Death Of The Author Quotes & Sayings

Foreword of my book: The Pawn
"It is being said that time and space could be tied to their creator's stance of what they are to him or her. It can possibly be perceived by those who become the receivers of this viewpoint as something different or the same." (Claire Manning Writer/Author 2016) — Claire Hamelin Manning

The banana flavour of his accidental conception, and the banana theme of his accidental death, now all seemed to conspire against him and rather suggest the universe, Mr Fate or whoever did have some sort of master plan after all. Despite all his earlier conjecturing, maybe the universe, Mr Fate or whoever was laughing its fat and meddling head at him. The outlandish evidence did seem to speak for itself, truly suggesting a mocking narrative devised by some mischievous author because quite simply a banana condom had brought Midnight into the world and a banana skin had seen him out. Putting those two seeming truths together, Midnight was once again forced to ask such confused and searching questions like:
What is this place, where am I heading? And what's the deal with all the ruddy bananas? — Tom Conrad

Wise Blood was written by an author congenitally innocent of theory, but one with certain preoccupations. That belief in Christ is to some a matter of life and death has been a stumbling block for readers who would prefer to think it a matter of no great consequence. For them Hazel Motes' integrity lies in his trying with such vigor to get rid of the ragged figure who moves from tree to tree in the back of his mind. For the author Hazel's integrity lies in his not being able to. Does one's integrity ever lie in what he is not able to do? I think that usually it does, for free will does not mean one will, but many wills conflicting in one man. Freedom cannot be conceived simply. It is a mystery and one which a novel, even a comic novel, can only be asked to deepen. — Flannery O'Connor

Music written by teams makes the authorship of a piece indistinct. Could it be that when hearing a song written by a team, a listener can sense that they aren't hearing an expression of a solitary individual's pain or joy, but that of a virtual conjoined person? Can we tell that an individual singer might actually represent a collective, that he might have multiple identities? Does that make the sentiments expressed more poetically universal? Dan eliminating some portion of the authorial voice make a piece of music more accessible and the singer more empathetic? — David Byrne

TAMBURLAINE: Live still, my love, and so conserve my life,
Or, dying, be the author of my death. — Christopher Marlowe

Johann Nikolaus Forkel, author of the monograph of which the following pages afford a translation, was born at Meeder, a small village in Saxe-Coburg, on February 22, 1749, seventeen months before the death of Johann Sebastian Bach, whose first biographer he became. — Johann Nikolaus Forkel

The Bible teaches that Satan is the author of sin. Sin is the reason we have afflictions, including death. All of our problems and our suffering are a result of man's rebellion
against God. But God has provided a rescue in His Son. — Billy Graham

We know that to give writing its future, it is necessary to overthrow the myth: the birth of the reader must be at the cost of the death of the Author. — Roland Barthes

Satan represents God's law of love as a law of selfishness. He declares that it is impossible for us to obey its precepts. The fall of our first parents, with all the woe that has resulted, he charges upon the Creator, leading men to look upon God as the author of sin, and suffering, and death. Jesus was to unveil this deception. As one of us He was to give an example of obedience. For this He took upon Himself our nature, and passed through our experiences. "In all things it behooved Him to be made like unto His brethren." Hebrews 2:17. If we had to bear anything which Jesus did not endure, then upon this point Satan would represent the power of God as insufficient for us. Therefore Jesus was "in all points tempted like as we are." Hebrews 4:15. — Ellen G. White

Time would never cure it. Almost half a century later, when she was the only one of the nine Kennedy siblings still living, the author would ask Jean Kennedy Smith about her brother Bobby and his depression over Jack's death. "When did he come out of that?" she repeated, and then said, "I don't think he ever came out of that. — Robert A. Caro

As he journeyed alone toward the monster that is death, we could do nothing to help him, nor the others still alive; all the words of strength on our lips melted away, our love not great enough to bind them to life, and our hope not enough to will them to live. — Alfred Nestor

