drawls, 'Don't I know you?'
He was looking snake-eyed at me like a typical big screen gangster.
I stood in front of him and drawled back, 'I don't know, but they call me Richy Horsley,' and then bang, I batter him with a left hook that landed with a strange dull thud. Mr Movie Gangster was stood there leaning against the bar and staring out in to space, knocked out standing up. — Stephen Richards

What?" I ask, throwing my hands up, and then pointing at the woman. "Don't even look at me like that, lady. You know after having that baby, your vagina probably looks like wrinkled roast beef curtains. So don't kid yourself...because your vagina hates you." ~Vivian — S.L. Romines

he'd reached his car, turned to look at her. "Don't look at me like that, Sera. It's not fair." He looked away and took a breath, shaking his head slightly. "I'm sorry. I didn't mean...It's just too much for me. You're too much. — Jen Meyers

[Bob] Dylan said, "I don't have to B.S. anybody like those guys up on Broadway that're always writin' about 'I'm hot for you and you're hot for me--ooka dooka dicka dee.' There's other things in the world besides love and sex that're important too. People shouldn't turn their backs on 'em just because they ain't pretty to look at. How is the world ever gonna get any better if we're afraid to look at these things. — David Hajdu

God, you're beautiful," he murmured.
Somehow that made her even madder. "You are such a dick. Guys like you don't find girls like me beautiful." Spitting fire, she glared up at him.
He leaned into her, loving the way her eyes widened in awareness. "Guys like me?"
"Yes." She slapped both hands against his chest and shoved, snarling when he didn't move an inch. "Guys who spend hours in the gym, probably only eat protein, look like action movie stars, and probably date models who weigh three pounds."
He frowned. "What's wrong with protein?"
"Nothing," she shouted.
Somehow he'd made her so angry she'd stopped making any sense. "Your beauty isn't exactly a matter of opinion, darlin'. You're stunning."
"Stop playing with me," she almost growled.
"I haven't started playing with you, and when I do, you'll fucking know it," he shot back, — Rebecca Zanetti

My ears perked up like a dog's again when she spoke and pointed in the general direction of the chick that smelled of Slim Jims.
I hope I don't start barking.
"Oh, please, like she doesn't know about the smell of meat products wafting from her lady parts. I think she rubs bologna down there to attract men. Lunch meat is her sex pheromone."
The brunette shook her head in irritation. "If I do a shot, will you please stop talking about Jade's disgusting vagina and never, ever use the word meat product in a sentence?"
"Woof!"
Three sets of eyes all turned to look at me.
"Did I just bark out loud?"
Three heads bobbed up and down in unison. — Tara Sivec

I park my bike in her driveway and ring her doorbell. I clear my throat so I don't choke on my words. Mierda, what am I gonna say to her? And why am I feeling all insecure, like I need to impress her because she'll judge me?
Nobody answers. I ring again.
Where's a servant or butler to answer the door when you need one? Just as I'm about to give up and slap myself with a big dose of what-the-fuck-do-I-think-I'm-doing, the door opens. Standing before me is an older version of Brittany. Obviously her mom. When she takes one look at me, her disappointing sneer is obvious.
"Can I help you?" she asks with an attitude. I sense either she expects me to be part of the gardening crew or someone going door-to-door harassing people. "We have a 'no soliciting policy' in this neighborhood."
"I'm, uh, not here to solicit anythin'. My name's Alex. I just wanted to know if Brittany was, uh, at home?" Oh, great. Now I'm mumbling uh's every two seconds. — Simone Elkeles

Look you don't know I'm your soul mate," Lily said. " You barely know me at all. I have terrible habits. I swallow toothpaste. My socks don't always match. I'm not good at small talk. I'm just about the most unpopular kid in class, a close third behind the guy who doesn't shower and the girl who's a compulsive liar. Besides, it's not like Jake and me ... He was just being nice."
"You are my soul mate, even if you don't know it yet," Tye said — Sarah Beth Durst

She blames herself. I hurt from knowing that I hurt her. Even when we know all of these other people are to blame. My friends. The media. Not her. Not me.

I can't help myself. I continue the cycle and I say, "I don't want to hurt you."

Lily is quiet for a moment before she says, "I'm tougher than you think. You just need to believe in me. You know, like a fairy."

I do believe in fairies. I do. I do. The jubilant chorus from Peter Pan fills my ears.

I look up at her, tears in both our eyes. Is that how we end this? I trust that I can share my grief with her and that she won't crumble beneath the pain?

