Dead Behind The Eyes Quotes & Sayings

Dead. The words fall from my tongue and linger there like poison. A slow death hanging from my lips. I shake the thought away and swallow but I can still taste the remnants in the back of my throat. It's sour and I gag a little as tears swell behind my eyes. — Celia Mcmahon

When they got to thew bottom of the stairwell, they stopped dead. Blay's father was facing off with a lesser, a Civil War sword in one hand, a dagger in the other.
Behind his Joe Friday glasses, his eyes were lit like torches, and they flicked over for a split second. "Stay out of this. This one's mine."
The shit was done faster than you can say, Ninja Dad.
Blay's father went Ginsu on the slayer, carving the thing up like a turkey, then stabbing it back to the Omega. — J.R. Ward

Luke's not a bad man, or even an unlikable one," she went on. "Just a man. You're all the same, great big hairy moths bashing yourselves to pieces after a silly flame behind a glass so clear your eyes don't see it. And if you do manage to blunder your way inside the glass to fly into the flame, you fall down burned and dead.
While all the time out there in the cool night there's food, and love, and baby moths to get. But do you see it, do you want it? No! It's back after the flame again, beating yourselves senseless until you burn yourselves dead! — Colleen McCullough

The house in Silverlake was dark, its windows as empty as a dead man's eyes. It was an old California Craftsman with a full front porch and two dormer windows set on the long slope of the roof. But no light shone behind the glass, not even from above the doorway. Instead, the house cast a foreboding darkness about it that not even the glow from the streetlight could penetrate. A man could be standing there on the porch and Bosch knew he probably wouldn't be able to see him. 'You — Michael Connelly

I stroked Eric's hair, tucking some behind his ear. His eyes on mine were intent, and I knew he was waiting for me to speak. "I wish," I said, "I could save orgasms in a jar for when i need them, because I think I had a few extra."
Eric's eyes widened, and all of a sudden he roared with laughter.
(Dead to the World) — Charlaine Harris

Race me back. Beat me there, and I'll tell you." I blinked. "What kind of kindergarten crap is that?" His grey eyes flashed with anger. "You want to know what it's like? Beat me down the beach." "Of all the ridiculous, immature nonsense," I said. Then I hooked a foot behind Thomas's calf, shoved him down to the sand, and took off down the beach at a dead sprint. — Jim Butcher

Behind their eyes the hope was sickening and in many, dead. They lived from event to event with a subtle terror of the gap between, filling up their lives with distractions to avoid the emptiness where curiosity should have been. — Clive Barker

Dog, now Razor, gazed out from behind a dead man's face, fresh blood that wasn't his dripping into his eyes. He looked down at the corpses at his feet, the skinned skull of one staring back at him with dead eyes. Dog knelt down and plucked the orbs from their sockets, popped them in his mouth and chewed with hungry relish. — Jake Bible

Not only may you not enter the state without certification: you are, in the eyes of the state, not dead until you are certified dead; and you can be certified dead only by an officer who himself (herself) holds state certification. The state pursues the certification of death with extraordinary thoroughness - witness the dispatch of a host of forensic scientists and bureaucrats to scrutinize and photograph and prod and poke the mountain of human corpses left behind by the great tsunami of December 2004 in order to establish their individual identities. No expense is spared to ensure that the census of subjects shall be complete and accurate.
Whether the citizen lives or dies is not a concern of the state. What matters to the state and its records is whether the citizen is alive or dead. — J.M. Coetzee

When everything is lost (peel it all away)
Haunting us with questions (asking)
Will we... Ever find the smile inside (no), is it hidden
Behind the sweating eyes (bleeding)
Dead inside a scream that's pouring from me — Mudvayne

She pushed the bathroom door open to discover Magnus lurking on the other side, clutching a towel in one hand and his glittery hair in the other. He must have slept on it, she thought, because one side of the glittered spikes looked dented in. "Why does it take girls so long to shower?" he demanded. "Mortal girls, Shadowhunters, female warlocks, you're all the same. I'm not getting any younger waiting out here."
Clary stepped aside to let him pass. "How old are you, anyway?" she asked curiously.
Magnus winked at her. "I was alive when the Dead Sea was just a lake that was feeling a little poorly."
Clary rolled her eyes.
Magnus made a shooing moving. "Now move your petite behind. I need to get in there; my hair is a wreck. — Cassandra Clare

