Quotes & Sayings About Death Of Young Child

Like young fern shoots
my child's fingers curled.
I did not expect,
in the fifth month, frost. — Lian Hearn

He would find his Susie,inside his young son. Give that love to the living. — Alice Sebold

I didn't get to grow up and pull away from her and bitch about her with my friends and confront her about the things I'd wished she'd done differently and then get older and understand that she had done the best she could and realize that what she had done was pretty damn good and take her fully back into my arms again. Her death had obliterated that. It had obliterated me. It had cut me short at the very heigh of my youthful arrogance. It had forced me to instantly grow up and forgive her every motherly fault at the same time that it kept me forever a child, my life both ended and begun in that premature place where we'd left off. She was my mother, but I was motherless. I was trapped by her, but utterly alone. She would always be the empty bowl that no one could full. I'd have to fill it myself again and again and again. — Cheryl Strayed

Death is a stage. A transience. A passage to a later life. If Kanya meditates on this idea long enough, she imagines that she will be able to assimilate it, but the truth is that Jaidee is dead and they will never meet again and whatever Jaidee earned for his next life, whatever incense and prayers Kanya offers, Jaidee will never be Jaidee, his wife will never be returned, and his two fighting sons can only see that loss and suffering are everywhere.
Suffering. Pain is the only truth. But it is better for young ones to laugh a while and feel the softness, and if this desire to coddle a child ties a parent to the wheel of existence so be it. A child should be indulged. This is what Kanya thinks as she rides her bicycle across the city toward the Ministry and the housing that Jaidee's descendants have been placed in: a child should be indulged. — Paolo Bacigalupi

She was too young to truly understand our loss, and she was too old to hold in my arms. Yet, I wanted nothing more than to clutch her against me as we faced the burial of her mother. — Cheryl R Cowtan

I thought I was growing wings
it was a cocoon.
I thought, now is the time to step
into the fire
it was deep water.
Eschatology is a word I learned
as a child: the study of Last Things;
facing my mirror - no longer young,
the news - always of death,
the dogs - rising from sleep and clamoring
and howling, howling ...
("Seeing For a Moment") — Denise Levertov

I begin my life. I live again. I meet a young girl called Valeria. She smiles easily. She laughs tender sounds that pull at my heart. I'm too young to be profound but she makes me feel so safe. So cherished. I am thirty years old. I bump into a woman I knew when she was a girl. Valeria looks annoyed to see me. She lives in the future. Where the world is turning. I live within the past. Where the people are trapped and screaming and alone. I live within the past when Valeria and I were in love. She's waiting for the cab to come, her foot tapping against the sidewalk. Her eyes glancing at her watch every few minutes. I'm eager to reunite our lives through some kind of friendship. I'm so eager to know her again, as she was when she was a child. But Valeria lives within the future. I live within the past. Have the two ever gotten along? Have they ever even met? — F.K. Preston

You are young men and not children. The idea is that art allows the child imprisoned inside the adult to come out to play and celebrate the world and its beauty." He said that art was intimately linked with immortality: a challenge to death and time, a celebration of life. — Sinan Antoon

He had had a beautiful and eager young wife and another man had taken her away from him and had fathered his child, and all he had done was to walk away, leaving her in possession of everything he owned, and crawl into a hole in the slums and lie there like a wounded animal and let his intellect bleed away into pious drivel and his strength bleed away into weakness. And he had been good. But his goodness had told me nothing except that I could not live by it. My new father, however, had not been good. He had cuckolded a friend, betrayed a wife, taken a bride, driven a man, though unwittingly, to death. But he had done good. — Robert Penn Warren

FRIAR LAURENCE: ... Your part in her you could not keep from death,
But heaven keeps his part in eternal life.
The most you sought was her promotion;
For 'twas your heaven she should be advanced:
And weep ye now, seeing she is advanced
Above the clouds, as high as heaven itself?
O, in this love, you love your child so ill,
That you run mad, seeing that she is well:
She's not well married that lives married long;
But she's best married that dies married young. — William Shakespeare

