Don 2 Dialogue Quotes & Sayings

I don't go into the studio with the idea of 'saying' something. What I do is face the blank canvas and put a few arbitrary marks on it that start me on some sort of dialogue. — Richard Diebenkorn

Often in films there's more of allowing the actors to make the dialogue fit better in their own. Also, you get to a location and the geography is different, so the lines don't line up the right way, so you do have to change stuff. — Jared Harris

Critics have found in the narrative a veneer of erudition that cloaks nothing more than a James Bond-style romp, albeit a highly addictive one. His publisher has described it as 'a thriller for people who don't like thrillers'. One newspaper put it thus: 'It is terribly written, its characters are cardboard cutouts, the dialogue is excruciating in places and, a bit like a computer manual, everything is overstated and repeated - but it is impossible to put the bloody thing down. — Dan Brown

I tend to get comfortable with the dialogue and find out who the person is in the script and try to hit that. People are sort of independent of their occupations and their pastimes. You don't play a politician or a fireman or a cowboy - you just play a person. — Billy Campbell

-I would die for you
-You lie
-If I lie, why do I stand here before and beg on my knees to get you back?
-Because you're feeling alone
-If need your love
-You don't need me, you only need a person
-And you're that person
-No I'm not
-But I love you
-That what I do — M..

When people ask me about my dialogue, I say, 'Don't you hear people talking?' That's all I do. I hear a certain type of individual, I decide this is what he should be, whatever it is, and then I hear him. Well, I don't hear anybody that I can't make talk. — Elmore Leonard

I can hardly believe what these 12 caricatures [about Prophet Muhammad] have caused in the world. We Danes feel like we have been placed in a scene in the wrong movie. But I don't see the fight as a clash of civilizations. Rather, we must focus on avoiding exactly this type of conflict. We have to return to dialogue, to mutual understanding and to an acknowledgement of freedom of opinion. — Anders Fogh Rasmussen

Elmore Leonard's Ten Rules of Writing
1. Never open a book with weather.
2. Avoid prologues.
3. Never use a verb other than "said" to carry dialogue.
4. Never use an adverb to modify the verb "said" ... he admonished gravely.
5. Keep your exclamation points under control. You are allowed no more than two or three per 100,000 words of prose.
6. Never use the words "suddenly" or "all hell broke loose."
7. Use regional dialect, patois, sparingly.
8. Avoid detailed descriptions of characters.
9. Don't go into great detail describing places and things.
10. Try to leave out the part that readers tend to skip.
My most important rule is one that sums up the 10.
If it sounds like writing, I rewrite it. — Elmore Leonard

What works in a story is very different than what works in cinema. For example, dialogue in books: If you translate it too faithfully, it sounds a little stilted, because we often don't speak the way we speak in novels. Oral language is much punchier, shorter sentences. — Yann Martel

Movies I remember in impressions. No matter how many times I see a film, my memory of it is like a Monet painting...or a Cezanne, depending on the genre. Sometimes all I can muster is a Jackson Pollock. My memory of experience is usually the same: I carry with me only the sensations it gave me, the general outline of its content, the essential colors that strained my sensibility in the moments I took it in. I don't remember dialogue or specific action. Only shapes and impressions. — Kim Cope Tait

On every Bright Eyes record, there's some kind of sound collage that begins it. Some of them have dialogue, some don't. I like it because it can kind of slow down the attention span a bit. It's a way to draw you in to the rest of the record. — Conor Oberst

One movie I come back to time and again is 'The Hustler.' I don't think there's better dialogue in any film. — Simon Kinberg

It's a dialogue, not a monologue, and some people don't understand that. Social media is more like a telephone than a television. — Amy Jo Martin

Keep a diary, but don't just list all the things you did during the day. Pick one incident and write it up as a brief vignette. Give it color, include quotes and dialogue, shape it like a story with a beginning, middle and end - as if it were a short story or an episode in a novel. It's great practice. Do this while figuring out what you want to write a book about. The book may even emerge from within this running diary. — John Berendt

The properties of people and the properties of character have almost nothing to do with each other. They really don't. I know it seems like they do because we look alike, but people don't speak in dialogue. Their lives don't unfold in a series of scenes that form a narrative arc. — Aaron Sorkin

In my later novels, I systematically used the convention, and then a moment came - when did it come? With The Book of Illusions, maybe - I thought, I don't need them anymore, I don't need them, I want to integrate the dialogue into the text. — Paul Auster

