Quotes & Sayings About Directing A Play

I had known David Ham and Marco Santiago from having met and worked with them on The Cross and the Switchblade which we worked on together at Times Square Church. We joined together as Trace Life Media to be a directing/producing team to be able to assist churches in the production of a play in their own community or to bring a fully-produced productions - something that will be ministering to the Body of Christ. — Patricia Mauceri

My first love is acting, but the reality is that I just don't get too many opportunities to stretch, and grow, and inspire myself as an actor, certainly not in terms of where I make money. Yeah, I can go off and do a play, but the reality is as a profession, directing is exponentially more satisfying. — Matthew Lillard

For me, the real goal is to integrate. The thing that I'm most happy with is the fact that I've been able to keep doing all of it - to keep writing, and to keep acting in movies, and to keep acting on the stage, to keep directing plays. I find that they feed each other, and that I learn about acting from directing and I learn about writing from acting. — Ethan Hawke

When I made 'Terminator 3,' I learned something about directing actors to behave like robots. And one of the key things I learned is that if an actor tries to play a robot, he or she risks playing it mechanically in a way that makes the performance uninteresting. — Jonathan Mostow

When I was in high school, I was the guy directing plays after class. I started my first theater company at 19, and my second theater company at 21. I've always been a guy who doesn't do well with the passive nature of being an actor. — Matthew Lillard

Exactly, I repeated myself. I believe we do it all the time. We always take up certain elements again. How can it be avoided? An actor's voice always has the same timbre and, consequently, he repeats himself. It is the same for a singer, a painter ... There are always certain things that come back, for they are part of one's personality, of one's style. If these things didn't come into play, a personality would be so complex that it would become impossible to identify it.
It is not my intention to repeat myself, but in my work there should certainly be references to what I have done in the past. Say what you will, but The Trial is the best film I ever made ... I have never been so happy as when I made this film.
(talking about directing, The Trial (1962) - from Orson Welles: Interviews (book)) — Orson Welles

It was really interesting to be editing the film [Trust] in New York and directing the play in Chicago, and one definitely informed the other. The play probably benefitted more because I realized what scenes could be cut, and I cut those scenes from the play. — David Schwimmer

Having to act like an adult because I was directing a big movie but also feeling like a child because we had reindeer and big cameras and they had fake snow. I just wanted to go play in the snow. — Todd Strauss-Schulson

Well, actors get very frustrated with giving control to other people. They have their own ideas and wants for their characters. Warren Beatty once told me that he thought actors ended up directing out of frustration. If you have a strong sense of how to communicate a film, you should direct. The problem is that it is a huge commitment. I'd rather direct a play than a film due to the time. A movie can tie you up for a year or more. — Alec Baldwin

Cultural legacies are powerful forces. They have deep roots and long lives. They persist, generation after generation, virtually intact, even as the economic and social and demographic conditions that spawned them have vanished, and they play such a role in directing attitudes and behavior that we cannot make sense of our world without them. — Malcolm Gladwell

For my entire career, I wanted to be a director. When I was in the theater, it was very difficult to get directing jobs, and I fell into the acting by default. I got in the habit of accepting whatever came my way. Not things that I disagreed with, though. It's not like I had aspirations - well, I did have aspirations to play Hamlet, which I ended up doing. — James Cromwell

Though the legs of a football coach are never so active on the field of play during playing time, his mind is the best or worse player on the pitch! — Ernest Agyemang Yeboah

I play Father Francis in 'The Exorcist Prequel.' It's fantastic. We are shooting in Morrocco and Rome. Paul Schrader is directing; Stellan Skarsgard plays the younger Max Von Sydow character. It's just a fantastic script. It's a very eerie, very scary script. It encomposes a growing dread that I think is really appropriate for the film. — Gabriel Mann

Storytelling is storytelling. You still play by the same narrative rules. The technology is completely different. I don't use one piece of technology that I used when I started directing. — James Cameron

If I'm not directing it, I need to be right in the director's ear so we can be talking about this." You do something like use the wrong music, the tone's off, and everything feels off". And I was like, "I'm not going down with this one. I wrote it, but I don't like that play." Then I thought, "Well, no one's producing my stuff, letting me star in it, and direct it at these theaters, so I'll just do them in comedy clubs." — Jake M. Johnson