Every engineer, doctor, and farmer on this ship has relatives on the waiting list, too, and those relatives won't be drug addicts.
Mom's right: no one would pick her from a waiting list.
No one would've picked me, either.
Usefulness or death can't be her only options. If being picked from the waiting list isn't feasible, then the one choice left is to smuggle her in. The back of my mind keeps whispering about the risk, about She'd only be a drain, but I shut it up. There's a difference between leaving Mom and leaving Mom to die.
"I'm glad you agree," Iris says. "I know it's not easy."
That's what I hate. She's right. It's not. I still don't want to break the rules, even if it's to help Mom. But people on TV never abandon their family; they risk their own lives. That's what you're supposed to do.
On TV, people just never feel this twisted about it.
"Four this afternoon," I say. "Let's talk. — Corinne Duyvis

And the drawing near of Death, which alike levels all, alike impresses all with a last revelation, which only an author from the dead could adequately tell. — Herman Melville

To imagine writing as absence seems to be a simple repetition, in transcendental terms, of both the religious principle of the inalterable and yet never fulfilled tradition, and the aesthetic principle of the work's survival, its perpetuation beyond the author's death, and it enigmatic excess in relation to him. — Michel Foucault

It is more beautiful to trust in God. The beautiful in this world is all from his hand, declaring the perfection of taste; he is the author of all form; he clothes the lily, he colours the rose, he distils the dewdrop, he makes the music of nature; in a word, he organized us for this life, and imposed its conditions; and they are such guaranty to me that, trustful as a little child, I leave to him the organization of my Soul, and every arrangement for the life after death. I know he loves me. — Lew Wallace

There was an author who titled his books by days of the weeks and another one that used colors. Then there was Edward Gorey who wrote the book The Gashlycrumb Tinies, about the untimely death of 26 Victorian children, each representing a letter of the alphabet. I thought what a great way to link the titles. — Sue Grafton

As thoroughly as mankind has killed God, the reader has despatched the author. — Johnny Rich

And now, what about a Watson? Are we to have a Watson? We are. Death to an author who keeps his unravelling for the last chapter, making all the other chapters but prologue to a five-minute drama. This is no way to write a story. Let us know from chapter to chapter what the detective is thinking. For this he must watsonize or soliloquize; the one is merely a dialogue form of the other, and, by that, more readable. A Watson, then, but not of necessity a fool of a Watson. A little slow, let him be, as so many of us are, but friendly, human, likeable ... — A.A. Milne

Thank and glorify His Beloved Son, who, with indescribable suffering, gave His life on Calvary's cross to pay the debt of mortal sin. He it was who, through His atoning sacrifice, broke the bonds of death and with godly power rose triumphant from the tomb. He is our Redeemer, the Redeemer of all mankind. He is the Savior of the world. He is the Son of God, the Author of our salvation. — Gordon B. Hinckley

Freedom as a given seems the very antithesis of death. While we dread death, we generally consider freedom to be unequivocally positive. Has not the history of Western civilization been punctuated with yearnings for freedom, even driven by it? Yet freedom from an existential perspective is bonded to anxiety in asserting that, contrary to everyday experience, we do not enter into, and ultimately leave, a well-structured universe with an eternal grand design. Freedom means that one is responsible for one's own choices, actions, one's own life situation. Though the word responsible may be used in a variety of ways, I prefer Sartre's definition: to be responsible is to "be the author of," each of us being thus the author of his or her own life design. We are free to be anything but unfree: we are, Sartre would say, condemned to freedom. — Irvin D. Yalom

You and that amazing body of yours will be the cause of some too-appreciative witch's death. Maybe two witches." Or a dozen, her fire spirit hissed. — N.D. Jones

I never liked the influence of others when it came to feelings. I rather went through the painful process of analyzing everything half to death. — Erika M. Szabo

Brendan stopped reading. The words had melted into a liquid blur ... In his possession was a box full of information that would likely fill in the gaps and help him to wrap his brain around the whys of her death. And yet, there was really only one question that mattered, and Tommy had already answered it. — Lynda Meyers

Good evening peepers, prowlers, pederasts, panty-sniffers, punks and pimps. I'm James Ellroy, the demon dog, the foul owl with the death growl, the white knight of the far right, and the slick trick with the donkey dick. I'm the author of 16 books, masterpieces all; they precede all my future masterpieces. These books will leave you reamed, steamed and drycleaned, tie-dyed, swept to the side, true-blued, tattooed and bah fongooed. These are books for the whole fuckin' family, if the name of your family is Manson. — James Ellroy