She nods to me like go on. I can handle it. — Becca Ritchie & Kristia Ritchie

derelict. my voice cracked and yolk poured out. wind chimes rigid, no breeze, no song. my wings found hidden in your suitcase. pleas for help mistaken for a swan song. i'm stuffing pages from my journal down my throat as kindling. hoping the smoke will get the taste of you out of my mouth. he looks at me from across the room and all i want is to push him against the wall. ravage. ravage. carnage has never been more vogue. is it still art if it doesn't bring you to your knees? lover, let me prey at your altar. let me bare my fangs in praise. don't i look so pretty in a funeral shroud? i keep time with the click of my creaking bones. dance with me under the milky translucence of a world suffocating. how did you find me? i buried myself beneath the cicadas. is a girl trapped in glass still a prize?
let me get under your skin. i want to know what your fears taste like. i want to consume. — Taylor Rhodes

Early on, when I was quite young and going from job to job, I was foolish enough to sometimes speak to my fellow workers: 'Hey, the boss can come in here at any moment and lay all of us off, just like that, don't you realize that?' They would just look at me. I was posing something that they didn't want to enter their minds. — Charles Bukowski

Calm down. I'm a demon, Nick. Hematite doesn't like my genetics. It doesn't mean anything other than I have really bad parentage."
"Then why am I having flashes of you killing me?"
"What'd you eat this morning?"
Nick didn't care for that answer. Not one little bit. "I saw it happen. You were choking the life out of me."
Caleb rolled his eyes. "Oh yeah. That is definitely a figment of your overactive, over-Hollywood-stimulated imagination. I assure you. I don't kill people that way. Takes too long. I'm not into torture. I prefer a quick death so that I can move on to something more satisfying."
Strangely enough, that he believed. Patience wasn't a virtue Caleb practiced. "You sure?"
"Dude, look at me. You think I'd have let the demons pound all over me last night so that you could escape if I had any intention of killing you? Really? — Sherrilyn Kenyon

I haven't done anything you're supposed to do. Like get so drunk you puke and don't remember the rest of the night."
"Overrated, I swear."
She looked at me, that deadly look on her face, and I held up my hands. "Fine. You wanna get drunk and puke, I'm not gonna stop you."
"But I want to do, like more than just drinking." Her brow furrowed and I could practically see the wheels in her brain spinning. "I should make a list and outline a plan."
I was going to point out that list-making wasn't the best way to let loose, but I decided to let it go. — Cindi Madsen

Skulduggery."
"Fletcher."
Fletcher stuck out his hand. Skulduggery observed it for a moment.
"I'm sorry, what are we doing now?"
"Shaking hands," Fletcher said. "Like adults. I just want you to know that this past year has changed me. I've grown, as a person. I'm not the same Fletcher you used to know.
"You look a lot like him."
"Well, yeah, but-"
"And you have the same ridiculous hair."
"Can we just shake hands?"
"Of course we can," Skulduggery said, and they shook. "Now what?"
"I, uh...I don't really know. What do adults usually do after they shake hands?"
"Generally, the first thing they do is let go."
"Oh, right," Fletcher said, and Skulduggery took his hand back. "So, Skulduggery, how have you been? You're looking well. That's a really nice tie.
"It's blue."
"And such a nice shade."
Skulduggery looked at Valkyrie. "You promised me he wouldn't be annoying. — Derek Landy

I have such a crowded life and crowded schedule. When people send me a link with a gadget, I'll look at it and buy it if it looks interesting, but I don't have time to check out everything I'd like to. — Steve Wozniak

And when I die all the memories of my own life will go to the grave with me, God willing, and Dick will never have to look back at them. And his children will never even know what my life was like. They'll know nothing of grinding stones and being hungry and ashamed all day and being beaten by a teacher who couldn't write himself and being sure you kept your mind so empty that you had no thoughts at all. And that's what I've done for them, that's my gift to them and to all their children ever after, so don't talk to me about being hard. — Sebastian Faulks

Save your explanations, I got some questions for you first and you'd better answer them!' [slurred Hellian.]
'With what?' [Banaschar] sneered. 'Explanations?'
'No. Answers. There's a difference-'
'Really? How? What difference?'
'Explanations are what people use when they need to lie. Y'can always tell those,'cause those don't explain nothing and then they look at you like they just cleared things up when really they did the opposite and they know it and you know it and they know you know and you know they know that you know and they know you and you know them and maybe you go out for a pitcher later but who picks up the tab? That's what I want to know.'
'Right, and answers?'
'Answers is what I get when I ask questions. Answers is when you got no choice. I ask, you tell. I ask again, you tell some more. Then I break your fingers, 'cause I don't like what you're telling me, because those answers don't explain nothing! — Steven Erikson

Tall, narrow, and grand, the first house was a Victorian. Once loved by a family, it ended up a college rental. Dylan took it from rundown and abused to grand again.
"Could you see yourself living here?" he asked, wrapping his arms around me from behind.
"No," I said softly.
"Good. Me either, but I'd have moved in tomorrow if you said yes."
Squirming around to face him, I sighed. "You're so whipped."
"I know, but only when it comes to you."
"It's only fair since you own my heart and could destroy me if you wanted."
"Could, but never will," he said, taking my hand. "Let's go look at the midcentury house."
"What if I don't like that one either?"
Dylan opened the car door and shrugged. "Plenty of houses in Ellsberg that need love. We'll find one and make it ours. — Bijou Hunter

I've been having this really weird anxiety dream about arriving too late or too early, and the people in charge are like, 'You have to leave! You have to go back to the hotel and get ready!' And I use the wrong exit, and I'm running down the red carpet in pyjamas, like, 'No! Don't look at me!' — Florence Welch