While well-meaning relatives and friends stopped by, bearing an endless supply of cards and food in disposable foil pans and saying all the wrong things. "He's in a better place now." "God must have a plan for him." "At least he didn't suffer." "You're still young, Jayne. Maybe you can have another child." "You'd stop thinking about him if you took down his pictures. — Sarah Ockler

Exposing a young child to the realities of love and death is far less dangerous than exposing them to the lie of the happy ending. — Caitlin Doughty

Some bears are sold for amazing sums at auction. An example is a very old stuffed individual named Mabel that had belonged to Elvis Presley (as a child or an adult?) and had been sold at auction several times after the King's death; it was made in the Steiff workshop in 1909. Its end was exceedingly sinister. Lent by its owner for an exhibition of stuffed bears in Wells, England, in which it was to be the star attraction, it provoked a hatred or jealousy of a young Doberman accompanying the night watchman after the first day of the exhibition. The dog seized the precious relic and furiously bit and clawed it to pieces. (252) — Michel Pastoureau

So you are tired of your life, young man! All the more reason have you to live. Anyone can die. A murderer has moral force enough to jeer at his hangman. It is very easy to draw the last breath. It can be accomplished successfully by a child or a warrior. One pang of far less anguish than the toothache, and all is over. There is nothing heroic about it, I assure you! It is as common as going to bed; it is almost prosy. Life is heroism, if you like; but death is a mere cessation of business. And to make a rapid and rude exit off the stage before the prompter gives the sign is always, to say the least of it, ungraceful. Act the part out, no matter how bad the play. What say you? — Marie Corelli

As a child
I put my finger in the fire
to become
a saint.

As a teenager
every day I would knock my head against the wall.

As a young girl
I went out through a window of a garret
to the roof
in order to jump.

As a woman
I had lice all over my body.
They cracked when I was ironing my sweater.

I waited sixty minutes
to be executed.
I was hungry for six years.

Then I bore a child,
they were carving me
without putting me to sleep.

Then a thunderbolt killed me
three times and I had to rise from the dead three times
without anyone's help.

Now I am resting
after three resurrections. — Anna Swir

In the solitude of death, the young child or the mature adult can turn to another for comfort without feeling childish or dependent. The newly emancipated, self-sufficient young adult may have too much personal pride to allow himself to accept the support and the understanding he so desperately needs as he moves toward death. The specific emotional reaction of the newly mature young man to the prospect of personal death is RAGE. He feels that life is completely within his grasp so that death above all else is the great ravisher and destroyer. These mature young men who have worked, trained and striven to reach self-confidence and self-sufficiency now appreciate what they can do and what they can enjoy and that suddenly it will all end. They are so ready to live, to them death is a brutal, personal attack, an unforgivable insult, a totally unacceptable event. — Ronald J. Glasser

As I discuss in Introduction to Animal Rights: Your Child or the Dog?, we may, in the lifeboat or burning-house situation, decide to favor the human over the nonhuman not because death is a lesser harm to the nonhuman, but because we do not know what death means to the nonhuman and we have a better idea what it means to the human. We might, therefore, rely on this - a matter of epistemological limitation on our part and not any empirical claim that death is a lesser harm to humans - as the tie-breaker. We might also flip a coin. We might also decide to choose the nonhuman for some other reason, such as that the human in question is very old and the nonhuman in question is very young. In no case, however, would I think it appropriate to invoke any notion that humans are "higher" animals. — Gary L. Francione

Come, my child," I said, trying to lead her away. "Wish good-bye to the poor hare, and come and look for blackberries."
"Good-bye, poor hare!" Sylvie obediently repeated, looking over her shoulder at it as we turned away. And then, all in a moment, her self-command gave way. Pulling her hand out of mine, she ran back to where the dead hare was lying, and flung herself down at its side in such an agony of grief as I could hardly have believed possible in so young a child.
"Oh, my darling, my darling!" she moaned, over and over again. "And God meant your life to be so beautiful! — Lewis Carroll

Even very young children need to be informed about dying. Explain the concept of death very carefully to your child. This will make threatening him with it much more effective. — P. J. O'Rourke