It doesn't bother me. Sure, everybody wants approval, but I came from the theatre and I've always treasured a remark from there which goes: 'For every six people who love you, there will be half a dozen who loathe you.' The quality of an author's work is not usually determined until after his death. Even Dickens got some pretty bad reviews. — Robert Ludlum

One way to express love emotionally is to use words that build up. Solomon, author of the ancient Hebrew Wisdom Literature, wrote, "The tongue has the power of life and death."2 Many couples have never learned the tremendous power of verbally affirming each other. Solomon further noted, "An anxious heart weighs a man down, but a kind word cheers him up. — Gary Chapman

For the author there is nothing but his pen, till that and life are worn to the stump: and then, with good fortune, perhaps on his death-bed he receives a pension and equals, it may be, for a few months, the income of a retired butler! — Samuel Laman Blanchard

Achtung, motherfuckers. And good afternoon. I'm James Ellroy; the death dog with the hog log, the white knight of the far right, and the slick trick with the donkey dick. I am the author of eighteen books, masterpieces all; they precede all my future masterpieces. They are books for the whole fucking family, if the name of your family is the Manson family. — James Ellroy

In terms of the historical record, I should also point out that there is no account in any ancient source whatsoever about King Herod slaughtering children in or around Bethlehem, or anyplace else. No other author, biblical or otherwise, mentions this event. Is it, like John's account of Jesus' death, a detail made up by Matthew in order to make some kind of theological point? — Bart D. Ehrman

An author frequently chooses solemn or overwhelming subjects to write about; he is so impressed at writing about Life and Death that he does not notice that he is saying nothing of the slightest importance about either. — Randall Jarrell

The Renaissance did not break completely with mediaeval history and values. Sir Philip Sidney is often considered the model of the perfect Renaissance gentleman. He embodied the mediaeval virtues of the knight (the noble warrior), the lover (the man of passion), and the scholar (the man of learning). His death in 1586, after the Battle of Zutphen, sacrificing the last of his water supply to a wounded soldier, made him a hero. His great sonnet sequence Astrophel and Stella is one of the key texts of the time, distilling the author's virtues and beliefs into the first of the Renaissance love masterpieces. His other great work, Arcadia, is a prose romance interspersed with many poems and songs. — Ronald Carter

It has been jestingly said that the works of John Paul Richter are almost unintelligible to any but the Germans, and even to some of them. A worthy German, just before Richter's death, edited a complete edition of his works, in which one particular passage fairly puzzled him. Determined to have it explained at the source, he went to John Paul himself. The author's reply was very characteristic: "My good friend, when I wrote that passage, God and I knew what it meant; it is possible that God knows it still; but as for me, I have totally forgotten." — Jean Paul

"Literature" is written material that, 100 years after the death of the author, is forced upon high school students. — Tom Clancy

I reached into the pile and pulled out a few connected chips and then was about to shove them into my mouth, when I saw what appeared to be the face of an angel sitting next to me. And, if it was in fact my actual guardian angel, then it probably would have been poor form not to offer a few chips to extend an olive branch. — Phil Wohl

We are not the worst moments of our lives. Sister Helen Prejean, author of Dead Man Walking. — Helen Prejean

I've long considered becoming a writer to be the death of nightmares. For me at least, since I started writing I hadn't had any. Something really terrible or awful happens in a dream and you wake up and think, awesome, and reach for a pen and paper. — Logan Kain

WAR CHILD is the true story of Magdalena (Leni) Janic whose name appears on The Welcome Wall at Sydney's Darling Harbour. The story spans 100 years starting in pre WWII Nazi Germany and ends in the suburbs of Adelaide. It's a window into what life was like for a young illegitimate German girl growing up in poverty, coping with ostracism, bullying, abuse and dispossession as society was falling down around her and she becomes a refugee. But it's also a story of a woman's unconditional love for her family, the sacrifices she made and secrets she kept to protect them. Her ultimate secret was only revealed in a bizarre twist after her death and much to her daughter's (and author) surprise involved her. A memorable tear-jerker! A sad cruel story told with so much love. — Annette Janic

