Delirium Trilogy Quotes & Sayings

As soon as she sees me she swings forward and hits a key on her keyboard. The music cuts off instantly. Strangely, the silence that follows seems just as loud. — Lauren Oliver

The butterflies are working their way up from my stomach into my head, making me feel dizzy, and I try to calm myself by imagining the ocean outside, its ragged breathing, the seagulls turning pinwheels in the sky.
It will be over soon, I tell myself. It will be over soon and then you'll go home, and you'll never have to think about the evaluation again. — Lauren Oliver

Amazing, how hope lives. Without air or water, with hardly anything at all to nurture it. — Lauren Oliver

All I can think is: I need air. The rest of my thoughts are a blur of radio static and fluorescent lights and lab coats and steel tables and surgical knives — Lauren Oliver

The pain in my lungs swells up and blossoms until it feels like it's everywhere, tearing through all my cells and muscles at once. The cramp in my leg makes me wince every time my heel hits the pavement. It's always like this on miles two and three, like all the stress and anxiety and irritation and fear get transformed into little needling points of physical pain, and you can't breathe or imagine going farther or think anything but: I can't. I can't. I can't. — Lauren Oliver

I feel as though I'm in a dream, where strange things are happening but they don't feel strange. Everything is cloudy - everything is wrapped in a fog - and I'm filled from head to toe with the single, burning desire to get closer to the music, to hear the music better, for the music to go on and on and on. — Lauren Oliver

This music ebbs and flows, irregular, sad. It reminds me, weirdly, of watching the ocean during a bad storm, the lashing, crashing waves and the spray of sea foam against the docks; the way it takes your breath away, the power and the hugeness of it.
That's exactly what happens as I listen to the music, as I come up over the final crest of hill, and the half-ruined barn and collapsing farmhouse fan out in front of me, just as the music swells, a wave about to break: The breath leaves my body all at once, and I'm struck dumb by the beauty of it. For a second it seems to me like I really am looking down at the ocean - a sea of people, writhing and dancing in the light spilling down from the barn like shadows twisting up around a flame. — Lauren Oliver

When I can no longer go forward, even by an inch, I lay my head on the ground and wait to die. I'm too tired to be frightened. Above me is blackness, and all around me is blackness, and the forest sounds are a symphony to sing me out of this world. I am already at my funeral. — Lauren Oliver

So many questions crowd my brain at once, it's like one of the famous Portland fogs has swept up from the ocean and settled there, making it impossible to think normal, functional thoughts. We're sitting on the floor of the living room, which is squashed up right next to the "dining room", and I'm holding Jenny's workbook on my knees, reciting the problems to her, but my mind is on autopilot and my thoughts are a million miles away. Or rather, they're exactly 3.4 miles away, down at the marshy edge of Back Cove. — Lauren Oliver

See?" my mother would say, smiling at me and my sister, Carol, in turn. "We live in the greatest country on earth. See how lucky we are?"
And yet the ash continued swirling down, and the smells of death came through the windows, crept under the door, hung in our carpets and curtains, and screamed of her lie.
Is it possible to tell the truth in a society of lies? Or must you always, of necessity, become a liar?
And if you lie to a liar, is the sin somehow negated or reversed?
These are the kinds of questions I ask myself now: in these dark, watery hours, when night and day are interchangeable. No. Not true. — Lauren Oliver

I tear down Baxter, which loops around the last mile down to Back Cove.
And then I stop short. The buildings have fallen away behind me, giving way to ramshackle sheds, sparsely situated on either side of the cracked and run-down road. Beyond that, a short strip of tall, weedy grass slants down toward the cove.
The water is an enormous mirror, tipped with pink and gold from the sky. In that single, blazing moment as I come around the bend, the sun - curved over the dip of the horizon like a solid gold archway - lets out its final winking rays of light, shattering the darkness of the water, turning everything white for a fraction of a second, and then falls away, sinking, dragging the pink and the red and the purple out of the sky with it, all the color bleeding away instantly and leaving only dark.
Alex was right. It was gorgeous - one of the best I've ever seen. — Lauren Oliver

You can't cheat if there are no rules — Lauren Oliver

Strains of music spring up, crystallizing in the night air like rain turning suddenly to snow, drifting to earth. — Lauren Oliver

Things weren't always as good as they are now. In school we learned that in the old days, the dark days, people didn't realize how deadly a disease love was.
For a long time they even viewed it as a good thing, something to be celebrated and pursued. Of course that's one of the reasons it's so dangerous: It affects your mind so that you cannot think clearly, or make rational decisions about your own well-being. (That's symptom number twelve, listed in the amor deliria nervosa section of the twelfth edition of The Safety, Health, and Happiness Handbook, or The Book of Shhh, as we call it.) Instead people back then named other diseases - stress, heart disease, anxiety, depression, hypertension, insomnia, bipolar disorder - never realizing that these were, in fact, only symptoms that in the majority of cases could be traced back to the effects of amor deliria nervosa. — Lauren Oliver