Don't tell me from genetics. What've they got to do with it?" said Crowley. "Look at Satan. Created as an angel, grows up to be the Great Adversary. Hey, if you're going to go on about genetics, you might as well say the kid will grow up to be an angel. After all, his father was really big in Heaven in the old days. Saying he'll grow up to be a demon just because his dad _became_ one is like saying a mouse with its tail cut off will give birth to tailless mice. No. Upbringing is everything. Take it from me. — Terry Pratchett

It seems to me that after someone sweeps across your life like a red-hot flame, peeling back the shutters that sat over your heart and your mind and setting free your sweetest dreams or your worst nightmares, after things cool down you've got two choices. You can either slip back into your old self, your old life, tucking those things you were too scared to look at back into hiding, or you can keep those parts of yourself out until you get so used to them that they don't scare you anymore and they just become a part of who you are. — Sandra Kring

Lily gave me a nod and a smile. "I wish I could be more like you. You're so confident in who you are."
I had to look away from her eyes full of admiration. "I don't know who I am, Lily. I'm just really good at pretending. — Nicole Williams

I look up at the sky, wondering if I'll catch a glimpse of kindness there, but I don't. All I see are indifferent summer clouds drifting over the Pacific. And they have nothing to say to me. Clouds are always taciturn. I probably shouldn't be looking up at them. What I should be looking at is inside of me. Like staring down into a deep well. Can I see kindness there? No, all I see is my own nature. My own individual, stubborn, uncooperative often self-centered nature that still doubts itself
that, when troubles occur, tries to find something funny, or something nearly funny, about the situation. I've carried this character around like an old suitcase, down a long, dusty path. I'm not carrying it because I like it. The contents are too heavy, and it looks crummy, fraying in spots. I've carried it with me because there was nothing else I was supposed to carry. Still, I guess I have grown attached to it. As you might expect. — Haruki Murakami

July 15, 1991

Nita: My mother was a paragon of our neighborhood, People always come up to us with hugs, saying "You have the most wonderful mother." l'd think. "Don't you see what's going on in this house?" To this day, if somehow even in jest raises their hand to me, I will do this (raises hands to protect face and cowers) I cringe. Then they look at me like, what's your probem? You don't get that from a great childhood. — Sarah E. Olson

On the drive home, Adam glances at me several times, clearly wanting to talk about what's happened.
But I can barely look up from the door latch.
Exactly six pain-filled minutes later, he pulls over at the corner of my street and puts the car in park. "Do you hate me?" he asks.
"More like I hate myself."
"Yeah." He sighs. "Kissing me tends to have that effect on women."
"That's not what I meant."
"Don't worry about it," he says, still trying to make light of the situation. "It's my fault. It won't happen again."
"I let it happen."
"Yes, but only because you couldn't help yourself. I must admit, I'm far too irresistible for my own good."
"I wouldn't go that far." I can't help but smile. — Laurie Faria Stolarz

I have dogs, and it's no secret that I find reptiles interesting, but the thing about reptiles is that they really just wanna be left alone, and I understand them. It's, 'Don't pick me up, stop holding me, don't look at me, just leave me alone.' I have to admit, sometimes I feel like that. — Nicolas Cage

Now for me, you're the irreplaceable one: I've never see you up so close before, and I do not understand you at all. You say sometimes I act like I don't see you? I don't even know where to look! Living with you around is like is like living with a permanent dazzle. The fact that you even like me, or look at me, or brush by me, or hug me, or hold me, is so surprising that after it's over I have to go back through it a dozen times in my head to savor it and try and figure out what it was like because I was too busy being astounded while it was happening. — Samuel R. Delany

As a comedian I don't think they look at me as a sexual person but I can see where with actors it would be a little difficult for them because its part of their mystique, it gives them an easier time to change characters and people aren't going oh we have a gay actor, their gay so I don't know if I'm gunna buy this guy with this girl, its weird, I don't think it's fair; it's only done with us, it seems, like they just accept everyone as straight and go along with it and then its oh their gay and make a big deal out of it. — Wanda Sykes

Everybody has a soul." I turn to Pelly. "And that means you, too."
"I'm not so sure of that," he says. "What does it feel like?"
"Having a soul?" I look at Maxine, but she only shrugs. "I don't know," I tell Pelly. "I don't have anything to compare it to- you know, what not having a sould would feel like."
We fall into a kind of awkward silence. I don't know about the others, but I'm working on what a soul is and not coming up with a whole lot. I mean, I just always thought of it as me- what I feel like being me. But surely Pelly feels like himself, so that means he's got a soul right? But if that's not your soul, then what is?
It's weird and not something you really think about, is it? — Charles De Lint

You've got a lot of responsibility now," Jace said to Julian. "You'll have to make sure Emma winds up with a guy who deserves her."
Julian was strangely white-faced. Maybe he was feeling the effects of the ceremony, Emma thought. It had been strong magic; she still felt it sizzling through her blood like champagne bubbles. But Jules looked as if he'd been slapped.
"What about me?" Emma said, quickly. "Don't I have to make sure Jules winds up with someone who deserves him?"
"Absolutely. I did it for Alec, Alec did it for me - well, actually, he hated Clary at first, but he came around."
"I BET you didn't like Magnus much, either," said Julian, still with the same odd, stiff look on his face.
"Maybe not," said Jace, "but I never would have said so."
"Because it would have hurt Alec's feelings?" Emma asked.
"No," said Jace, "because Magnus would have turned me into a hat rack. — Cassandra Clare