He moved on from Anatole France to the eighteenth-century philosophers, though not to Rousseau. Perhaps this was because one side of him - the side easily moved by passion - was too close to Rousseau. Instead, he approached the author of 'Candide', who was closer to another side of him - the cool and richly intellectual side.
At twenty-nine, life no longer held any brightness for him, but Voltaire supplied him with man-made wings.
Spreading these man-made wings, he soared with ease into the sky. The higher he flew, the farther below him sank the joys and sorrows of a life bathed in the light of intellect. Dropping ironies and smiles upon the shabby towns below, he climbed through the open sky, straight for the sun - as if he had forgotten about that ancient Greek who plunged to his death in the ocean when his man-made wings were singed by the sun. — Ryunosuke Akutagawa

The Necrotelicomnicon was written by a Klatchian necromancer known to the world as Achmed the Mad, although he preferred to be called Achmed the I Just Get These Headaches. It is said that the book was written in one day after Achmed drank too much of the strange thick Klatchian coffee which doesn't just sober you up, but takes you through sobriety and out the other side, so that you glimpse the real universe beyond the clouds of warm self-delusion that sapient life usually generates around itself to stop it turning into a nutcake. Little is known about his life prior to this event, because the page headed 'About The Author' spontaneously combusted shortly after his death. However, a section headed 'Other Books By the Same Author' indicates that his previous published work was Achmed the I Just Get These Headaches's Book of Humorous Cat Stories, which might explain a lot. — Terry Pratchett

Among the millions of North Koreans who took part in the mass display of grief for Kim Il-sung, how many were faking? Were they crying for the death of the Great Leader or for themselves? Or were they crying because everybody else was? If there is one lesson taught by scholars of mass behavior, from the historians of the Salem witch hunts to Charles Mackay, author of the classic Extraordinary Popular Delusions and the Madness of Crowds, hysteria is infectious. In the middle of a crowd of crying people, the only natural human reaction is to cry oneself. — Barbara Demick

After seeing the various fantastic sights, a visitor to Panorama Island would have had to gasp in amazement at this unsurpassable view. He would have had the impression that the entire island was a rose floating on the vast ocean and that the giant scarlet flower of an opium dream was conversing on an equal footing with the sun in the sky, just the two of them. What kind of strange beauty had that incomparable simplicity and grandeur created? Some travelers might have recalled the world of myth that their distant ancestors had seen. . . .

How can the author describe the madness and debauchery, the pleasures of revelry and drunkenness, the numberless games of life and death that were played day and night on that magnificent stage? You readers might find something that resembled it, in part, in your most fantastic, bloodiest, and most beautiful nightmares. — Rampo Edogawa

He was succeeded on the throne by RAGNAR. At this time Fro (Frey?), the King of Sweden, after slaying Siward, the King of the Norwegians, put the wives of Siward's kinsfolk in bonds in a brothel, and delivered them to public outrage. When Ragnar heard of this, he went to Norway to avenge his grandfather. As he came, many of the matrons, who had either suffered insult to their persons or feared imminent peril to their chastity, hastened eagerly to his camp in male attire, declaring that they would prefer death to outrage. Nor did Ragnar, who was to punish this reproach upon the women, scorn to use against the author of the infamy the help of those whose shame he had come to avenge. Among them was Ladgerda, a skilled amazon, who, though a maiden, had the courage of a man, and fought in front among the bravest with her hair loose over her shoulders. All-marvelled at her matchless deeds, for her locks flying down her back betrayed that she was a woman. — Saxo Grammaticus

The terms of copyright last far too long: either the life of the author plus 70 years after death for a personal work or 95 years for a corporate work. That length doesn't encourage more authorship - it merely limits the speakers who could share powerful speeches, books, and films. — Marvin Ammori

If the article mentions some celebrity-perhaps a recently dead politician-the author will want to mention some pointless detail from her last meeting with that person or the emotions she experienced when learning of the subject's death. — David Brooks