Do not despise death, but be well content with it, since this, too, is one of those things that nature wills. For such as it is to be young and to grow old, and to increase and to reach maturity, and to have teeth and beard and grey hairs, and to beget, and to be pregnant and to bring forth, and all the other natural operations that the seasons of your life bring, such also is dissolution. This, then, is consistent with the character of a reflecting man, to be neither careless nor impatient nor contemptuous with respect to death, but to wait for it as one of the operations of nature. As you now wait for the time when the child shall come out of your wife's womb, so be ready for the time when your soul shall fall out of this envelope. — Marcus Aurelius

Go on, glare your eyes at me, and cry and plead, and talk to
me about money and what it can buy. But it can't buy back a child once he's dead! — V.C. Andrews

I was the first face you saw when you were born, you were bald as my hair ran black. Now yours the last face I saw before I died, your hair ran black, as I was bald. — Anthony Liccione

And what he contemplated was death. Some people complained when death came top early and claimed a child, a young mother, or a sailor with a family to provide for. He'd never understood that. Of course, it was a tragedy for those left behind and for the person who'd been robbed of the greater part of life. But it wasn't unfair. Death was beyond such notions. It seemed to him that the bereaved often forgot their grief at a death in favor of railing fruitlessly against life's injustices. After all, no one would dream of saying that the wind was unfair to the trees and the flowers. True, you might feel uneasy when the sun switched off its light, or ice gave your ship a dangerous list. But indignant, outraged, or angry, no. It was pointless. Nature was neither fair nor unfair. Those terms belonged to the world of men. — Carsten Jensen

WAR CHILD is the true story of Magdalena (Leni) Janic whose name appears on The Welcome Wall at Sydney's Darling Harbour. The story spans 100 years starting in pre WWII Nazi Germany and ends in the suburbs of Adelaide. It's a window into what life was like for a young illegitimate German girl growing up in poverty, coping with ostracism, bullying, abuse and dispossession as society was falling down around her and she becomes a refugee. But it's also a story of a woman's unconditional love for her family, the sacrifices she made and secrets she kept to protect them. Her ultimate secret was only revealed in a bizarre twist after her death and much to her daughter's (and author) surprise involved her. A memorable tear-jerker! A sad cruel story told with so much love. — Annette Janic

I know that as a very young child, I was afraid of death. Many children become aware of the notion of death early and it can be a very troubling thing. We're all in this continuum: I'm this age now, and if I live long enough I'll be that age. I was 20 once, I was 10, I was 4. People who are 20 now will be 50 one day. They don't know that! They know it in the abstract, but they don't know it. I'd like them to know it, because I think it gives you compassion. — Charlie Kaufman

I am pitching it feebly," said young Bingo earnestly. "You haven't heard the thing. I have. Rosie shoved the cylinder on the dictating-machine last night before dinner, and it was grisly to hear the instrument croaking out those awful sentences. If that article appears I shall be kidded to death by every pal I've got. Bertie," he said, his voice sinking to a hoarse whisper, "you have about as much imagination as a warthog, but surely even you can picture to yourself what Jimmy Bowles and Tuppy Rogers, to name only tow, will say when they see me referred to in print as "half god, half prattling, mischievous child"?"
I jolly well could
"She doesn't say that?"I gasped.
"She certainly does. And when I tell you that I selected that particular quotation because it's about the only one I can stand hearing spoken, you will realise what I'm up against. — P.G. Wodehouse

... of a child dying an agonizing death from diphtheria, of a young mother ravaged by cancer, of tens of thousands of Asians swallowed in an instant by the sea, of millions murdered in death camps and gulags and forced famines ... Our faith is in a God who has come to rescue His creation from the absurdity of sin and the emptiness of death, and so we are permitted to hate these things with a perfect hatred ... As for comfort, when we seek it, I can imagine none greater than the happy knowledge that when I see the death of a child, I do not see the face of God, but the face of his enemy. It is ... a faith that ... has set us free from optimism, and taught us hope instead. — David Bentley Hart