Death Masks Quotes & Sayings

FACE ONE WEARS as an adult is a mask that's cut to fit in her youth." There are many kinds of masks, Anna thought. Theater masks and Halloween masks and surgical masks and fencing masks and diving masks and wrestling masks and ski masks. Welding visors and face cages, blindfolds and dominos. And death masks. The Doktor continued. "Every mask becomes a death mask when you can no longer put it on or take it off at will. When it conforms to the contours of your psychic face. When you mistake the persona you project for your living soul. When you can no more distinguish between the two. — Jill Alexander Essbaum

You suck. You suck diseased moose wang, Marcone. — Jim Butcher

Photography is an imprint or transfer off the real; it is a photochemically processed trace causally connected to the thing in the world to which it refers in a manner parallel to fingerprints or footprints or the rings of water that cold glasses leave on tables. The photograph is thus generically distinct from painting or sculpture or drawing. On the family tree of images it is closer to palm prints, death masks, the Shroud of Turin, or the tracks of gulls on beaches. — Rosalind E. Krauss

Death, is not an end, but a transition crisis. All the forms of decay are but masks of regeneration
the secret alembics of vitality. — Edwin Hubbel Chapin

Hey, Bogart. You and the wonder twins back off or the bedsheet gets it.
Harry Dresden, Death Masks. — Jim Butcher

The most central and irrational faith among people is the faith in technology and economical growth. Its priests believe until their death that material prosperity bring enjoyment and happiness - even though all the proofs in history have shown that only lack and attempt cause a life worth living, that the material prosperity doesn't bring anything else than despair. These priests believe in technology still when they choke in their gas masks. — Pentti Linkola

They've gave me many names,
I've wore many masks and sat on their altars,
They've called me Hitler, and Muhammad Ali,
They've crucify me,
And forced me to be like them,
They resuscitated me,
They forced me to live.
I am God, and the Devil,
The looser and the champion,
I created all you see,
I am God, and Muhammad Ali
I'm the one creating time, and eternity,
I am God, I am Hitler,
I am the king and the slave,
I am life and death, and Muhammad Ali — Quetzal

According to Auster, proximity is deceptive, and anonymity is not only the misfortune of the masses, of the cities, but also a cancer gnawing away the family and marital unit. Human contact often masks a gulf that only death or distance can bridge. We are separated from others by those very things that also connect us; we are separated from ourselves by the illusion of self-knowledge. Just as we must forget ourselves in order to reach a certain level of self-truth, we must also leave others in order to find them in the prism of memory and separation. That which is closest is often the most enigmatic, and distance, like mourning and wandering, is also an instrument of redemption. — Pascal Bruckner

European starvation was rather more cunning and wore a series of clever masks: death came by drink, by tuberculosis, by the knife, by despair in all its manifestations. — Alan Furst

Following directly behind the bier were the servants who would, in earlier times, have been slaughtered at the graveside, along with a warrior's horse. Musicians and torchbearers came next, with the rear taken up by the mimes- sinister, silent figures in wax masks modelled on dead members of the family. — Catharine Arnold

White as a winding sheet, Masks blowing down the street: Moscow, Paris London, Vienna all are undone. The drums of death are mumbling, rumbling, and tumbling, Mumbling, rumbling, and tumbling, The world's floors are quaking, crumbling and breaking. — Edith Sitwell

Wave after wave has brought to our shores beautiful and mysterious treasures from unknown worlds: figurines, animals, fetishes, masks, ceremonial or useful objects. They are called Primitive for want of a better name ... What could never have been written is there, all the dreams and anguishes of man. The hunger for food and sex and security, the terrors of night and death, the thirst for life and the hope for survival. — Dominique De Menil

Death changes nothing but the masks that cover our faces. — Kahlil Gibran

Clean your face," I said to the child. "It's dirty." "It's not," the child said. "By God it is," I said, "filth adheres in ine areas which I shall enumerate." "That is because of the dough," the child said. "We were taking death masks." "Dough!" I exclaimed, shocked at the idea that the child had wasted flour and water and no doubt paper too in this lightsome pastime, taking death masks. "Death!" I exclaimed for added emphasis. "What do you know of death?" "It is the end of the world," the child said, "for the death-visited individual. The world ends," the child said, "when you turn out your eyes." This was true, I could not dispute it. I returned to the main point. "Your father is telling you to wash your face," I said, locating myself in the abstract where I was more comfortable. — Donald Barthelme