You know, there was a time when childbirth was possibly the most terrifying thing you could do in your life, and you were literally looking death in the face when you went ahead with it. And so this is a kind of flashback to a time when that's what every woman went through. Not that they got ripped apart, but they had no guarantees about whether they were going to live through it or not.
You know, I recently read - and I don't read nonfiction, generally - Becoming Jane Austen. That's the one subject that would get me to go out and read nonfiction. And the author's conclusion was that one of the reason's Jane Austen might not have married when she did have the opportunity ... well, she watched her very dear nieces and friends die in childbirth! And it was like a death sentence: You get married and you will have children. You have children and you will die. (Laughs) I mean, it was a terrifying world. — Stephenie Meyer

Plunder has matured into habit and addiction; the people who could author the mechanized death of our ghettos, the mass rape of private prisons, then engineer their own forgetting, must inevitably plunder much more. This is not a belief in prophecy but in the seductiveness of cheap gasoline. — Ta-Nehisi Coates

Those who perpetrate stories must act cruelly. — Johnny Rich

Many's the dead author whose body of work has been marred by overzealous publishers or family members. If this happens to me, I vow to seek out the responsible parties and haunt them to the point of death. — Patrick DeWitt

In many ways ... the completeness of biography, the achievement of its professionalization, is an ironic fiction, since no life can ever be known completely, nor would we want to know every fact about an individual. Similarly, no life is ever lived according to aesthetic proportions. The "plot" of a biography is superficially based on the birth, life and death of the subject; "character," in the vision of the author. Both are as much creations of the biographer, as they are of a novelist. We content ourselves with "authorized fictions. — Ira Bruce Nadel

Hollywood, to hear some writers tell it, is the place where they take an author's steak tartare and make cheeseburger out of it. Upon seeing the film, they say, the author promptly cuts his throat, bleeding to death in a pool of money. — Fletcher Knebel

Remember this: a simple pen is much more swift and much more precise than a camera. That's my advice to both beginning and experienced authors: don't write with a camera. A camera is slow. All these modern writers usually make the same mistake - they write books with a film in mind. When you read their works, you don't hear the voice of a real author, you hear that horribly cheesy Hollywood voice-over. Frankly, that's not a novel, it's a movie script. If you write books, use a pen. A pen is swift, it has tempo, you can kill people with it. You cannot kill people with a camera, you can only perhaps bore them to death with it. — Martijn Benders

We can be reluctant to recognize how much of our culture was literary, particularly now that so many of the institutional purveyors of literature happily have joined in proclaiming its death. A substantial number of Americans who believe they worship God actually worship three major literary characters: the Yahweh of the J Writer (earliest author of Genesis, Exodus, Numbers), the Jesus of the Gospel of Mark, and Allah of the Koran. — Harold Bloom

Death is the start of a beginning, life is the start of the end, and the cycle continues forever."

AFTERLIFE - TIM I GURUNG/AUTHOR — Tim I. Gurung

Sometimes, of course, the artist does give up, saying, in effect, "I've done enough". Prospero declares that the revels are ended, and breaks his staff - his author retires to Stratford. At the very end, Mann did something similar. Interestingly, in both instances, death came quite quickly after that. — Philip Kitcher

Manners matter as this author memorably illustrates. Eleanor Roosevelt stubbornly kept her clout behind Adlai Stevenson was an almost visceral resistance to John F. Kennedy's charms as a newcomer to power. The sudden death of Eleanor's granddaughter shortly before JFK was to meet with her suggested that rapprochement was impossible. Kennedy's genuine gentle manners toward the grieving former first lady won her over and may have shifted the balance in an extremely close election. — David Pietrusza

He who is the author of a war lets loose the whole contagion of hell and opens a vein that bleeds a nation to death. — Thomas Paine

A lot of people who read my novel 'Smog City' ask me why I never killed off either of the two main characters. To be honest, it's because I've given them life. Not literally of course, but since I spent so much time developing and creating my characters, they've ended up with complex personalities, in fact they're almost sentient in a way, and to write them off as dead would be like killing a close friend to me. — Rebecca McNutt

When the author speaks of the 'blood of Jesus' he is referring to his violent death on the cross. — Colin G. Kruse