What is it you want, Ella?"
"What you had," I answered softly, "with Diana. That once-in-a-lifetime connection that makes everything good."
"Fine.But you do realize that in orde to be loved like that, you have to let the lucky gentleman see you.I mean truly see you, scars and all."
"Yes,Edward, I am fully aware of that."
"But you don't want anyone to really look at you."
He had me there. "Well,no."
"Good luck with that,then," he said, then yawned and cosed his eyes, telling me the conversation was over. — Melissa Jensen

What will people say, you running off to Memphis like you don't have a house to look after?
Shug say, Albert. Try to think like you got some sense. Why any woman give a shit what people think is a mystery to me.
Well, say Grady, trying to bring light. A woman can't git a man if peoples talk.
Shug look at me and us giggle. Then us sure nuff. Then Squeak start to laugh. Then Sofia. All us laugh and laugh. — Alice Walker

You don't like me, do you?" she asked suddenly and pathetically, just like a small child.
Sergei did not look at her but merely said, "What makes you think that?"
"It is normal to try to make conversation while in the car with someone, isn't it?"
"Oh, well, my English is only average," he lied.
"Maybe, but I speak Russian," she persisted
Sergei grunted.
"What, your Russian is only average too?" she said, raising an eyebrow. — William Axtell

In the past, I've had my share of good reviews, but it's always the crazy, scary, weirdo guy. I don't even know how it happened. Look at me. I mean, when I'm naked, I look like a bald chicken. How did I get to be a scary bad guy? — Gary Oldman

Well, you've got the growling part down pat already. Probaly all those years of practice."
He began to rise, his legs wobbly.
"All right, I'm coming back. I just didn't want to be in your way."
A grunt. Your not. Or that's what I hoped he meant.
"You can understand me, can't you?" I said as I returned to sit on his discarded sweatshirt. "You know what I'm saying."
He tried to nod, then snarled at the awkwardness of it.
"Not easy when you can't talk, is it?" I grinned. "Well, not easy for you. I could get used to it."
He grumbled, but I coulld see the relief in his eyes, like he was glad to see me smile.
"So I was right, wasn't I? It's still you even if wolf form."
He grunted.
"No sudden urges to go kill something?"
He rolled his eyes.
"Hey, you're the one who was worried." I paused. "And I don't smell like dinner, right?"
I got a real good look for that one.
"Just covering my bases. — Kelley Armstrong

I don't like guitar solos that are like, 'Look at me, look at me!' I like guitar solos that are little songs within the songs. — Taylor Hawkins

Well I knew when I first laid eyes on her
I could never be free
One look at her and I knew right away
She should always be with me
Well the dream dried up a long time ago
Don't know where it is anymore
True to life, true to me
Was the girl from the red river shore
Well I'm wearing the cloak of misery
And I've tasted jilted love
And the frozen smile upon my face
Fits me like a glove
Well I can't escape from the memory
Of the one I'll always adore
All those nights when I lay in the arms
Of the girl from the red river shore
Well we're living in the shadows of a fading past
Trapped in the fires of time
I've tried not to ever hurt anybody
And to stay out of the life of crime
And when it's all been said and done
I never did know the score
One more day is another day away
From the girl from the red river shore. — Bob Dylan

How well do you know the people who raised you? Look around your dining room table. Look around at your loved ones, especially the elders. The grandparents and the aunts and uncles who used to give you shiny new quarters and unvarnished advice. How much do you really know about their lives. Perhaps you've heard that they served in a war, or lived for a time in a log cabin, or arrived in this country speaking little or no English. Maybe they survived the Holocaust or the Dust Bowl. How were they shaped by the Depression or the Cold War, or the stutter-step march towards integration in their own community? What were they like before they married or took on mortgages and assumed all the worries that attend the feeding, clothing, and education of their children? If you don't already know the answers, the people who raised you will most likely remain a mystery, unless you take the bold step and say: Tell me more about yourself. — Michele Norris

I want to be softened, not stiff. Pliable, not rigid. I don't want anyone to look at my life and think it is perfect or, worse, that I want them to think it is perfect. Instead, I want anything that is unapproachable or harsh in me to be scrubbed away by the salt and the sand, revealing the imperfections, the brokenness, the cracks. Not because I am proud of those parts, but because I know it is real. Like the Skin Horse or the Velveteen Rabbit, I am shabby because I live life, because I am loved, and because it is all work - living and loving and being loved, being transformed, being worn and faded — Jerusalem Jackson Greer

She's my mom and she's never seen me this happy before. Of course, she thinks I love you."
I braved a look at him. "And do you?"
"If I deny it, will you be able to get through dinner?"
I nodded, ignoring the thin veil of his words over the truth I didn't want to accept. "Then I don't love you. You're the most aggravating woman I've ever met. I can barely tolerate you."
"And my kids?"
"Oh, no," he chuckled. "I definitely love them."
"You do?" An aching affection flooded my body, filling in all of the cracks that fear and uncertainty had left me with. An emotional heat bubbled in my chest and wrapped my stiff limbs with something like hope.
"Yes, I do. But they agree with me about you. You aggravate us all. — Rachel Higginson