No, he focused on the one thing that he knew would keep him grounded the way the demon said he'd need to be.
"Take your brother outside as fast as you can - don't look back. Now, Dean, go!"
Sam's not dying. Not on my watch. You protect your family no matter what.
I'm coming for you, Sammy. Just hold tight.
And don't look back.
He opened his eyes. Behind him, he could hear Kat's voice muttering an incantation in a language he didn't recognize. It wasn't Latin, certainly. Since it was demon magic, it was probably some language that was even more dead than Latin.
The chanting stopped.
Dean screamed. — Keith R.A. DeCandido

But for every adult person you look up to in life there is trailing behind them an invisible chain gang of ghosts, all of which, as a child, you are generously spared from meeting. I know now, however, that these ghosts exist, and that other adults can see them. The lost loves, the hurt friends, the dead: they follow their owner forever. Perhaps this is why we feel so crowded around those people who we know have had hard times. Perhaps this is why we find so little to say. We suffer an odd brand of stage fright, I think, before all those dreadful eyes. — M O Walsh

Death, of course, like chastity, admits of no degree; a man is dead or not dead, and a man is just as dead by one means as by another; but it is infinitely more horrible and revolting to see a man shattered and eviscerated, than to see him shot. And one sees such things; and one suffers vicariously, with the inalienable sympathy of man for man. One forgets quickly. The mind is averted as well as the eyes. It reassures itself after that first despairing cry: "It is I!"
"No, it is not I. I shall not be like that."
And one moves on, leaving the mauled and bloody thing behind: gambling, in fact, on that implicit assurance each one of us has of his own immortality. One forgets, but he will remember again later, if only in his sleep. — Frederic Manning

Who said I was going to give it to you?" He smiled and took a step toward me. "Maybe I have secret love for Fitzwilliam Darcy. We do share a name. I also need to get a gift for someone who would love it."
"If I can't have it, no one can." I narrowed my eyes in mock threat.
"Is that so?"
"You'll have to pry it from my cold, dead fingers." I backed into the bookshelf behind me.
"Maybe I just need to distract you long enough to steal it." He put a hand on the shelf by my head.
"And how do you plan on doing that?" I licked my lips.
"I have a few ideas." He moved his other hand, caging me in, and leaned down. — Nichole Chase

That the past is ahead, in front of us, is a conception of time that helps us retain our memories and to be aware of its presents. What is behind us [the future] cannot be seen and is liable to be forgotten readily. What is ahead of us [the past] cannot be forgotten so readily or ignored, for it is in front of our minds' eyes, always reminding us of its presence. The past is alive in us, so in more than a metaphorical sense the dead are alive - we are our history. — Epeli Hau'ofa

She stared at me curiously. Her voice dropped to a whisper. "Sometimes, when I walk along the corridor here, I fancy I hear her just behind me. That quick, light footstep. I could not mistake it anywhere. And in the minstrels' gallery above the hall. I've seen her leaning there, in the evenings in the old days, looking down at the hall below and calling to the dogs. I can fancy her there now from time to time. It's almost as though I catch the sound of her dress sweeping the stairs as she comes down to dinner." She paused. She went on looking at me, watching my eyes. "Do you think she can see us, talking to one another now?" she said slowly. "Do you think the dead come back and watch the living? — Daphne Du Maurier

Our story begins eight years ago when Ms.
Jacobs was living in London with Mr. McAllister.
However, she had to leave the country urgently
due to a family emergency."
"Considering the 'he-was-dead' defence, I'm
sure this will be hugely entertaining." Lily didn't
see it but she heard the scoffing behind Nate's attorney's
tone, that would be attorney number two
or Sarcastic Attorney. Her startled eyes moved to
the man who, she noted distractedly, was staring
at her with extreme distaste.
"Well, I'm not sure one would describe losing
both of one's parents in a plane crash as 'entertaining',"
Alistair noted blandly. — Kristen Ashley

Bags were shoved on all of our heads once more. Hands grabbed me and spurred me forward. "Rick," Zach said behind us. The hands guiding me stopped. The bag was ripped off my head again, and I found myself looking into Zach's eyes. "Bring the girl tomorrow night," he said.
The last thing I wanted to do was bring Rimmel into a room full of these assholes. "What the fuck for?"
He smiled. It looked more like a sneer. "I'd like to meet the nerd. I hear you've become quite smitten."
The more he talked about her, the more he implied he knew her, the more pissed off I got. I lunged forward and shoved my face right up in his. Satisfaction speared me when his eyes widened just a fraction. He wasn't as tough as he thought he was.
"Well, since you seem to know everything," I said, dead calm, "then you must also know that I take care of what's mine. You might be president of this frat, but I own the campus. Do. Not. Push. Me."
- Zach & Romeo — Cambria Hebert