I intended that when the curtain went up the scene should confront the public like the exaggerating mirror in the stories of Madame Leprince de Beaumont, in which the depraved saw themselves with dragons' bodies, or bulls' horns, or whatever corresponded to their particular vice. It is not surprising that the public should have been aghast at the sight of its other self, which it had never before been shown completely. This ignoble other-self, as Monsieur Catulle Mendes has excellently said, is composed "of eternal human imbecility, eternal lust, eternal gluttony, the vileness of instinct magnified into tyranny; of the sense of decency, the virtues, the patriotism & the ideals peculiar to those who have just eaten their fill." Really, these are hardly the constituents for an amusing play, & the masks demonstrate that the comedy must at the most be the macabre comedy of an English clown, or of a Dance of Death. — Alfred Jarry

After that I could never pass a dead man without stopping to gaze on his face, stripped by death of that earthly patina which masks the living soul. And I would ask, who were you? Where was your home? Who is mourning for you now? — Ernst Toller

The next time I opened my eyes, I was in the morgue.
This, all by itself, is enough to really ruin your day.
I was lying on the examining table, and Butters, complete with his surgical gown and his tray of autopsy instruments, stood over me.
'I'm not dead!' I sputtered. 'I'm not dead!'
- Harry Dresden, Death Masks, Jim Butcher — Jim Butcher

When my father was vigorous and lucid, (my mother) regarded medicine as her wily ally in a lifelong campaign to keep old age, sickness, and death at bay. Now ally and foe exchanged masks. Medicine looked more like the enemy, and death the friend. (p. 184) — Katy Butler

These people know the reality and laugh at it. Such laughter has little concern with what is funny. It is often bitter and sometimes a little mad, for it is the laugh under the mask of tragedy, and also the laughter that masks tears. They are the same. It is the laughter of people who value love and friendship and plenty, who have lived with terror and death and hate. - , Return to Laughter (1954) — Elenore Smith Bowen

'Tis sorrow builds the shining ladder up, Whose golden rounds are our calamities, Whereon our firm feet planting, nearer God The spirit climbs, and hath its eyes unsealed. True it is that Death's face seems stern and cold When he is sent to summon those we love; But all God's angels come to us disguised; Sorrow and sickness, poverty and death, One after another, lift their frowning masks, And we behold the Seraph's face beneath, All radiant with the Glory and the calm Of having looked upon the front of God. — James Russell Lowell

Flute Notes from a Reedy Pond
Now coldness comes sifting down, layer after layer,
To our bower at the lily root.
Overhead the old umbrellas of summer Wither like pithless hands.
There is little shelter.
Hourly the eye of the sky enlarges its blank
Dominion. The stars are no nearer. Already frog-mouth and fish-mouth drink The liquor of indolence, and all thing sink Into a soft caul of forgetfulness. The fugitive colors die. Caddis worms drowse in their silk cases,
The lamp-headed nymphs are nodding to sleep like statues.
Puppets, loosed from the strings of the puppetmaster
Wear masks of horn to bed. This is not death, it is something safer. The wingy myths won't tug at us anymore: The molts are tongueless that sang from above the water Of golgotha at the tip of a reed,
And how a god flimsy as a baby's finger
Shall unhusk himself and steer into the air. — Sylvia Plath

This intensely lyrical vision of the pregant woman in [i]Hope I[i] is set in an ambiguous context peopled with masks, death's heads and allegorical monsters such as Sin, Disease, Poverty and Death, all threatening the incipient life. — Gilles Neret

Masks camouflage the faces of both good and evil.
Keeps hidden what is a truth and what is a lie. — Patti Roberts

Come you masters of war You that build all the guns You that build the death planes You that build the big bombs You that hide behind walls You that hide behind desks I just want you to know I can see through your masks. — Bob Dylan

Human relationships didn't work anyhow. Only the first two weeks had any zing, then the participants lost their interest. Masks dropped away and real people began to appear: cranks, imbeciles, the demented, the vengeful, sadists, killers. Modern society had created its own kind and they feasted on each other. It was a duel to the death
in a cesspool. — Charles Bukowski