I guess if there's one thing that might surprise people about me, it's that I'm very obedient. I'm kind of like a dog. I look at acting as kind of a service industry. You're there to serve the writer and the director. I don't really look at it as an act of self-expression, like I'm going to say what's on my mind. — Michael Shannon

So I, uh, sort of threw myself out of the passenger seat of a moving car. Don't look at me like that. I'm telling you, it made sense at the time. — Jim Butcher

Kenji turns to look at me. He manages a goofy smile. "Aw, you trust me?"
"As long as I have a clear shot." I tighten my hold on the gun in my hand.
His grin is crooked. "I don't know why, but I kind of like it when you threaten me."
"That's because you're an idiot."
"Nah." he shakes his head. "You've got a sexy voice. Makes everything sound naughty."
Adam stands up so suddenly he nearly knocks over the coffee table. — Tahereh Mafi

Knees and your shirt caught in your zipper." "I don't remember that part," Dickie said. "Did I used to do that?" "Yes." Dickie started laughing. "I wasn't making a lot of money back then. I couldn't afford a hotel room." "It's not funny!" I said. "Sure it is. Grass stains and rug burns are always funny." He looked over at Morelli. "She didn't like to do doggy." Morelli slid a look at me and smiled. There wasn't much I didn't like — Janet Evanovich

It's only sixteen ninety-five," I say with a flutter of my lashes.
"You're serious."
I prop my hands on my waist and stick out a hip, striking a pose worthy of a supermodel. "Look at me. Don't I look serious?"
She collapses into the chair outside the dressing room in a fit of giggles so cute they make my insides fizz. "No! You must be stopped," she says.
"Why?" I strut down an aisle of yellowed lingerie, swiveling my hips, batting bras with flicks of my fingers. "I will be the king of the disco. I will be - " I spin and strike another pose. "An inspiration."
She sniffs and swipes at her eyes. "The real Dylan would die before he'd be seen in public in something like that."
"The real Dylan is boring." I brace my hands on the arms of her chair and lean down until our faces are a whisper apart. "And he's not one fourth the kisser I am."
"Is that right?" Her lips quirk.
"You know it is."
Her smile melts, and her breath comes faster. "Yeah. I do. — Stacey Jay

Why are bodies so difficult to manage? Why? 'Oh, oh, look at me, I'm a body, I'm going to splurge fat unless you, like, STARVE yourself and go to undignified TORTURE CENTRES and don't eat anything nice or get drunk.' Hate diet. — Helen Fielding

She knew bullshit when it was being tossed at her by the shovelful. "You know, Ms Purcell, I'm at absolute capacity in the friend department. You'll have to apply elsewhere. As for Roarke and his business, that's his deal. As for you, let's get this straight: You don't look stupid, so I don't believe you think you're the first of Roarke's discarded skirts to swing back this way. You don't worry me. In fact, you don't much interest me. So if that's all?"
Slowly Magdelana slid off the desk. "The man is just never wrong is he? I don't like you."
"Aw."
She moved to the door, then stopped, leaned on the jamb as she looked over at Eve again. "Just one thing? He didn't discard me. I discarded him. And since you don't look stupid either, you know that makes all the difference. — J.D. Robb

Stu stops munching, looks up at me from under his shaggy hair.
"So, can you read?" He slides a section toward me.
I cock my head toward the paper. The letters are small, blurry drawings. The alphabet might as well be Chinese or Arabic. Strange that I can't read or speak, though I still have language inside my head. Words are a consolation, but not a tool.
"Guess not. You want me to read stuff out loud to you?"
I would, but not right now. If I wanted to show interest in the newspaper I could cross the table and rub against his shoulder. Instead I gaze at him over the bowl of milk.
"It's so weird," he says in a hesitant voice. "You don't look like a cat. When you stare at me, you look like Eliza."
That's the nicest thing he could have said. With a happy lightness to my step I move between the bowls, over his napkin ring and spoon, until I stand on the edge of the table and nip at his prickly chin. This is my way of saying: Hi, there. I like you. — Simone Martel

Jesus Christ ... he was not Omega's son. Was he?
"No." V said. "You are not. He just wants to believe you are. And he wants you to think you are. But that doesn't make it true."
There was a long silence. Then Rhage's hand landed on Butch's shoulder. "Besides, you don't look a thing like him. I mean ... hello? You are this beefy Irish white boy. He's like ... bus exhaust or some shit."
Butch glanced over at Hollywood. "You're sick, you know that?"
"Yeah, but you love me, right? Come on, I know you feel me. — J.R. Ward

She watched his throat move, and then, he reached out and touched her face. "You sure are pretty," he said. "It's the stone," she replied immediately. Her skin felt warm; his fingertip touched just the very edge of her mouth. "It's flattering." Adam gently pulled the stone out of her hand and a set it on the floorboards between them. Through his ingers he threaded one of the flyaway hairs by her cheek. "My mother used to say, 'Don't throw compliments away, so long as they're free." HIs face was very earnest. "That one wasn't mean tho cost you anything, Blue." Blue plucked at the hem on her dress, but she didn't look away from him. "I don't know what to say when you say things like that." "You can tell me if you want me to keep saying them." She was torn by the desire to encourage him and the fear of where it would lead. "I like when you say things like that." Adam asked, "But what?" "I didn't say but." "You meant to. I heard it. — Maggie Stiefvater