Coco?" I whispered, standing still, hardly able to believe it. "Oh - Coco?" "It is impossible to imagine," a voice behind seemed to be saying from a great distance away, "how the dog could have reached this spot. For three days he has been immovable in his kennel." I dropped on my knees, and took his paw in my hand. He gave the faintest wag of his tail, and tried to raise his head; but it fell back again, and he could only look at me. For an instant, for the briefest instant, we looked at each other, and while we looked his eyes glazed. "Coco - I've come back. Darling - I'll never leave you any more - - " I don't know why I said these things. I knew he was dead, and that no calls, no lamentations, no love could ever reach him again. Sliding down on to the stone flags beside him, I laid my head on his and wept in an agony of bitter grief. Now indeed I was left alone in the world. Even my dog was gone. — Elizabeth Von Arnim

I scurry out to the three-way mirror. With an extra-large sweatshirt over the top, you can hardly tell that they are Effert's jeans. Still no Mom. I adjust the mirror so I can see reflections of reflections, miles and miles of me and my new jeans. I hook my hair behind my ears. I should have washed it. My face is dirty. I lean into the mirror. Eyes after eyes after eyes stare back at me. Am I in there somewhere? A thousand eyes blink. No makeup. Dark circles. I pull the side flaps of the mirror in closer, folding myself into the looking glass and blocking out the rest of the store. My face becomes a Picasso sketch, my body slicing into dissecting cubes. I saw a movie once where a woman was burned over eighty percent of her body and they had to wash all the dead skin off. They wrapped her in bandages, kept her drugged, and waited for skin grafts. They actually sewed her into a new skin. — Laurie Halse Anderson

At any other time it's better. You can do the things you feel you should; you're an expert at going through the motions. Your handshakes with strangers are firm and your gaze never wavers; you think of steel and diamonds when you stare. In monotone you repeat the legendary words of long-dead lovers to those you claim to love; you take them into bed with you, and you mimic the rhythmic motions you've read of in manuals. When protocol demands it you dutifully drop to your knees and pray to a god who no longer exists. But in this hour you must admit to yourself that this is not enough, that you are not good enough. And when you knock your fist against your chest you hear a hollow ringing echo, and all your thoughts are accompanied by the ticks of clockwork spinning behind your eyes, and everything you eat and drink has the aftertaste of rust. — Dexter Palmer

Look at that ugly dead mask here and do not forget it. It is a chalk mask with dead dry poison behind it, like the death angel. It is what was this fall, and what I never want to be again. The pouting disconsolate mouth, the flat, bored, numb, expressionless eyes: symptoms of the foul decay within. — Sylvia Plath

I'd hate to see the look on my face when that mask came down and I saw the face behind it. Thinner than I remember. Paler. The eyes sunk deep into their sockets, kind of glazed over, like he's sick or hurt, but I recognize it, I know whose face was hidden behind that mask. I just can't process it.
Here, in this place. A thousand years later and a million miles from the halls of George Barnard High School. Here, in the belly of the beast at the bottom of the world, standing right in front of me.
Benjamin Thomas Parish.
And Cassiopeia Marie Sullivan, having a full-bore out-of-body experience, seeing herself seeing him. The last time she saw him was in their high school gymnasium after the lights went out, and then only the back of his head, and the only times that she's seen him since happened in her mind, the rational part of which always knew Ben Parish was dead like everyone else. — Rick Yancey

Then again, maybe you couldn't have killed me," he said, crawling out of the stairway. He moved very slowly, like a lizard who had gotten too cold.
I heard a whimper from behind one of the closed doors next to the bathroom, and sympathized. I wanted to whimper, too.
"I'm not hunting you," I told him firmly, though I stepped backward until I stood in a circle of light at the end of the hallway.
He stopped halfway out of the stairway, his eyes were filmed over like a dead man's.
"Good," he said. "If you kill Andre, I won't tell-and no one will ask."
And he was gone, withdrawing from the hallway and down the stairs so fast that I barely caught the motion, though I was staring right at him.
I walked out of his home because if I'd moved any faster, I'd have run screaming. — Patricia Briggs

Phoebe stared into his blue eyes. "What would you do if you ran away from a wedding in a car that didn't belong to you and discovered a body in the trunk about the time a sheriff's deputy rolled up behind you?" She flung her hand in the air, and assumed a high-pitched, sarcastic tone. "Hi, I'm a rich man's daughter with a dead man in my trunk. Could you help me get him out so I can be on my merry way? — Elle James