Don't Be Sad Funny Quotes & Sayings

I don't trust tragedies much. It's easy to make a person sad by showing him something tragic. We all recognize when sad things happen: someone dies, someone loses a loved one, young love is crushed. It's much harder to make a man laugh-what's funny to one person isn't funny to another. — Ilona Andrews

My favorite monster has always been the zombie. They are so much fun. They can be scary, pathetic, sad, funny, tragic, even heroic. They are the most elastic monster because, even with all of that, they don't interfere with telling stories about the humans. They serve as threats and metaphors, but they allow the story to be about people. — Jonathan Maberry

You ignorant whelp. You dare to warn me away from her? I created her. Without my influence, Charlotte would be a bovine in the country with a half-dozen children at her skirts ... or spreading her legs for every man who dropped a coin between her breasts. I've spent a fortune to make her into something far better than she was ever meant to be."
"Why don't you send me a bill?"
"It would beggar you," Radnor assured him with raw contempt.
"Send it anyway," Nick invited gently. "I'll be interested to learn the cost of creating someone. — Lisa Kleypas

It's funny how that works. Sometimes not speaking says more than all the words in the world. Sometimes my silence is saying I don't know how to speak to you. I don't know what you're thinking. talk to me. Tell me everything you've ever sad. All the words. Starting from your very first one. — Colleen Hoover

I don't know any sad songs. Except for the funny ones. — Richard Powers

I've played a ghost, cat, snake. I've been funny, sad. I've been filmed flying on screen. So why not spend time on something else? I don't need to accept everything I'm offered. — Maggie Cheung

The world, every day, is New. Only for those born in, say, 1870 or so, can there be a meaningful use of the term postmodernism, because for the rest of us we are born and we see and from what we see and digest we remake our world. And to understand it we do not need to label it, categorize it. These labels are slothful and dismissive, and so contradict what we already know about the world, and our daily lives. We know that in each day, we laugh, and we are serious. We do both, in the same day, every day. But in our art we expect clear distinction between the two ... But we don't label our days Serious Days or Humorous Days. We know that each day contains endless nuances - if written would contain dozens of disparate passages, funny ones, sad ones, poignant ones, brutal ones, the terrifying and the cuddly. But we are often loathe to allow this in our art. And that is too bad ... — Dave Eggers

The secret is," I say, whispering right into his ear, "that yours was the best kiss I've ever had in my life."
"But I've never kissed you," he whispers back. Around us the rain sounds like falling glass. "Not since third grade, anyway."
I smile, but I'm not sure if he can see it.
"Better get started, then," I say, "because I don't have much time. — Lauren Oliver

I see no difference between my pictures that people consider amusing and the rest. To me, it's all serious work - they're just a reaction to what I see. I don't leave this apartment in the morning and say to myself 'Today I'm going to be funny and tomorrow I'm going to be sad.' — Elliott Erwitt

Onions make me sad. A lot of people don't realize that. — Mitch Hedberg

More people were in love with her than with any one I've ever known. She had that power - she enjoyed things. She wasn't beautiful, but - I don't know how she did it. She often spoke in broken sentences and seemed very sad. Yet she got on with every kind of person, and then she made it all so amazingly - funny — Virginia Woolf

I sometimes think drivers don't know what grass is, or flowers, because they never see them slowly," she said. "If you showed a driver a green blur, Oh yes! he'd say, that's grass! A pink blur? That's a rose-garden! White blurs are houses. Brown blurs are cows. My uncle drove slowly on a highway once. He drove forty miles an hour and they jailed him for two days. Isn't that funny, and sad, too? — Ray Bradbury

I took her dress over to the closet and hung it up. It was funny. It made me feel sort of sad when I hung it up. I thought of her going in a store and buying it, and nobody in the store knowing she was a prostitute and all. The salesman probably just thought she was a regular girl when she bought it. It made me feel sad as hell- I don't know why exactly. — J.D. Salinger

The worst of being a Communist is the parties you may go to are - well - awfully funny and touching but not very gay ... I don't see the point of sad parties, do you? And Left-wing people are always sad because they mind dreadfully about their causes, and the causes are always going so badly. — Nancy Mitford

I loathed being sixty-four, and I will hate being sixty-five. I don't let on about such things in person; in person, I am cheerful and Pollyannaish. But the honest truth is that it's sad to be over sixty. The long shadows are everywhere - friends dying and battling illness. A miasma of melancholy hangs there, forcing you to deal with the fact that your life, however happy and successful, has been full of disappointments and mistakes, little ones and big ones. There are dreams that are never quite going to come true, ambitions that will never quite be realized. There are, in short, regrets. Edith Piaf was famous for singing a song called "Non, je ne regrette rien." It's a good song. I know what she meant. I can get into it; I can make a case that I regret nothing. After all, most of my mistakes turned out to be things I survived, or turned into funny stories, or, on occasion, even made money from. But — Nora Ephron

I love those dark moments in Peanuts. I love that they're in there, that Charles Schulz put the sad lonely bits of himself into the comic. I love the silliness too, the dancing Snoopy strips. The little boy Rerun drawing "basement" comics about Tarzan fighting Daffy Duck in a helicopter. Those are the bits that keep me reading. The funny parts! The fun parts. The silly bits that don't make any sense. And when I get to the sad lonely Peppermint Patty standing in a field wondering why nobody shook hands and said "good game," well, it works because that's not all she was. I try to think that way about everything. That's the kind of person I want to be. — Joey Comeau

I don't sit down to write a funny story. Every single thing I sit down to write is meant to be sad. — Lorrie Moore

THE MYTH OF THE GOOD OL BOY AND THE NICE GAL
The good of boy myth and the nice gal are a kind of social conformity myth. They create a real paradox when put together with the "rugged individual" part of the Success Myth. How can I be a rugged individual, be my own man and conform at the same time? Conforming means "Don't make a wave", "Don't rock the boat". Be a nice gal or a good ol' boy. This means that we have to pretend a lot.
"We are taught to be nice and polite. We are taught that these behaviors (most often lies) are better than telling the truth. Our churches, schools, and politics are rampant with teaching dishonesty (saying things we don't mean and pretending to feel ways we don't feel). We smile when we feel sad; laugh nervously when dealing with grief; laugh at jokes we don't think are funny; tell people things to be polite that we surely don't mean."
- Bradshaw On: The Family — John Bradshaw