Dantzig Fulkerson Quotes & Sayings
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Top Dantzig Fulkerson Quotes

For what could a silent man of five-and-thirty hope, when opposed to a very lively one of five-and-twenty? — Jane Austen

It was after Nick had left me that I learned the lesson: its when you don't love somebody that you do notice the little things. Then you mind them. You mind them terribly. — Rhoda Janzen

I think sometimes girls look at Victoria's Secret models and think that they have to model themselves after that, but I really don't think that's the best; even though they are called 'models,' they're not the best people to model yourself after. — Rebel Wilson

There it was, shiny and silver, pinned to the requisite position on his chest-a shield that covered his heart but had not been able to protect it. — Jodi Picoult

I sure didn't want to try to take a ride on that pony only to find out he had no more get up and go. — Tara West

It was strange to find them here, still alive, with their shared bits of past that suddenly counted for nothing. — Paolo Giordano

I personally believe this: We have only today; yesterday's gone and tomorrow is uncertain. That's why they call it the present. And sobriety really is a gift ... for those who are willing to receive it. — Ace Frehley

announcing in front of everyone that she was a knockout. — Rick Riordan

He only is great at heart who floods the world with a great affection. He only is great of mind who stirs the world with great thoughts. He only is great of will who does something to shape the world to a great career. And he is greatest who does the most of all these things and does them best. — Roswell Dwight Hitchcock

We cannot build the future by avenging the past. — T.H. White

If she had to choose which aspect of the suite she despised most, it would have been a hard call between the lock and the garden, though these days she nursed a particular grudge against the curtains. — Marie Rutkoski

WORKSHOP 1. Read your writing aloud to a friend. Ask, "Does this sound like me?" Discuss the response. 2. After rereading your work, make a list of adjectives that define your voice, such as heavy or aggressive, ludicrous or tentative. Now try to identify the evidence in your writing that led you to these conclusions. 3. Read a draft of a story aloud. Can you hear problems in the story that you could not see? 4. Save the work of writers whose voices appeal to you. Consider why you admire the voice of a particular writer. How is it like your voice? How is it different? In a piece of freewriting, imitate that voice. — Roy Peter Clark

I don't claim to be the best musician. If being the best means I earn the right to look down on people and critique their accomplishments in defense of my own, I don't ever want to be. People can say what they want about my music being 'banal' and my skill level 'competent,' and it will hurt my feelings (because despite what some believe, I do still have them), but I won't let it determine my self-worth. — Lindsey Stirling