I also like to take my glasses off and look at people. The faces around me, all of them, seem kind and pretty and smiling. What's more, when my glasses are off, I don't ever think about arguing with anyone at all, nor do I feel the need to make snide remarks. All I do is just blankly stare in silence. — Osamu Dazai

Don't you look at me like that, Ror," he whispers. I meet his eyes again. "Like what?" He stares at me a moment, then shakes his head as if to clear it. — Danielle Pearl

I don't like being the focus of attention. It makes me very uncomfortable. And it's part of the reason I never look at videos of myself, or I very rarely listen to my music or even read things that I might've said. — Cecile McLorin Salvant

Boy, you don't know when the hell to shut up!" Lance sat back miserably, staring up at Asher, every bit of piss and vinegar gone. "Listen up, Lance. This is the last time I'll talk nice to you before I make your face look like a copy of mine. You're not filing anything. Not against me. Not against her. If you ever dare to bother Savannah again, I will find Serena Shepherd, and I will pay whatever it takes to bring her back to Danvers and have her corroborate every word Savannah Carmichael says about you. So unless you want to be known as the county rapist and be taking it up the ass in lockup for the next decade, you will leave this alone and you will never go near Savannah Carmichael again. You hear me, you goddamned rapist?" "I hear you. I hear," Lance mumbled, slumping back in his chair, utterly defeated. — Katy Regnery

She sat for a moment, feeling the rhythmic rattle of the train's motion. "Does it ever bother you to be in his shadow, Wayne?"
"Who? Wax? I mean, he's been putting on weight, but he's not that fat yet, is he?" He grinned, though that faded when she didn't smile back. And, in an uncharacteristic moment of solemnity, he slid his boots off the table and rested one elbow on it instead, leaning toward her.
"Nah," he said after some thought. "Nah, it doesn't. But I don't care much if people look at me or not. Sometimes my life is easier if they ain't looking at me, ya know? I like listening. — Brandon Sanderson

Phoenix sank to the desk chair and stared at her computer screen. "I don't know. I've lived like this for so long, it's who I am. Everything seems so stupid. Like, look at this girl,writing to Sasha. She's all" - he spoke in a falsetto voice - "'OMG!' and 'LOL!' and 'WTF?' and 'Girl, you should totes go out with Tyler in Telluride!'" He looked up at her."You're seventeen years old, and this is how seventeenyear-olds talk to each other. I'm a thousand years old, and this stuff is like alien-speak to me. If I found another Anabo,she'd be writing OMG and I'd be thinking, You're f'ing
kidding me. — Trinity Faegen

Acting is, to me now, artificial. Seeing people suffer is real. It couldn't be more real. Some people don't like to look at it in the face because it's painful. But if nobody does, then nothing gets done. — Elizabeth Taylor

I don't think we should really be judging on Chris Brown like that until we know what Rihanna did. We all got reasons for what we do. Look at me. I'm one of the top 10 performers of all-time. I had to beat this one mermaid ass in a seafood restaurant over some shrimps. No lie. You just never know. — Coolio

Gareth's eyes slipped open. "You make me nervous when you do that."
"Do what?"
"Brood. Your brooding is rather loud."
"Oh please. I was hardly - "
His eyebrow rose.
"Fine. I was brooding. It's not like you don't."
"Mine is inherent to my romantic nature. Cloaks and castles."
Adele threw up her hands. "That's it. You are forbidden to look at any more cheap books about yourself. — Clay Griffith

Georgie Porgie puddin' and pie. Kissed the boys and made them cry. What kind of name is Georgia?"
"My great-great grandma was Georgia. The first Georgia Shepherd. My dad calls me George."
"Yeah. I've heard him. That's just nasty."
I felt my temper rise in my cheeks, and I really wanted to spit on him from where I sat atop my horse, looking down on his neatly shorn, well-shaped head. He glanced up at me and his lips twitched, making me even angrier.
"Don't look at me like that. I'm not trying to be mean. But George is a terrible name for a girl. Hell, for anyone who isn't the King of England."
"I think it suits me," I huffed.
"Oh, yeah? George is the name for a man with a stuffy, British accent or a man in a white, powdered wig. You better hope it doesn't suit you."
"Well, I don't exactly need a sexy name, do I? — Amy Harmon

Luisa was on her knees on the bed, naked, my 9mm in her hands and aimed right at me. I automatically had my gun pointed back at her. The sexiest Mexican standoff I'd ever been involved in. "What are you doing?" I asked, taking a cautious step toward her, not lowering my gun for a second. "Leaving," she answered, her eyes hard. She was distracting as all hell, her tits and pussy and that gun. I don't think I'd ever been so turned on so quick and in such an untimely situation. "It doesn't look like it." "I'm going to ask you nicely to let me leave, and if you don't, I'll shoot you." A grin broke out across my face. My god, she couldn't be more perfect. "If you shot me, you'd kill me," I said, taking another step. "Then who would make you come all the time? — Karina Halle