Listen to us rather than to Arkady Mamontov talking about us. Don't twist and distort everything we say. Let us enter into dialogue and contact with the country, which is ours too, not just Putin's and the Patriarch's. Like Solzhenitsyn, I believe that in the end, words will crush concrete. Solzhenitsyn wrote, 'the word is more sincere than concrete, so words are not trifles. Once noble people mobilize, their words will crush concrete.' — Nadezhda Tolokonnikova

Dialogue is the basis of Indian culture, and we don't want to make any enemies. Political and ideological adversaries, perhaps, but not enemies. — Evo Morales

In fiction, I tend to write fairly realistic dialogue-not always, and it tends to vary
from book to book. But in many books, there is a colloquialism of address. The characters will speak in a quite idiosyncratic way sometimes. — Don DeLillo

Blurbs don't work anymore!" was another. "You should make sure that the quotable lines of dialogue in your book never exceed a hundred and forty characters!" seemed at best debatable. — Scott Westerfeld

My background is sociology. Combined with my graphic approach, if I could do some film projects, I think I'd be very good at making documentaries eventually, but people don't think of me for that, of course. But dialogue is something I know I can be good at. — David Carson

I'm a Buddhist. You might have a Christian obligation to catch pneumonia while you sit for two and a half hours listening to some twerp in a dress drone on about the virtue of wedded life but, dear as you are to me, I don't. — Natasha Pulley

In fiction, I have a residual guilt when I focus on story over language or mood or whatever - the more "literary" things. In screenwriting, I don't have that guilt because story is the only thing. Character, dialogue, everything else - they feed into and drive story. — Nick Antosca

I hope that my ideas attract a lively dialogue, even if my sentences are simple. Simple sentences have always served me well. And I don't use semicolons. It's hard to read anyway, especially for high school kids. Also, I avoid irony, too. I don't like people saying one thing and meaning the other. — Kurt Vonnegut

Broadway musicals, where you sing the whole time, I really don't like; I like alternating dialogue and music. — Pedro Almodovar

The extremists are talking too loudly, and everyone is convinced that only he is on the right side. It's not just Jews against Arabs. It's the Orthodox versus those who don't think they can keep all six hundred and thirteen commandments of the Bible. It's rich people versus poor people. At some point, something came over Israel so that everyone has his own ideas - and everyone else is an enemy. It's a dialogue among deaf people and it is getting more and more serious. — Reuven Rivlin

He placed his hand on Willem's arm. 'Willem, don't cry.'
'I'm not going to,' he said. 'I can do other things in life besides cry, you know,' although he was no longer sure that was even true. — Hanya Yanagihara

Besides, often at difficult moments you'll catch yourself talking to the mountain, flattering it, cursing it, making promises or threats. And you will have the impression that the mountain answers you if you speak to it properly - by becoming gentler, more submissive. Don't think the less of yourself for that; don't be ashamed of behaving like those our specialists call primitives and animists. Just keep in mind, when you remember these moments later on, that your dialogue with nature was just the outward image of an inner dialogue with yourself. — Rene Daumal

Maybe the answer is: Don't be an asshole, think before you open your trap, take responsibility for your words. Meaning, apologize when you're wrong and correct yourself moving forward - and don't constantly look for reasons to be offended and police well-meaning people's words. We want folks to talk to each other, right? Not just hang out with like-minded people all the time. Everyone is ignorant about something, and everyone is offended by something. If people can't have a calm, respectful dialogue without being hurt by ignorance, or without offending with insensitivity, then what the hell are we supposed to do? Surround ourselves with robots who don't challenge our ideas?" I — Penny Reid

It's something that's difficult to explain but I think all writers work this way to some extent, whether we're aware of it or not. For me, writing has little to do with thinking. I don't want to control the narrative. I listen to the rhythm of the words and dialogue and try to give the characters the space in which to say and do what they want without intervening too much. — Mary J. Miller

I do a little improv in my shows. Kind of like our movie, I'll do beats and ideas of dialogue, but I think there's less pressure because it's a live show. If you mess up, the audience laughs because we don't really know what we're doing. But as far as shooting, that was very scary, trying to make a point and drive the film. It definitely helped improvising. — Charlyne Yi

I don't think it is so difficult to solve the problems between Cuba and the United States; it all depends on whether there is a dialogue, a discussion, or if the prejudices and hatred of people like the extremists and terrorists from the Cuban community, who try to impose their policies, prevail. — Fidel Castro