In an agricultural society, or during a time of exploration and settlement, or hunting and fathering
which is to say, most of mankind's history
energetic boys were particularly prized for their strength, speed, and agility. [ ... ] As recently as the 1950s, most families still had some kind of agricultural connection. Many of these children, girls as well as boys, would have been directing their energy and physicality in constructive ways: doing farm chores, baling hay, splashing in the swimming hole, climbing trees, racing to the sandlot for a game of baseball. Their unregimented play would have been steeped in nature. — Richard Louv

The methods I present here are all based on three key objectives: (1) capturing all the things that might need to get done or have usefulness for you - now, later, someday, big, little, or in between - in a logical and trusted system outside your head and off your mind; (2) directing yourself to make front-end decisions about all of the "inputs" you let into your life so that you will always have a workable inventory of "next actions" that you can implement or renegotiate in the moment; and (3) curating and coordinating all of that content, utilizing the recognition of the multiple levels of commitments with yourself and others you will have at play, at any point in time. This — David Allen

The Director's Role: You are the obstetrician. You are not the parent of this child we call the play. You are present at its birth for clinical reasons, like a doctor or midwife. Your job most of the time is simply to do no harm.
When something does go wrong, however, your awareness that something is awry
and your clinical intervention to correct it
can determine whether the child will thrive or suffer, live or die. — Frank Hauser

I play a character called Lieutenant Delcourt who, in the original comics, pops up from time to time to rescue Tintin. I guess if you've grown up watching movies like 'Jaws' and 'Indiana Jones,' it's pretty surreal to find yourself on set with Steven Spielberg directing you. — Tony Curran

I starred in a Broadway play that was Sidney Poitier's first directing job and the cast was Lou Gossett, Cicely Tyson, Diana Ladd and I played a Jewish kid who offered himself as a slave to two Columbia University students as reparations. — David Steinberg

Money. An instrument invented in ancient temple complexes, to keep track of debt: counters that acquired mobility and went a-walking, weaving webs of debt into vast and intricate meshes, enslaving and directing the labor of billions in service of the obligations created by its issuance ... Money: a shadow play projected on the walls of our minds by the dark sun of debt. — Charles Stross

But at a certain point, and I don't really know ... people have asked me this. I don't know exactly what it was that pushed me towards directing, but I think it was a naive notion that if I directed I would be able to play all the roles. A kind of greed. — Peter Bogdanovich

I would consider directing. I think directing myself would be tough, but I'm definitely interested in directing. I might start off directing a play before I move to a film. — John C. Reilly

Suddenly I was writing a lot of screenplays, and I was no long in New York, so I stopped acting in plays, and it just became too tricky to find a part to play, either in a play or a film that coincided with my schedule writing and or directing. — Michael Cristofer

I don't get nervous when I'm directing a play. It's not like acting. — Philip Seymour Hoffman

I have always added dance to my productions. When I was directing theatre, I added dance sequences where they didn't exist in the play. I think dance is the ultimate form of expression. — Valerie Weiss

Sometimes it's learning how the play wants to function rather than imposing something on it. For me, that's the thrill in directing. — David Rabe

Directing an opera is similar to directing a play. The singing must not get in the way of the drama. — Bruce Beresford

Since I've worked in film and television for so long, I've acquired the ability to let the version of the characters that lives in my mind make way for the living, breathing humans who are going to play them on screen. If you cast it right - and casting is about 80% of directing - they will eventually replace or exceed the imaginary image. — Mark Frost

I started directing out of necessity, the first play I wrote in college because I didn't know anyone who could direct it. — Conor McPherson

I always loved theater and acting in plays and directing, writing little plays and directing friends in plays. — Todd Haynes

I love acting, but directing and writing have always been just as important. I started to write so many things when I was even a child. I wrote my first play when I was, like, seven years old. That was me - a writer - for years. — Melanie Laurent

Sometimes when I'm writing I'll play Cole Porter, just because the rhythms and the lyrics are so perfect that it's like having a smart partner in the room. I have a huge collection of music that I listen to when I'm writing, and I also prepare a lot of music before I start directing. I put it all onto an iPod that I have with me on the set. It's helpful to the actors, because for an emotional scene, I'll play it and say, this is how it feels, to keep us in the zone. — Nancy Meyers