I like your ... outfit." His eyes took in the naked flesh that was visible below the edge of the shirttail.
"I like your outfit too. You're looking awfully casual this morning, Professor."
He leaned forward and gave her a heated look. "Miss Mitchell, you're lucky I decided to put on any clothes at all." He chuckled at her fierce blush and disappeared into the kitchen.
Oh, gods of all virgins who are planning to have sex with their sex-god (no blasphemy intended) boyfriends, please don't let me spontaneously combust when he finally takes me to bed. I really need a Gabriel-induced orgasm, especially after last night. Please. Please. Pretty please ... — Sylvain Reynard

What a shock that a guy who makes $2 million a week behaves exactly like I would with $2 million a week. As far as I'm concerned, if you make $2 million a week and you don't have a hooker in your hotel room, you're creepy and I don't trust you. And I don't do drugs at all, so for me it would just be more prostitutes. That's how they would find me. I would be dead on the floor, flattened by a pile of prostitutes. I'd look like a cat in a hoarders' house. — Jim Norton

It's always weird when people approach me to make an investment. I tell them, 'I don't need any more money. I'm good.' Then I wait for their expression. That part is entertaining, because people look at you like you're crazy when you say you don't need any more money. Who says that? — Dr. Dre

My mom was sitting at the kitchen table. She'd set her coffee down, making a noise that made me look her way. I'd begun to notice her less and less often, like her colors were fading and blending in with walls. She was shrinking. Or maybe her sphere of influence in the family was shrinking. My dad glanced at her, too, and then wrote something on a napkin.
He slid it across the counter to me - Don't worry. Come home in one piece. Have fun and act like a sixteen-year-old for a change. — Laura Anderson Kurk

*You* may call [Charis] angelic to be for ever trying to please everyone, and being sorry for those she *can't* please, but I don't! Addle-brained is what *I* call it!'
'Oh, no!' uttered Charis imploringly.
'Oh, yes!' he retorted. 'Told you so before! If you don't take care, Charis, you'll end by being sorry for yourself! All for the want of a little resolution! What if Mrs Dauntry and Frederica don't like it [a marriage between you and Endymion]? They'll come round! And you needn't look at me as ugly as bull-beef, Endymion, because I'll say what I choose to my own sister! — Georgette Heyer

I love it when you look at me like that,' he murmured, his fingers kneading into the plump flesh of her cheeks, 'How am I looking at you?' she managed. 'Like you want to eat me alive, but you don't have a spoon. — Cherrie Lynn

It just feels like Erwin and me ... even at night I don't feel I have to look pretty in bed. — Tina Turner

She touches me The jungle lights up with incinerating fire Looks like a flaming serpent I look into her eyes I see a movie flickering Car crashes People kicking corpses Men ripping their tracheas out and shaking them at the sky I think to myself: I don't want to survive this one I want to burn up in the wreckage Cooking flesh in the jungle — Henry Rollins

Look at me and tell me you don't want me to kiss you. Tell me you don't like it when I do this," he said, running his hand down my arm. "Tell me you don't like it when I touch your face." HE brushed his hands on both of my cheeks, moving up to my forehead and then back down. HE rubbed both thumbs over my lips. "Tell me you don't like it when I do this." He leaned hisjead closer, stopping just short of my lips. "Tell me to stop and I will. You're in charge, Missy. — Chelsea M. Cameron

Scotty, what's wrong?" For a moment, Scott ignored the sleepy, querulous voice of the man occupying the other half of his bed. Then he turned back from the window to look at the guy whose name he couldn't remember for the life of him and said, "Nothing, just a nightmare. Sorry. Go back to sleep." "Maybe I don't want to sleep now," the man pouted. Scott shrugged. "Then get dressed and go home. Makes me no nevermind." "Well, I never," the man huffed. "I guess I might as well. Looks like nothing more's going to be happening here." With a shrug, Scott grabbed his robe then put it on as he strode out of the bedroom. When he was downstairs in the kitchen, he started a pot of coffee, sighing — Edward Kendrick

So Captain Jack's come a-courtin'." Her hands stilled on the basket. "Who?" "The tall Shawnee who come by your cabin." The tall one. Lael felt a small surge of triumph at learning his name. Captain Jack. Oddly, she felt no embarrassment. Lifting her shoulders in a slight shrug, she continued pulling the vines into a tight circle. "He come by, but I don't know why." "Best take a long look in the mirror, then." Lael's eyes roamed the dark walls. Ma Horn didn't own one. "Beads and a blanket, was it?" She nodded and looked back down. "I still can't figure out why some Shawnee would pay any mind to a white girl like me." Ma Horn chuckled, her face alight in the dimness. "Why, Captain Jack's as white as you are." "What?" she blurted, eyes wide as a child's. Ma Horn's smile turned sober. "He's no Indian, Shawnee or otherwise, so your pa says. He was took as a child from some-wheres in North Carolina. All he can remember of his past life is his white name - Jack. — Laura Frantz

Maholtz asked me, "Why do you hate me?"
I said, Everyone hates you.
"I know," he said. "I know that," he said, "but they hate me cause I scared them or had what they wanted. You weren't ever scarend of me. You never wanted what I had. Except for the sap. And then you took it, and now I don't have it, so why do you hate me?"
Maybe it's your accent.
"I'm from Pinttsburgh," he said.
Maybe you shouldn't be.
"I can't help where I'm from."
We turned at Main Hall. Feld was talking to Forrest Kenilworth and Cody. The chair sat dripping in front of the door.
So maybe it's your face. The way you look at girls like you're scheming to corner them.
"I was borng this way, though. I can't help how my face loonks."
So maybe it's all the banced thing that you say.
"They just come out of me. I'm hated, I feel it. I say those things without thinking, from hurnt. I can't help that either. It's not my faulnt."
I guess, then, I hate you for being so helpless. — Adam Levin

Sometimes I do. Sometimes I look at him ... and I remember how it was when I kissed him and felt that love. It makes me want that back. I want to feel it again. I want to return to it. Other times though ... other times, I'm so scared. I listen to these guys ... and to Jerome ... and then the doubts gnaw at me. I can't get them out of my head. We've been sleeping together, you know. Literally. It hasn't been a problem so far, but sometimes I lie awake watching him, thinking this can't last. The longer it does ... I feel like ... like I'm standing on a high wire, with Seth at one end and me at the other. We're trying to reach each other, but one misstep, one breeze, one side-glance, and I'll fall over the edge. And keep falling and falling."
Carter leaned toward me and brushed the hair away from the side of my face. "Don't look down then," he whispered. — Richelle Mead

Because dead people are just like you and me, they still want things. They look at us all the time, and they miss being alive. We have taste and color and smell and feelings, and they don't have any of those things.
They stare at us, they don't miss anything. They really see what's going on, and we hardly ever really see that. We're too busy thinking about things and getting everything wrong, so we miss ninety percent of what's happening. — Peter Straub

When are you going to get a fella?" Lily asks Rose after a year or two of dancing. "I have one who wants to take me kissing, but I think I should wait for you to have one."
Rose flushes. "I don't think I'll ever have a fella."
"Why not?" Lily bristles. "We're plenty pretty."
"I don't like the look of them," Rose says.
Lily purses her lips at the dance floor, appraising.
After a moment long, Rose says, "Any of them."
Lily looks at her a long time, as Rose tries not to hyperventilate.
Then Lily shrugs and says, "Well, then it's you who should have learned to lead, isn't it?" and when Rose clasps Lily's hand, she clasps it back.
It's the closest they've ever been. — Genevieve Valentine

You're so damn strong, Liv, and you don't even realize it. I'm the one who's always had to show people I'm successful, an achiever, the best at everything I did. I'm the one who's always been a goddamn egotist. A groveler. And you ... you're the first person who's ever ... Christ, Liv, sometimes the way you look at me makes me feel like I can hang the fucking moon. — Nina Lane

And eventually there is no one left in the world except people who don't look at other people's faces and who don't know what these pictures mean and these people are all special people like me. And they like being on their own and I hardly ever see them because they are like okapi in the jungle in the Congo, which are a kind of antelope and very shy and rare. And I can go anywhere in the world and I know that no one is going to talk to me or touch me or ask me a question. But if I don't want to go anywhere I don't have to, and I can stay at home and eat broccoli and oranges and licorice laces all the time, or I can play computer games for a whole week, or I can just sit in the corner of the room and rub £1 coin back and forward over the ripple shapes on the surface of the radiator. And I wouldn't have to go to France. — Mark Haddon

Look, we can stand out here and argue about it for the next ten minutes, but you're getting in this truck."
My eyes narrowed. "Let me remind you of something. I don't know you. Like at all."
"And I'm not asking you to get naked and give me a private show." Pausing, his gaze seemed to drift down my body again. "Although, that is way interesting. A bad idea, but way interesting. — J. Lynn

I don't know about some of these other people, particularly the ministers who served my uncle."
"Can't you get rid of them?"
Kaddar shook his head. "The country's already in turmoil. I need to keep a few of the same faces around, at least until I get their measure."
"It doesn't sound like much fun. I wish you luck with it."
"I'll need luck," Kaddar took her hand. "Daine, I found my uncle's papers. He was going to have me arrested and charged with conspiring against him - which means he planned to have me killed. I owe you my life. I know this will sound trite, but I mean it: whatever you want that I can give, even to half of my kingdom, all you need do is ask."
Daine gave him a skeptical look. "Your ministers wouldn't like the half-kingdom part."
He grinned. "Actually, they want to arrest you for crimes against the state. — Tamora Pierce

If this thing's hushed up it'll be a simple denial to Jem of the way I've tried to raise him. Sometimes I think I'm a total failure as a parent, but I'm all they've got. Before Jem looks at anyone else he looks at me, and I've tried to live so I can look squarely back at him.. if I connived at something like this, frankly I couldn't meet his eye, and the day I can't do that I'll know I've lost him. I don't want to lose him and Scout, because they're all I've got. — Harper Lee

The important thing for me when I look at characters is to consider the kind of constraints placed upon them. Now, me personally, I don't like to have a lot of constraints placed upon me. — Gong Li

Look, at the same time that I don't want to be a celebrity, I understand that when you make movies you put yourself out in the public eye. I'd be a baby and a fool to be like, 'Why are there cameras taking pictures of me?' when I'm on a billboard for a movie. I think that's a very absurd concept. — Jonah Hill